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Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Mechanical Engineering in Ancient Egypt, Part 45: Birds Statues (Falcon and Vulture)
International Journal of Emerging Engineering Research and Technology Volume 5, Issue 3, March 2017, PP 39-48 ISSN 2349-4395 (Print) & ISSN 2349-4409 (Online) http://dx.doi.org/10.22259/ijeert.0503004 Mechanical Engineering in Ancient Egypt, Part 45: Birds Statues (Falcon and Vulture) Galal Ali Hassaan (Emeritus Professor), Department of Mechanical Design & Production, Faculty of Engineering, Cairo University, Giza, Egypt ABSTRACT The evolution of mechanical engineering in ancient Egypt is investigated in this research paper through studying the production of statues and figurines of falcons and vultures. Examples from historical eras between Predynastic and Late Periods are presented, analysed and aspects of quality and innovation are outlined in each one. Material, dynasty, main dimension (if known) and present location are also outlined to complete the information about each statue or figurine. Keywords: Mechanical engineering, ancient Egypt, falcon statues, vulture statues INTRODUCTION This is the 45th paper in a scientific research aiming at presenting a deep insight into the history of mechanical engineering during the ancient Egyptian civilization. The paper handles the production of falcon and vulture statues and figurines during the Predynastic and Dynastic Periods of the ancient Egypt history. This work depicts the insight of ancient Egyptians to birds lived among them and how they authorized its existence through statuettes and figurines. Smith (1960) in his book about ancient Egypt as represented in the Museum of Fine Arts at Boston presented a number of bird figurines including ducks from the Middle Kingdom, gold ibis from the New Kingdom and a wooden spoon in the shape of a duck and lady from the New Kingdom [1]. -
G:\Lists Periodicals\Periodical Lists B\BIFAO.Wpd
Bulletin de l’Institut Français d’Archéologie Orientale Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Clédat in BIFAO i (1901), 21-3 fig. 1 Meir. B.2. Ukh-hotep. iv.250(8)-(9) Top register, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 2 Meir. B.2. Ukh-hotep. iv.250(4)-(5) Lower part, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 3 Meir. B.2. Ukh-hotep. iv.250(8)-(9) III, Beja holding on to boat. Salmon in BIFAO i (1901), pl. opp. 72 El-Faiyûm. iv.96 Plan. Clédat in BIFAO i (1901), 88-9 Meir. Miscellaneous. Statues. iv.257 Fragment of statue of Ukh-hotep. Clédat in BIFAO i (1901), 89 [4] El-Qûs.îya. (Cusae) iv.258A Block of Djehutardais, probably Dyn. XXX. Clédat in BIFAO i (1901), 90 [top] Text El-Qûs.îya. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 iv.258 Fragment of lintel. Clédat in BIFAO i (1901), 92-3 Cartouches and texts Gebel Abû Fôda. -
Hellenistic and Pharaonic Influences on the Formation of Coptic Identity
Scriptura 85 (2004), pp. 292-301 HELLENISTIC AND PHARAONIC INFLUENCES ON THE FORMATION OF COPTIC IDENTITY Annette Evans Department of Ancient Studies Stellenbosch University Abstract Conflicting descriptions of Coptic identity still exist today. The Copts regard themselves as those descendents of Pharaonic Egyptians who have retained their identity because of their Christian faith, in spite of Egypt having become a predominantly Islamic, Arab country. They claim to have “caught a glimpse of the Light of Christianity” before the birth of Christ. This article offers iconographical evidence to supplement an explanation of how the ancient Egyptian mythopoeic thinking, in combination with the syncretistic cultural environment of Hellenism, mediated this phenomenon. Today the Coptic Orthodox Church of Egypt represents “a return to the apostolic father type leading of the church”. Although pharaonic and gnostic influences appear to have contributed to their remarkable eusebeia, the Copts perceive themselves as having abided by the decisions of the first three Church Councils and have respected and upheld the canon. 1. Introduction The word Copt originated from the ancient Egyptian word for Memphis, Hah-ka-Ptah – the house or temple of the spirit of Ptah. With the suppression of the prefix and the suffix the stem kaPt or gypt remained, which was then corrupted to the Arabic Qibt (Atiya 1968:16). The Hellenes used Aiguptos for both Egypt and the Nile, and Aiguptoi was used by Origen to distinguish Egyptian Christians from Hellenes (Van der Vliet and Zonhoven 1998:117). The Copts have a unique identity: inseparable from their pharaonic past, yet intimately associated with the beginning of Christianity. -
Was the Function of the Earliest Writing in Egypt Utilitarian Or Ceremonial? Does the Surviving Evidence Reflect the Reality?”
