Man of Mystery Linwood Barclay ’73 “I Never Thought My Alumni Group Rates Could Save Me So Much.”
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Broadcasting Decision CRTC 2004-21
Broadcasting Decision CRTC 2004-21 Ottawa, 21 January 2004 CHUM Limited and 3661458 Canada Inc., partners in Pulse24, general partnership Ontario Application 2002-0956-1 Public Hearing in the National Capital Region 26 May 2003 CablePulse24 – Licence renewal In this decision, the Commission renews the broadcasting licence for the specialty television service known as CablePulse24, from 1 March 2004 to 31 August 2010. The details regarding the licensee’s specific proposals for the new licence term, and the conditions of licence and other obligations determined by the Commission are set out below. The application 1. The Commission received an application by CHUM Limited and 3661458 Canada Inc., partners in Pulse24, general partnership (Pulse 24) for the renewal of the broadcasting licence for the regional (Ontario), English-language, specialty television service known as CablePulse24 (CP24). 2. The Commission's general analysis with respect to its consideration of this and other applications heard at the 26 May 2003 Public Hearing for the licence renewal of specialty television services is set out in Introduction to Broadcasting Decisions CRTC 2004-6 to 2004-27 renewing the licences of 22 specialty services, Broadcasting Public Notice CRTC 2004-2, 21 January 2004 (Public Notice 2004-2). 3. The Commission received six interventions specifically in support of CP24’s licence renewal. 4. Other interveners raised general concerns related to all of the specialty television licence renewal applications considered as part of this public process. These concerns are discussed in Public Notice 2004-2. 5. On the basis of its review of this licence renewal application and having considered the interveners' comments, the Commission renews the broadcasting licence for CablePulse24, from 1 March 2004 to 31 August 2010.1 The licence will be subject to the conditions specified therein and to the conditions set out in the appendix to this decision. -
COMPTES RENDUS the Life and Times of Dalton Camp
James Ferrabee COMPTES RENDUS The life and times of Dalton Camp Geoffrey Stevens, The Player: The Life and Times of Dalton Camp, Toronto, Key Porter Books, 2003. Review by James Ferrabee n the mid-1950s there was little dian politics on the provincial and For the next 30 years he was an observ- hope a Conservative Government federal scene. er rather than a participant, turning to I would or could be elected in In all, Camp watched over and writing columns for the Toronto Star Ottawa. By 1955, the Liberals had directed 28 elections. His helped create and participating in debates about pol- ruled with little effective opposition and fertilize several Tory dynasties on itics on TV, radio and in public debates. for 20 years. It felt like 40 years. Who the provincial scene, including Robert He was, in short, “a player” which is was going to stop them? Stanfield’s in Nova Scotia (11 years), also the title of Geoffrey Stevens superbly At universities, Canadian history Richard Hatfield’s in New Brunswick (16 researched and cogently written biogra- texts read like a slightly revised ver- years), William Davis’ in Ontario (14 phy of Camp. Not everyone, including sion of the history of the Liberal Party. years) and Duff Roblin’s in Manitoba (11 many who were deeply involved in poli- No one found that strange. The pre- years). He helped direct John Diefenbak- tics in the 1960s and 1970s, will want to eminent historian was A.R.M. Lower er’s campaigns in 1957, 1958, 1962 and read it. -
Requête Déposée Par L'adisq Au Gouverneur En Conseil DEMANDE
