Emotion and AI Kristin Laughtin-Dunker Chapman University, [email protected]
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
New Audiobooks 1/1/05 - 5/31/05
NEW AUDIOBOOKS 1/1/05 - 5/31/05 AVRCU = AUDIOBOOK ON CASSETTE AVRDU = AUDIOBOOK ON COMPACT DISC [ 1] Shepherds abiding :with Esther's gift and the Mitford snowmen /by Jan Karon. AVRCU3876 Karon, Jan,1937- [ 2] Kill the messenger /by Tami Hoag. AVRCU3889 Hoag, Tami. [ 3] Voices of the Shoah :remembrances of the Holocaust /[written by David Notowitz]. AVRDU0352 [ 4] We're just like you, only prettier :confessions of a tarnished southern belle /Celia Rivenbark. AVRCU4020 Rivenbark, Celia. [ 5] A mighty heart /by Mariane Pearl with Sarah Crichton ; narrated by Suzanne Toren. AVRCU4025 Pearl, Mariane. [ 6] The happiest toddler on the block :the new way to stop the daily battle of wills and raise a secure and well-behaved one- to four-year-old /Harvey Karp with Paula Spencer. AVRCU4026 Karp, Harvey. [ 7] Black water /T.J. MacGregor. AVRCU4027 MacGregor, T. J. [ 8] A rage for glory :the life of Commodore Stephen Decatur, USN /James Tertius de Kay. AVRCU4028 De Kay, James T. [ 9] Affinity /Sarah Waters. AVRCU4029 Waters, Sarah,1966- [ 10] Dirty laundry /Paul Thomas. AVRCU4030 Thomas, Paul,1951- [ 11] Horizon storms /Kevin J. Anderson. AVRCU4031 Anderson, Kevin J.,1962- [ 12] Blue blood /Edward Conlon. AVRCU4032 Conlon, Edward,1965- [ 13] Washington's crossing /by David Hackett Fischer. AVRCU4033 Fischer, David Hackett,1935- [ 14] Little children /Tom Perrotta. AVRCU4035 Perrotta, Tom,1961- [ 15] Above and beyond /Sandra Brown. AVRCU4036 Brown, Sandra,1948- [ 16] Reading Lolita in Tehran /by Azar Nafisi. AVRCU4037 Nafisi, Azar. [ 17] Thunder run :the armored strike to capture Baghdad /David Zucchino. AVRCU4038 Zucchino, David. [ 18] The Sunday philosophy club /Alexander McCall Smith. -
5 1.1 Frankenstein E O Códice 8 1.1.1
Índice Introdução Capítulo 1 – “Workshops of filthy creation” 5 1.1 Frankenstein e o códice 8 1.1.1 “Accursed Creator” 8 1.1.2 Alguma Afinidade 24 1.1.3 “I longed to join them but dared not” 33 1.2 Patchwork Girl: entre galvanismo e cibernética 47 1.2.1 O fim de “ceci tuera cela” 60 Capítulo 2 – A Criatura electrónica 72 2.1 “Twitchy little screen” 73 2.1.1 A superfície de Patchwork Girl 76 a – Janela Principal 77 b – Storyspace map 79 c – Topografia 82 2.2 “Her”: A anatomia do “banished body” 90 Capítulo 3 – Interagir com a criatura: cicatrizes que falam 110 3.1 “Suspension of disbelief” e “make-believe” 113 3.1.1 “Incantations” 114 3.1.2 “Desire rather than identity” 124 3.2 Entre Luddismo e Ludismo 141 3.2.1 “I bore a hell within me” 143 3.2.2 “Machinations” 150 3.2.3 Ludismo 157 Conclusão 166 Bibliografia e Webliografia 171 0 Introdução Em 1818, a história de uma criatura que nascia num laboratório e que tentava encontrar o seu lugar no mundo tomava forma nas mãos de Mary Shelley e ganhava vida nas páginas de Frankenstein. Passados quase dois séculos dessa data, a criatura voltaria a ser invocada numa obra intitulada Patchwork Girl (1995). Desta vez, ela assumia a forma de um novo formato de texto: o hipertexto electrónico. Na obra Patchwork Girl, a criatura é uma mulher constituída por pedaços de textos ou lexias. Estes pedaços de texto são pequenas narrativas, cuja essência é feita de bits. -
THE MENTOR 79, July 1993
