Knowlton Nash Fonds Inventory #520
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Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police
Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police by Bonnie Reilly Schmidt M.A. (History), Simon Fraser University, 2006 B.A., University of the Fraser Valley, 2004 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History Faculty of Arts and Social Sciences Bonnie Reilly Schmidt 2013 SIMON FRASER UNIVERSITY Fall 2013 Approval Name: Bonnie Reilly Schmidt Degree: Doctor of Philosophy (History) Title of Thesis: Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police Examining Committee: Chair: Jeremy Brown Assistant Professor of History Willeen Keough Senior Supervisor Associate Professor of History Mark Leier Supervisor Professor of History Elise Chenier Supervisor Associate Professor of History Lara Campbell Internal/External Examiner Associate Professor of Gender, Sexuality, and Women’s Studies Jane Nicholas External Examiner Associate Professor Department of Women’s Studies Lakehead University Date Defended/Approved: October 28, 2013 ii Partial Copyright Licence iii Ethics Statement iv Abstract The arrival of women in the Royal Canadian Mounted Police (RCMP) in the mid-1970s disrupted the masculine image of a police force that was intimately connected to idealized Canadian manhood and the formation of the nation. Yet, women have been noticeably absent from the historical record of the RCMP, allowing the figure of the heroic male Mountie to continue his dominance in official, academic, and popular histories. Central to these discourses has been the male police body which has been positioned as the only body capable of enforcing the law in Canada. -
BU's NEW CHANCELLOR
SPRING 2013 BRANDON UNIVERSITY ALUMNI NEWS BUILD Brandon University Innovation | Leadership | Development HONORARY DEGREE Lloyd Robertson HOMECOMING 2013 October 18-20 MICHAEL DECTER BU’s NEW CHANCELLOR Future Alumni Greg Monias, 3rd-Year Music Performance Student Serious Illness. Critical Coverage. Brandon University If serious illness interrupts your life, don’t let worries about money get in your way of getting better. Critical Illness Insurance DEGREE FRAMES provides a tax-free cash payment to spend any way you need. are available for purchase through Critical Illness Insurance For a personalized quotation or to apply online, please visit us at: the Alumni Association Office. To solutionsinsurance.com/brandon 1.800.266.5667 view the many different styles go to www.brandonu.ca/alumni/frames . SPRING 2013 ALUMNI NEWS CONTENTS Editor Carla Eisler • [email protected] Writers Carla Eisler, Glen Kirby, Dr. Deborah Poff Photographers Alex Beshara, CTV News, Erocphotog, Frazer Studios, Keywest Photo, Glen Kirby, Matt Packwood, University of Alberta Athletics Graphic Design Innovative Media + Marketing, Brandon, Manitoba Printing Leech Printing Ltd., Brandon, Manitoba This magazine was printed on FSC Certified stock at Leech Printing Ltd., a Forest Stewardship Council (FSC) chain of custody certified printer. For more information visit www.fsc.org. Feedback [email protected] Advertising 204-727-9762 or [email protected] Send us your stories! A close-knit and friendly place, Brandon University (BU) has inspired a multitude of heart-warming stories. As alumni, you undoubtedly have much to tell about the relationships that you developed while at BU. Was it the meeting ground for you and your spouse, a business partner or a great friend? Perhaps you developed a lifelong mentorship with a special faculty member? Honorary Doctorate: If you have any suggestions or know of an outstanding alumna/alumnus you believe should be Lloyd Robertson featured in Alumni News, please contact the Alumni Office. -
Cdnddldn Film
CdndDldn FILm Major developments The result was a law virtually re funds to acquire rights and for prelimi It has been a period ofgrea t activity since written, although much the same in con nary expenses, without having a first we last spoke together. Behind the tent and conseque nce. And o n June 12th draft o r a commitment for definite pro scenes. that is - certainly not in front of th e bill receiv ed Second reading, with a duction. Twenty-five scripts are possi the cameras. But hi story moves o n , so te ntative third reading the fo llowing ble for funding under the budget allotted. let ' s recount a small but significant po r week. Changes inc lude all o wingall film s Meanwhile, up to Ottawa. A series of tion of it. News arrived from across the permissio n to be shown without prior CRTC hearings took place that will have Great Pond, Montreal. Toronto and a pproval beyond cla ssific ation. There incredible effect on all Canadian media even Ottawa. fore it 's up to local police to charge obs especially television and film . Th~ From all reports , including those cenity. But the Film Institute can reduce CRTC received briefs and is examining e lsew he re in thi s issue . Canada's efforts ads to title and directo r, warn patrons Cable. Back in 1970, Juneau warned that at Cannes this May proved to be a re through screen blurbs , and info rm the proliferation of cable would hurt Cana sounding success. Michel Brault shared public about the nature of the film. -
