DOCSLIB.ORG

HTP Judging Panel Mentors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HTP Judging Panel Mentors Here’s the Pitch! Judging Panel & Mentors DAVE CAPLAN, Judge* Executive Producer and co-showrunner on ABC’s The Conners, Caplan has a background in network prime- time television and feature films spanning more than 30 years. Previously he served as writer and Co-Executive Producer on the acclaimed Roseanne revival. Among shows Caplan has written and executive produced are the ‘90s cult hit Dinosaurs, The Drew Carey Show, Anger Management, Parker Lewis Can’t Lose, Rizzoli and Isles and George Lopez, for which he won the coveted Humanitas Prize for the episode “The Kidney Stays in the Picture.” Caplan holds a PhD in Media Psychology and regularly speaks at schools and universities on topics ranging from media and news literacy to audience psychology and narrative persuasion. FELISCHA MARYE, Judge Creator, co-executive producer and showrunner of Bigger, currently in its second season on BET+. The provocative original series follows a group of thirty-something college friends re- calibrating their lives. Previously a writer on Netflix’s critically acclaimed teen drama 13 Reasons Why, Marye transitioned into the entertainment industry after a successful career in public relations and integrated marketing. A former Vice President at Flowers Communications Group in Chicago, she led account teams for blue-chip brands Sears, Kmart, Unilever and Miller Brewing Company; supervised advertising and communications for multicultural markets; and developed radio, TV and print campaigns. She holds an MFA in screenwriting from UCLA. BRIAN A. MILLER, Judge* Senior Vice President and General Manager of Cartoon Network Studios, Miller has received 39 Emmy® nominations and ten wins. Formerly Vice President of Production at Nickelodeon Animation Studio, Vice President of Production at Hanna-Barbera and Vice President of Production at DIC Entertainment. He was the executive in charge of production for some of the most beloved kids’ shows of the 1990s and early 2000s, including Dexter's Laboratory, CatDog, Hey Arnold!, The Angry Beavers, ChalkZone, The Adventures of Jimmy Neutron, Boy Genius, The Powerpuff Girls, Captain Planet and the Planeteers, Adventures of Sonic the Hedgehog, Cow and Chicken, Johnny Bravo, and the first and early second seasons of SpongeBob SquarePants. CAT RODRIGUEZ, Judge* Vice President, Unscripted Development and Programming, Lifetime. Rodriguez is responsible for developing and overseeing non-fiction programming for the network, currently overseeing the groundbreaking, award winning series Supernanny, Little Women: Atlanta and Marrying Millions. A highly sought-after showrunner with over 20 years of experience in the unscripted space, Rodriguez began her career helping to mold some of MTV’s most seminal shows, including Next, Date My Mom; Parental Control; and Bam’s Unholy Union. Rodriguez then went on to produce two stand-out seasons on the critically acclaimed LA Ink with Kat Von D, before producing The Real Housewives of New Jersey, where she became known for skillful and authentic storytelling. PROFESSOR TODD HOLMES, PhD, Panel Moderator Assistant Professor of Entertainment Media Management (EMM) at California State University Northridge (CSUN). As the option’s Area Head, Holmes teaches media management, television network programming and strategy, and media research. He has published in the Journal of Media Business Studies and presented award-winning papers at both national and international media conferences. Holmes began his career in outside sales positions within the broadcasting and telecommunications industries. As a senior account executive for WGFL, then the CBS, WB, and UPN affiliate for North Central Florida, Holmes led the sales team in achieving the highest revenues for any station within the WB 100+ Station Group. The affiliate earned the distinction of Station of the Year and Holmes Rep of the Year. BOB BODEN, Mentor Project: Hot & Sexy, Ready to Dance, Comedy, Sybil Azur (CSUN) EVP of Production & Development, Byron Allen’s Entertainment Studios; Reality Programming Governor, Television Academy; executive producer of the nationally syndicated comedy celebrity game show Funny You Should Ask, currently in its fourth season. Overseeing programming at CBS, ABC, the Family Channel, FX and Game Show Network, to name a few, Boden has shaped