2020 SCSBOA Professional Development Conference & Honor Groups
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2009 IEEE 70Th Vehicular Technology Conference Fall
2009 IEEE 70th Vehicular Technology Conference Fall (VTC 2009-Fall) Anchorage, Alaska, USA 20 – 23 September 2009 Pages 1-485 IEEE Catalog Number: CFP09VTF-PRT ISBN: 978-1-4244-2514-3 TABLE OF CONTENTS PORTABLE 2009 OPENING KEYNOTE SELF-ORGANIZING NETWORKS IN 3GPP LTE..........................................................................................................1 Seppo Hämäläinen 22W: ELECTRICAL DESIGN II NONINVASIVE CONTINUOUS BLOOD PRESSURE MEASUREMENT AND GPS POSITION MONITORING OF PATIENTS ..........................................................................................................................................3 Ondrej Krejcar, Zdenek Slanina, Jan Stambachr, Petr Silber And Robert Frischer NUMERICAL INVESTIGATION OF ALGORITHMS FOR MULTI-ANTENNA RADIOLOCATION ..............................................................................................................................................................8 Danko Antolovic WBAN MEETS WBAN: SMART MOBILE SPACE OVER WIRELESS BODY AREA NETWORKS.................... 13 Dae-Young Kim And Jinsung Cho AN ALGORITHM FOR SIMULTANEOUS RADIOLOCATION OF MULTIPLE SOURCES................................. 18 Danko Antolovic 2W: PHYSICAL DESIGN MICRO AND NANO ELECTRO MECHANICAL SYSTEMS (MEMS/NEMS) FOR MOBILE COMPUTING SYSTEMS .................................................................................................................................................. 23 M. Abdelmoneum, D. Browning, T. Arabi And Waleed Khalil BATTERY-SENSING INTRUSION PROTECTION SYSTEM -
2015 Regional Music Scholars Conference Abstracts Friday, March 27 Paper Session 1 1:00-3:05
2015 REGIONAL MUSIC SCHOLARS CONFERENCE A Joint Meeting of the Rocky Mountain Society for Music Theory (RMSMT), Society for Ethnomusicology, Southwest Chapter (SEMSW), and Rocky Mountain Chapter of the American Musicological Society (AMS-RMC) School of Music, Theatre, and Dance, Colorado State University March 27 and 28, 2015 ABSTRACTS FRIDAY, MARCH 27 PAPER SESSION 1 1:00-3:05— NEW APPROACHES TO FORM (RMSMT) Peter M. Mueller (University of Arizona) Connecting the Blocks: Formal Continuity in Stravinsky’s Sérénade en La Phrase structure and cadences did not expire with the suppression of common practice tonality. Joseph Straus points out the increased importance of thematic contrast to delineate sections of the sonata form in the beginning of the nineteenth century. Igor Stravinsky exploited other musical elements (texture, range, counterpoint, dynamics, etc.) to delineate sections in his neoclassical works. While theorists have introduced large-scale formal approaches to Stravinsky’s works (block juxtaposition, stratification, etc.), this paper presents an examination of smaller units to determine how they combine to form coherence within and between blocks. The four movements of the Sérénade present unique variations of phrase construction and continuity between sections. The absence of clear tonic/dominant relationships calls for alternative formal approaches to this piece. Techniques of encirclement, enharmonic ties, and rebarring reveal methods of closure. Staggering of phrases, cadences, and contrapuntal lines aid coherence to formal segments. By reversing the order of phrases in outer sections, Stravinsky provides symmetrical “bookends” to frame an entire movement. Many of these techniques help to identify traditional formal units, such as phrases, periods, and small ternary forms. -
Supporting Traditional Music-Making: Designing for Situated Discretion
Session: Ethnography in the Very Wild February 11-15, 2012, Seattle, WA, USA Supporting Traditional Music-Making: Designing for Situated Discretion Steve Benford, Peter Tolmie, Ahmed Y. Ahmed, Andy Crabtree, Tom Rodden Mixed Reality Laboratory & Horizon Centre for Digital Economy Research The University of Nottingham, Nottingham NG8 1BB, UK ABSTRACT subtle complexities of this etiquette have led to the An ethnographic study of Irish music sessions in pubs publication of „field guides‟ for beginners [13, 20]. elaborates the collaborative work involved in making A diverse range of interests in music, its practices, the traditional music. Central to this distinctive achievement is collaboration that goes on