The Journalistic Career: a Lonely Pursuit for Truth

Total Page:16

File Type:pdf, Size:1020Kb

The Journalistic Career: a Lonely Pursuit for Truth Canada's communications magazine $2.00 Industry critics agree, No formula yet TV is worst-reported for Canadian story all-news channel The journalistic career: a lonely pursuit for truth by Barbara Moes When was the last time you read verse Since his deanship in 1981, Desbarats that was truly delightful? Read Peter has applied the greasepaint one more Desbarats' The Night the City Sang. When time to host a controversial TV documen- was the last time you read impassioned tary called Inside TV News produced by prose about the Canadianess of Cana- Mark Blandford (Duplessis, Empire Inc.) dians with a plea in favor of bringing, of CBC's Montreal English headquarters. home the constitution? Read Peter -This program became the centre of much Desbarats' Canada Lost Canada Found. controversy because those that make the When was the last time you saw a docu- news product were forced to go into a mentary that looks at your own industry pseudo-analysis to determine how they with a critical eye? Persuade the CBC to were coping with a world (in three-minute let you view Inside TV News hosted by clips) that is exploding with incomprehen- Peter Desbarats and aired in the dog days sible events. Provocative questions were of August 1981. When did you last visit the raised by Desbarats (most of them University of Western Ontario campus? unanswered) pertaining to accountability You may just do so in the near future of journalists, the time constraint problem, because the new dean of journalism, Peter which in turn led to a disturbing look at Desbarats, is planning some innovative the near impossibility of getting a coherent programs for Canadian journalists. report on Finance Minister McEachen's Desbarats' dedication of his Canada budget in a palatable form for the hungry Lost Canada Found book to, among news audience. others, Bill Cunningham, former vice- TV critics across the land unanimously president of news and current affairs at complained of the non-existent publicity the Global TV network "whose convic- for the 90-minute documentary which was tions about journalism over the years have buried in the August schedule. Desbarats been unwavering no matter how the cor- Peter Desbarats in his new academic claims that the expensive orphan project porate winds blow" is a significant tribute home, Middlesex College, UWO campus was finally aired by the public affairs to a relationship that marked a turn in the Heard felt the same way. He recently told department headed by Bill Morgan who road for Desbarats whpse career also Global president Paul Morton that while felt uneasy about the project from the included TV news journalism. Following he was still "mad as hell" (they gave him beginning._The Inside program went an anchorman stint with Global TV's Peter the legal 30 days' notice) he now felt that through a series of screenings inside the Trueman he wound up his on-camera it was the best thing that had ever hap- CBC "like I've never seen before" remarks work as Global's Ottawa bureau chief pened to him because it gave him a Desbarats. While Mark Starowicz was very where for seven years he commented chance to stop and Jook at his accom- protective of the Journal (the Inside crew astutely on the political scene. plishments over a 15-year period and wanted to film the historic opening night The 49-year old Desbarats evaluates it forced him to get out of a rut at 49 but were not given permission to do so) his profession as he speaks freely from instead of at 55. the CBC news department was very keen his "tenured" dean's chair about his His term of unemployment after the (there is a clip of Mike Duffy trying to sort experiences in front of the camera recall- Global release lasted only about three out the infamous budget). CTV refused to ing the still "mystifying" termination of his weeks at which time the Kent Commis- participate at all while Global and CityTV contract with Global after his seven years' sion decided to recruit him for its investi- were very co-operative as were the Ameri- service there. He speculates that it was an gation into the newspaper business. can network media barons who stipulated internal fight over authority and money Desbarats was well qualified because of however that the program not be aired in along with his alignment with Cunning- his own print background (the Montreal the U.S. But Desbarats concedes that the ham. "When he lost I lost with him." Gazette, Reuters News Agency, Winnipeg CBC deserves .credit for airing the pro- gram at all, because certainly nobody else Desbarats claims that he may have been Tribune, Montreal Star) and also because too expensive (he wouldn't reveal an exact he inherited the feisty spirit of his great- -would have done so. figure but said he