development and production slates in numerous senior management roles. An industry leader in the game and reality genres, Boden was named to the top 50 Reality TV Power List by The Hollywood Reporter. An Emmy® nominee, he was Consulting Producer on two primetime series: ABC’s To Tell the Truth and Fox’s Superhuman; and executive produced the highest rated original series in GSN history, The Chase. KEVIN CLARK, Mentor** Project: Les Terribles, Drama, Sam Golzari (CSUN) Founder/President, Dakar Foundation for the Performing Arts; NAACP Award-winning producer (For Love of Liberty). Forging broad efforts in areas such as broadcast media, urban marketing, content delivery and business development solutions, Clark has worked with clients including CAA, AT&T, Sony, Wells Fargo and the U.S. Army. Fueling advertising and marketing obvious value programs to African American, Latino and Asian American consumers, Dakar aims to serve as a powerful, independent, broadband entertainment development company tracking market trends and needs to provide cutting edge product and content development, merchandising and packaging. STEPHANIE DRACHKOVITCH, Mentor Project: Third Eye and Sparrow, Drama, Xochitl Huerta (CSUN) Co-CEO and Co-Founder of 44 Blue Productions, the Peabody, Emmy®, Gracie and GLAAD award- winning non-fiction production company. During stints as Senior Vice President of Development for Warner Brothers Telepictures, and Disney’s Buena Vista TV unit, Stephanie developed for broadcast primetime The Bachelor, Who Wants To Be A Millionaire and syndication Ellen. Her experience has helped shape 44 Blue’s diverse slate, including Netflix’s breakout hit Jailbirds, MSNBC's long- running series Lockup, and A&E’s Emmy®-nominated Wahlburgers. DAVID EILENBERG, Mentor** Project: Transcend, Drama, Avery Fox (CSUN) Chief Creative Officer at ITV America. Eilenberg is responsible for guiding the company’s creative strategy, leveraging intellectual property and identifying and managing emerging cable, broadcast and digital platform growth opportunities across the group. He also works closely with ITV’s UK-based team to exploit a range of formats for US development and production. Among the series Eilenberg spearheaded are CBS’s version of ITV hit format Love Island, FOX’s long-running Hell’s Kitchen and The Four: Battle for Stardom, the Netflix reboot of the megahit Queer Eye, for which he has won three Emmy Awards®. CAROLE KIRSCHNER, Mentor** Project: Weirdos, Comedy, Daniel Peña (CSUN) The Director of the Writers Guild of America’s Showrunner Training Program, the creator and Director of CBS Diversity Writers Mentoring Program, and author of the book Hollywood Game Plan: How to Land a Job in Film, TV and Digital Entertainment. Kirschner has worked as a senior level television development executive for eighteen years including posts at CBS and as Vice President of Steven Spielberg’s first Amblin Television. Through her popular, hands-on workshops, Carole teaches real world strategies so screenwriters, directors and producers can break in, move up and thrive in show business. DAVID & WENDY KNOLLER, Mentors* Project: The Second Sex, Drama, Sarah Chang Tadayon (CSUN) Co-Presidents of Knollwood Productions. The Knollers are a powerhouse entertainment industry couple. David, a prolific producer, director and writer, has helped shape award-winning premium cable series, including Carnivale, Power, and Big Love; along with the pilots of Freaks and Geeks and Lovecraft Country on HBO. Wendy has made her mark on such beloved, long-running shows as Star Trek: The Next Generation, Veronica’s Closet, Joey, and Friends, for which Wendy earned a 2002 Emmy Award® for Best Comedy Series. JOSH MANDEL, Mentor Project: WW’s End, Kids/Animation, Stuart Allan Bertman (CSUN) Sr. Production Executive, Amazon Kids. Mandel began his career in development and production at Miramax and Interscope. Producer of ten feature films premiering at festivals around the world, along with hundreds of hours of broadcast and digital content, he brings more than 15 years of experience with global brands including Mattel, Disney, Pixar, Warner Brothers, Universal, Sony, DC Comics, Dreamworks, Microsoft, Atlantic Records and WWE. Overseeing global marketing campaigns and consumer product tie-ins, he’s worked on billion-dollar franchise movies including Toy Story 4, Jurassic World: Fallen Kingdom, AQuaman and Cars 3. As a Senior Programmer