THE MENTOR AUSTRALIAN SCIENCE FICTION CONTENTS #79 ARTICLES: 8 - THE BIG BOOM by Don Boyd 40 - WHAT IS SF FOR by Sean Williams COLUMNISTS: 14 - NORTHERN FEN by Pavel A Viaznikov 17 - A SHORT HISTORY OF RUSSIAN "FANTASTICA" by Andrei Lubenski 32 - SWORDSMAN OF THE SHEPHERD'S STAR by Andrew Darlington 45 - IN DEPTH #6 by Bill Congreve COMIC SECTION: 20 - THE INITIATE Part 2 by Steve Carter DEPARTMENTS; 2 - EDITORIAL SLANT by Ron Clarke 49 - THE R&R DEPT - Reader's letters 61 - CURRENT BOOK RELEASES by Ron Clarke FICTION: 4 - PREY FOR THE PREY by B. J. Stevens 23 - THE BROOKLYN BLUES by Brent Lillie Cover Illustration by Steve Carter. Internal Illos: Steve Fox p. 7, 39 Peggy Ranson p.11, 13, 44, 48 Sheryl Birkhead p. 49 Rod Williams p. 68 Julie Vaix p. 68 THE MENTOR 79, July 1993. ISSN 0727-8462. Edited, printed and published by Ron Clarke. Mail Address: THE MENTOR, c/- 34 Tower St, Revesby, NSW 2212, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (Australian fiction [science fiction or fantasy]), poetry, article, or letter of comment on a previous issue. It is not available for subscription, but is available for $5 for a sample issue (posted). Contributions, if over 5 pages, preferred to be on an IBM 51/4" or 31/2" disc (DD or HD) otherwise typed, single or double spaced, preferably a good photocopy (and if you want it returned, please type your name and address) and include an SSAE anyway, for my comments. -
Foundation and Empire Kindle
FOUNDATION AND EMPIRE PDF, EPUB, EBOOK Isaac Asimov | 304 pages | 01 Apr 1997 | Random House Publishing Group | 9780553293371 | English | New York, NY, United States Foundation and Empire PDF Book I just don't know any of them, except the person who recommended it to me, and she already read it, so. E' un tipo di fantascienza molto suggestiva. The contrast is quite striking. I can write on and on - wish to talk to more Asimovian fans out there. Later writers have added authorized, and unauthorized, tales to the series. Upon approaching the planet, they are drawn inside the Moon's core, where they meet a robot named R. The Mule whose real name is never revealed is a mental freak and possesses the ability to sense and manipulate the emotions of others. This tale was definitely a nod to Belisarius a famous Roman general. His notability and fame increase and he is eventually promoted to First Minister to the Emperor. And by the time Bayta breaks out of that mindset, it is too late. Asimov really blew this one out of the water. Lathan Devers, a native of the Foundation, and Ducem Barr, a patrician from the planet Siwenna, have been "guests" of Bel Riose for several months when it becomes clear that they will soon be treated as enemies, or even be killed. Namespaces Article Talk. I envy you if you have not read Foundation and Empire before or if you have read but possess an even worse memory than mine well, may be the latter not so much. -
AI in the Public Imagination
AI in the Public Imagination Philipp Koehn 1 September 2015 Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Fiction 1 • Robots and AI are a central element in Science Fiction • Questions raised – capabilities of robots – behavior of robots – behavior of humans towards robots – emergence of robots changes human behavior – differences in robots and humans – independence of robots • We explores the themes in movies, books, and TV shows Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 2 laws of robotics Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Golden Age of Science Fiction 3 • Middle of 20th century: science fiction short stories – 1926 founding of ”Amazing Stories” magazine – pulp fiction – begin of science fiction fandom • Golden Age of science fiction: 1940s, 1950s – Isaac Asimov – Arthur C. Clarke – Robert A. Heinlein Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Isaac Asimov 4 • Born in Russia, lived mostly in New York (1919-1992) • Professor for biochemistry • Extremely prolific writer of short stories and books • Hard science fiction • Major works – Robot series – Foundation series – Galactic Empire series Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Generic Robot Story 5 • Scientist develops robot • Robot turns on scientist • Scientist dead • Many parallels in traditional literature, e.g., Schiller’s Zauberlehrling • Isaac Asimov did not want to write ”for one more weary time” this story Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Three Laws of Robotics 6 • A robot may not injure a human being or, through inaction, allow a human being to come to harm. -