was earning somewhere grandfather who was a printer/publisher Desbarats came away from that experi- between $75,000 and $1 00,000 at the at the time of Confederation and launched ence with some curious insights about time). a daily newspaper in New York, the most the psyche of Canadian journalists who When Ray Heard stepped into Cunning- competitive market in the world. Two- he claims tended to be more defensive ham's spot (Desbarats and he had worked thirds of the way through his one-year than the Americans who willingly engaged on the Montreal Star together) Desbarats commitment to the Kent Commission in discussions about accountability, flaws felt that it would be interesting because where he prepared a report titled News- in the medium, and the negative impact of "we didn't see eye to eye on things," but papers and Computers: An Industry in deadline pressures. Desbarats.posits that felt that a certain amount of diversity and Transition, the University of Western the U.S. by and large is a more demo- tension inside a news organization would Ontario asked him to head up its innova- cratic society because people feel they be a good thing. He doesn't think that tive journalism department- with tenure. can change institutions there whereas> Broadcaster/March, 1983 11 Canadians (with their colonial mentality) can't just go into the question period, grab nation of gullibility and scepticism. Despite expect authority to come from above mak- a few inflammatory clips and pretend that some naivete, surveys indicate that televi- ing certain practices a fait accompli. He you're covering what goes on in Ottawa. sion has a high credibility rating among cites a recent unlque experience in And yet that's what most of the media do, . viewers but at the same time it is regarded Lethbridge, Alberta, when he shared the particularly the television media. as a big institution that is very suspect, stage with the publisher of the Lethbridge The politicians have been telling us for admits Desbarats. Herald who was actually in front of an some time now that Parliament is becom- One of journalism's chronic ironies, audience of irate readers explaining what ing less and ·less important and thereal laments Desbarats, is the lack of accessi- he was trying to do with his paper. "To me power in Ottawa is in some of the regula- ble library and resource centres for jour- that looked very unCanadian" says tory bodies which are almost never cov- nalists whose end product is information. Desbarats but he .thinks publishers and ered by the media. You can't recruit some- "If they're making shoes, they have a editors should be encouraged to appear body 26 or 27 years old who has worked library; if they're making news, they don't. on platforms more often. in a local radio newsroom for four or five The old tradition that the journalist works But if we are to cure the ills of the profes- years and plunk him up on the Hill and with a kind of a notebook and pencil is still sion the media dean believes that Cana- expect him to make any kind of sense. with us and the media owners are quite dian journalists will have to be more Ottawa is a place of great expertise and happy to go along with that because it's autonomous, especially in private tele- here is some person who is half their age very inexpensive." earning one-third their salary with far less vision, in order to make demands on the Speaking of his own experience at education and infinitesimal experience system and to enact change. Desbarats Global TV he refers to Bill Cunningham as most of the time. The last election cam- points to the publicly-funded CBC which "an enlightened news director" but "even paign that Icovered in Ottawa was 1980; I has, ironically, more editorial inde- he was astonished when I asked him for a was about 46 and one of the oldest jour- pen·dence because "there is a deliber- . fuII-time researcher in Ottawa, which I got, nalists on the campaign trail." ate fear of political interference which is and which at that time made us unique in consciously resisted." He cites an that sense. CBC didn't have one (only a example. "When I worked on the October clipping clerk) and people don't believe Crisis in Montreal (Desbarats' career that a news industry could possibly func- encompasses a stint with the Montreal teletext .. ~ will go a long tion like that." (A Global spokesman veri- CBC where he, a native of that city, pro- fies that since.Desbarats' departure there duced several political documentaries) we way towards remedying has been no full-time researcher in received an internal directive from the CBC the big flaw in television Ottawa.) that we weren't to comment editorially on But as Desbarats sees it television news what was going on at the time.
Recommended publications
  • English-Language Graphic Narratives in Canada
    Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411).
