'Line of Duty,' Is Unique Cop Show
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LINE of DUTY 2 EP2 2013-06-02 Cherry.Fdx Script
LINE OF DUTY 2 Written by Jed Mercurio Episode 2 Pink Shooting Script Dated: 18 April 2013 Blue revisions: 19 April 2013 Yellow revisions: 29 April 2013 Green revisions: 30 April 2013 Gold revisions: 12 May 2013 Buff revisions: 20 May 2013 Salmon revisions: 22 May 2013 Cherry revisions: 2 June 2013 World Productions 101 Finsbury Pavement London EC2A 1RS T. 020 3002 3113 Line of Duty #2.2 02/06/2013 CHERRY revisions 1. PREVIOUSLY ... Mallick tells Lindsay what he thinks of her. MALLICK I’ve got a room full of detectives getting 4’s and 5’s. You’re a 2 at best. CUT TO: Lindsay assaults her next-door-neighbour. LINDSAY I’m. Not. Going. To. Take. It. Any. More. CUT TO: O’Neill comes to grab Lindsay. O’NEILL Call for the Duty Inspector. CUT TO: Lindsay picks up the phone. LINDSAY DI Denton. INTERCUT: CAST CREDIT INTERCUT: Hastings introduces Steve to Georgia. HASTINGS DC Trotman. CUT TO: Steve and Georgia get drunk together. CUT TO: Steve and Georgia snog. INTERCUT: CAST CREDIT INTERCUT: (CONTINUED) Line of Duty #2.2 02/06/2013 CHERRY revisions 2. CONTINUED: Akers hurries the Witness under a blanket from the safe house to the waiting car. CUT TO: Lindsay drives the lead vehicle; Akers’ vehicle follows. CUT TO: The ambush vehicle smashes into the vehicles. Gunmen spray bullets. They set fire to Akers’ vehicle. They’re clearly established wearing thick black jackets and motorcycle helmets. INTERCUT: CAST CREDIT INTERCUT: Hastings briefs Steve and Kate at the Witness’s bedside. HASTINGS He was in Witness Protection. -
1034 Policy Manual
Policy Grafton Police Department 1034 Policy Manual Line-of-Duty Deaths 1034.1 PURPOSE AND SCOPE The purpose of this policy is to provide guidance to members of the Grafton Police Department in the event of the death of a member occurring in the line of duty and to direct the Department in providing proper support for the member’s survivors. The Chief of Police may also apply some or all of this policy in situations where members are injured in the line of duty and the injuries are life-threatening. 1034.1.1 DEFINITIONS Definitions related to this policy include: Line-of-duty death - The death of a sworn member during the course of performing law enforcement-related functions while on- or off-duty, or a Civilian member during the course of performing their assigned duties. Survivors - Immediate family members of the deceased member, which can include spouse, children, parents, other next of kin or significant others. The determination of who should be considered a survivor for purposes of this policy should be made on a case-by-case basis given the individual’s relationship with the member and whether the individual was previously designated by the deceased member. 1034.2 POLICY It is the policy of the Grafton Police Department to make appropriate notifications and to provide assistance and support to survivors and coworkers of a member who becomes seriously injured or dies in the line of duty. It is also the policy of this department to respect the requests of the survivors when they conflict with these guidelines, as appropriate. -
Contemporary British Television Crime Drama: Cops on the Box
This is a repository copy of Contemporary British Television Crime Drama: Cops on the Box. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/139468/ Version: Accepted Version Article: Johnson, B orcid.org/0000-0001-7808-568X (2018) Contemporary British Television Crime Drama: Cops on the Box. Journal of Popular Television, 6 (2). pp. 274-277. ISSN 2046-9861 https://doi.org/10.1386/jptv.6.2.271_5 This article is protected by copyright. All rights reserved. This is an author produced version of a paper published in the Journal of Popular Television. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Ruth McElroy (ed), Contemporary British Television Crime Drama: Cops on the Box (London & New York: Routledge, 2017), pp.210, ISBN 978-1-4724-5493-5 (hb), £110. In her introduction to Contemporary British Television Crime Drama: Cops on the Box, McElroy 'makes a claim for the significance and distinctiveness of British television crime drama', and the essays that she goes on to present offer an excellent, wide-ranging, dynamic and discursive approach to the topic. -
A Hashtag Worth a Thousand Words
