YORK UNIVERSITY ARCHIVES and SPECIAL COLLECTIONS Inventory
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COMPTES RENDUS the Life and Times of Dalton Camp
James Ferrabee COMPTES RENDUS The life and times of Dalton Camp Geoffrey Stevens, The Player: The Life and Times of Dalton Camp, Toronto, Key Porter Books, 2003. Review by James Ferrabee n the mid-1950s there was little dian politics on the provincial and For the next 30 years he was an observ- hope a Conservative Government federal scene. er rather than a participant, turning to I would or could be elected in In all, Camp watched over and writing columns for the Toronto Star Ottawa. By 1955, the Liberals had directed 28 elections. His helped create and participating in debates about pol- ruled with little effective opposition and fertilize several Tory dynasties on itics on TV, radio and in public debates. for 20 years. It felt like 40 years. Who the provincial scene, including Robert He was, in short, “a player” which is was going to stop them? Stanfield’s in Nova Scotia (11 years), also the title of Geoffrey Stevens superbly At universities, Canadian history Richard Hatfield’s in New Brunswick (16 researched and cogently written biogra- texts read like a slightly revised ver- years), William Davis’ in Ontario (14 phy of Camp. Not everyone, including sion of the history of the Liberal Party. years) and Duff Roblin’s in Manitoba (11 many who were deeply involved in poli- No one found that strange. The pre- years). He helped direct John Diefenbak- tics in the 1960s and 1970s, will want to eminent historian was A.R.M. Lower er’s campaigns in 1957, 1958, 1962 and read it. -
War on the Air: CBC-TV and Canada's Military, 1952-1992 by Mallory
War on the Air: CBC-TV and Canada’s Military, 19521992 by Mallory Schwartz Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in History Department of History Faculty of Arts University of Ottawa © Mallory Schwartz, Ottawa, Canada, 2014 ii Abstract War on the Air: CBC-TV and Canada‘s Military, 19521992 Author: Mallory Schwartz Supervisor: Jeffrey A. Keshen From the earliest days of English-language Canadian Broadcasting Corporation television (CBC-TV), the military has been regularly featured on the news, public affairs, documentary, and drama programs. Little has been done to study these programs, despite calls for more research and many decades of work on the methods for the historical analysis of television. In addressing this gap, this thesis explores: how media representations of the military on CBC-TV (commemorative, history, public affairs and news programs) changed over time; what accounted for those changes; what they revealed about CBC-TV; and what they suggested about the way the military and its relationship with CBC-TV evolved. Through a material culture analysis of 245 programs/series about the Canadian military, veterans and defence issues that aired on CBC-TV over a 40-year period, beginning with its establishment in 1952, this thesis argues that the conditions surrounding each production were affected by a variety of factors, namely: (1) technology; (2) foreign broadcasters; (3) foreign sources of news; (4) the influence -
Proquest Dissertations
Library and Archives Bibliotheque et l+M Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-54229-3 Our file Notre reference ISBN: 978-0-494-54229-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission. In compliance with the Canadian Conformement a la loi canadienne sur la Privacy Act some supporting forms protection de la vie privee, quelques may have been removed from this formulaires secondaires ont ete enleves de thesis. -
February 13 , 2003 •
formerly the trent report 13 feb. 2003 focusYour connection to news at Canada’s Outstanding Small University trent innews the Trent English Prof. a cosmic Geoffrey Eathorne combination was quoted in a January 18 Globe and Mail world’s beauty through images article about the Bloomsbury she captures on film. “Your val- era and its effect on current ues become entrenched after you style trends. fly in space,” Dr. Bondar explains. “I was already environment- In a minded and came back from January space with a clear sense of pur- 23 pose.” Toronto A quote from Passionate Vision, Star arti- a beautiful book of Dr. Bondar’s cle that photography that focuses on docu- Canada’s national parks, explains mented her viewpoint further. She writes: applications to nursing pro- “For a brief moment, I lived grams in Canada for fall, beyond Earth, ceasing to exist on 2003, Trent’s B.Sc.N. program land or sea. Space isolated me was noted. The rise in nursing from Earth’s complex, beautiful applications was cited as and precious life, leaving me good news for the profession with only faint memories of bird- and the health care system. song, splashing water, warm scented plants. My photographs Dr. Chris Metcalfe was fea- are of a land that protects this tured in a Feb. 9 CTV televi- fragile beauty. This is the passion sion segment that looked at of my vision.” She also writes: pharmaceutical drug traces in “No two people are alike, so no drinking water. This was also two space experiences can be the focus of a front page Globe alike; but my flight left me with a and Mail article on Monday, whole new view of my science, Feb. -
