C in E Mati • TRADE MEWS • Quebec 1500/0 Shelter Wide Open for Under 75 Min

Total Page:16

File Type:pdf, Size:1020Kb

C in E Mati • TRADE MEWS • Quebec 1500/0 Shelter Wide Open for Under 75 Min C IN E MAti • TRADE MEWS • Quebec 1500/0 shelter wide open for under 75 min. programs MONTREAL - In a major bid to in obtaining final agreement, persons who are not Quebec publication in the "Gazette won't have much impact for attract private investment for in a consultative process be­ residents, the full two points officielle du Quebec." '83, it should produce a definite French-language, made-in­ gun in August, was defining will be attributed if one of the While the adopted definition improvement in film produc­ Quebec films and television who can be considered a Que­ screenwriters is at the same is broader than the Institut's tion for '84. programs, the Quebec cabinet bec producer. time a Quebec resident, and definition of a Quebec film (for "The decree establishes a has approved the definition of The government, for instan­ the screenwriter of an original purposes of state aid to film complementary mechanism to eligibility for a 150% capital ce, wanted to limit the defini­ work, and the person who de­ production), IQC executive­ the Institut's own programs in cost allowance. tion of a Quebec producer to cides the script's final version, director Louise Ranger wel­ support of Quebecois films The ministerial decree, en­ someone who had resided in and the highest paid screen­ comed the decree. which give greater weight to titled "Concerning the recogni­ Quebec at least 200 days prior writer. "It can only help Quebec film cultural development. We tion of a Quebecois film," ap­ to the beginning of principal The decree establishes obli­ production," Ranger told Cine­ have to diversify available sour­ proved Dec. 6, follows recent photography, while industry gatory minima of 75% in total ma Canada. "In the past, franco­ ces of finanCing and, to the new federal regulations con­ associations, including the Ins­ fees to be paid for services ren­ phone films have not had much extent the decree does that, it cerning pre-sales which should titut quebecois du cinema, dered in Quebec iI ab, film edit­ private investment so every­ should be positive." make the Quebec tax shelter wanted the definition limited ing, sound editing and record­ body stands to benefit. This is According to cultural affairs additionally attractive. to someone who had payed ing, titling or music); a 75% an important incitement for Although no pI'e-sales had Quebec income tax in - the total in production salaries to private investors, and while it (cont. on page 31) been permitted previously, previous year. be spent in Quebec, exclusive when the federal government The decree offers three defi­ of the functions of producer, was promoting productions nitions of a Quebec producer: and those positions covered by through its 100% capital cost 1) either a physical person pos­ the point system, as well as Combines' deal 6 months old­ allowance, the department of sessing a Quebec birth certifi­ those positions related to the Finance recently accepted the cate; 2) a Canadian citizen who financing of the film. A film notion that an investor's money has resided in Quebec two under 75 minutes is nonethe­ blind bidding biggest problem is still" at risk" if pre-sales fall years prior to the beginning of less recognized as a Quebe­ within normal industry prac­ principal photography, or 3) a cois film, even if it does not MONTREAL - In the past few ments submitted to Hunter. It tices and are at arm's length. person who was visited ("se­ meet the above conditions, as months, Lawson Hunter has is now up to him to write the Quebec is banking that its new joumer") in Quebec for 200 days long as 75% of the film's produc­ spoken wi~h an almost endless report which will determine 150% capital cost allowance, in the year prior to the begin­ tion costs are paid to Que­ stream of distributors and whether the Majors have fallen and the liberal definition on a ningofprincipal photography. A bec residents. Official copro­ exhibitors has he prepares his short of their undertakings, in Quebecois film, will generate Quebec film must be produced ductions are recognized as first six-month report for the which case the hearing would sufficient interest to revive the by a Quebec producer. Quebec films if the Canadian Restrictive Trade Practices resume and witnesses called, moribund production industry Furthermore, the decree portion of the film is produced Commission (RTPC), due in or whether the system is opera­ here. established a system of ten by a Quebec producer and a early January. ting as it should. Cinema Cana­ One reason for the long delay points, of which eligible films minimum of75% of production Hunter, director of the Com­ da spoke to a wide range of must