between musicians, and the the sequencing of tunes so that they hang together and sharing of music itself has evolved in recent years. This combine to form discrete „sets‟, which rely on a shared includes work on the design of new instruments for both knowledge of musical repertoires. Our study shows how expert and non-expert musicians [e.g., 5, 6, 21]; support for musicians develop this musical knowledge through the use musical coordination [e.g., 14, 23, 25] and improvisation of digital resources and social networks. It also reveals how [e.g., 7, 8, 9, 19, 29]; and for how people use, share, and musicians construct and make use of various paper props to synchronize music across a range of different social help bring their knowledge to bear in the actual in vivo settings [e.g., 3, 4, 12, 16, 26, 33]. Set against these is the course of a session so as to maintain the moral order of Irish music session, a vitally important feature of which is making music together in a demonstrably traditional way. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Interpretasi Penggemar Mengenai Skinship Yang Dilakukan Boyband
ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR ISI Halaman Judul Dalam 1 (Satu) .................................................................................... i Halaman Pernyataan Tidak Melakukan Plagiat .......................................................... ii Halaman Judul Dalam 2 (Dua) .................................................................................... iii Halaman Persembahan ................................................................................................ iv Halaman Persetujuan Pembimbing .............................................................................. v Halaman Pengesahan Panitia Penguji ......................................................................... vi Abstrak ....................................................................................................................... vii Kata Pengantar ............................................................................................................ ix Daftar Isi....................................................................................................................... x Daftar Gambar ........................................................................................................... xiii BAB I PENDAHULUAN .......................................................................................... I-1 1.1 Latar Belakang Masalah ........................................................................... I-1 1.2. Rumusan Masalah ................................................................................ -
INRL-EA14002-59965P.Pdf
EA14-002 HYUNDAI 8/21/2014 REQUEST 7 EA14-002 - Panoramic Sunroof Supplier Information PLATFORM GLASS SUPPLIER SUNROOF COMPONENT ASSEMBLY SUPPLIER MANUFACTURING PLANT Corp: GUARDIAN FRT Add: Guardian Industries Corp: Webasto DongHee KIA MOTORS Manufacturing Santa Fe Corp. Corp: SEJIN Add: 6, Cheoyongsanup-ro, GEORGIA, INC. Sport (AN) MOV 1000 Glasshouse Road Add: 1010, Hyomun-Dong, Onsan-eup, Ulju-gun, 7777 KIA Parkway West Jefferson Hills, PA Buk-Gu, Ulsan, KOREA Ulsan, KOREA Point, GA 31833 RR 15025, USA Floreffe Plant Corp: GUARDIAN Hyundai Motor Manufacturing Add: Guardian Industries Alabama, LLC Corp. Corp: SEJIN 700 Hyundai Boulevard, FRT 1000 Glasshouse Road Add: 1010, Hyomun-Dong, Montgomery, AL 36105 Jefferson Hills, PA Buk-Gu, Ulsan, KOREA 15025, USA Floreffe Sonata (YF) Plant Corp: KAC Corp: KCC MOV Add: 613, Shinjung-Ri, Add: 1-2, Bondu-ri, Jeoneui-Myun, Kanam-myun, Yunki-Kun, Yeoju-kun, Kyunggi-do, RR Chungcheongnam-Do, KOREA KOREA Corp: GUARDIAN Hyundai Motor Group Add: Guardian Industries 700,Yangjung-Dong,Buk-Ku Corp. Corp: SEJIN Ulsan, FRT 1000 Glasshouse Road Add: 1010, Hyomun-Dong, 683-791,Korea Jefferson Hills, PA Buk-Gu, Ulsan, KOREA 15025, USA Floreffe Plant Tucson (LM) Corp : Saint Gobain MOV Add : SAINT-GOBAIN GLASS FRANCE Corp : SEKURIT LES MIROIRS 18 AVENUE Add : 55 Soryong-dong, Gunsan, D’ALSACE Joellabuk-do, 573-400, Korea RR F-92096 LA DEFENSE CODEX FRANCE EA14-002 - Panoramic Sunroof Supplier Information PLATFORM GLASS SUPPLIER SUNROOF COMPONENT ASSEMBLY SUPPLIER MANUFACTURING PLANT Corp : Saint Gobain Corp: -
A Resource Pack for Key Stage 2