Requête déposée par l’ADISQ au gouverneur en conseil 29 juin 2017 DEMANDE DE RENVOI AU CRTC POUR RÉEXAMEN ET NOUVELLE AUDIENCE DES DÉCISIONS DE RADIODIFFUSION CRTC 2017-143 ET CRTC-146 Table des matières 1. Abolition de la principale source de financement du vidéoclip : l’ADISQ demande au gouverneur en conseil de renvoyer des décisions au CRTC pour réexamen ............................................................. 1 1.1 Des décisions qui vont à l’encontre des objectifs de la Loi sur la radiodiffusion ......................... 1 2. Les Décisions de radiodiffusion CRTC 2017-143 et 2017-146 mettent fin au financement du vidéoclip par le Fonds Remstar ..................................................................................................................... 5 2.1 Le CRTC ne met en place aucune mesure de remplacement efficace ........................................ 8 2.1.1 Émissions d’Intérêt National (ÉIN) : définition et fonctionnement .......................................... 9 2.1.2 Inefficacité des mesures portant sur les ÉIN pour le vidéoclip : explications ..................... 10 3. L’importance d’un canal de financement prenant en considération la spécificité du vidéoclip ...... 11 3.1 Historique du financement du vidéoclip ........................................................................................... 12 3.2 La mise en place d’un fonds consacré au financement du vidéoclip a permis la naissance d’une industrie québécoise du vidéoclip ............................................................................................... -
Original Paper White Paper—Satellite Radio
Advances in Social Science and Culture ISSN 2640-9682 (Print) ISSN 2640-9674 (Online) Vol. 2, No. 4, 2020 www.scholink.org/ojs/index.php/assc Original Paper White Paper—Satellite Radio: The First Decade Sufyan Mohammed-Baksh1*, John Kilker III1, & Howard Fisher1 1 Department of Communication & Media, University of Scranton, Scranton, PA, USA * Sufyan Mohammed-Baksh, Department of Communication & Media, University of Scranton, Scranton, PA, USA Received: October 20, 2020 Accepted: November 7, 2020 Online Published: November 11, 2020 doi:10.22158/assc.v2n4p125 URL: http://dx.doi.org/10.22158/assc.v2n4p125 Abstract This white paper discusses the evolution of the satellite radio industry during its first decade. Since their inception, both Sirius & XM have gone through major developments as well as changes include the acquisition of Sirius by XM in March 2008. This paper is an important to the current literature in this field as it preserves the history of the origins and development of the satellite radio industry during its first and most important decade. Keywords Satellite Radio, Digital Radio, XM, Sirius, Radio Media, Digital Radio Industry 1. Introduction In 1992, the satellite radio industry began when the Federal Communications Commission (FCC) designated a spectrum in the “S” band (2.3 GHz) for the nationwide broadcasting of satellite-based Digital Audio Radio Service (DARS). Two of the companies that applied for a license to broadcast were CD Radio, which became Sirius Satellite Radio and American Mobile Radio, which changed to XM Radio, Inc. in 1998. Sirius Satellite Radio and XM Radio both transmit in North America. -
Broadcasting Decision CRTC 2005-530
Broadcasting Decision CRTC 2005-530 Ottawa, 26 October 2005 CanWest MediaWorks Inc. Montréal, Quebec Application 2004-0771-9 Broadcasting Public Notice CRTC 2005-25 22 March 2005 CJNT-TV Montréal – Licence amendments In this decision, the Commission denies the proposal by CanWest MediaWorks Inc. (CanWest)1 to amend a condition of licence for CJNT-TV Montréal to reduce from 75% to 50% the minimum percentage of ethnic programming that must be broadcast between 8 p.m. and 10 p.m. The Commission further denies the licensee’s proposal to delete a condition of licence that requires CJNT-TV to devote specific percentages of non-ethnic programming to English- and French-language programming. The Commission, however, approves CanWest’s proposal to amend conditions of CJNT-TV’s licence to delete annual requirements to serve a minimum number of ethnic groups in a minimum number of languages, while maintaining similar requirements that must be met monthly. A dissenting opinion by Commissioner Langford is attached. Background 1. In Acquisition of the assets of CJNT-TV, Decision CRTC 2000-744, 29 November 2000 (Decision 2000-744), the Commission approved an application by a subsidiary of Global Communications Limited to acquire the assets of CJNT-TV that had been held by Raymond Chabot inc., trustee of CTEQ Télévision inc., in bankruptcy. As a result of an amalgamation that included Global Communications Limited, the licensee of CJNT-TV 1 is now CanWest MediaWorks Inc. (CanWest). 