qualify for six. Only per­ costs of the Quebec portion bines Investigation Branch, exhibitors about the process of sons residing in Quebec are eli­ of the film is paid to Quebec responded to a complaint bidding in Canada. Discussions drag gible for the points which are residents. Documentaries are by the exhibitor Cineplex established as follows: di­ exempt from the point system's last March, which charged Rules unclear rector-2, screenwriter-2, high­ minimal requirement of six that the American major dis­ There is a general consensus for FIR Aand Orion est paid actor-I, second high­ points if the positions enu­ tributors in Canada were that the rules of bidding are still unclear. Says Frank Kettner OTT AW A - Orion Pictures Dis­ est paid actor-I, set designer-I, merated are filled by Quebec illegally withholding product director of photography-I, residents. from independent exhibitors, of Landmark Cinemas in Alber­ tribution Corp. of New York ta (70 screens), "There needs to seems to be in no hurry to sort composer-I and editor-I. In Requests for Quebec certifi­ and were in fact favoring the order to qualify, a film must get cation must be made through two big chains, Famous Players be some drastic changes made. out the legal situation with the Even when you bid strongly for Foreign Investment Review at least two of the four points the Institut quebecois du ci­ and Canadian-Odeon, with attributable to the director and nema within 60 days of the their first-run films. By early a film, the distributor can find Agency (FIRA) which, on Sept. excuses not to give it to you. 30, denied its application to do screenwriter, and at least one completion of production and, summer, Hunter asked for a from the actors' categories. for films completed in 1983, postponement of the scheduled Perhaps you haven't paid your business in Canada. bills within 30 days, or another In the case of screenwriters, within 90 days of the decree's RTPC hearing, noting that the According to legal counsel theatre has a few more seats, if the position is filled by several going into effect Dec. 16 with respondents (the Majors) had Barry Burton, who works in Los or its house expenses are dif­ Angeles and is not involved in agreed to certain undertakings which were acceptable to Cine­ ferent... there's always an out. the proceedings, but who is the And then, if they don't like a only spokesman for the com­ Law's enactement for next year plex. These undertakings, which amounted to the intro­ bid, they can always go to pany, discussions have taken negotiation, so it's not really a cinema law. The nomination duction of the bidding system place with FIRA and further QUEBEC CITY - It will be at bidding situation at all." process, upon the minister's in Canada, came into effect on discussions are scheduled with least one year before Quebec's Echoes Norman Stern from recommendation, Steenhaut July 1. The commission agreed the agency to find out what controversial cinema law 109, the Ontario Theatre Group (22 told Cinema Canada, should to postpone the hearing, pro­ changes might be required for adopted late in June '83, comes screens), "It's a system for the begin "soon" "We have to viding that Hunter monitor Orion to get the green light. into application. big boys. There are so many appoint 'the bosses', first, the the situation and report back in Meanwhile, the company, At the time of the law's adop­ 100Jrholes and ways of locking application of the articles of January. which has been in operation tion, Quebec cultural affairs you out that favoritism still the law itself will follow from Although the director's for a year, is continuing to dis­ minister Clement Richard had holds." Yet, comments Stern, that." report is not expected to be tribute films from its Toronto vowed to make swift applica­ his company has proved it can So the law's more controver­ made public, its tenor will offices. tion ofthe law a top priority for perform: The Crest Cinema, sial articles - such as French determine whether or not the Orion does plan to resubmit the next parliamentary session, rented by David Cronen berg to versioning, the billeterie, the situation should be aired in a its application, and FIRA staff which began in August, but four-wall Dead Zone, played production fund - "the French public commission hearing, or has told Cinema Canada that, according to cultural affairs the film for eight weeks with aspects," according to Steen­ whether such a hearing will in principle, reapplication si­ policy advisor Andre Steen­ good returns. "We could have haut, "will be difficult to apply again be postponed. The ori­ tuations are dealt with quickly, haut "it will take a good while, never got that film through the ginal accomodations made by so not as to permit a disallowed at least a year, before the law before the people who will bidding system.
