The Journalistic Career: a Lonely Pursuit for Truth
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English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police
Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police by Bonnie Reilly Schmidt M.A. (History), Simon Fraser University, 2006 B.A., University of the Fraser Valley, 2004 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History Faculty of Arts and Social Sciences Bonnie Reilly Schmidt 2013 SIMON FRASER UNIVERSITY Fall 2013 Approval Name: Bonnie Reilly Schmidt Degree: Doctor of Philosophy (History) Title of Thesis: Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police Examining Committee: Chair: Jeremy Brown Assistant Professor of History Willeen Keough Senior Supervisor Associate Professor of History Mark Leier Supervisor Professor of History Elise Chenier Supervisor Associate Professor of History Lara Campbell Internal/External Examiner Associate Professor of Gender, Sexuality, and Women’s Studies Jane Nicholas External Examiner Associate Professor Department of Women’s Studies Lakehead University Date Defended/Approved: October 28, 2013 ii Partial Copyright Licence iii Ethics Statement iv Abstract The arrival of women in the Royal Canadian Mounted Police (RCMP) in the mid-1970s disrupted the masculine image of a police force that was intimately connected to idealized Canadian manhood and the formation of the nation. Yet, women have been noticeably absent from the historical record of the RCMP, allowing the figure of the heroic male Mountie to continue his dominance in official, academic, and popular histories. Central to these discourses has been the male police body which has been positioned as the only body capable of enforcing the law in Canada. -
If We Could All Be Peter Lougheed” Provincial Premiers and Their Legacies, 1967-2007 1
“If we could all be Peter Lougheed” Provincial premiers and their legacies, 1967-2007 1 J.P. Lewis Carleton University [email protected] Paper for Presentation at The Annual Meeting of the Canadian Political Science Association Concordia University, Montreal June 2010 Introduction For a variety of reasons, the careers of Canadian provincial premiers have escaped explicit academic attention. Premiers are found frequently in Canadian political science literature, but more for direct roles and actions – in questions of the constitution, federalism, public policy and electoral and legislative studies – instead of longitudinal study and analysis. This fits a pattern of neglect in the field; some academics have lamented the lack of direct attention to provincial politics and history (Brownsey and Howlett 2001). The aggregate imprints of premiers are relatively ignored outside of regional and provincial treatments. No pan- Canadian assessment of premiers exists, and probably for good reason. The theoretical and methodological concerns with asking general research questions about premiers are plenty; leadership theory and historical approaches provide some foundations but any approach is going to confront conceptual challenges. This is where this study is found – in a void of precedents but a plethora of qualitative data. 2 Regardless of methodological challenges, some historians, political scientists and members of the media have not shied away from ranking and assessing national leaders. Some of the more popular treatments (from the popular culture version to the more academic approach) include Ferguson’s Bastards and Boneheads , Granatstein and Hillmer’s Prime Ministers: Ranking Canada’s Leaders , and Bliss’s Right Honourable Men . Bliss (xiv), the esteemed historian, is skeptical of such endeavours, “While this is Canadian history from Parliament Hill, I am not a Hegelian and I do not believe that political leaders, least of all prime ministers of Canada, are personifications of the world spirit. -
The Art of Regional Protest: : the Political Cartoons of Donald Mcritchie, 1904-1937
