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Foundation and Empire Kindle
FOUNDATION AND EMPIRE PDF, EPUB, EBOOK Isaac Asimov | 304 pages | 01 Apr 1997 | Random House Publishing Group | 9780553293371 | English | New York, NY, United States Foundation and Empire PDF Book I just don't know any of them, except the person who recommended it to me, and she already read it, so. E' un tipo di fantascienza molto suggestiva. The contrast is quite striking. I can write on and on - wish to talk to more Asimovian fans out there. Later writers have added authorized, and unauthorized, tales to the series. Upon approaching the planet, they are drawn inside the Moon's core, where they meet a robot named R. The Mule whose real name is never revealed is a mental freak and possesses the ability to sense and manipulate the emotions of others. This tale was definitely a nod to Belisarius a famous Roman general. His notability and fame increase and he is eventually promoted to First Minister to the Emperor. And by the time Bayta breaks out of that mindset, it is too late. Asimov really blew this one out of the water. Lathan Devers, a native of the Foundation, and Ducem Barr, a patrician from the planet Siwenna, have been "guests" of Bel Riose for several months when it becomes clear that they will soon be treated as enemies, or even be killed. Namespaces Article Talk. I envy you if you have not read Foundation and Empire before or if you have read but possess an even worse memory than mine well, may be the latter not so much. -
AI in the Public Imagination
AI in the Public Imagination Philipp Koehn 1 September 2015 Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Fiction 1 • Robots and AI are a central element in Science Fiction • Questions raised – capabilities of robots – behavior of robots – behavior of humans towards robots – emergence of robots changes human behavior – differences in robots and humans – independence of robots • We explores the themes in movies, books, and TV shows Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 2 laws of robotics Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Golden Age of Science Fiction 3 • Middle of 20th century: science fiction short stories – 1926 founding of ”Amazing Stories” magazine – pulp fiction – begin of science fiction fandom • Golden Age of science fiction: 1940s, 1950s – Isaac Asimov – Arthur C. Clarke – Robert A. Heinlein Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Isaac Asimov 4 • Born in Russia, lived mostly in New York (1919-1992) • Professor for biochemistry • Extremely prolific writer of short stories and books • Hard science fiction • Major works – Robot series – Foundation series – Galactic Empire series Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Generic Robot Story 5 • Scientist develops robot • Robot turns on scientist • Scientist dead • Many parallels in traditional literature, e.g., Schiller’s Zauberlehrling • Isaac Asimov did not want to write ”for one more weary time” this story Philipp Koehn Artificial Intelligence: AI in the Public Imagination 1 September 2015 Three Laws of Robotics 6 • A robot may not injure a human being or, through inaction, allow a human being to come to harm. -
Human and Humanoid Detective Agents in the Select Novels of Isaac Asimov
Journal of Information and Computational Science ISSN: 1548-7741 HUMAN AND HUMANOID DETECTIVE AGENTS IN THE SELECT NOVELS OF ISAAC ASIMOV Author1 and Author2 1 S. Akila Research Scholar Department of English Annamalai University Chidambaram 2 Dr. A. Glory Research Supervisor Assistant Professorm of English Annamalai University Chidambaram Abstract Isaac Asimov pointed out the utopian concept of science and technology in all his science. The three novels selected for this article are The Caves of Steel, The Naked Sun and The Robots of Dawn . The three novels are detective novels, incorporating many technological developments such as positronic robots and space travel. This paper focuses mainly on the elements of the detective fiction in the science fiction of Isaac Asimov. It also aims at analyzing how the concept of ‘crime and punishment’ in these stories is dealt with in a different way and also how elements of science fiction and futuristic technologies fit the kind of detective fiction. A short review of the investigators of three of the tales can also be included in the article. Keywords: Detective Robot, Spacer World, Future world, Isaac Asimov pointed out the utopian concept of science and technology in all his science. The three novels selected for this article are The Caves of Steel, The Naked Sun and The Robots of Dawn . The three novels are detective novels, incorporating many technological developments such as positronic robots and space travel. This paper focuses mainly on the elements of the detective fiction in the science fiction of Isaac Asimov. It also aims at analyzing how the concept of ‘crime and punishment’ in these stories is dealt with in a different way and also how elements of science fiction and futuristic technologies fit the kind of detective fiction. -