of Slamdance, one of North America’s top film festivals, Mandel became known for his keen eye with discovering emerging talent. MICHELLE VICARY, Mentor* Project: Life Lessons, Drama, Brianna Jeanjacques (Fullerton) EVP of Programming & Publicity and Crown Media Family Networks, home of three linear networks, Hallmark Channel, Hallmark Movies & Mysteries, and Hallmark Drama; subscription video on demand streaming service, Hallmark Movies Now; and publishing division, Hallmark Publishing. In the course of her tenure, Vicary spearheaded Hallmark Channel’s highly successful foray into original primetime scripted series, including When Calls the Heart, Good Witch, and Chesapeake Shores. In addition, Vicary oversaw the launch of the Emmy®-nominated daily lifestyle program, Home & Family. JOE VOGELSANG,
Load more

Recommended publications
  • B.D. Lenz - List of Licensed Music
    B.D. Lenz - List of Licensed Music Network Program Episode Song AMC Breaking Bad Episode 514 A Higher Law MTV Making the Band II Episode 610 611 Lost and Found MTV 10 on Top Jersey Shore / Bruno Mars Here and Now MTV Monterey 40 Lost and Found MTV True Life I'm Addicted to Caffeine Etude2 Phat Hip Hop MTV True Life I Have a new Step-parent Etude2 Phat Hip Hop MTV Catfish Trina and Scorpio Etude4 Bmin Ost MTV Catfish Mike and Felicia Etude4 Bmin Ost MTV MTV Oshq Deewane July 29, 2006 Along the Way MTV Date My Mom September 5, 2008 Mumbo Jumbo MTV Top 20 Video Countdown Stix-n-Stones MTV Made Colin is Made into a Rapper Noxious Fumes NBC Chicago Fire Episode 711 A Higher Law MTV UK Gonzo Gold Acoustics 201 Perserverance MTV2 Cribs September 5, 2008 As If / Lazy Bones MTV India Semi Girebaal June 18, 2006 Famous Last Words MTV Europe Gonzo Episode 208 Tell the World MTV TR3s Pimpeando Pimped Bikes Grandma Rosocha MTV TR3s Quiero My Boda Halle and Daneil Grandma Rosocha MTV TR3s Quiero My Boda Raquel and Philipe Hot Spot MTV TR3s Quiero Mis Quinces Priscilla Tiffany and Lauren MTV TR3s Quiero Mis Quinces Stephanie Duenas Grandma Rosocha VH1 Behind the Music Fantasia So Far So Good VH1 I Want to Work For Diddy Episode 204 Mumbo Jumbo VH1 Brooke Knows Best Season 2 - Episode 10 Lazy Bones VH1 Driven Janet Jackson As If / Lazy Bones VH1 Classic Hangin' with Neil Peart Part 3 Noxious Fumes VH1 Celebrity Fit Club UK May 10, 2005 As If VH1 Best Week Ever February 3, 2006 Tell the World VH1 Best Week Ever Episode 309 Walt's Waltz VH1 My Big Fat
    [Show full text]
  • Here Comes Television
    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
    [Show full text]
  • Emmawestwood.CV.PD. 01.2021
    Producer / Director | Edit Producer EMMA WESTWOOD +447957711369 LEEDS, LONDON, BIRMINGHAM [email protected] • Confident self shooter, director and producer through to the edit and running teams. • Reality, observational documentary, factual and factual entertainment. • Sony FS7, Canon C300, PMW-300, Go Pros and gimble. • Experience shooting abroad. Happy to relocate anywhere. CREDITS- EP | A New life in the sun - Where are they now | Series 3 | True North | Oct - Feb 2021 Edit produced remotely on this popular daytime show 'A new life in the Sun’ intertwining archive with new footage to create compelling stories. I edit produced x5, one hours from rushes to delivery in just 15 weeks. Producer / Director | A New Life in the Sun | Series 6 | True North | Ch4 | July - Oct 2020 A popular day time series following the lives of Brits moving to France and Spain, setting up business to survive. Covid 19 protocols and safety measures adhered to. Producer / Director | The Wonderful World of Chocolate | Viacom Studios | C5 | Sept - Dec 19 Scripted and self shot stories, chocolate challenges and established chocolatiers for this popular food show. Including glossy stylised filming. Producer / Director | Later Life Lesbians | Viacom Studios uk | C5 | July - Sept 2019 A standalone Producer Director on a one hour documentary, casting through to the edit, following the stories of five women who fell in love with women, the struggles, coming out to their family, getting married and having children together. I ran a team and with no SP I liaised with the exec producer and commissioning editors at Channel 5. Producer / Director | Young and Pregnant | Series 1 | True North | MTV | March - June 2019 A hit Teen Mom UK spin off, this new MTV reality series follows the ups and downs of teenage pregnancy, motherhood and relationships.