    [Show full text]
  • Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police
    Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police by Bonnie Reilly Schmidt M.A. (History), Simon Fraser University, 2006 B.A., University of the Fraser Valley, 2004 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History Faculty of Arts and Social Sciences Bonnie Reilly Schmidt 2013 SIMON FRASER UNIVERSITY Fall 2013 Approval Name: Bonnie Reilly Schmidt Degree: Doctor of Philosophy (History) Title of Thesis: Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police Examining Committee: Chair: Jeremy Brown Assistant Professor of History Willeen Keough Senior Supervisor Associate Professor of History Mark Leier Supervisor Professor of History Elise Chenier Supervisor Associate Professor of History Lara Campbell Internal/External Examiner Associate Professor of Gender, Sexuality, and Women’s Studies Jane Nicholas External Examiner Associate Professor Department of Women’s Studies Lakehead University Date Defended/Approved: October 28, 2013 ii Partial Copyright Licence iii Ethics Statement iv Abstract The arrival of women in the Royal Canadian Mounted Police (RCMP) in the mid-1970s disrupted the masculine image of a police force that was intimately connected to idealized Canadian manhood and the formation of the nation. Yet, women have been noticeably absent from the historical record of the RCMP, allowing the figure of the heroic male Mountie to continue his dominance in official, academic, and popular histories. Central to these discourses has been the male police body which has been positioned as the only body capable of enforcing the law in Canada.
    [Show full text]
  • If We Could All Be Peter Lougheed” Provincial Premiers and Their Legacies, 1967-2007 1
    “If we could all be Peter Lougheed” Provincial premiers and their legacies, 1967-2007 1 J.P. Lewis Carleton University [email protected] Paper for Presentation at The Annual Meeting of the Canadian Political Science Association Concordia University, Montreal June 2010 Introduction For a variety of reasons, the careers of Canadian provincial premiers have escaped explicit academic attention. Premiers are found frequently in Canadian political science literature, but more for direct roles and actions – in questions of the constitution, federalism, public policy and electoral and legislative studies – instead of longitudinal study and analysis. This fits a pattern of neglect in the field; some academics have lamented the lack of direct attention to provincial politics and history (Brownsey and Howlett 2001). The aggregate imprints of premiers are relatively ignored outside of regional and provincial treatments. No pan- Canadian assessment of premiers exists, and probably for good reason. The theoretical and methodological concerns with asking general research questions about premiers are plenty; leadership theory and historical approaches provide some foundations but any approach is going to confront conceptual challenges. This is where this study is found – in a void of precedents but a plethora of qualitative data. 2 Regardless of methodological challenges, some historians, political scientists and members of the media have not shied away from ranking and assessing national leaders. Some of the more popular treatments (from the popular culture version to the more academic approach) include Ferguson’s Bastards and Boneheads , Granatstein and Hillmer’s Prime Ministers: Ranking Canada’s Leaders , and Bliss’s Right Honourable Men . Bliss (xiv), the esteemed historian, is skeptical of such endeavours, “While this is Canadian history from Parliament Hill, I am not a Hegelian and I do not believe that political leaders, least of all prime ministers of Canada, are personifications of the world spirit.
    [Show full text]
  • The Art of Regional Protest: : the Political Cartoons of Donald Mcritchie, 1904-1937
    Document generated on 09/24/2021 12:08 p.m. Acadiensis The Art of Regional Protest: The Political Cartoons of Donald McRitchie, 1904-1937 Margaret Conrad Volume 21, Number 1, Autumn 1991 URI: https://id.erudit.org/iderudit/acad21_1art01 See table of contents Publisher(s) The Department of History of the University of New Brunswick ISSN 0044-5851 (print) 1712-7432 (digital) Explore this journal Cite this article Conrad, M. (1991). The Art of Regional Protest: : the Political Cartoons of Donald McRitchie, 1904-1937. Acadiensis, 21(1), 5–29. All rights reserved © Department of History at the University of New This document is protected by copyright law. Use of the services of Érudit Brunswick, 1991 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ MARGARET CONRAD The Art of Regional Protest: The Political Cartoons of Donald McRitchie, 1904-1937 POLITICAL CARTOONS ARE AMONG the most democratic forms of humour in contemporary Canada. It is therefore surprising that this widely-appreciated expression of popular culture has received so little scholarly attention.1 Despite an impressive roster of Canadian cartoonists, the work of Peter Desbarats and Terry Mosher stands alone as a historical survey of the genre, and there is only one book-length monograph on Canadian editorial cartoons.2 Few Canadian cartoonists have attracted a serious biographer.3 Nevertheless, as the career of Donald McRitchie demonstrates, political cartoons reflect and reinforce aspects of popular culture, and for this reason they deserve greater attention as a form of public art.