Document generated on 09/24/2021 12:08 p.m. Acadiensis The Art of Regional Protest: The Political Cartoons of Donald McRitchie, 1904-1937 Margaret Conrad Volume 21, Number 1, Autumn 1991 URI: https://id.erudit.org/iderudit/acad21_1art01 See table of contents Publisher(s) The Department of History of the University of New Brunswick ISSN 0044-5851 (print) 1712-7432 (digital) Explore this journal Cite this article Conrad, M. (1991). The Art of Regional Protest: : the Political Cartoons of Donald McRitchie, 1904-1937. Acadiensis, 21(1), 5–29. All rights reserved © Department of History at the University of New This document is protected by copyright law. Use of the services of Érudit Brunswick, 1991 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ MARGARET CONRAD The Art of Regional Protest: The Political Cartoons of Donald McRitchie, 1904-1937 POLITICAL CARTOONS ARE AMONG the most democratic forms of humour in contemporary Canada. It is therefore surprising that this widely-appreciated expression of popular culture has received so little scholarly attention.1 Despite an impressive roster of Canadian cartoonists, the work of Peter Desbarats and Terry Mosher stands alone as a historical survey of the genre, and there is only one book-length monograph on Canadian editorial cartoons.2 Few Canadian cartoonists have attracted a serious biographer.3 Nevertheless, as the career of Donald McRitchie demonstrates, political cartoons reflect and reinforce aspects of popular culture, and for this reason they deserve greater attention as a form of public art. -
Fair Game: Canadian Editorial Cartooning
FAIR GAME: CANADIAN EDITORIIAL CARTOONING Adrieme C,Lamb Graduate School of Journalism Submitted in partial fulfilment of the requirements for the degree of Master of Arts Faculty of Graduate Studies The University of Western Ontario London, Ontario April, 1998 Adrieme C. Lamb 1998 National tibmiy Bibliothèque nationale I*l ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington OüawaON K1AW ûttawaON KIAON4 canada Canada Tne author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Libmy of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains owxiership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substaatial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This thesis is about people and politics, art and history, visuai satire, and current affairs. It traces the development of Canada's editorid cartooning heritage over the last one hundred and fifty years and examines the conternporary Canadian editorial cartooning scene as well. This author's main objective is to tum the tables on the editoriai cartoonists in Canada by rnaking them fair game and the subject of study Eom both a historical and a contemporary perspective. -
MUNDANE INTIMACIES and EVERYDAY VIOLENCE in CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in Partial Fulfilm
MUNDANE INTIMACIES AND EVERYDAY VIOLENCE IN CONTEMPORARY CANADIAN COMICS by Kaarina Louise Mikalson Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia April 2020 © Copyright by Kaarina Louise Mikalson, 2020 Table of Contents List of Figures ..................................................................................................................... v Abstract ............................................................................................................................. vii Acknowledgements .......................................................................................................... viii Chapter 1: Introduction ....................................................................................................... 1 Comics in Canada: A Brief History ................................................................................. 7 For Better or For Worse................................................................................................. 17 The Mundane and the Everyday .................................................................................... 24 Chapter outlines ............................................................................................................. 30 Chapter 2: .......................................................................................................................... 37 Mundane Intimacy and Slow Violence: ........................................................................... -
Peter Desbarats- He's Been 'Discovered'' Again Launched ,By a Non-Journalist
The GAZETTE, Montreal, Sat., June 5, 1971 43 Peter Desbarats- he's been 'discovered'' again launched ,by a non-journalist. Montreal's top TV journalist The,re haven't until now, been systems of hiring and so people with no ability get on- off to gr·eener- fields and stay on so long that they can't be fired. So there is . a By L. IAN MacDONALD at the Canadian Press. "l-Ie has lot of incompetent - people of The Gazette worn sideburns for a decade. working _in and running news- In journalism as in politics Yet he has always been ..And as -television gets .in this country one does not, if acutely aware of the family Its people from the papers, it one wishes to reach the connection and of its