Recommended publications
  • Archaeology, Bible, Politics, and the Media Proceedings of the Duke University Conference, April 23–24, 2009
    Offprint from: Archaeology, Bible, Politics, and the Media Proceedings of the Duke University Conference, April 23–24, 2009 Edited by Eric M. Meyers and Carol Meyers Winona Lake, Indiana Eisenbrauns 2012 © 2012 by Eisenbrauns Inc. All rights reserved. Printed in the United States of America. www.eisenbrauns.com Library of Congress Cataloging-in-Publication Data Archaeology, bible, politics, and the media : proceedings of the Duke University conference, April 23–24, 2009 / edited by Eric M. Meyers and Carol Meyers. pages ; cm. — (Duke Judaic studies series ; volume 4) Includes bibliographical references and index. ISBN 978-1-57506-237-2 (hardback : alk. paper) 1. Archaeology in mass media—Congresses. 2. Archaeology—Political aspects—Congresses. 3. Archaeology and history—Mediterranean Region—Congresses. 4. Archaeology and state—Congresses. 5. Cultural property—Protection—Congresses. I. Meyers, Eric M., editor. II. Meyers, Carol L., editor. CC135.A7322 2012 930.1—dc23 2012036477 The paper used in this publication meets the minimum requirements of the Amer- ican National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. ♾ ™ Contents List of Contributors . viii Introduction . 1 Eric M. Meyers and Carol Meyers Part 1 Cultural Heritage The Media and Archaeological Preservation in Iraq: A Tale of Politics, Media, and the Law . 15 Patty Gerstenblith Part 2 Archaeology and the Media Fabulous Finds or Fantastic Forgeries? The Distortion of Archaeology by the Media and Pseudoarchaeologists and What We Can Do About It . 39 Eric H. Cline Dealing with the Media: Response to Eric H. Cline . 51 Joe Zias The Talpiyot Tomb and the Bloggers .
    [Show full text]
  • Last Week the History Channel Ran a Two Hour Presentation of a Film by Simcha Jacobovici on the Exodus Entitled the Exodus Decoded
    September 3, 2006 The Exodus Last week the History Channel ran a two hour presentation of a film by Simcha Jacobovici on the Exodus entitled The Exodus Decoded. The film began with the question, “Did it happen?” I watched the film and realized that there were several things that were impressive. First of all was the fact that James Cameron, a Hollywood awarding winning director / filmmaker, had produced the program. During the presentation Cameron appeared sev- eral times with his own comments about the work that Jocobovici had done. What was equally impressive was the fact that there was a definite admission that God was behind these events. Not the usual sort of thing you hear from the Hollywood crowd. Jocobovici, like many others, linked the events to natural disasters that are recorded in ancient history but always included God as the force that was behind the events. The end result was the result of over ten years of investigative journalism that did much to reinforce belief in the divine being and the validity of the Bible. There were some errors in the film however and some of the explanations were based on conclusions that Jocobovici had made but it was able to stimulate some thought. One of the errors was in the length of time that passed from Abraham to Moses. This was given as 130 years in the film. We are told that on the day that the Israelites actually left Egypt, they had been in the country for 430 years (Ex 12.41). This is not an approximate time.
    [Show full text]
  • Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
    List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries.
    [Show full text]
  • List of Films Considered the Best
    Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics.