The Future of Human-Robot Interaction a Socio-Economic Scenario Analysis
DEGREE PROJECT IN MECHANICAL ENGINEERING, SECOND CYCLE, 30 CREDITS STOCKHOLM, SWEDEN 2021 The Future of Human-Robot Interaction A socio-economic Scenario Analysis BENEDIKT KRIEGER KTH ROYAL INSTITUTE OF TECHNOLOGY SCHOOL OF INDUSTRIAL ENGINEERING AND MANAGEMENT A socio-economic Scenario Analysis Benedikt Krieger Supervised by Andreas Archenti (KTH) & Thomas Bohné (University of Cambridge) Abstract – English Advancing research in an interdisciplinary field such as robotics is a complex undertaking. Seldom, it is moved beyond the scope of an individual science and the challenges from other fields of research are incorporated. Research on Human-Robot Interaction (HRI) is attributed interdisciplinarity and, thus, is a case in point. Therefore, this thesis aims to integrate both engineering, psychosocial, and socio-economic research streams. By doing so, the goal is to reveal and to identify underlying questions which are tacitly assumed by either research field, but require explicit contemplation and elaboration. The engineering community is currently focusing on collaboration and cooperation (CoCo) as it enables humans and robots to operate together in heterogenous teams. Human-robot teamwork, in turn, is promising to enable the integration of both a human’s flexibility, dexterity, and creative problem solving with robotic strength, precision, reliability, and efficiency. In contrast, economic considerations evolve around elaborations on technological unemployment and further macroeconomic implications. To unite these streams, this thesis conducts a scoping literature review. Through it, the fundamental design considerations necessary to achieve CoCo are laid out, while pointing towards the currently most promising research direction in each of the design aspects. Both engineering as well as psychosocial aspects are considered. -
Foundation Trilogy by Isaac Asimov Jake Anderson Who Is Isaac Asimov?
CS 485 Book Report: Foundation trilogy by Isaac Asimov Jake Anderson Who is Isaac Asimov? Isaac Asimov was born in the town of Petrovichi in the Russian Soviet Federated Socialist Republic. He traditionally celebrated his date of birth as January 2, 1920, but there are no accurate records and as such he may have been born as early as October 14, 1919. The official record was temporarily changed to September 17, 1919 by his mother in order to get him into school earlier, but he insisted the record be changed back when he became aware of this several years later. On January 11, 1923 his family left the Soviet Union, arriving in New York City on February 3 of the same year. During his childhood, Asimov lived in the Brooklyn section of New York, upstairs from a family operated candy store. Between 1923 and 1936, the family sold three such candy stores, each time moving to nearby locations to open a new one. Asimov started working in the candy store at nine years old because his mother was unable to work due to her third pregnancy. After a rapid advance course in junior high school, he attended Boys High School, graduating in 1935. He attended City College for a few days, then Seth Low Junior College. After Seth Low was shut down, he attended its parent institution, Colombia University, where he graduated with a B.S. in Chemistry in 1939. After some difficulty getting accepted to the program, he continued his education at Colombia, getting his M.A. in 1941, then his PhD in 1948 (with a gap from 1942 until 1946 due to World War II). -
Wonderful! 162: Hydropunk Cowboys Published December 16Th, 2020 Listen on Themcelroy.Family
Wonderful! 162: Hydropunk Cowboys Published December 16th, 2020 Listen on TheMcElroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: Hello, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: Ho ho ho, clump clump clump! Santa Claus up on the roof! What‘s he got for ya? Come down chimney. It‘s a new podcast episode. Wrapped it up in a big box, and I said, ―You don‘t need that. It‘s sound.‖ And he… Rachel: He said, ―Put the box to the left of the Menorah, which is also lit right now, because it is also Hanukkah!‖ Griffin: Yeah, no, he brought us a Hanukkah podcast, too. It‘s weird, yeah. It‘s really— Rachel: Seems like we shouldn‘t need Santa to bring us Hanukkah. Griffin: Well, he‘s more of like a, uh, sort of Amazon, Zappos sort of, uh, delivery… Rachel: [laughs] Drives around in an unmarked van. Griffin: Etsy… yeah, he‘s doing all—they‘re keepin‘ him busy. Um, and here‘s the episode for you, and it‘s the one that we hope you enjoy, because… it‘s holidays! Look around! You can't deny it anymore. It‘s holidays. Rachel: Yeah. It snuck up on me. Uh, it‘s next week. Y'know, Hanukkah… Hanukkah really took a lot of my attention. Griffin: Yeah. We've been hitting Hanukkah real hard this year. Rachel: We've been hitting Hanukkah hard this year, and then I looked at the calendar, and I said, ―Oh wait, guess what‘s right around the corner?‖ Griffin: Christmas is also next week, yes. -