    [Show full text]
  • Fair Game: Canadian Editorial Cartooning
    FAIR GAME: CANADIAN EDITORIIAL CARTOONING Adrieme C,Lamb Graduate School of Journalism Submitted in partial fulfilment of the requirements for the degree of Master of Arts Faculty of Graduate Studies The University of Western Ontario London, Ontario April, 1998 Adrieme C. Lamb 1998 National tibmiy Bibliothèque nationale I*l ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington OüawaON K1AW ûttawaON KIAON4 canada Canada Tne author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Libmy of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains owxiership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substaatial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This thesis is about people and politics, art and history, visuai satire, and current affairs. It traces the development of Canada's editorid cartooning heritage over the last one hundred and fifty years and examines the conternporary Canadian editorial cartooning scene as well. This author's main objective is to tum the tables on the editoriai cartoonists in Canada by rnaking them fair game and the subject of study Eom both a historical and a contemporary perspective.
    [Show full text]
  • MUNDANE INTIMACIES and EVERYDAY VIOLENCE in CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in Partial Fulfilm
    MUNDANE INTIMACIES AND EVERYDAY VIOLENCE IN CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia April 2020 © Copyright by Kaarina Louise Mikalson, 2020 Table of Contents List of Figures ..................................................................................................................... v Abstract ............................................................................................................................. vii Acknowledgements .......................................................................................................... viii Chapter 1: Introduction ....................................................................................................... 1 Comics in Canada: A Brief History ................................................................................. 7 For Better or For Worse................................................................................................. 17 The Mundane and the Everyday .................................................................................... 24 Chapter outlines ............................................................................................................. 30 Chapter 2: .......................................................................................................................... 37 Mundane Intimacy and Slow Violence: ...........................................................................
    [Show full text]
  • Peter Desbarats- He's Been 'Discovered'' Again Launched ,By a Non-Journalist
    The GAZETTE, Montreal, Sat., June 5, 1971 43 Peter Desbarats- he's been 'discovered'' again launched ,by a non-journalist. Montreal's top TV journalist The,re haven't until now, been systems of hiring and so people with no ability get on- off to gr·eener- fields and stay on so long that they can't be fired. So there is . a By L. IAN MacDONALD at the Canadian Press. "l-Ie has lot of incompetent - people of The Gazette worn sideburns for a decade. working _in and running news- In journalism as in politics Yet he has always been ..And as -television gets .in this country one does not, if acutely aware of the family Its people from the papers, it one wishes to reach the connection and of its ties to has faced the same problem." heights,. make a .naked display this city. Four years ago, in a BADLY ORGANIZED of ambition. magazine piece called . Mont.: One awaits discovery, or teal Confessions, he wrote: "I Desbarats himself is like the semblance of it. One must know exactly the few square most -journalists, .badly or- be annointed' by and carried feet reserved for me in . the ganized. His Sherbrooke St. on the shoulders of men who vault on the same mountain office appears chaotic and ' he k where my ancestors watch, writes best against a deadline. give power as surely as ings behind w_rought iron gates, the Luckily, he says, Linda, his once gave fiefdoms. And Peter Desbarats under- island, the rive.r and the low ·second wife, (he has six stands this.