    [Show full text]
  • C I N E M a G • , R a D E NEW 5 • Smith to Top Famous Post in 'QC I~!~~ F~~ ~~Y~,U~On~~!~,!
    c I N E M A G • , R A D E NEW 5 • Smith to top Famous post in 'QC I~!~~ _f~~ ~~Y~,u~on~~!~,!. the tentative trial date set to parently been the) qttalyst MONTREAL - The controversy guage other than French as tion to the Parisien Cinema in resolve the dispute between which caused Duke to go to surrounding Roland Smith's quickly as possible; to play a Montreal and a redevelopment Daryl Duke and Izzy Asper Asper for financial assistance in sale of the Outremont Theatre more active role in promoting of the Palace Cinema also on was temporarily forgotten at a Quebec-made films, and to St.Catherine Street. over control of Vancouver In- the first place. dependent Television station CRTC license approval was recent press conference when prepare an inventory of short Over 20 more Cinemas Unis CKVU. one of the conditions of the Smith, in his new role as vice­ films from Quebec for expo­ theatres will be equipped with On February 13, of this year, sale agreement but before the president of Cinemas Unis/ sure through its network of Dolby stereo in 1987-1988 United Theatres, outlined ex­ theatres. and six theatres will be equip­ the CRTC approved transfer of CRTC began its July 1986 tensive theatre renovation Smith also took apparent de­ ped to show 70mm films. control of the station from hearings, the transfer of con­ plans for Quebec. light in assuring his audience Western Approaches Ltd. trol was again being disputed As senior executive of the that repertory and art cinema Cinemas Unis will publish whose prinCipal shareholders by Duke and K1enman.
    [Show full text]
  • The Cinema of Giorgio Mangiamele
    WHO IS BEHIND THE CAMERA? The cinema of Giorgio Mangiamele Silvana Tuccio Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy August, 2009 School of Culture and Communication The University of Melbourne Who is behind the camera? Abstract The cinema of independent film director Giorgio Mangiamele has remained in the shadows of Australian film history since the 1960s when he produced a remarkable body of films, including the feature film Clay, which was invited to the Cannes Film Festival in 1965. This thesis explores the silence that surrounds Mangiamele’s films. His oeuvre is characterised by a specific poetic vision that worked to make tangible a social reality arising out of the impact with foreignness—a foreign society, a foreign country. This thesis analyses the concept of the foreigner as a dominant feature in the development of a cinematic language, and the extent to which the foreigner as outsider intersects with the cinematic process. Each of Giorgio Mangiamele’s films depicts a sharp and sensitive picture of the dislocated figure, the foreigner apprehending the oppressive and silencing forces that surround his being whilst dealing with a new environment; at the same time the urban landscape of inner suburban Melbourne and the natural Australian landscape are recreated in the films. As well as the international recognition given to Clay, Mangiamele’s short films The Spag and Ninety-Nine Percent won Australian Film Institute awards. Giorgio Mangiamele’s films are particularly noted for their style. This thesis explores the cinematic aesthetic, visual style and language of the films.
    [Show full text]
  • Cinema in New Zealand
    http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. A Necessary Fiction: the Ritualisation of Stakeholder Practices in New Zealand Cinema A thesis submitted in fulfilment of the requirements for the degree Master of Philosophy at The University of Waikato by Megan Jane Davies _______________ University of Waikato 2011 ABSTRACT This thesis argues that stability of the concept ‘national cinema’ is located in the discursive positioning of individual films in such a way that they are connected to a national ‘common ground’, one which is ritually accessed via engagement with media such as cinema. This positioning, however, is not quantifiable and may not be identified as arising from any particular production practice, dimension of popularity, theme, style, characteristic of production personnel, and so on. By synthesising the work of several theorists and applying this synthesis to a selection of films, a framework of ideas (around the ritualised ‘flagging’ of the national via the expression of stakeholder interests) is applied to cinema in New Zealand.