CHAPTER I Isaac Asimov
UNIVERSIDAD DE CUENCA FACULTAD DE FILOSOFÍA, LETRAS Y CIENCIAS DE LA EDUCACIÓN CARRERA DE LENGUA Y LITERATURA INGLESA "Isaac Asimov and the Golden Age of Science Fiction: A Study in Terms of his Contribution to the Genre” Trabajo de graduación previo a la obtención de un título de Licenciado en Ciencias de la Educación en Lengua y Literatura Inglesa AUTOR: ISMAEL ALEJANDRO OCHOA COBOS CI. 0106650153 DIRECTOR: FABIÁN DARÍO RODAS PACHECO CI. 0101867703 CUENCA-ECUADOR 2017 Universidad de Cuenca RESUMEN Este trabajo investigativo trata de la vida y la obra literaria de una persona extraordinaria: Isaac Asimov. Su vida fue la de un genio que aprendió a leer y escribir por sí mismo y que escribió su primer relato a la edad de once años. Su producción literaria abarca diversos campos del conocimiento: ciencia pura, religión, humanismo, ecología y, especialmente, el campo de la ciencia ficción. Este último, género literario al cual él contribuyó a darle la forma definitiva que tiene en la actualidad. Concomitantemente, entonces, esta investigación cubre la historia de la ciencia ficción como género literario, desde sus manifestaciones más tempranas hace miles de años, hasta las absorbentes producciones audiovisuales que cautivan la atención tanto de niños como adultos hoy en día. Por este motivo, los contenidos de esta tesis también incluyen una descripción, llena de abundantes ejemplos, sobre las características que este género ha adquirido en nuestros días. Entre los numerosos trabajos de Asimov que se encuentran ligados a la ciencia ficción, dos series de libros aparecen como los más importantes. Se trata de sus series Fundación y Robots. -
Our AI Overlord: the Cultural Persistence of Isaac Asimov's Three
Our AI Overlord: The Cultural Persistence of Isaac Asimov’s Three Laws of Robotics in Understanding Artificial Intelligence Gia Jung University of California, Santa Barbara Faculty Advisor: Rita Raley 2018 Jung 1 Introduction Artificial intelligence is everywhere. As a tinny voice in each phone, powering GPS, determining what appears on social media feeds, and rebelling on movie screens, artificial intelligence (AI) is a now-integral part of daily life. For an industry that has and will continue to have major potential effects on the economy through job loss and creation, huge investments, and transformation of productivity, there remains a cultural lack of understanding about the realities of AI. Scanning the news, it is clear that people are afraid and uncertain about this robotic revolution, continually talking about an oncoming technological singularity in which AI will reach hyper-intelligence, create more and more AI, and eventually take over the world. Paired with this is the expectation that AI will be human only to a malicious extent, and must therefore be controlled and restricted. In talking to Siri though, it is clear that this apocalypse is fictional at best and far off at worst. As created and evidenced by a malnourished representation of robots and other easily understandable notions of AI in popular fiction, there is a dearth in public consciousness about the possibilities and realities of artificial intelligence. In examining this reductive fictional perception of AI, most popular conceptions can be traced back to either Mary Shelley’s Frankenstein or Isaac Asimov’s I, Robot. Historically, Asimov is undeniably important to the establishment of both the scientific and fictional realms of artificial intelligence. -
Simulation, A-Signification and Embodied Semiotics in I, Robot
Athens Journal of Mass Media and Communications- Volume 5, Issue 4 – Pages 253-274 Simulation, A-signification and Embodied Semiotics in I, Robot By David U. Garfinkle Within the post-industrialized worldview, conventional correlations between a text and its linguistic determinations no longer hold as absolute, challenging the limits of a linguistic measure by semiotic analysis. Yet, even in the postmodern condition of a hyperreal realm where the visual image has replaced the literary sign as the predominant mode of global information and mass communication, the structuralist binary model of signifying semiotics comes under erasure. Taking Baudrillard’s three orders of simulations as a ground, this study explores how the nature of his a-signifying model of semiosis confronts its own event horizon on the cinematic screen. Yet, where semiotics functions appropriately for the exegesis of text and image, those traces of human embodiment that remain discernable in film also appear to be under erasure. As a case study in the use of science fiction film for the examination