ties to has faced the same problem." heights,. make a .naked display this city. Four years ago, in a BADLY ORGANIZED of ambition. magazine piece called . Mont.: One awaits discovery, or teal Confessions, he wrote: "I Desbarats himself is like the semblance of it. One must know exactly the few square most -journalists, .badly or- be annointed' by and carried feet reserved for me in . the ganized. His Sherbrooke St. on the shoulders of men who vault on the same mountain office appears chaotic and ' he k where my ancestors watch, writes best against a deadline. give power as surely as ings behind w_rought iron gates, the Luckily, he says, Linda, his once gave fiefdoms. And Peter Desbarats under- island, the rive.r and the low ·second wife, (he has six stands this. -
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8 8 BOOK REVIEWS thus far conceived its political and critical project in rather limited, and increasingly unproductive, terms. Reviewed by: William Straw Carlton University Foundations, Alan Plaunt and The Early Days of CBC Radio Michael Nolan CBC Enterprises, 1986 Toronto, Ontario This book is very aptly named, for it was Alan Plaunt, more than any other individual, who set the philosophical and organizational foundations of the CBC and its progenitor, the Canadian Radio Broadcasting Commission. Plaunt's pivotal role in the genesis of public broadcasting in Canada was initially set out by Michael Nolan as his doctoral study for the University of Western Ontario where today Nolan teaches at the Graduate School of Journalism. CBC Enterprises published Nolan's work along with several other books in the fall of 1986 in celebration of CBC1s 50 years of public broadcasting service. The 162 page narrative is enhanced by its thorough footnoting and seven pages of reference sources on Canadian broadcasting history. Nolan's study is particularly detailed with regard to Plauntls English-French family background, his education, (straight Cs at the University of Toronto and only third class honours at Oxford), his politics, his friends, the forces that shaped his beliefs, the several causes he gave his energies to, his contradictory personality, and his extraordinary organizational skills. During his two years at Oxford (1927-291, Plaunt was a keen observer of the BBC in its first decade under the dominating leadership BOOK REVIEWS 89 of John Reith. Plaunt became a believer in Reith's approach to state-owned development of radio with its underlying philosophy that broadcasting's public service potential was too great to permit it to become a commercially oriented mass medium. -
War on the Air: CBC-TV and Canada's Military, 1952-1992 by Mallory
War on the Air: CBC-TV and Canada’s Military, 19521992 by Mallory Schwartz Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in History Department of History Faculty of Arts University of Ottawa © Mallory Schwartz, Ottawa, Canada, 2014 ii Abstract War on the Air: CBC-TV and Canada‘s Military, 19521992 Author: Mallory Schwartz Supervisor: Jeffrey A. Keshen From the earliest days of English-language Canadian Broadcasting Corporation television (CBC-TV), the military has been regularly featured on the news, public affairs, documentary, and drama programs. Little has been done to study these programs, despite calls for more research and many decades of work on the methods for the historical analysis of television. In addressing this gap, this thesis explores: how media representations of the military on CBC-TV (commemorative, history, public affairs and news programs) changed over time; what accounted for those changes; what they revealed about CBC-TV; and what they suggested about the way the military and its relationship with CBC-TV evolved. Through a material culture analysis of 245 programs/series about the Canadian military, veterans and defence issues that aired on CBC-TV over a 40-year period, beginning with its establishment in 1952, this thesis argues that the conditions surrounding each production were affected by a variety of factors, namely: (1) technology; (2) foreign broadcasters; (3) foreign sources of news; (4) the influence -
Asper Nation Other Books by Marc Edge