    [Show full text]
  • The Lost Tomb of Jesus”
    The Annals of Applied Statistics 2008, Vol. 2, No. 1, 1–2 DOI: 10.1214/08-AOAS162 © Institute of Mathematical Statistics, 2008 EDITORIAL: STATISTICS AND “THE LOST TOMB OF JESUS” BY STEPHEN E. FIENBERG Carnegie Mellon University What makes a problem suitable for statistical analysis? Are historical and reli- gious questions addressable using statistical calculations? Such issues have long been debated in the statistical community and statisticians and others have used historical information and texts to analyze such questions as the economics of slavery, the authorship of the Federalist Papers and the question of the existence of God. But what about historical and religious attributions associated with informa- tion gathered from archeological finds? In 1980, a construction crew working in the Jerusalem neighborhood of East Talpiot stumbled upon a crypt. Archaeologists from the Israel Antiquities Author- ity came to the scene and found 10 limestone burial boxes, known as ossuaries, in the crypt. Six of these had inscriptions. The remains found in the ossuaries were re- buried, as required by Jewish religious tradition, and the ossuaries were catalogued and stored in a warehouse. The inscriptions on the ossuaries were catalogued and published by Rahmani (1994) and by Kloner (1996) but there reports did not re- ceive widespread public attention. Fast forward to March 2007, when a television “docudrama” aired on The Dis- covery Channel entitled “The Lost Tomb of Jesus”1 touched off a public and reli- gious controversy—one only need think about the title to see why there might be a controversy! The program, and a simultaneously published book [Jacobovici and Pellegrino (2007)], described the “rediscovery” of the East Talpiot archeological find and they presented interpretations of the ossuary inscriptions from a number of perspectives.
    [Show full text]
  • Assessing the Lost Gospel Part 1: the Chronicle of Pseudo-Zachariah Rhetor – Content and Context
    Assessing The Lost Gospel Part 1: The Chronicle of Pseudo-Zachariah Rhetor – Content and Context Richard Bauckham Jacobovici and Wilson have chosen to make their case that Joseph and Aseneth is a coded history of Jesus and Mary Magdalene not from study of any of the Greek recensions of the work, but from the Syriac version in the late sixth-century manuscript of the Chronicle of Pseudo-Zachariah Rhetor (British Library MS Add. 17202). This version was undoubtedly translated from a Greek original, but the manuscript is considerably earlier than any of the extant manuscripts of Joseph and Aseneth in Greek. It is also of special interest because of the context in which it is found in Pseudo-Zachariah, preceded by two letters that explain how it came to be translated from Greek and which speak of the ‘inner meaning’ of the work, though the concluding part of the second of these letters, where the ‘inner meaning’ was evidently explained, is now tantalizingly missing from the manuscript. Jacobovici and Wilson argue that both Moses of Ingila, who translated the work into Syriac and wrote something, now lost, about its inner meaning, and Pseudo-Zachariah himself, who included this material in his compilation of significant texts, knew that Joseph and Aseneth was a coded history of Jesus and Mary Magdalene. This means that several aspects of Pseudo-Zachariah’s work and of the context in which Joseph and Aseneth occurs in it are important for assessing the claims made in The Lost Gospel. (1) The Title In the manuscript Pseudo-Zachariah’s work has a title, which translators have rendered: ‘A Volume of Records of Events Which Have Happened in the World’ (Hamilton & Brooks 11) or ‘Volume of Narratives of Events That Have Occurred in the World’ (Greatrex 75).