Sept10.Qxd:BD 19/08/2010 17:42 Page 1
BD.Sept10.qxd:BD 19/08/2010 17:42 Page 1 BROADCAST DialogueDialogueThe Voice of Broadcasting in Canada SEPTEMBER 2010 $4.95 The transition to digital TV Just one year left Taking it to the streets A sad day for radio PUBLICATION MAIL AGREEMENT #40027710 BD.Sept10.qxd:BD 19/08/2010 17:42 Page 2 The Optimod Advantage: New Product / New Price INTRODUCING THE WORLD'S INDUSTRY STANDARD IN AUDIO PROCESSING OPTIMOD-FM 8600 is Orban's flagship processor and the next step beyond the OPTIMOD-FM 8500. Featuring versatile five-band and two-band processing for both analog FM transmission and digital media, the 8600 provides the industry's most consistent sound, track-to-track and source-to-source. This consistency allows you to create a sonic signature for your station with the assurance that your signature will stay locked in, uniquely branding your sound. 8600 OtGI TA ! AUDIO psrocnso.1 -, ~~~.•- 'i ._ ( l l' TI M()I ) -~ SOUND AT THE MOST AFFORDABLE PRICE EVER -FM 5500 puts coveted five-band and two-band OPTIMOD rack unit package and brings it to you at the most ·-...·-,- -<..0.0 replaces OPTI MOD-FM 5300 and 2300, offering ' "'""'' n . ni::.orf:P..,iS rs in a new, cool-running package. Ontario and East 905•780•0693 www.sbrf.ca Quebec Head Office 450•627•0854 Western Canada 403•984•7560 BD.Sept10.qxd:BD 19/08/2010 17:42 Page 3 CONTENTS 6 COVER STORY THE TRANSITION TO DIGITAL TV Just one year left 6 FEATURE ARTICLES 17 TAKING IT TO THE STREETS Murray Johnson 13 NOT FOR THE FAINT OF HEART Celese Fletcher 17 PICTURES FROM THE WESTERN ASSOCIATION OF -
Backstage Tales at the CBC
Cue the Elephant! Backstage Tales at the CBC By Gerald Pratley Spring 1997 Issue of KINEMA BY an interesting co-incidence, on taking up Knowlton Nash’s Cue the Elephant!, the pages fell open at the story of Norman Jewison’s difficulties with General Electric when it objected to his ”sexy and impudent” shows and his decision to use writer Reuben Ship, who had been blacklisted in the US as a communist. The CBC should never be at the mercy of sponsors and their hucksters -- as it so frequently has been and still is! Nash’s book is what it claims to be: Backstage Tales at the CBC. His previous work, The Microphone Wars (1994) was his history of the Corporation. The new book is about the artists and celebrities, from John Drainie to the Happy Gang and on to The Royal Canadian Air Farce, who brought CBC radio and television to life and became its bright personalities and stars. The younger generation of today will never have heard of most of them, but should know of them, while the older generation will remember and recall them with pleasure. It’s surprising and encouraging to see how many of the famous, and the not so well-known, are still at work, who remained in Canada (not that one can blame those who left) and gave us characters, voices, expressions and a sense of place that we recognised and remember as being our way of communicating with each other through our radio and television. Some of their backstage stories were funny when they happened, and funnier when told over the years among each other with the natural exaggerations which come with twice-told tales, but others are not terribly witty or insightful and have tired with the passing of time and repetition. -
20 Years of Inspiration
20 years of inspiration The arts engage and inspire us 20 years of inspiration National Arts Centre | Ottawa | May 5, 2012 20 years of inspiration Welcome to the 20th anniversary Governor General’s In 2007 the National Film Board of Canada (NFB) Performing Arts Awards Gala! joined the Awards Foundation as a creative partner, and agreed to produce a short film about each Award The Governor General’s Performing Arts Awards recipient (beginning with the 2008 laureates). After (GGPAA) were created in 1992 under the patronage of the late Right Honourable Ramon John Hnatyshyn premiering at the GGPAA Gala, these original and (1934–2002), 24th Governor General of Canada, engaging films are made available to all Canadians and his wife Gerda. on the Web and in a variety of