SMSXXX10.1177/2056305116686992Social Media + SocietyGiglietto and Lee 686992research-article2016 Article Social Media + Society January-March 2017: 1 –15 A Hashtag Worth a Thousand © The Author(s) 2017 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav Words: Discursive Strategies DOI:https://doi.org/10.1177/2056305116686992 10.1177/2056305116686992 Around #JeNeSuisPasCharlie After journals.sagepub.com/home/sms the 2015 Charlie Hebdo Shooting Fabio Giglietto1 and Yenn Lee2 Abstract Following a shooting attack by two self-proclaimed Islamist gunmen at the offices of French satirical weekly Charlie Hebdo on 7 January 2015, there emerged the hashtag #JeSuisCharlie on Twitter as an expression of solidarity and support for the magazine’s right to free speech. Almost simultaneously, however, there was also #JeNeSuisPasCharlie explicitly countering the former, affirmative hashtag. Based on a multimethod analysis of 74,047 tweets containing #JeNeSuisPasCharlie posted between 7 and 11 January, this article reveals that users of the hashtag under study employed various discursive strategies and tactics to challenge the mainstream framing of the shooting as the universal value of freedom of expression being threatened by religious extremism, while protecting themselves from the risk of being viewed as disrespecting victims or endorsing the violence committed. The significance of this study is twofold. First, it extends the literature on strategic speech acts by examining how such acts take place in a social media context. Second, it highlights the need for a multidimensional and reflective methodology when dealing with data mined from social media. Keywords Twitter, hashtag, discursive strategy, sensitive topic, Charlie Hebdo On 7 January 2015, two gunmen forced their way into the #JeNeSuisPasCharlie carried an inherent risk of being headquarters of satirical weekly magazine Charlie Hebdo in viewed as disrespecting victims or endorsing the violence Paris and killed 12 staff cartoonists, claiming that what they committed. -
Falco Mexico and Amazon
FOR IMMEDIATE RELEASE RED ARROW STUDIOS INTERNATIONAL’S HIT SCRIPTED CRIME FORMAT FALCO TO STREAM EXCLUSIVELY ON AMAZON PRIME VIDEO ACROSS LATIN AMERICA Spiral International has signed an agreement with Amazon Prime Video to be the exclusive streaming home in Latin America for new Mexican crime series “FALCO” – an adaptation of Red Arrow Studios International’s hit international crime format “The Last Cop” MUNICH / MIAMI. MARCH 22, 2018: Spiral International, the leading Latin American distributor for Red Arrow Studios International, has signed an agreement with Amazon Prime Video to bring the Mexican adaptation of “FALCO”, based on the acclaimed scripted format “The Last Cop”, exclusively to its streaming service in Latin America. Red Arrow Studios International will also launch the 15 x 1 hour finished tape of “FALCO” (Mexico) at MIPTV 2018. “FALCO” is produced by Spiral International and production powerhouse Dynamo (“Narcos”, “American Made”), and features Michel Brown, star of the International Emmy® award winning series “Sr. Ávila”, in the lead role. The series is showrun and directed by acclaimed Mexican filmmaker, director and screenwriter Ernesto Contreras (“Blue Eyelids”, “I Dream in Another Language”, “The Obscure Spring”, “El Chapo”), who has a total of 19 International Film Festival Wins and 9 Nominations. In “FALCO”, it’s 1994 in Mexico City, and Alejandro Falco is a reputable policeman with a promising future and a young family. However, his perfect world is shattered when he is shot by a mysterious attacker in the line of duty. With a bullet lodged in his head, Falco falls into a coma – for the next 24 years. -
Supporting Children and Family Survivors of Police Line-Of-Duty Deaths
Supporting Children and Family Survivors of Police Line-of-Duty Deaths Police Survivors: Line-of-Duty Line-of-Duty Deaths: Deaths Three Essential Points About Children who experience the loss of a parent or other family Children and Family Survivors member through a line-of-duty death are likely to face a 1. Most grief experiences are similar. In most ways, children number of unique issues. School professionals working with and family survivors of line-of-duty deaths experience grief students in such circumstances will be able to provide more and coping with loss much as others do. They have similar effective support when they understand the distinct aspects thoughts, feelings, concerns and needs. of this experience. 2. Some grief experiences are distinct in important ways. The materials in this module are designed as a supplement to Survivors of line-of-duty deaths are coping with unique the broader information at the Coalition’s website. They are issues within a unique culture. Most people outside the law not intended to be a stand-alone resource. enforcement world are unfamiliar with these issues. They were developed collaboratively with the national non- 3. School professionals can make a difference. When school profit organization Concerns of Police Survivors (C.O.P.S.). professionals are aware of the distinct issues facing these C.O.P.S. provides support for families who have experienced families, they can plan and provide more effective support. a line-of-duty death. Over 30,000 families are members of the organization. Take Steps to Make a Difference Are Your Students Affected? To understand more about providing support to survivors of a line-of-duty death, read through the materials in this Each year, more than a hundred law enforcement officers module. -