of post-structuralist tools of cultural analysis, the limits of signifying signs become evident in the traces of embodiment evident in the film, I, Robot (2004), that was inspired by Isaac Asimov’s 3 Laws of Robotics. As a challenge to the disembodied figures of contemporary science fiction, this study addresses what happens to embodiment under the orders of simulacra, to pose a transitional step in the movement from signifying semiotics to mimesis, via the a-signifying model of semiotic analysis. Keywords: Baudrillard, embodiment, I, Robot, semiotics, simulacra. Introduction In Behind the Scenes: The Making of I, Robot (2004), producer John Davis made an intriguing statement about the relationship of the film I, Robot (2004, 20th Century Fox) and the nature of embodiment in the cinema. -
An Examination of the Musical Portrayal of the Robot in Twenty
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 WHEN THE INHUMAN BECOMES HUMAN: AN EXAMINATION OF THE MUSICAL PORTRAYAL OF THE ROBOT IN TWENTY-FIRST CENTURY SCIENCE-FICTION CINEMA THROUGH AN ANALYSIS OF THE FILM SCORES OF AUTOMATA, EX MACHINA, AND THE MACHINE Rebecca Ann O'Brien University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.232 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation O'Brien, Rebecca Ann, "WHEN THE INHUMAN BECOMES HUMAN: AN EXAMINATION OF THE MUSICAL PORTRAYAL OF THE ROBOT IN TWENTY-FIRST CENTURY SCIENCE-FICTION CINEMA THROUGH AN ANALYSIS OF THE FILM SCORES OF AUTOMATA, EX MACHINA, AND THE MACHINE" (2019). Theses and Dissertations--Music. 142. https://uknowledge.uky.edu/music_etds/142 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. -
History, Expansionism, and Guardianship in Isaac Asimov’S Science Fiction
The Cowboy PoliTiCs of an enlighTened fuTure: History, Expansionism, and Guardianship in Isaac Asimov’s Science Fiction JARI KÄKELÄ UNIVERSITY OF HELSINKI FACULTY OF ARTS The Cowboy PoliTiCs of an enlighTened fuTure: History, Expansionism, and Guardianship in Isaac Asimov’s Science Fiction Jari KÄKelÄ Department of Modern Languages University of Helsinki © Jari Käkelä 2016 Layout and cover design by Jari Käkelä Cover background image: www.pixabay.com, public domain; foreground diagram collage by Jari Käkelä. ISBN 978-951-51-2404-3 (paperback) ISBN 978-951-51-2405-0 (PDF) Helsinki, 2016 ABSTRACT Isaac Asimov (1920–1992) was one of the central writers of the formative period of importance of the genre. This dissertation examines the themes of history, frontier expansionism, and guardianship in Asimov’s key works, the Robot and Foundation Robot and Foundation as serials in the 1940s and 1950s Astounding Science-Fiction publishing context is crucial in order to understand Asimov’s impact on the genre. Thus, this dissertation combines the contextual examination of Asimov’s main themes with a discussion of the views of the Astounding history. construct a sustainable future becomes the pivotal theme, both on the level of narration and on the level of characters that turn their knowledge of history into action. This will decline if stagnation is not reversed by frontier expansion. The pervasive frontier the intellectual frontier of the future. Finally, the historical and frontier aspects in Asimov’s series point toward the notion of guardianship and the aspiration to apply the understanding of both history and science to engineer a more peaceful, yet non- stagnant future. -
Emotion and AI Kristin Laughtin-Dunker Chapman University, [email protected]
Chapman University Chapman University Digital Commons Library Displays and Bibliographies Library Events, Exhibits, and Displays 1-2018 Bibliography for Interstices 2018: Beyond Human: Emotion and AI Kristin Laughtin-Dunker Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/library_displays Part of the Artificial Intelligence and Robotics Commons, Collection Development and Management Commons, Fiction Commons, Literature in English, Anglophone outside British Isles and North America Commons, Literature in English, British Isles Commons, Literature in English, North America Commons, Nonfiction Commons, Other English Language and Literature Commons, Other Sociology Commons, Science and Technology Studies Commons, Social Psychology Commons, Social Psychology and Interaction Commons, Sociology of Culture Commons, and the Theory and Philosophy Commons Recommended Citation Laughtin-Dunker, Kristin, "Bibliography for Interstices 2018: Beyond Human: Emotion and AI" (2018). Library Displays and Bibliographies. 1. https://digitalcommons.chapman.edu/library_displays/1 This Bibliography is brought to you for free and open access by the Library Events, Exhibits, and Displays at Chapman University Digital Commons. It has been accepted for inclusion in Library Displays and Bibliographies by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Interstices 2018: Beyond Human An Annotated List of Literature, Films, and Television