    [Show full text]
  • Download Download
    8 8 BOOK REVIEWS thus far conceived its political and critical project in rather limited, and increasingly unproductive, terms. Reviewed by: William Straw Carlton University Foundations, Alan Plaunt and The Early Days of CBC Radio Michael Nolan CBC Enterprises, 1986 Toronto, Ontario This book is very aptly named, for it was Alan Plaunt, more than any other individual, who set the philosophical and organizational foundations of the CBC and its progenitor, the Canadian Radio Broadcasting Commission. Plaunt's pivotal role in the genesis of public broadcasting in Canada was initially set out by Michael Nolan as his doctoral study for the University of Western Ontario where today Nolan teaches at the Graduate School of Journalism. CBC Enterprises published Nolan's work along with several other books in the fall of 1986 in celebration of CBC1s 50 years of public broadcasting service. The 162 page narrative is enhanced by its thorough footnoting and seven pages of reference sources on Canadian broadcasting history. Nolan's study is particularly detailed with regard to Plauntls English-French family background, his education, (straight Cs at the University of Toronto and only third class honours at Oxford), his politics, his friends, the forces that shaped his beliefs, the several causes he gave his energies to, his contradictory personality, and his extraordinary organizational skills. During his two years at Oxford (1927-291, Plaunt was a keen observer of the BBC in its first decade under the dominating leadership BOOK REVIEWS 89 of John Reith. Plaunt became a believer in Reith's approach to state-owned development of radio with its underlying philosophy that broadcasting's public service potential was too great to permit it to become a commercially oriented mass medium.
    [Show full text]
  • War on the Air: CBC-TV and Canada's Military, 1952-1992 by Mallory
    War on the Air: CBC-TV and Canada’s Military, 19521992 by Mallory Schwartz Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in History Department of History Faculty of Arts University of Ottawa © Mallory Schwartz, Ottawa, Canada, 2014 ii Abstract War on the Air: CBC-TV and Canada‘s Military, 19521992 Author: Mallory Schwartz Supervisor: Jeffrey A. Keshen From the earliest days of English-language Canadian Broadcasting Corporation television (CBC-TV), the military has been regularly featured on the news, public affairs, documentary, and drama programs. Little has been done to study these programs, despite calls for more research and many decades of work on the methods for the historical analysis of television. In addressing this gap, this thesis explores: how media representations of the military on CBC-TV (commemorative, history, public affairs and news programs) changed over time; what accounted for those changes; what they revealed about CBC-TV; and what they suggested about the way the military and its relationship with CBC-TV evolved. Through a material culture analysis of 245 programs/series about the Canadian military, veterans and defence issues that aired on CBC-TV over a 40-year period, beginning with its establishment in 1952, this thesis argues that the conditions surrounding each production were affected by a variety of factors, namely: (1) technology; (2) foreign broadcasters; (3) foreign sources of news; (4) the influence
    [Show full text]
  • Asper Nation Other Books by Marc Edge
    Asper Nation other books by marc edge Pacific Press: The Unauthorized Story of Vancouver’s Newspaper Monopoly Red Line, Blue Line, Bottom Line: How Push Came to Shove Between the National Hockey League and Its Players ASPER NATION Canada’s Most Dangerous Media Company Marc Edge NEW STAR BOOKS VANCOUVER 2007 new star books ltd. 107 — 3477 Commercial Street | Vancouver, bc v5n 4e8 | canada 1574 Gulf Rd., #1517 | Point Roberts, wa 98281 | usa www.NewStarBooks.com | [email protected] Copyright Marc Edge 2007. All rights reserved. No part of this work may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher or a licence from the Canadian Copyright Licensing Agency (access Copyright). Publication of this work is made possible by the support of the Canada Council, the Government of Canada through the Department of Cana- dian Heritage Book Publishing Industry Development Program, the British Columbia Arts Council, and the Province of British Columbia through the Book Publishing Tax Credit. Printed and bound in Canada by Marquis Printing, Cap-St-Ignace, QC First printing, October 2007 library and archives canada cataloguing in publication Edge, Marc, 1954– Asper nation : Canada’s most dangerous media company / Marc Edge. Includes bibliographical references and index. isbn 978-1-55420-032-0 1. CanWest Global Communications Corp. — History. 2. Asper, I.H., 1932–2003. I. Title. hd2810.12.c378d34 2007 384.5506'571 c2007–903983–9 For the Clarks – Lynda, Al, Laura, Spencer, and Chloe – and especially their hot tub, without which this book could never have been written.