Jazz A resource pack for Key Stage 2 John Marley August 2018 Contents A brief introduction to Jazz 2 Notes on the resource pack 3 Meet the artist 4 Lesson Plan 1 - An introduction to the origins of Jazz 5 Lesson Plan 2 - An introduction to the Blues 6 Lesson Plan 3 - Learning about chords and the Major Scale 7 Lesson Plan 4 - Recognising common Jazz instruments and 9 learning about the Big Band Lesson Plan 5 - Examining common jazz instruments in more detail 11 Lesson Plan 6 - Recap of the course. Listening to current Jazz artists 13 Appendix 1 - Minims, Crotchets and Quavers 14 Appendix 2 - 12 Bar Blues in C 15 Appendix 3 - Listening list and resources 16 A brief introduction to Jazz The origins of jazz music can be found in the southern states of the USA and more accurately, in New Orleans. This city was the perfect breeding ground for jazz due to its role as a major shipping port. This brought many different cultures and therefore many styles of music to the area. Jazz is a combination of African and European cultures. In New Orleans, the rhythms of Africa fused with European harmony and instrumental technique to create a new genre. This development was gradual and over time, more cultures influenced the music. Rhythms from Latin America also play an important role in early jazz. The first jazz bands improvised in a polyphonic manner - each musician made up their part based on a set of chords and the melody line. This created a busy, yet sophisticated musical dialogue. -
School of Music 2016–2017
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2016–2017 School of Music 2016–2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Goff-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849. -
HYBE Corporation Buy (352820 KS ) (Initiate)
[Korea] Entertainment April 6, 2021 HYBE Corporation Buy (352820 KS ) (Initiate) Evolving into a major platform player TP: W340,000 Upside: 37.1% Mirae Asset Securities Co., Ltd. Jeong -yeob Park [email protected] Valuation and recommendation Initiate coverage with Buy and TP of W340,000 We derived our target market value of W13tr for HYBE Corporation (HYBE; formerly Big Hit Entertainment) by applying a P/E of 60x to our 2021-22F average net profit attributa ble to owners of the parent (W218.6bn). Our target multiple stems from our view of HYBE as the leading fan platform provider (with direct and indirect access to top global artists). Post-IPO, HYBE has traded at between 27x and 45x P/E (20% premium to the upper band of the three major domestic entertainment stocks). In our view, a re-rating is due. The company has expanded its artist portfolio through partnerships with Universal Music Group (UMG)/YG Entertainment and its 100% acquisition of Ithaca Holdings. This should allow it to further strengthen the market position of its platforms. Value of fan platform s to come Weverse/Weverse Shop: Millennials/Gen Z -driven platforms poised for exponential growth in into view profits and users In our view, the emergence of direct-to-fan platforms was inevitable, given the new normal of contactless interactions and the distinct content power/strong fan engagement of music. (Music channels account for 40% of YouTube traffic.) HYBE has brought platforms and labels into its fold at lightning speed, creating a sizable lead over potential competition in terms of technology and content. -
Grammy® Awards 2018
60th Annual Grammy Awards - 2018 Record Of The Year Childish Gambino $13.98 Awaken My Love. Glassnote Records GN 20902 UPC: 810599021405 Contents: Me and Your Mama -- Have Some Love -- Boogieman -- Zombies -- Riot -- Redbone -- California -- Terrified -- Baby Boy -- The Night Me and Your Mama Met -- Stand Tall. http://www.tfront.com/p-449560-awaken-my-love.aspx Luis Fonsi $20.98 Despacito & Mis Grandes Exitos. Universal Records UNIV 5378012 UPC: 600753780121 Contents: Despacito -- Despacito (Remix) [Feat. Justin Bieber] -- Wave Your Flag [Feat. Luis Fonsi] -- Corazón en la Maleta -- Llegaste TÚ [Feat. Juan Luis Guerra] -- Tentación -- Explícame -- http://www.tfront.com/p-449563-despacito-mis-grandes-exitos.aspx Jay-Z. $13.98 4:44. Roc Nation Records ROCN B002718402 UPC: 854242007583 Contents: Kill Jay-Z -- The Story of O.J -- Smile -- Caught Their Eyes -- (4:44) -- Family Feud -- Bam -- Moonlight -- Marcy Me -- Legacy. http://www.tfront.com/p-449562-444.aspx Kendrick Lamar $13.98 Damn [Explicit Content]. Aftermath / Interscope Records AFTM B002671602 UPC: 602557611755 OCLC Number: 991298519 http://www.tfront.com/p-435550-damn-explicit-content.aspx Bruno Mars $18.98 24k Magic. Atlantic Records ATL 558305 UPC: 075678662737 http://www.tfront.com/p-449564-24k-magic.aspx Theodore Front Musical Literature, Inc. ● 26362 Ruether Avenue ● Santa Clarita CA 91350-2990 USA Tel: (661) 250-7189 Toll-Free: (844) 350-7189 Fax: (661) 250-7195 ● [email protected] ● www.tfront.com - 1 - 60th Annual Grammy Awards - 2018 Album Of The Year Childish Gambino $13.98 Awaken My Love. Glassnote Records GN 20902 UPC: 810599021405 Contents: Me and Your Mama -- Have Some Love -- Boogieman -- Zombies -- Riot -- Redbone -- California -- Terrified -- Baby Boy -- The Night Me and Your Mama Met -- Stand Tall. -