1 This application was filed by Global Communications Limited. However, Global Communications Limited, Global Television Network Inc., CanWest Media Inc. and some other CanWest subsidiaries amalgamated on 1 September 2005, to continue as CanWest MediaWorks Inc. -
October 19, 2011 • Vol
The WEDNESDAY, OCTOBER 19, 2011 • VOL. 23, No. 13 $1.25 Hey Dawson, are you ready for hard water and KLONDIKE more of that white stuff? SUN Brazilian Jazz Heats Up Odd Fellows Hall On a tour of the Yukon, Fernanda Cunha sways her audience with smooth vocals in Dawson on October 14. See story on page 8. Photo by Alyssa Friesen in this Issue Come check out Korbo Apartment Demolition 2 TH Election Results 5 Eastcost Inspiration Up North 24 The aging building is shedding its A new chief and council have been Poet Jacob McArthur Mooney all of the NEW roof and siding. sworn in. reflects on his writer residency. toys at Max’s! City Council Brief 3 History's Shady Underbelly 8 Catch My Thrift? 15 Blast From the Past 16 Uffish Thoughts 4 Author's On Eighth 9 New Faces At SOVA 15 Kids' Page 19 Klondike Election Results 5 TV Guide 10 Stewed Prunes 16 Classifieds 19 P2 WEDNESDAY, OCTOBER 19, 2011 THE KLONDIKE SUN Conservation Klondike Society What to DEPOT HOURS : Sat, Sun, Mon, Wed: 1-5 p.m., Tues: 3-7 p.m. Donations of refundablesDawson City may Recreation be left on the deck Department during off hours. Info: 993-6666. SEE AND DO GYMNASTICS WITH TERRIE IS BACK! : A six week session will run Wednesdays, October 19 to November 23. $45 for the session. Instruction for in DAWSON now: ages 5+. Register through the Rec Office beginning October 3. Contact 993- Pre-school PlaygrouP: 2353. Indoor playgroup for parents and tots at Trinkle This free public service helps our readers find their way through WOMEN AND WEIGHTS: the many activities all over town. -
Of Analogue: Access to Cbc/Radio-Canada Television Programming in an Era of Digital Delivery
THE END(S) OF ANALOGUE: ACCESS TO CBC/RADIO-CANADA TELEVISION PROGRAMMING IN AN ERA OF DIGITAL DELIVERY by Steven James May Master of Arts, Ryerson University, Toronto, Ontario, Canada, 2008 Bachelor of Applied Arts (Honours), Ryerson University, Toronto, Ontario, Canada, 1999 Bachelor of Administrative Studies (Honours), Trent University, Peterborough, Ontario, Canada, 1997 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture Toronto, Ontario, Canada, 2017 © Steven James May, 2017 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT The End(s) of Analogue: Access to CBC/Radio-Canada Television Programming in an Era of Digital Delivery Steven James May Doctor of Philosophy in the Program of Communication and Culture Ryerson University and York University, 2017 This dissertation -
R a P P O R T a N N U E L 2 0
RAPPORT ANNUEL M’ENTENDS-TU? JANN SLO PITCH 2019 LES FLEURISTES UPGRADE MY STAY SÉRIES NUMÉRIQUES DE FORMAT COURT BangerTV est une marque mondiale bénéficiant de MESURER LE SUCCÈS l’appui d’un grand nombre d’amateurs de musique heavy métal au Canada et ailleurs dans le monde. SHREDDERS L’entreprise est parvenue à se tailler une place dans l’industrie en tant qu’important producteur de OF METAL contenu musical de grande qualité, et à exploiter le créneau peu exploité des amateurs de musique rock et heavy métal. Grâce au soutien en production et en découvrabilité du Fonds Bell, les deux premières saisons ont connu un grand succès, cumulant collectivement près de deux millions de visionnements sur la chaîne YouTube de BangerTV. Plus de 146 000 amateurs sur Facebook 240 000 abonnés sur YouTube Plus de 26 millions de visionnements sur YouTube au Canada, aux États-Unis, au Royaume-Uni et ailleurs. Une troisième saison, également soutenue par le Fonds Bell, est en cours de production. 