    [Show full text]
  • The Ignatieff Enigma
    THE IGNATIEFF ENIGMA $6.00 LRCLiterary Review of Canada Vol. 14, No. 5 • June 2006 Lowell Murray Born-again bilingualism Peter Desbarats Suzuki under his own microscope Suanne Kelman Death and diamonds in Sierra Leone Arthur Kroeger Gomery vs. Harper on accountability David Laidler Why monetary union with the U.S. won’t work Elspeth Cameron Atwood as scientist + David Biette on Canada in the world+ Dennis Duffy on building Canada + Ingeborg Boyens on genetically modified wheat + Paul Wells on jazz writing + Lawrence Hill on Joe Fiorito’s Toronto + Poetry by Olive Senior, Karen McElrea and Joe Cummings + Fiction reviews by Graham Harley and Tomasz Mrozewski + Responses from Marcel Côté, Gordon Gibson and David Chernushenko ADDRESS Literary Review of Canada 581 Markham Street, Suite 3A Toronto, Ontario m6g 2l7 e-mail: [email protected] LRCLiterary Review of Canada reviewcanada.ca T: 416 531-1483 Vol. 14, No. 5 • June 2006 F: 416 531-1612 EDITOR Bronwyn Drainie 3 Beyond Shame and Outrage 18 Astronomical Talent [email protected] An essay A review of Fabrizio’s Return, by Mark Frutkin ASSISTANT EDITOR Timothy Brennan Graham Harley Alastair Cheng 6 Death and Diamonds 19 A Dystopic Debut CONTRIBUTING EDITOR Anthony Westell A review of A Dirty War in West Africa: The RUF and A review of Zed, by Elizabeth McClung the Destruction of Sierra Leone, by Lansana Gberie Tomasz Mrozewski ASSOCIATE EDITOR Robin Roger Suanne Kelman 20 Scientist, Activist or TV Star? POETRY EDITOR 8 Making Connections A review of David Suzuki: The Autobiography Molly
    [Show full text]
  • AFFECTIVE PRACTICES of NATION and NATIONALISM on CANADIAN TELEVISION by MARUSYA BOCIURKIW BFA, Nova Scotia C
    I FEEL CANADIAN: AFFECTIVE PRACTICES OF NATION AND NATIONALISM ON CANADIAN TELEVISION by MARUSYA BOCIURKIW B.F.A., Nova Scotia College of Art and Design, 1982 M.A., York University, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in INTERDISCIPLINARY STUDIES THE UNIVERSITY OF BRITISH COLUMBIA October 2004 © Marusya Bociurkiw 2004 -11 - ABSTRACT In this dissertation, I examine how ideas about the nation are produced via affect, especially Canadian television's role in this discursive construction. I analyze Canadian television as a surface of emergence for nationalist sentiment. Within this commercial medium, U.S. dominance, Quebec separatism, and the immigrant are set in an oppositional relationship to Canadian nationalism. Working together, certain institutions such as the law and the corporation, exercise authority through what I call 'technologies of affect': speech-acts, music, editing. I argue that the instability of Canadian identity is re-stabilized by a hyperbolic affective mode that is frequently produced through consumerism. Delimited within a fairly narrow timeframe (1995 -2002), the dissertation's chronological starting point is the Quebec Referendum of October 1995. It concludes at another site of national and international trauma: media coverage of September 11, 2001 and its aftermath. Moving from traumatic point to traumatic point, this dissertation focuses on moments in televised Canadian history that ruptured, or tried to resolve, the imagined community of nation, and the idea of a national self and national others. I examine television as a marker of an affective Canadian national space, one that promises an idea of 'home'.
    [Show full text]