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8 8 BOOK REVIEWS thus far conceived its political and critical project in rather limited, and increasingly unproductive, terms. Reviewed by: William Straw Carlton University Foundations, Alan Plaunt and The Early Days of CBC Radio Michael Nolan CBC Enterprises, 1986 Toronto, Ontario This book is very aptly named, for it was Alan Plaunt, more than any other individual, who set the philosophical and organizational foundations of the CBC and its progenitor, the Canadian Radio Broadcasting Commission. Plaunt's pivotal role in the genesis of public broadcasting in Canada was initially set out by Michael Nolan as his doctoral study for the University of Western Ontario where today Nolan teaches at the Graduate School of Journalism. CBC Enterprises published Nolan's work along with several other books in the fall of 1986 in celebration of CBC1s 50 years of public broadcasting service. The 162 page narrative is enhanced by its thorough footnoting and seven pages of reference sources on Canadian broadcasting history. Nolan's study is particularly detailed with regard to Plauntls English-French family background, his education, (straight Cs at the University of Toronto and only third class honours at Oxford), his politics, his friends, the forces that shaped his beliefs, the several causes he gave his energies to, his contradictory personality, and his extraordinary organizational skills. During his two years at Oxford (1927-291, Plaunt was a keen observer of the BBC in its first decade under the dominating leadership BOOK REVIEWS 89 of John Reith. Plaunt became a believer in Reith's approach to state-owned development of radio with its underlying philosophy that broadcasting's public service potential was too great to permit it to become a commercially oriented mass medium. -
War on the Air: CBC-TV and Canada's Military, 1952-1992 by Mallory
War on the Air: CBC-TV and Canada’s Military, 19521992 by Mallory Schwartz Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in History Department of History Faculty of Arts University of Ottawa © Mallory Schwartz, Ottawa, Canada, 2014 ii Abstract War on the Air: CBC-TV and Canada‘s Military, 19521992 Author: Mallory Schwartz Supervisor: Jeffrey A. Keshen From the earliest days of English-language Canadian Broadcasting Corporation television (CBC-TV), the military has been regularly featured on the news, public affairs, documentary, and drama programs. Little has been done to study these programs, despite calls for more research and many decades of work on the methods for the historical analysis of television. In addressing this gap, this thesis explores: how media representations of the military on CBC-TV (commemorative, history, public affairs and news programs) changed over time; what accounted for those changes; what they revealed about CBC-TV; and what they suggested about the way the military and its relationship with CBC-TV evolved. Through a material culture analysis of 245 programs/series about the Canadian military, veterans and defence issues that aired on CBC-TV over a 40-year period, beginning with its establishment in 1952, this thesis argues that the conditions surrounding each production were affected by a variety of factors, namely: (1) technology; (2) foreign broadcasters; (3) foreign sources of news; (4) the influence -
Proquest Dissertations
Library and Archives Bibliotheque et l+M Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-54229-3 Our file Notre reference ISBN: 978-0-494-54229-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission. In compliance with the Canadian Conformement a la loi canadienne sur la Privacy Act some supporting forms protection de la vie privee, quelques may have been removed from this formulaires secondaires ont ete enleves de thesis. -
20-0809-1707+ PD E (Pdf)