2 RAPPORTANNUEL2019 CONTENU MESSAGE DU PRÉSIDENT 4 PROGRAMMES 6 STATISTIQUES 7 PROMOTION ET 11 DÉCOUVRABILITÉ PROJETS FINANCÉS 13 CONSEIL 39 D’ADMINISTRATION ÉQUIPE 43 CONTACT 44 3 RAPPORTANNUEL2019 MESSAGE DU PRÉSIDENT S’il est certes essentiel pour une organisation de savoir bien planifier avant d’apporter des changements importants à ses programmes et services, ce n’est qu’à l’étape de l’exécution et de la livraison que l’on peut constater si les objectifs ont été atteints ou non. Ainsi, si l’année 2018 fut celle où le Fonds Bell a lancé une série de nouveaux programmes pilotes qui furent créés à partir de zéro, c’est en 2019 que ces thèses furent testées, que les programmes ont été pleinement opérationnels et que les projets ont été livrés sur le marché. -
The Evolving Role of Competition Act Merger Review in the Transport and Broadcasting Sectors in Canada
The Evolving Role of Competition Act Merger Review in the Transport and Broadcasting Sectors in Canada Richard Elliott [email protected] THE EVOLVING ROLE OF COMPETITION ACT MERGER REVIEW IN THE TRANSPORT AND BROADCASTING SECTORS IN CANADA Richard Elliott* I. Introduction The Competition Act1 is a law of general application which applies, for the most part, equally across diverse sectors of the Canadian economy. In the area of merger review, the Commissioner of the Competition ("Commissioner") and her staff the Competition Bureau ("Bureau") have traditionally reviewed all mergers under the common analytical framework established in the Merger Enforcement Guidelines ("MEGs").2 This same framework has been applied irrespective of whether a merger was also subject to concurrent merger review by another regulator. This paper looks at recent developments regarding regulatory review of mergers in the transport and broadcasting sectors in Canada and discusses whether they are likely to have any impact on the Bureau's role in respect of such mergers. The principal development in the transport area has been the extension in June 2007 of the Canada Transportation Act ("CTA") merger review regime from airlines to all transport sectors.3 This provides for the possibility that the Minister of Transport and Cabinet, not the Competition Tribunal ("Tribunal") or the courts, will have the ultimate decision making authority over mergers, including competition aspects, in the transport sector. In the broadcast sector, recent Canadian Radio-Television and Telecommunications Commission ("CRTC") enforcement decisions and policy developments point to a focus on market concentration issues in a manner that may overlap with, although also diverge from, the reviewing role of the Bureau. -
February 13 , 2003 •
formerly the trent report 13 feb. 2003 focusYour connection to news at Canada’s Outstanding Small University trent innews the Trent English Prof. a cosmic Geoffrey Eathorne combination was quoted in a January 18 Globe and Mail world’s beauty through images article about the Bloomsbury she captures on film. “Your val- era and its effect on current ues become entrenched after you style trends. fly in space,” Dr. Bondar explains. “I was already environment- In a minded and came back from January space with a clear sense of pur- 23 pose.” Toronto A quote from Passionate Vision, Star arti- a beautiful book of Dr. Bondar’s cle that photography that focuses on docu- Canada’s national parks, explains mented her viewpoint further. She writes: applications to nursing pro- “For a brief moment, I lived grams in Canada for fall, beyond Earth, ceasing to exist on 2003, Trent’s B.Sc.N. program land or sea. Space isolated me was noted. The rise in nursing from Earth’s complex, beautiful applications was cited as and precious life, leaving me good news for the profession with only faint memories of bird- and the health care system. song, splashing water, warm scented plants. My photographs Dr. Chris Metcalfe was fea- are of a land that protects this tured in a Feb. 9 CTV televi- fragile beauty. This is the passion sion segment that looked at of my vision.” She also writes: pharmaceutical drug traces in “No two people are alike, so no drinking water. This was also two space experiences can be the focus of a front page Globe alike; but my flight left me with a and Mail article on Monday, whole new view of my science, Feb. -