Ofcom Broadcast Bulletin Issue Number
Ofcom Broadcast Bulletin Issue number 220 17 December 2012 1 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Contents Introduction 4 Standards cases In Breach Line of Duty BBC 2, 17 July 2012, 21:00 and 24 July 2012, 21:00 5 Note to Broadcasters The involvement of people under eighteen in programmes 16 In Breach Paigham-e-Mustafa Noor TV, 3 May 2012, 11:00 18 Rock All Stars Scuzz TV, 19 August 2012, 20:40 32 Islam Channel News The Islam Channel, 8 June 2012, 21:10 43 Good Cop (Trailer) BBC1 HD, 6 August 2012, 18:40 51 Not in Breach The X Factor ITV1, 9 September 2012, 20:00 ITV2, 10 September 2012, 01:05, 10 September 2012, 20:00 and 11 September 2012, 00:15 55 Broadcast Licence Condition cases In Breach Breach of licence conditions Voice of Africa Radio 60 In Breach/Resolved Breach of licence conditions Erewash Sound, Felixstowe Radio, The Super Station Orkney, Seaside FM, Ambur Radio, Phoenix FM 62 2 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Fairness and Privacy cases Upheld Complaint by Complaint by the Central Electoral Commission of Latvia Russian language referendum item, REN TV Baltic & Mir Baltic, November 2011, various dates and times 66 Complaint by Dr Usama Hasan Islam Channel News, The Islam Channel, 8 June 2012 70 Not Upheld Complaint by Dr Usama Hasan Politics and Media, The Islam Channel, 11 June 2012 77 Other Programmes Not in Breach 89 Complaints Assessed, Not Investigated 90 Investigations List 100 3 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. -
Gender Dynamics in TV Series the Fall: Whose Fall Is It? Adriana Saboviková, Pavol Jozef Šafárik University in Košice, Slovakia1
Gender Dynamics in TV Series The Fall: Whose fall is it? Adriana Saboviková, Pavol Jozef Šafárik University in Košice, Slovakia1 Abstract This paper examines gender dynamics in the contemporary TV series The Fall (BBC 2013 - 2016). This TV series, through its genre of crime fiction, represents yet another way of introducing a strong female character in today’s postfeminist culture. Gillian Anderson’s Stella Gibson, a Brit and a woman, finds herself in the men’s world of the Police Service in Belfast, where the long shadow of the Troubles is still present. The paper proposes that the answer to the raised question - who the eponymous fall (implied in the name of the series) should be attributed to - might not be that obvious, while also discussing The Fall’s take on feminism embodied in its female lead. Keywords: female detectives, The Fall, TV crime drama, postfeminism Introduction Troubled history is often considered to be the reason for Northern Ireland being described as a nation of borderlines - not only obvious physical ones but also imagined. This stems from the conflict that has been described most commonly in terms of identities - based on culture, religion, and even geography. The conflict that has not yet been completely forgotten as the long shadow of the Troubles (local name, internationally known as the Northern Ireland conflict) is still present in the area. Nolan and Hughes (2017) describe Northern Ireland as “living apart together” separated by physical barriers. These locally called peace walls had to be erected to separate and, at the same time, protect the communities. -
Joplin Police Department 2015 Annual Report
Joplin Police Department 2015 Annual Report The Joplin Police Department is a community funded division of the City of Joplin whose vision is a peaceful and safe community where citizens and visitors experience hometown values and a superior quality of life. Table of Contents Message from Chief Jason Burns…………………………………………..4 City Government and Police Department Supervisors…………5 Vision, Mission, and Values…………………………………………………..6 Multi-Year Plan……………………………………………………………………...7-9 Operations Division……………………………………………………………….10 Patrol Bureau………………………………………………………………………….11-15 S.W.A.T. ………………………………………………………………………..13-14 K9 Unit………………………………………………………………………….15 Special Enforcement Bureau………………………………………………...16-23 Crime Free…………………………………………………………………...16 Traffiic………………………………………………………………………….17 DWI Unit……………………………………………………………………..17 Motorcycles………………………………………………………………...18 HMV………….………………………………………………………………...18 Honor Guard……………………………………………………………….19 Crossing Guards………………………………………………………….19 School Resource Officers…………………………………………...19 Rise Above Program…………………………………………………...19 Explorers……………………………………………………………………..20 Reserves……………………………………………………………………….21 Sentinels……………………………………………………………………...21 Special Events...…………………………………………………………..21 Citizens Police Academy…………………………………………….22 National Night Out……………………………………………………..22 Shop With a Cop………………………………………………………….22 Investigations Bureau…………………………………………………………...23-27 General Investigations………………………………………………..24 FBI Task Force……………………………………………………………..25 Ozarks Drug Enforcement Team………………………………..25 Southwest -