Human and Humanoid Detective Agents in the Select Novels of Isaac Asimov
Journal of Information and Computational Science ISSN: 1548-7741 HUMAN AND HUMANOID DETECTIVE AGENTS IN THE SELECT NOVELS OF ISAAC ASIMOV Author1 and Author2 1 S. Akila Research Scholar Department of English Annamalai University Chidambaram 2 Dr. A. Glory Research Supervisor Assistant Professorm of English Annamalai University Chidambaram Abstract Isaac Asimov pointed out the utopian concept of science and technology in all his science. The three novels selected for this article are The Caves of Steel, The Naked Sun and The Robots of Dawn . The three novels are detective novels, incorporating many technological developments such as positronic robots and space travel. This paper focuses mainly on the elements of the detective fiction in the science fiction of Isaac Asimov. It also aims at analyzing how the concept of ‘crime and punishment’ in these stories is dealt with in a different way and also how elements of science fiction and futuristic technologies fit the kind of detective fiction. A short review of the investigators of three of the tales can also be included in the article. Keywords: Detective Robot, Spacer World, Future world, Isaac Asimov pointed out the utopian concept of science and technology in all his science. The three novels selected for this article are The Caves of Steel, The Naked Sun and The Robots of Dawn . The three novels are detective novels, incorporating many technological developments such as positronic robots and space travel. This paper focuses mainly on the elements of the detective fiction in the science fiction of Isaac Asimov. It also aims at analyzing how the concept of ‘crime and punishment’ in these stories is dealt with in a different way and also how elements of science fiction and futuristic technologies fit the kind of detective fiction. -
The Future of Human-Robot Interaction a Socio-Economic Scenario Analysis
DEGREE PROJECT IN MECHANICAL ENGINEERING, SECOND CYCLE, 30 CREDITS STOCKHOLM, SWEDEN 2021 The Future of Human-Robot Interaction A socio-economic Scenario Analysis BENEDIKT KRIEGER KTH ROYAL INSTITUTE OF TECHNOLOGY SCHOOL OF INDUSTRIAL ENGINEERING AND MANAGEMENT A socio-economic Scenario Analysis Benedikt Krieger Supervised by Andreas Archenti (KTH) & Thomas Bohné (University of Cambridge) Abstract – English Advancing research in an interdisciplinary field such as robotics is a complex undertaking. Seldom, it is moved beyond the scope of an individual science and the challenges from other fields of research are incorporated. Research on Human-Robot Interaction (HRI) is attributed interdisciplinarity and, thus, is a case in point. Therefore, this thesis aims to integrate both engineering, psychosocial, and socio-economic research streams. By doing so, the goal is to reveal and to identify underlying questions which are tacitly assumed by either research field, but require explicit contemplation and elaboration. The engineering community is currently focusing on collaboration and cooperation (CoCo) as it enables humans and robots to operate together in heterogenous teams. Human-robot teamwork, in turn, is promising to enable the integration of both a human’s flexibility, dexterity, and creative problem solving with robotic strength, precision, reliability, and efficiency. In contrast, economic considerations evolve around elaborations on technological unemployment and further macroeconomic implications. To unite these streams, this thesis conducts a scoping literature review. Through it, the fundamental design considerations necessary to achieve CoCo are laid out, while pointing towards the currently most promising research direction in each of the design aspects. Both engineering as well as psychosocial aspects are considered. -
Foundation Trilogy by Isaac Asimov Jake Anderson Who Is Isaac Asimov?