“Was the function of the earliest writing in Egypt utilitarian or ceremonial? Does the surviving evidence reflect the reality?” Article written by Marsia Sfakianou Chronology of Predynastic period, Thinite period and Old Kingdom..........................2 How writing began.........................................................................................................4 Scopes of early Egyptian writing...................................................................................6 Ceremonial or utilitarian? ..............................................................................................7 The surviving evidence of early Egyptian writing.........................................................9 Bibliography/ references..............................................................................................23 Links ............................................................................................................................23 Album of web illustrations...........................................................................................24 1 Map of Egypt. Late Predynastic Period-Early Dynastic (Grimal, 1994) Chronology of Predynastic period, Thinite period and Old Kingdom (from the appendix of Grimal’s book, 1994, p 389) 4500-3150 BC Predynastic period. 4500-4000 BC Badarian period 4000-3500 BC Naqada I (Amratian) 3500-3300 BC Naqada II (Gerzean A) 3300-3150 BC Naqada III (Gerzean B) 3150-2700 BC Thinite period 3150-2925 BC Dynasty 1 3150-2925 BC Narmer, Menes 3125-3100 BC Aha 3100-3055 BC -
The Origin of the Word Amen: Ancient Knowledge the Bible Has Never Told
Ghana Journal of Linguistics 9.1: 72-96 (2020) ______________________________________________________________________________ http://dx.doi.org/10.4314/gjl.v9i1.4 EDITORIAL BOOK CRITIQUE: THE ORIGIN OF THE WORD AMEN: ANCIENT KNOWLEDGE THE BIBLE HAS NEVER TOLD Ọbádélé Bakari Kambon Editor-in-Chief Abstract: The Origin of the Word Amen: Ancient Knowledge the Bible has Never Told is a book that promises to pique the interest of any reader interested in classical Kmt ‘Black Nation/Land of the Blacks’, mdw nTr ‘Hieroglyphs,’ the Akan language, and historical-linguistic connections between the three. Specifically, the book promises to deliver information about how the word imn ‘Amen,’ as attested in classical Kmt ‘Black Nation/Land of the Blacks,’ persists in the contemporary Akan language. While under a steady hand this should be a simple enough thesis to substantiate, unfortunately, the authors’ obvious lack of grounding in historical linguistics, their lack of knowledge of mdw nTr ‘Hieroglyphs’ as well as their lack of understanding the morphology (word structure) of the Akan language all mar the analyses presented in the book. Keywords: Amen, Heru Narmer, historical linguistics, folk etymology Osei, O. K., Issa, J., & Faraji, S. (2020). The Origin of the Word Amen: Ancient Knowledge the Bible has Never Told. Long Beach, CA: Amen-Ra Theological Seminary Press. 1. Introduction In The Origin of the Word Amen: Ancient Knowledge the Bible has Never Told, what should be an open-and-shut case is saddled with a plethora of spurious look-alikes and folk etymologies prompted by attempts to analyze one language with another without actually having studying the language to be analyzed itself. -
Specular Reflection from the Great Pyramid at Giza
Specular Reflection from the Great Pyramid at Giza Donald E. Jennings Goddard Space Flight Center, Greenbelt, Maryland, USA (retired) email: [email protected] Posted to arXiv: physics.hist-ph April 6, 2021 Abstract The pyramids of ancient Egypt are said to have shone brilliantly in the sun. Surfaces of polished limestone would not only have reflected diffusely in all directions, but would also likely have produced specular reflections in particular directions. Reflections toward points on the horizon would have been visible from large distances. On a particular day and time when the sun was properly situated, an observer stationed at a distant site would have seen a momentary flash as the sun’s