    [Show full text]
  • El Cine De Animación Estadounidense
    El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice
    [Show full text]
  • By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
    A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance F Is For Family • The Stinger • Netflix • Wild West Television in association with Gaumont Television Kevin Michael Richardson as Rosie Family Guy • Con Heiress • FOX • 20th Century Fox Television Seth MacFarlane as Peter Griffin, Stewie Griffin, Brian Griffin, Glenn Quagmire, Tom Tucker, Seamus Family Guy • Throw It Away • FOX • 20th Century Fox Television Alex Borstein as Lois Griffin, Tricia Takanawa The Simpsons • From Russia Without Love • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Moe, Carl, Duffman, Kirk When You Wish Upon A Pickle: A Sesame Street Special • HBO • Sesame Street Workshop Eric Jacobson as Bert, Grover, Oscar Outstanding Animated Program Big Mouth • The Planned Parenthood Show • Netflix • A Netflix Original Production Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark J. Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Supervising Producer Ben Kalina, Supervising Producer Chris Prynoski, Supervising Producer Shannon Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Gil Ozeri, Producer Kelly Galuska, Producer Nate Funaro, Produced by Emily Altman, Written by Bryan Francis, Directed by Mike L. Mayfield, Co-Supervising Director Jerilyn Blair, Animation Timer Bill Buchanan, Animation Timer Sean Dempsey, Animation Timer Jamie Huang, Animation Timer Bob's Burgers • Just One Of The Boyz 4 Now For Now • FOXP •a g2e0 t1h Century
    [Show full text]
  • Accepted Manuscript Version
    Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper.
    [Show full text]
  • Poliittisen Standup-Komedian Sukupuolittuneisuus Valkoisen Talon Kirjeenvaihtajien Illallisilla
    36 Prologi – puheviestinnän vuosikirja 2019 Näkökulma Prologi – puheviestinnän vuosikirja 2019 36-46 https://doi.org/10.33352/prlg.87614 CC BY-NC-SA 4.0 Poliittisen standup-komedian sukupuolittuneisuus Valkoisen talon kirjeenvaihtajien illallisilla Outi Hakola FT, Akatemiatutkija Kulttuurien tutkimuksen osasto Helsingin yliopisto [email protected] Standup-komedia on levinnyt komediaklubeil- asenteiden siirtymien tarkastelun poliittisessa ta Netflixin kaltaisten suoratoistopalveluiden komediassa. lisäksi areenoille ja suoriin TV-lähetyksiin. Jäl- kimmäisestä tunnetuin esimerkki on Yhdysval- Nykymuotoisen standup-komedian perin- loissa vuosittain järjestettävä gaala, Valkoisen teet ovat kehittyneet Yhdysvalloissa, jonka talon kirjeenvaihtajien illallinen. Gaala juhlii komediakenttä toimii edelleen alan trendien lehdistön- ja sananvapautta, ja palkitsee poliit- synnyttäjänä ja levittäjänä. Tämä tekee yhdys- tisen journalismin toimijoita. Palkitseminen valtalaisesta komediasta merkittävän myös suo- tapahtuu kuitenkin sukupuolittuneessa kon- malaisessa kontekstissa, eikä vähiten siksi, että tekstissa. Vaikka illallisgaala on suunnattu eri- myös suomalaiset koomikot, tunnetuimpana tyisesti yhdysvaltaisille poliittisille toimijoille, Ismo Leikola, ovat tehneet kansainvälistä uraa mukaan lukien presidentti ja hänen hallintonsa, nimenomaan Yhdysvalloissa. keskeiset puoluepoliittiset toimijat ja politiikan toimittajat, tilaisuudesta on kasvanut julkises- Standupia, ja erityisesti politiikkaan kohdistu- ti seurattu tapahtuma.1 Koska tilaisuudesta
    [Show full text]
  • Classrooms Piling High
    UNIVERSITY OF NORTH FLORIDA March www.unfspinnaker.com 14 Volume 30, Issue 26 2007 Wednesday Classrooms piling high Administration searches for answer to tight classroom space in fall 2007 BY SARAH DIENER ASSISTANT NEWS EDITOR The University of North Florida’s Space Committee is finding ILLUSTRATION: new ways to accommodate classes during the Student Union con- ROBERT K. PIETRZYK struction planned for summer 2007. Currently, nearly 100 classes are in need of space for the Fall 2007 semester. Committee members said they are UNF faculty confident finding spaces for the classes will not be a problem. “We’re in as good of shape as we can be,” said Joann Campbell, lowest paid associate vice president for academic affairs. PHO Over the course of campus construction, which has included T O ILLUSTRATION: JEN QUINN O ILLUSTRATION: the demolition of Building 11 and future removal of the portables near lots 3 and 4, many classrooms have been eliminated or made in