CS 485 Book Report: Foundation trilogy by Isaac Asimov Jake Anderson Who is Isaac Asimov? Isaac Asimov was born in the town of Petrovichi in the Russian Soviet Federated Socialist Republic. He traditionally celebrated his date of birth as January 2, 1920, but there are no accurate records and as such he may have been born as early as October 14, 1919. The official record was temporarily changed to September 17, 1919 by his mother in order to get him into school earlier, but he insisted the record be changed back when he became aware of this several years later. On January 11, 1923 his family left the Soviet Union, arriving in New York City on February 3 of the same year. During his childhood, Asimov lived in the Brooklyn section of New York, upstairs from a family operated candy store. Between 1923 and 1936, the family sold three such candy stores, each time moving to nearby locations to open a new one. Asimov started working in the candy store at nine years old because his mother was unable to work due to her third pregnancy. After a rapid advance course in junior high school, he attended Boys High School, graduating in 1935. He attended City College for a few days, then Seth Low Junior College. After Seth Low was shut down, he attended its parent institution, Colombia University, where he graduated with a B.S. in Chemistry in 1939. After some difficulty getting accepted to the program, he continued his education at Colombia, getting his M.A. in 1941, then his PhD in 1948 (with a gap from 1942 until 1946 due to World War II). -
Musicianship for Robots with Style
Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME07), New York, NY, USA Musicianship for Robots with Style Marcelo Gimenes Eduardo Reck Miranda Chris Johnson [email protected] [email protected] [email protected] Interdisciplinary Centre for Computer Music Research, School of Computing, Communications and Electronics University of Plymouth, UK Tel: +44 (0)1752 232579 ABSTRACT finally declared human “in all respects”. Likewise, in “Artificial In this paper we introduce a System conceived to serve as the Intelligence” [19], David is a child android that has feelings and, "musical brain" of autonomous musical robots or agent-based as Pinocchio did, desperately seeks to become a real boy. software simulations of robotic systems. Our research goal is to These are just two examples out of a series of successful movies provide robots with the ability to integrate with the musical that have inspired the general public’s dream of upcoming robots culture of their surroundings. In a multi-agent configuration, the that would not only possess external human characteristics but System can simulate an environment in which autonomous agents also highly specialized mental abilities and emotions, even to the interact with each other as well as with external agents (e.g., point of becoming real mates. robots, human beings or other systems). The main outcome of How far are we from building machines that embody intelligence, these interactions is the transformation and development of their personality, emotion, desire and, who knows, self-awareness? musical styles as well as the musical style of the environment in This is a hard question to answer. -
ASIMOV, Isaac Geboren: Petrovichi, Rusland, 2 Januari 1920
ASIMOV, Isaac Geboren: Petrovichi, Rusland, 2 januari 1920. emigreerde naar de USA in 1923; naturalisatie tot Amerikaan in 1928. Overleden: 6 april 1992 Pseudoniemen: Dr. A.; Paul French; C.L. Ray Opleiding: Columbia University, New York: B.S.1939; M.A.1941; Ph.D. chemie, 1948. Carrière: universitair docent, biochemie, 1949-1951; Assistant Professor, 1951-1955; Associate Professor, 1955-1979; Professor, Boston University School of Medicine, vanaf 1979. Militaire dienst: US Army, 1945-1946. Onderscheidingen: Edison Foundation National Mass Media award, 1958; Blakeslee award voor non-fiction, 1960; World Science Fiction Convention Citation, 1963; Hugo award, 1963, 1966, 1973, 1977 en 1983; American Chemical Society James T. Grady award, 1965; American Association for the Advancement of Science-Westinghouse Science Writing award, 1967; Nebula award, 1972 en 1976; Locus award, non-fiction, 1981 en fiction in 1983; Washington Post Children's Book