Michael Keillor Writer/Director
Michael Keillor Writer/Director Michael’s passion for bold and ambitious projects has drawn him to work with a talented mix of writers who share his appetite for pushing boundaries while entertaining audiences. Most recently Michael directed David Hare’s four-part political drama ROADKILL, which captured the world-weary mood of 2020, charting the rise of a corrupt and self-serving politician played with ruthless charisma and impeccable charm by Hugh Laurie. Agents Michelle Archer Assistant Grace Baxter [email protected] 020 3214 0991 Credits Television Production Company Notes ROADKILL The Forge/PBS/BBC 1 Director and Executive Producer 2020 4-part Drama. Writer: David Hare. Producer: Andy Litvin Exec Producers: George Faber, Mark Pybus, Lucy Richer, David Hare, Michael Keillor. Starring: Hugh Laurie, Helen McCrory, Pippa Bennett Warner, Sarah Greene, Sidse Babett Knudsen, Iain De Caestecker. Popular and charismatic politician Peter Laurence is shamelessly untroubled by guilt or remorse as his public and private life fall apart. *Winner, Original Music Bafta Craft Awards 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes CHIMERICA Playground Director 2018 - 2019 Entertainment/Channel 4 4-part Drama. Writer: Lucy Kirkwood. Producer: Adrian Sturges. Executive Producers: Lucy Kirkwood, Sophie Gardiner, Colin Callender. Starring: Alessandro Nivola and Cherry Jones A photojournalist travels to China with the hopes of finding out who the mysterious man was who was photographed standing defiantly in front of a tank in Tiananmen Square twenty years ago. Adaptation of the Olivier award-winning play. -
Sample Letter to Member Injured in the Line of Duty
Dear Colleague, I was sorry to hear that you were injured on the job. Even though you are still recovering, there are some procedures of which you should be aware regarding your injury on the job. 1. Injury on the job is referred to as “Injury in the Line of Duty” and is covered by the Department of Education’s Personnel Memorandum No. 4 of October 21, 2002. The memorandum requires that you must notify the Administration of any accident or injury within 24 hours. At the time of the injury, a Comprehensive Injury Report should be filed with the Administration. If you cannot write the report, a colleague may assist. You should try to fill out the report before you leave school that day. In the report, the specific cause of the injury should be cited and the circumstances surrounding the incident or accident clearly stated. If you were injured in the performance of some duty specifically assigned by an administrator, it is important to state that the administrator directed you to perform that duty. You should ask for a copy of the report. If you leave school without notifying the Administration, and are absent the next day, when you call the school to report your absence you must tell them that you are absent as the result of an accident you had in school. Ideally, you should talk directly to the principal. You should also ask that a Comprehensive Injury Report Form be sent to you so that you can fill it out and return it as soon as possible. -
Adrian Dunbar
ADRIAN DUNBAR Film: The Snowman Frederik Aasen Tomas Alfredson Working Title The Secret Scripture Dr Hart Jim Sheridan Scripture Productions Ltd The Last Furlong Dr Russell Agnes Merlet RR Film Productions Ltd Mother's Milk Seamus Dorke Gerald Fox Independent Act Of God Frank O'connor Sean Faughnan A O G Films The Last Confession Of Alexander Pearce Philip Conolly Michael James Rowland Essential Media Eye Of The Dolphin Dr James Hawk Michael D.sellers Quantum Entertainment Mickybo And Me Mickybo's Dad Terry Loane Universal Kidnapped Alex Balfour Brendan Maher B B C Triggerman Andy Jarrett John Bradshaw First Look International Shooters Max Bell Glenn Durfort Catapult / Universal How Harry Became A Tree George Goran Paskaljevic Paradox Pictures Wild About Harry J. J. Macmohan Declan Lowney Scala The Wedding Tackle Mr. Mac Rami Dvir Viking Films The General Noel Curley John Boorman Little Bird Co. Richard Iii James Tyrell Richard Loncraine First Look International The Near Room Charlie Colquhoun David Hayman Bbc Innocent Lies Alan Cross Patrick Dewolf British Screen Widow's Peak Godfrey Doyle-counihan John Irvin Fine Line Features / Bbc The Crying Game Maguire Neil Jordan Palace Pictures The Playboys Mick Gillies Mackinnon Samuel Godwyn Company Hear My Song Micky O'neill Peter Chelsom Miramax Films My Left Foot Peter Jim Sheridan Miramax Films The Dawning Capt. Rankin Robert Knights Ferndale Films Nomination Barclay's Tma Best Actor Of The Year Award 2002 Television: Line Of Duty, Seasons 1-5 Ted Hastings Jed Mecurio B B C Blood Jim Lisa