CANADIAN BROADCAST STANDARDS COUNCIL ATLANTIC REGIONAL PANEL CJCH-TV, CKCW-TV & ASN re “Save Local TV” campaign (CBSC Decision 08/09-1707+) Decided January 12, 2010 B. Jones (Vice-Chair), R. Cohen (ad hoc), K. Hicks, B. MacEachern, R. McKeen, T.-M. Wiseman and CANADIAN BROADCAST STANDARDS COUNCIL ONTARIO REGIONAL PANEL CJOH-TV, CKCO-TV, CFTO-TV & CKVR-TV re “Save Local TV” campaign (CBSC Decision 08/09-1748+) Decided April 1, 2010 R. Cohen (ad hoc), M. Hamilton, J. David, G. Phelan (ad hoc) THE FACTS This decision deals with separate broadcasts on television outlets owned by CTVglobemedia, which took place in the Atlantic and Ontario Regions. Since the broadcasts fell under the jurisdiction of different CBSC Panels, they were destined to be treated separately. Although the challenged content of the various broadcasts was different, the underlying reasoning was common to both adjudications and, in addition to an individual complainant about an Atlantic CTV station, there was a group complainant 2 filing a single document covering both Atlantic and Ontario CTV station broadcasts. In the circumstances, although the Panel adjudications were held separately, the two Panels agreed that their decisions should be issued in a single document. Throughout 2009, factions of the Canadian broadcasting industry were debating an issue familiarly known as fee-for-carriage (and referred to in that way at material moments in all of the challenged broadcasts dealt with herein). The issue was also subsumed by the Canadian Radio-television and Telecommunications Commission (CRTC) as a part of its determinations listed immediately below under their terminological choice, value-for-signal. -
The Waffle, the New Democratic Party, and Canada's New Left During the Long Sixties
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-13-2019 1:00 PM 'To Waffleo t the Left:' The Waffle, the New Democratic Party, and Canada's New Left during the Long Sixties David G. Blocker The University of Western Ontario Supervisor Fleming, Keith The University of Western Ontario Graduate Program in History A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © David G. Blocker 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Canadian History Commons Recommended Citation Blocker, David G., "'To Waffleo t the Left:' The Waffle, the New Democratic Party, and Canada's New Left during the Long Sixties" (2019). Electronic Thesis and Dissertation Repository. 6554. https://ir.lib.uwo.ca/etd/6554 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. i Abstract The Sixties were time of conflict and change in Canada and beyond. Radical social movements and countercultures challenged the conservatism of the preceding decade, rejected traditional forms of politics, and demanded an alternative based on the principles of social justice, individual freedom and an end to oppression on all fronts. Yet in Canada a unique political movement emerged which embraced these principles but proposed that New Left social movements – the student and anti-war movements, the women’s liberation movement and Canadian nationalists – could bring about radical political change not only through street protests and sit-ins, but also through participation in electoral politics. -
Sept10.Qxd:BD 19/08/2010 17:42 Page 1
BD.Sept10.qxd:BD 19/08/2010 17:42 Page 1 BROADCAST DialogueDialogueThe Voice of Broadcasting in Canada SEPTEMBER 2010 $4.95 The transition to digital TV Just one year left Taking it to the streets A sad day for radio PUBLICATION MAIL AGREEMENT #40027710 BD.Sept10.qxd:BD 19/08/2010 17:42 Page 2 The Optimod Advantage: New Product / New Price INTRODUCING THE WORLD'S INDUSTRY STANDARD IN AUDIO PROCESSING OPTIMOD-FM 8600 is Orban's flagship processor and the next step beyond the OPTIMOD-FM 8500. Featuring versatile five-band and two-band processing for both analog FM transmission and digital media, the 8600 provides the industry's most consistent sound, track-to-track and source-to-source. This consistency allows you to create a sonic signature for your station with the assurance that your signature will stay locked in, uniquely branding your sound. 8600 OtGI TA ! AUDIO psrocnso.1 -, ~~~.•- 'i ._ ( l l' TI M()I ) -~ SOUND AT THE MOST AFFORDABLE PRICE EVER -FM 5500 puts coveted five-band and two-band OPTIMOD rack unit package and brings it to you at the most ·-...·-,- -<..0.0 replaces OPTI MOD-FM 5300 and 2300, offering ' "'""'' n . ni::.orf:P..,iS rs in a new, cool-running package. Ontario and East 905•780•0693 www.sbrf.ca Quebec Head Office 450•627•0854 Western Canada 403•984•7560 BD.Sept10.qxd:BD 19/08/2010 17:42 Page 3 CONTENTS 6 COVER STORY THE TRANSITION TO DIGITAL TV Just one year left 6 FEATURE ARTICLES 17 TAKING IT TO THE STREETS Murray Johnson 13 NOT FOR THE FAINT OF HEART Celese Fletcher 17 PICTURES FROM THE WESTERN ASSOCIATION OF -
Backstage Tales at the CBC