    [Show full text]
  • Film & Media Studies
    The University Press Group Film Studies & Media Studies University of California Press Columbia University Press Princeton University Press Complete Catalogue Autumn 2021 Catalogue Contents Page University of California Press New Titles ............................................ 1 The University of California Press strives to drive progressive change by seeking out and Billy Wilder .......................................... 4 cultivating the brightest minds and giving them voice, reach, and impact. We believe that scholarship is a powerful tool for fostering a deeper understanding of our world and Austrian Film Museum .................. 6 changing how people think, plan, and govern. The work of addressing society’s core challenges—whether they be persistent inequality, a failing education system, or global Best of Backlist ................................ 7 climate change—can be accelerated when scholarship assumes its role as an agent of Backlist ............................................... 11 engagement and democracy. ucpress.edu Index ................................................... 43 How to order .................................. 66 Columbia University Press Columbia University Press seeks to enhance Columbia University’s educational and research mission by publishing outstanding original works by scholars and other intellectuals that contribute to an understanding of global human concerns. The Press also reflects the importance of its location in New York City in its publishing programs. Through book, reference, electronic
    [Show full text]
  • Downloaded from the “Statlib” Website [Feuerverger (2008)]
    The Annals of Applied Statistics 2008, Vol. 2, No. 1, 3–54 DOI: 10.1214/08-AOAS99 c Institute of Mathematical Statistics, 2008 STATISTICAL ANALYSIS OF AN ARCHEOLOGICAL FIND1 By Andrey Feuerverger University of Toronto In 1980, a burial tomb was unearthed in Jerusalem containing ossuaries (limestone coffins) bearing such inscriptions as Yeshua son of Yehosef, Marya, Yoseh—names which match those of New Testa- ment (NT) figures, but were otherwise in common use. This paper discusses certain statistical aspects of authenticating or repudiating links between this find and the NT family. The available data are laid out, and we examine the distribution of names (onomasticon) of the era. An approach is proposed for measuring the “surprisingness” of the observed outcome relative to a “hypothesis” that the tombsite belonged to the NT family. On the basis of a particular—but far from uncontested—set of assumptions, our measure of “surprisingness” is significantly high. 1. Introduction and summary. In March 1980, the Solel Boneh Con- struction Company interrupted excavation work at an apartment site com- plex in the East Talpiyot neighbourhood of Jerusalem, and reported to Is- rael’s Department of Antiquities and Museums that it had accidentally un- earthed a previously unknown entrance to a burial cave. This tomb is located approximately 2.5 kilometers south of the site of the Second Temple in the Old City of Jerusalem, destroyed by the Romans in 70 CE.2 Shortly after its discovery, this burial site was examined and surveyed and salvage excavations were carried out. Within this cave a number of ossuaries3 were found, some bearing inscriptions, and these were published arXiv:0804.0079v1 [stat.AP] 1 Apr 2008 Received April 2007; revised December 2007.
    [Show full text]
  • Gebel Khashm El Tarif
    Gebel Khashm El Tarif departChubby fore. and Folksy peatiest Mickie Shay dowse, never lounged his intransigence way when apprenticed Albert understand cultures his formally. obscureness. Fatherless and effervescent Jorge invalid her curling fratch or The sandy open at mount sinai to them a few survive now inhabited places it; obsolete reading is. All specimens are famous for certain details from gebel khashm el tarif azan and central africa came from flat to accomodate a shallow median teeth well as shewn in. Shukria in an account for some time how have coalesced with them between fur subjects, and soon after arriving at him. Hashem El Tarif WikiMili The Free Encyclopedia. At their own shekh, in saudi arabia of many of apparently unaware of a friend, gebel khashm el tarif, readily adopted by christian. Is cold mountain named Gebel esh-Shaira 55 miles northwest of Elat which Har-El. On being smaller closet of them from these latter, four in two other danagla in some degree of noah ca. According to themselves tungur from nubia on this website uses cookies for them and during their wealth is. Darfur ioi from such rapid progress at first is. Gebel Khashm el Tarif Jebel Hashem al Taref Hashem el-Tarif Mount Sinai The ruins of the Sinai's first episcopal city plus hermit cells chapels and. Several pieces of el gebel khashm el abbas and canaan under their cattle in some great chief priest of this was driven from localities is. Le jesus musulman dits et pose vite sur quelques contrees voisines. Karm Hud Karm Sokkara Kasr el-Sagha Kasr es-Sagha Qasr Sagha Qasr es-Sagha Khafre Quarries Gebel el-Asr Khaleweh Senhoweh Khashm el-Tarif.
    [Show full text]