20 Years of Inspiration
20 years of inspiration The arts engage and inspire us 20 years of inspiration National Arts Centre | Ottawa | May 5, 2012 20 years of inspiration Welcome to the 20th anniversary Governor General’s In 2007 the National Film Board of Canada (NFB) Performing Arts Awards Gala! joined the Awards Foundation as a creative partner, and agreed to produce a short film about each Award The Governor General’s Performing Arts Awards recipient (beginning with the 2008 laureates). After (GGPAA) were created in 1992 under the patronage of the late Right Honourable Ramon John Hnatyshyn premiering at the GGPAA Gala, these original and (1934–2002), 24th Governor General of Canada, engaging films are made available to all Canadians and his wife Gerda. on the Web and in a variety of digital formats. The idea for the GGPAA goes back to the late 2008 marked the launch of the GGPAA Mentorship 1980s and a discussion between Peter Herrndorf Program, a unique partnership between the Awards (now President and CEO of the National Arts Centre) Foundation and the National Arts Centre that pairs and entertainment industry executive Brian Robertson, a past award recipient with a talented artist in both of whom were involved at the time with the mid-career. (See page 34.) Toronto Arts Awards Foundation. When they “The Governor General’s Performing Arts Awards approached Governor General Hnatyshyn with are the highest tribute we can offer Canadian artists,” their proposal for a national performing arts awards said Judith LaRocque, former Deputy Minister of program, they received his enthusiastic support. Canadian Heritage and former Secretary to the “He became a tremendous fan of the artists receiving Governor General, in an interview on the occasion the awards each year, the perfect cheerleader in the of the 15th anniversary of the Awards. -
Consolidation of Motions Adopted During the Winter and Spring Sitting of the First Session of the 29Th Legislative Assembly
YUKON LEGISLATIVE ASSEMBLY Motions adopted during the Winter and Spring Sitting of the First Session of the 29th Legislative Assembly December 4, 1996 - December 18, 1996 March 24, 1997 - May 13, 1997 Note: The following is an unofficial consolidation of the substantive motions adopted during the time period noted above. If motions were amended before adoption, the amendment is incorporated in the text and a notation made that the motion was amended. Consolidation of Motions adopted during the Winter and Spring Sitting of the First Session of the 29th Legislative Assembly December 4, 1996 - December 18, 1996 March 24, 1997 - May 13, 1997 INDEX SUBSTANTIVE MOTIONS (listed in chronological order) Page Subject Matter 1. Speaker (Robert Bruce) elected (#1) 1 2. Deputy Speaker (&Chair of Committee of the Whole) (Gary McRobb) appointed (#2) 1 3. Deputy Chair appointed (Todd Hardy) (#3) 1 4. Address in Reply to Speech from the Throne (#10) 1 5. CBC funding: urging Federal Government not to cut (#19) 1-2 6. Child poverty: develop means of addressing (#12) 2 7. Members' Services Board appointed (#4) 2 8. Standing Committee on Rules, Elections and Privileges appointed (#5) 2-3 9. Standing Committee on Public Accounts appointed (#6) 3 10. Standing Committee on Statutory Instruments appointed (#7) 3 11. Advisory Committee on Finance appointed (#8) 3 12. Forest Cabinet Commission: creation of (#27) 3 13. Yukon Hire Cabinet Commission: creation of (#28) 4 14. Energy Cabinet Commission: creation of (#31) 4 15. Development Assessment Process Commission: creation of (#30) 4 16. Standing Committee on Rules, Elections and Privileges: referring matters to (#9) 4 17.