state unavailable for student use, said Shari Shuman, vice president of administration and finance. To compensate for the missing class- BY MATT COLEMAN rooms, the Space Committee has planned new areas of FEATURES EDITOR See ROOM, page 4 Professors at the University of North Florida are the lowest paid out of all 11 public universi- ties in the state, according to a study by UNF computing profes- sor Dr. William Klostermeyer. SB 228 Bright Futures SB 850 Technology fee HB 289 Textbook pricing The study showed UNF What’s ranked last among the other 11 WHAT IT MEANS WHAT IT MEANS WHAT IT MEANS schools with an average salary of $59,466, more than $10,000 below going on in l l l Students may apply Bright State universities may Some textbooks sold in on- the state average of $71,994.
    [Show full text]
  • The Work of the Critic
    CHAPTER 1 The Work of the Critic Oh, gentle lady, do not put me to’t. For I am nothing if not critical. —Iago to Desdemona (Shakespeare, Othello, Act 2, Scene I) INTRODUCTION What is the advantage of knowing how to perform television criticism if you are not going to be a professional television critic? The advantage to you as a television viewer is that you will not only be able to make informed judgment about the television programs you watch, but also you will better understand your reaction and the reactions of others who share the experience of watching. Critical acuity enables you to move from casual enjoyment of a television program to a fuller and richer understanding. A viewer who does not possess critical viewing skills may enjoy watching a television program and experience various responses to it, such as laughter, relief, fright, shock, tension, or relaxation. These are fun- damental sensations that people may get from watching television, and, for the most part, viewers who are not critics remain at this level. Critical awareness, however, enables you to move to a higher level that illuminates production practices and enhances your under- standing of culture, human nature, and interpretation. Students studying television production with ambitions to write, direct, edit, produce, and/or become camera operators will find knowledge of television criticism necessary and useful as well. Television criticism is about the evaluation of content, its context, organiza- tion, story and characterization, style, genre, and audience desire. Knowledge of these concepts is the foundation of successful production. THE ENDS OF CRITICISM Just as critics of books evaluate works of fiction and nonfiction by holding them to estab- lished standards, television critics utilize methodology and theory to comprehend, analyze, interpret, and evaluate television programs.
    [Show full text]
  • Annual Report
    ANNUAL REPORT 2013 Archive Name ATAS14_Corp_140003273 MECH SIZE 100% PRINT SIZE Description ATAS Annual Report 2014 Bleed: 8.625” x 11.1875” Bleed: 8.625” x 11.1875” Posting Date May 2014 Trim: 8.375” x 10.875” Trim: 8.375” x 10.875” Unit # Live: 7.5” x 10” LIve: 7.5” x 10” message from THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER At the end of 2013, as I reflected on my first term as Television Academy chairman and prepared to begin my second, it was hard to believe that two years had passed. It seemed more like two months. At times, even two weeks. Why? Because even though I have worked in TV for more than three decades, I have never seen our industry undergo such extraordinary — and extraordinarily exciting — changes as it has in recent years. Everywhere you turn, the vanguard is disrupting the old guard with an astonishing new technology, an amazing new show, an inspired new way to structure a business deal. This is not to imply that the more established segments of our industry have been pushed aside. On the contrary, the broadcast and cable networks continue to produce terrific work that is heralded by critics and rewarded each year at the Emmys. And broadcast networks still command the largest viewing audience across all of their platforms. With our medium thriving as never before, this is a great time to work in television, and a great time to be part of the Television Academy. Consider the 65th Emmy Awards. The CBS telecast, hosted by the always-entertaining Neil Patrick Harris, drew our largest audience since 2005.
    [Show full text]
  • Cinematic Specific Voice Over
    CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO.
    [Show full text]