Cue the Elephant! Backstage Tales at the CBC By Gerald Pratley Spring 1997 Issue of KINEMA BY an interesting co-incidence, on taking up Knowlton Nash’s Cue the Elephant!, the pages fell open at the story of Norman Jewison’s difficulties with General Electric when it objected to his ”sexy and impudent” shows and his decision to use writer Reuben Ship, who had been blacklisted in the US as a communist. The CBC should never be at the mercy of sponsors and their hucksters -- as it so frequently has been and still is! Nash’s book is what it claims to be: Backstage Tales at the CBC. His previous work, The Microphone Wars (1994) was his history of the Corporation. The new book is about the artists and celebrities, from John Drainie to the Happy Gang and on to The Royal Canadian Air Farce, who brought CBC radio and television to life and became its bright personalities and stars. The younger generation of today will never have heard of most of them, but should know of them, while the older generation will remember and recall them with pleasure. It’s surprising and encouraging to see how many of the famous, and the not so well-known, are still at work, who remained in Canada (not that one can blame those who left) and gave us characters, voices, expressions and a sense of place that we recognised and remember as being our way of communicating with each other through our radio and television. Some of their backstage stories were funny when they happened, and funnier when told over the years among each other with the natural exaggerations which come with twice-told tales, but others are not terribly witty or insightful and have tired with the passing of time and repetition. -
AFFECTIVE PRACTICES of NATION and NATIONALISM on CANADIAN TELEVISION by MARUSYA BOCIURKIW BFA, Nova Scotia C
I FEEL CANADIAN: AFFECTIVE PRACTICES OF NATION AND NATIONALISM ON CANADIAN TELEVISION by MARUSYA BOCIURKIW B.F.A., Nova Scotia College of Art and Design, 1982 M.A., York University, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in INTERDISCIPLINARY STUDIES THE UNIVERSITY OF BRITISH COLUMBIA October 2004 © Marusya Bociurkiw 2004 -11 - ABSTRACT In this dissertation, I examine how ideas about the nation are produced via affect, especially Canadian television's role in this discursive construction. I analyze Canadian television as a surface of emergence for nationalist sentiment. Within this commercial medium, U.S. dominance, Quebec separatism, and the immigrant are set in an oppositional relationship to Canadian nationalism. Working together, certain institutions such as the law and the corporation, exercise authority through what I call 'technologies of affect': speech-acts, music, editing. I argue that the instability of Canadian identity is re-stabilized by a hyperbolic affective mode that is frequently produced through consumerism. Delimited within a fairly narrow timeframe (1995 -2002), the dissertation's chronological starting point is the Quebec Referendum of October 1995. It concludes at another site of national and international trauma: media coverage of September 11, 2001 and its aftermath. Moving from traumatic point to traumatic point, this dissertation focuses on moments in televised Canadian history that ruptured, or tried to resolve, the imagined community of nation, and the idea of a national self and national others. I examine television as a marker of an affective Canadian national space, one that promises an idea of 'home'. -
ACTRA's John Drainie Award for Distinguished Contribution to Broadcasting
ACTRA’s John Drainie Award for Distinguished Contribution to Broadcasting ACTRA’s John Drainie Award is presented annually to a person who has made a distinguished contribution to Canadian broadcasting. In 1966, John Drainie, one of Canada’s most celebrated and well known actors, died at the age of 50. Two years later ACTRA established the annual award to commemorate one of its best-loved members. The Drainie Award recipient is selected annually by a jury comprised of previous recipients who consider suggestions put forth by ACTRA members. The 2004 Award will be presented at the Banff Television Festival’s Tribute! Night in June. The recipient will be presented with a bronze medal portrait of John Drainie created by renowned Canadian sculptor and medallist Dora de Pedery-Hunt. Past recipients of the John Drainie Award are: 1968 Esse Ljungh, W.O. Mitchell, 1986 Bernard Cowan, Pat Patterson Tommy Tweed, Jean Murray 1987 Ross McLean (posthumously) 1969 Andrew Allan 1988 Davidson Dunton (posthumously) 1970 Harry J. Boyle 1989 Peter Gzowski 1971 Lister Sinclair 1990 Allan S. McFee 1972 Graham Spry 1992 Gordon Pinsent 1973 Rupert Caplan 1993 Barbara Frum (posthumously) 1974 Len Peterson 1994 Max Ferguson 1975 Robert Weaver 1995 Knowlton Nash 1976 Jane Mallett 1996 Dodi Robb 1977 John Reeves 1997 Joe Schlesinger 1978 Johnny Wayne & Frank Shuster 1998 Peter Herrndorf 1979 Ruth Springford 1998 Bernie Lucht 1980 Norman Campbell 1999 Pierre Berton 1981 Frances Hyland 2000 Shelagh Rogers 1982 Mavor Moore 2002 David Suzuki 1983 Lucio Agostini 2003 Jim Murray 1984 Robert Christie 1985 Fred Diehl ACTRA’s John Drainie Award is no longer presented posthumously.