Asper Nation other books by marc edge Pacific Press: The Unauthorized Story of Vancouver’s Newspaper Monopoly Red Line, Blue Line, Bottom Line: How Push Came to Shove Between the National Hockey League and Its Players ASPER NATION Canada’s Most Dangerous Media Company Marc Edge NEW STAR BOOKS VANCOUVER 2007 new star books ltd. 107 — 3477 Commercial Street | Vancouver, bc v5n 4e8 | canada 1574 Gulf Rd., #1517 | Point Roberts, wa 98281 | usa www.NewStarBooks.com | [email protected] Copyright Marc Edge 2007. All rights reserved. No part of this work may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher or a licence from the Canadian Copyright Licensing Agency (access Copyright). Publication of this work is made possible by the support of the Canada Council, the Government of Canada through the Department of Cana- dian Heritage Book Publishing Industry Development Program, the British Columbia Arts Council, and the Province of British Columbia through the Book Publishing Tax Credit. Printed and bound in Canada by Marquis Printing, Cap-St-Ignace, QC First printing, October 2007 library and archives canada cataloguing in publication Edge, Marc, 1954– Asper nation : Canada’s most dangerous media company / Marc Edge. Includes bibliographical references and index. isbn 978-1-55420-032-0 1. CanWest Global Communications Corp. — History. 2. Asper, I.H., 1932–2003. I. Title. hd2810.12.c378d34 2007 384.5506'571 c2007–903983–9 For the Clarks – Lynda, Al, Laura, Spencer, and Chloe – and especially their hot tub, without which this book could never have been written. -
The Ignatieff Enigma
THE IGNATIEFF ENIGMA $6.00 LRCLiterary Review of Canada Vol. 14, No. 5 • June 2006 Lowell Murray Born-again bilingualism Peter Desbarats Suzuki under his own microscope Suanne Kelman Death and diamonds in Sierra Leone Arthur Kroeger Gomery vs. Harper on accountability David Laidler Why monetary union with the U.S. won’t work Elspeth Cameron Atwood as scientist + David Biette on Canada in the world+ Dennis Duffy on building Canada + Ingeborg Boyens on genetically modified wheat + Paul Wells on jazz writing + Lawrence Hill on Joe Fiorito’s Toronto + Poetry by Olive Senior, Karen McElrea and Joe Cummings + Fiction reviews by Graham Harley and Tomasz Mrozewski + Responses from Marcel Côté, Gordon Gibson and David Chernushenko ADDRESS Literary Review of Canada 581 Markham Street, Suite 3A Toronto, Ontario m6g 2l7 e-mail: [email protected] LRCLiterary Review of Canada reviewcanada.ca T: 416 531-1483 Vol. 14, No. 5 • June 2006 F: 416 531-1612 EDITOR Bronwyn Drainie 3 Beyond Shame and Outrage 18 Astronomical Talent [email protected] An essay A review of Fabrizio’s Return, by Mark Frutkin ASSISTANT EDITOR Timothy Brennan Graham Harley Alastair Cheng 6 Death and Diamonds 19 A Dystopic Debut CONTRIBUTING EDITOR Anthony Westell A review of A Dirty War in West Africa: The RUF and A review of Zed, by Elizabeth McClung the Destruction of Sierra Leone, by Lansana Gberie Tomasz Mrozewski ASSOCIATE EDITOR Robin Roger Suanne Kelman 20 Scientist, Activist or TV Star? POETRY EDITOR 8 Making Connections A review of David Suzuki: The Autobiography Molly -
AFFECTIVE PRACTICES of NATION and NATIONALISM on CANADIAN TELEVISION by MARUSYA BOCIURKIW BFA, Nova Scotia C
I FEEL CANADIAN: AFFECTIVE PRACTICES OF NATION AND NATIONALISM ON CANADIAN TELEVISION by MARUSYA BOCIURKIW B.F.A., Nova Scotia College of Art and Design, 1982 M.A., York University, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in INTERDISCIPLINARY STUDIES THE UNIVERSITY OF BRITISH COLUMBIA October 2004 © Marusya Bociurkiw 2004 -11 - ABSTRACT In this dissertation, I examine how ideas about the nation are produced via affect, especially Canadian television's role in this discursive construction. I analyze Canadian television as a surface of emergence for nationalist sentiment. Within this commercial medium, U.S. dominance, Quebec separatism, and the immigrant are set in an oppositional relationship to Canadian nationalism. Working together, certain institutions such as the law and the corporation, exercise authority through what I call 'technologies of affect': speech-acts, music, editing. I argue that the instability of Canadian identity is re-stabilized by a hyperbolic affective mode that is frequently produced through consumerism. Delimited within a fairly narrow timeframe (1995 -2002), the dissertation's chronological starting point is the Quebec Referendum of October 1995. It concludes at another site of national and international trauma: media coverage of September 11, 2001 and its aftermath. Moving from traumatic point to traumatic point, this dissertation focuses on moments in televised Canadian history that ruptured, or tried to resolve, the imagined community of nation, and the idea of a national self and national others. I examine television as a marker of an affective Canadian national space, one that promises an idea of 'home'.