Guild award, voor non-fiction, 1985; Guest of Honor, World Science Fiction Convention, 1955. Getrouwd: met 1. Gertrude Blugerman, 1942 (gescheiden in 1973), 1 zoon en 1 dochter; 2. Janet Opal Jeppson, 1973 (foto: ZAM.it) In 1991 had Asimov 298 boeken geschreven waarvan hij zei: "Ik hou van schrijven en als je geen woorden meer uit mijn typewriter of tekstverwerker ziet spuiten, dan weet je dat ik niet alleen dood ben, maar dat ik al drie dagen dood ben." Asimov werd vooral bekend om zijn science fiction verhalen en wetenschappelijke boeken. website: www.asimovonline.com detective: Elijah "Lije" Baley; The Robots Lije is 42 jaar en rechercheur in de rang van C-5 in de stad New York. -
Wonderful! 162: Hydropunk Cowboys Published December 16Th, 2020 Listen on Themcelroy.Family
Wonderful! 162: Hydropunk Cowboys Published December 16th, 2020 Listen on TheMcElroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: Hello, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: Ho ho ho, clump clump clump! Santa Claus up on the roof! What‘s he got for ya? Come down chimney. It‘s a new podcast episode. Wrapped it up in a big box, and I said, ―You don‘t need that. It‘s sound.‖ And he… Rachel: He said, ―Put the box to the left of the Menorah, which is also lit right now, because it is also Hanukkah!‖ Griffin: Yeah, no, he brought us a Hanukkah podcast, too. It‘s weird, yeah. It‘s really— Rachel: Seems like we shouldn‘t need Santa to bring us Hanukkah. Griffin: Well, he‘s more of like a, uh, sort of Amazon, Zappos sort of, uh, delivery… Rachel: [laughs] Drives around in an unmarked van. Griffin: Etsy… yeah, he‘s doing all—they‘re keepin‘ him busy. Um, and here‘s the episode for you, and it‘s the one that we hope you enjoy, because… it‘s holidays! Look around! You can't deny it anymore. It‘s holidays. Rachel: Yeah. It snuck up on me. Uh, it‘s next week. Y'know, Hanukkah… Hanukkah really took a lot of my attention. Griffin: Yeah. We've been hitting Hanukkah real hard this year. Rachel: We've been hitting Hanukkah hard this year, and then I looked at the calendar, and I said, ―Oh wait, guess what‘s right around the corner?‖ Griffin: Christmas is also next week, yes. -
An Anti-Transhumanist Reading of Chris Columbus’S Bicentennial Man
ROCZNIKI HUMANISTYCZNE Tom LXVI, zeszyt 11 – 2018 ZESZYT SPECJALNY / SPECIAL ISSUE DOI: http://dx.doi.org/10.18290/rh.2018.66.11s-11 ANDRZEJ SŁAWOMIR KOWALCZYK * PARADOXES OF TRANSROBOTISM: AN ANTI-TRANSHUMANIST READING OF CHRIS COLUMBUS’S BICENTENNIAL MAN A b s t r a c t. This essay proposes a re-reading of Chris Columbus’s film Bicentennial Man (1999) as a critique of transhumanism. Construing the robot protagonist, Andrew Martin, as a metaphor of the human being, the essay argues that the series of modifications he undergoes is a reversed ver- sion, as it were, of transformations postulated in Nick Bostrom’s “Letter from Utopia” and the Transhumanist Declaration—the famous manifestos of transhumanism. Consequently, the film is interpreted as an affirmation of humanity defined by conservative opponents of transhumanism. Key words: transhumanism—criticism; androids; Chris Columbus; Bicentennial Man; film adapta- tion; science-fiction cinema. 1. Chris Columbus’s 1999 film Bicentennial Man, based on Isaac Asimov’s novella “The Bicentennial Man” (1976) and the novel The Positronic Man (1992), co-authored by Asimov and Robert Silverberg, exemplifies a fasci- nating cultural paradox. On the one hand, the film has met with a scathing critical response. As aptly summarized by Sue Short, both SF fans and re- viewers pointed out Columbus’s comic treatment of Asimov’s serious ques- tions, as well as “the mawkish sentimentality that overtakes the movie” (209). To these factors, one might add not only complaints concerning the film’s tediousness, possibly resulting from its chronologically-organized episodic structure, but also unfavourable comments on the performance of ANDRZEJ SŁAWOMIR KOWALCZYK, PhD, DLitt—Maria Curie-Skłodowska University, Faculty of Humanities, Institute of English Studies; address for correspondence: Plac Marii Skłodow- skiej-Curie 4A, 20–031 Lublin, e-mail: [email protected] 138 ANDRZEJ SŁAWOMIR KOWALCZYK Robin Williams as Andrew Martin, the robot protagonist.