digital formats. The idea for the GGPAA goes back to the late 2008 marked the launch of the GGPAA Mentorship 1980s and a discussion between Peter Herrndorf Program, a unique partnership between the Awards (now President and CEO of the National Arts Centre) Foundation and the National Arts Centre that pairs and entertainment industry executive Brian Robertson, a past award recipient with a talented artist in both of whom were involved at the time with the mid-career. (See page 34.) Toronto Arts Awards Foundation. When they “The Governor General’s Performing Arts Awards approached Governor General Hnatyshyn with are the highest tribute we can offer Canadian artists,” their proposal for a national performing arts awards said Judith LaRocque, former Deputy Minister of program, they received his enthusiastic support. Canadian Heritage and former Secretary to the “He became a tremendous fan of the artists receiving Governor General, in an interview on the occasion the awards each year, the perfect cheerleader in the of the 15th anniversary of the Awards. -
ACTRA's John Drainie Award for Distinguished Contribution to Broadcasting
ACTRA’s John Drainie Award for Distinguished Contribution to Broadcasting ACTRA’s John Drainie Award is presented annually to a person who has made a distinguished contribution to Canadian broadcasting. In 1966, John Drainie, one of Canada’s most celebrated and well known actors, died at the age of 50. Two years later ACTRA established the annual award to commemorate one of its best-loved members. The Drainie Award recipient is selected annually by a jury comprised of previous recipients who consider suggestions put forth by ACTRA members. The 2004 Award will be presented at the Banff Television Festival’s Tribute! Night in June. The recipient will be presented with a bronze medal portrait of John Drainie created by renowned Canadian sculptor and medallist Dora de Pedery-Hunt. Past recipients of the John Drainie Award are: 1968 Esse Ljungh, W.O. Mitchell, 1986 Bernard Cowan, Pat Patterson Tommy Tweed, Jean Murray 1987 Ross McLean (posthumously) 1969 Andrew Allan 1988 Davidson Dunton (posthumously) 1970 Harry J. Boyle 1989 Peter Gzowski 1971 Lister Sinclair 1990 Allan S. McFee 1972 Graham Spry 1992 Gordon Pinsent 1973 Rupert Caplan 1993 Barbara Frum (posthumously) 1974 Len Peterson 1994 Max Ferguson 1975 Robert Weaver 1995 Knowlton Nash 1976 Jane Mallett 1996 Dodi Robb 1977 John Reeves 1997 Joe Schlesinger 1978 Johnny Wayne & Frank Shuster 1998 Peter Herrndorf 1979 Ruth Springford 1998 Bernie Lucht 1980 Norman Campbell 1999 Pierre Berton 1981 Frances Hyland 2000 Shelagh Rogers 1982 Mavor Moore 2002 David Suzuki 1983 Lucio Agostini 2003 Jim Murray 1984 Robert Christie 1985 Fred Diehl ACTRA’s John Drainie Award is no longer presented posthumously. -
Peter Trower Fonds
Peter Trower fonds In Special Collections, Simon Fraser University Library Finding aid prepared by Melanie Hardbattle, January 2007 TABLE OF CONTENTS Fonds Description………………………………………………………. 5 Series Descriptions: Correspondence series………………………………………………… 9 Journals and calendars series………………………………………… 10 Notebooks series……………………………………………………….. 11 Prose – Published books series………………………………………. 12 Grogan’s Café sub-series………………………………………. 12 Dead Man’s Ticket sub-series………………………………….. 12 The Judas Hills sub-series……………………………………… 12 Prose – Unpublished books series……………………………………. 13 Bastions and Beaver Pelts sub-series………………………... 13 The Counting House sub-series………………………………. 13 Gangsterquest sub-series……………………………………… 13 General sub-series……………………………………………… 14 Prose – Articles, short stories and related material series…………. 15 General sub-series…………………………………………….. 15 Chronological files sub-series………………………………… 15 Coast News articles, reviews and poems sub-series………. 16 Poetry – Published books series……………………………………… 17 Poems for a Dark Sunday sub-series………………………… 17 Moving Through the Mystery sub-series……………………... 17 Between the Sky and the Splinters sub-series………………. 17 Ragged Horizons sub-series…………………………………... 18 Bush poems sub-series………………………………………… 18 Unmarked Doorways sub-series……………………………… 18 Hitting the Bricks sub-series…………………………………… 18 Chainsaws in the Cathedral sub-series………………………. 18 A Ship Called Destiny sub-series……………………………... 19 There Are Many Ways sub-series…………………………….. 19 Haunted Hills and Hanging Valleys sub-series……………… -
Sight & Sound I