Mick Woods Tribute
Leitrim Guardian 2 0 0 4 Mick Woods A Musicianers’ Musicianer Charlie McGettigan They say around Leitrim that there are musicianers house. He recalls also listen- but then there are musicianers’ musicianers. ing to the music of John A musicianers’ musicianer is someone who is highly McKenna and Michael Cole- regarded by his peers for his ability with his chosen man on old seventy eight instrument and is usually a very adept musicianer records sent home from indeed. Mick Woods is one of that rare breed of America and these records musicianer that is both admired by his peers and contained tunes he was to the public at large. He is a musician of high master himself in later years. integrity who is equally proficient in the Irish traditional, classical and the Jazz idioms. A quiet His first tin whistle, a unassuming man, he is, sadly, one of a diminishing Clarke’s D, was given to him number of the old style ’pros’ left on the circuit but as a Christmas present by his thankfully is still a strong force in Irish music. teacher Mrs McRann, who was actually his aunt, when she realised that an aca- demic career was not likely HUMBLE BEGINNINGS for Mick. She used to say Born on 1st May 1928 in Cornacrannaghy, just out- that if the sums had airs, Mick Woods in 2003 side Drumshanbo, second youngest in a family of Mick might have been better E A R LY RECOGNITION & seven, Mick Woods heard his first tunes from the at the mathematics. He quickly thought himself MICK’S FIRST FLUTE musicians who were regular visitors to his home tunes on the tin whistle and soon Mrs McRann In 1936, when he was about eight years of age, in the evenings when he was just a small child. -
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BAB III METODOLOGI PENELITIAN A. Metode dan Desain Penelitian Penelitian ini menggunakan metode deskriptif. Metode deskriptif melakukan analisis hanya pada taraf deskripsi yaitu menganalisis dan menyajikan fakta secara sistematik sehingga dapat lebih mudah dipahami dan disimpulkan (Dharminto, 2007: 6). Metode deskriptif dipilih untuk mendeskripsikan data-data penelitian. Data penelitian ini adalah sebuah cerpen fanfiction comedy. Dengan menggunakan metode deskriptif akan dideskripsikan berbagai tuturan yang terkandung dalam cerpen fanfiction comedy. Tuturan yang akan dianalisis merupakan tuturan yang berisi sesuatu yang lucu dan menghibur. Penelitian ini menggunakan pendekatan fungsional. Pendekatan fungsional menempatkan manusia sebagai penutur. Selain itu juga memasukkan berbagai unsur lain di luar bahasa. Dalam penelitian ini akan diungkapkan berbagai tuturan yang menghibur dalam cerpen fanfiction comedy. Akan diungkap juga berbagai respon pembaca terhadap cerpen fanfiction comedy, umumnya bagi para orang yang menyukai kpop. B. Populasi dan Sampel Sumber data untuk penelitian ini adalah cerpen fanfiction. Cerpen fanfiction tersebut diambil dari sebuah blog yang sudah terkenal di kalangan remaja khususnya yang suka membaca cerpen fanfiction. Blog tersebut adalah Fanfiction2020. Blog ini merupakan blog khusus untuk cerpen fanfiction berbagai genre termasuk cerpen fanfiction comedy. Sampai saat ini blog yang sangat digemari remaja itu masih aktif memposting berbagai cerpen fanfiction, termasuk cerpen fanfiction comedy. Pembacanya sudah sangat banyak juga disertai dengan berbagai komentar yang beragam. Kebanyakan dari pembaca cerpen fanfiction tersebut berkomentar positif serta menyukai cerita yang disajikan. 26 Risna Desiana Sahman, 2014 Variasi Bahasa Humor dalam Kumpulan Cerpen Fanfiction Comedy Universitas Pendidikan Indonesia | repository.upi.edu | 27 Tidak semua cerpen fanfiction yang ada dalam blog tersebut dianalisis dalam penelitian ini. Hanya yang bergenre comedy saja yang dianalisis.