,. .«- W; 4}re.:: News from Advertising Avenue I About Radio and Television .. SIGHT & SOUND Accounts, Stations and People CANADIAN WESTINGHOUSE Co. NEWCOMER TO THE Rothman/ River areas with a total circulation Kraft Foods Ltd. account. He also Ltd. returns to network television Rock City account group at F. H. in excess of 40,000 homes and has several years experience in de- this fall after a three-year absence Hayhurst Ltd. is Evan Crandall, who 247,000 people. The group will partment store marketing. with a series of hour-long docu- has been an account executive with operate on a combined rate card and mentaries on the CBC English and Stanfield, Johnson & Hill Ltd. for feels that the package - which in- French TV networks. The programs, the past three and a half years. cludes 21 TV stations, counting THE BUREAU of Broadcast Mea- six on the English web and four on Crandall will act as assistant account repeaters, in these fast-growing areas surement reports several new mem- the French net, will be called Cana- executive, working with account of the province - will become the bers, CKSL London, CHLO St. dian Westinghouse Presents. The execs David MacLeod and David second buy in the B.C. market. Thomas, CJCA Edmonton, CKCY documentaries were produced by Woodhouse. No replacement has The Prince George and Kamloops Sault Ste. Marie, CKRD Red Deer, Wolper Productions Inc. in the U.S. been named as yet for John Coleman. stations are presently represented by CJNR Blind River, CFDR Dart- and include The Rise and Fall of All -Canada Radio & Television Ltd. -
Manitoulin Heritage Regions Project
MANITOULIN HERITAGE REGIONS PROJECT A PROSPECTUS FOR PHASE II 1992 -1995 MANITOULIN HERITAGE REGIONS PROJECT A PROSPECTUS FOR PHASE H 1992 -1995 For more information, contact: HEMTAGE CANADA 306 Metcalfe Street, Ottawa, Ontario Canada K2P1S2 613-237-1066 Fax: 613-237-5987 EXECUTIVE SUMMARY The Heritage Regions Program was launched by Heritage Canada in 1988. It is a national program dedicated to the establishment of a countrywide network of distinctive areas. The network is created through agreements between the residents of these areas, supporting agencies, and Heritage Canada. Manitoulin Heritage Regions Project is one of two two projects were launched in 1989 in Ontario as part of the Heritage Regions network. The projects are Lanark County (eastern Ontario) and Manitoulin Island (northern Ontario). These two regions were undertaken as three year demonstration projects from 1989 to 1991. During Phase I, they were sponsored by Heritage Canada, with the financial assistance of the local communities, and the federal and provincial governments under the Canada-Ontario Cultural Agree- ment. The Manitoulin Heritage Regions Project has accomplished substan- tial achievements during Phase I involving community development, cooperative marketing, tourism, heritage awareness, and volunteer management. Highlighted among the achievements over the past three years are: • more than 11,500 hours of volunteer time by Board members was dedicated to the protection, enhancement, and promotion of the regions' heritage; • more than 20 hours of television -
Witness to Medically-Assisted Dying in Canada: a Counselling and Psychotherapy Perspective
Running head: WITNESS TO MEDICALLY-ASSSISTED DYING IN CANADA 1 Witness to Medically-Assisted Dying in Canada: A Counselling and Psychotherapy Perspective Charles D. Walsh May 11, 2018 Winnipeg, Manitoba CCPA Annual Conference May 10-13, 2018 WITNESS TO MEDICALLY-ASSSISTED DYING IN CANADA 2 The following is adapted from a presentation delivered in Winnipeg on May 11, 2018, during the Canadian Counselling and Psychotherapy Association 2018 Annual Conference. Witness to Medically-Assisted Dying in Canada: A Counselling and Psychotherapy Perspective I certainly appreciate the opportunity to speak with you today, and I’m delighted to deliver this talk during the Canadian Hospice Palliative Care Association’s National Hospice Palliative Care Week – serendipity for sure. In recognition of the Winnipeg Jets fantastic season, I’ve broken down the talk into three periods. Introduction In way of introduction, I would like to assert the following in relation to the arrival of medical assistance in dying in the Canadian context: First – It Didn’t Emerge in Isolation Medically-assisted dying in Canada, as elsewhere, didn’t come to pass in isolation and can rather be understood as part of an international, and more particularly cross-border, initiative heavily influenced by and occurring alongside the United States, and can be seen to precede the introduction of physician-assisted dying in the U.S., at least as it became part of the Canadian national consciousness through the Supreme Court of Canada’s 1993 decision in Rodriguez v. British Columbia (a landmark decision where the prohibition of assisting in a suicide was challenged as contrary to the Canadian Charter of Rights and Freedoms by Sue Rodriguez, who was terminally ill).