reflection moved across the face of the pyramid. The positions of the sun that are reflected to the horizon are confined to narrow arcs in the sky, one arc for each side of the pyramid. We model specular reflections from the pyramid of Khufu and derive the annual dates and times when they would have been visible at important ancient sites. Certain of these events might have coincided with significant dates on the Egyptian calendar, as well as with solar equinoxes, solstices and cross-quarter days. The celebration of Wepet-Renpet, which at the time of the pyramid’s construction occurred near the spring cross-quarter day, would have been marked by a specular sweep of sites on the southern horizon. On the autumn and winter cross-quarter days reflections would have been directed to Heliopolis. We suggest that on those days the pyramidion of Khafre might have been visible in specular reflection over the truncated top of Khufu’s pyramid. -
Egyptian Religion a Handbook
A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries. -
Ancient Egyptian Chronology.Pdf
Ancient Egyptian Chronology HANDBOOK OF ORIENTAL STUDIES SECTION ONE THE NEAR AND MIDDLE EAST Ancient Near East Editor-in-Chief W. H. van Soldt Editors G. Beckman • C. Leitz • B. A. Levine P. Michalowski • P. Miglus Middle East R. S. O’Fahey • C. H. M. Versteegh VOLUME EIGHTY-THREE Ancient Egyptian Chronology Edited by Erik Hornung, Rolf Krauss, and David A. Warburton BRILL LEIDEN • BOSTON 2006 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Ancient Egyptian chronology / edited by Erik Hornung, Rolf Krauss, and David A. Warburton; with the assistance of Marianne Eaton-Krauss. p. cm. — (Handbook of Oriental studies. Section 1, The Near and Middle East ; v. 83) Includes bibliographical references and index. ISBN-13: 978-90-04-11385-5 ISBN-10: 90-04-11385-1 1. Egypt—History—To 332 B.C.—Chronology. 2. Chronology, Egyptian. 3. Egypt—Antiquities. I. Hornung, Erik. II. Krauss, Rolf. III. Warburton, David. IV. Eaton-Krauss, Marianne. DT83.A6564 2006 932.002'02—dc22 2006049915 ISSN 0169-9423 ISBN-10 90 04 11385 1 ISBN-13 978 90 04 11385 5 © Copyright 2006 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
House of Eternity: Tomb of Nefertari
- - - OUSE OF ETERNITY The Tomb of Nefertari John K. McDonald The Getty Conservation Institute and the J. Paul Getty Museum Los Angeles Cover/title page: Detail a/Queen Nefertari 0/'1 the north wall of Chamber G. All photographs are by Guillermo Aldana unless credited otherwise. The Getty Conservation Institute works internationally to further the appreciation and preservation of the world's cultural heritage for the enrichment and use of present and future generations. This is the first volume in the Conservation and Cultural Heritage series, which aims to provide in a popular format information about selected culturally significant sites throughout the world. © 1996 The J. Paul Getty Trust All rights reserved Printed in Singapore Library of Congress Cataloging-in-Publication Data McDonald. John K. House of eternity: the tomb of Nefertari I John K. McDonald. p. cm. ISBN 0-89236-415-7 1. Nefertari. Queen. consort of Rameses II. King of Egypt-Tomb. 2. Mural painting and decoration. Egyptian. 3. Tombs-Egypt. 4. Valley of the Queens (Egypt) I. Title. DT73· v34M35 1996 932-dc20 96-24123 C1P Contents Foreword 5 Introduction Dynasties of Ancient Egypt II Nefertari: Radiant Queen A Letter from Nefertari The Queen's Titles and Epithets 19 The Valley of the Queens Ernesto Schiaparelli 25 Conveyance to Eternal Life: The Royal Tombs of Egypt Tomb Paints and Materials 33 The Tomb Builders' Village 37 After Nefertari's Burial 41 Resurrection and Recurrent Risks 47 The King of the Dead and His Divine Family Divine Guidance 55 Among the Immortals: A Walk through the "House of Eternity" The Texts in the Tomb III Conclusion 116 Acknowledgments II HOUSE OF ETER ITY an honored and < > beloved queen, still in the prime of earthly existence, set off upon a voyage to the netherworld, in quest of eternal life. -
Egyptian Magic Publishers’ Note
S.V. JBooftg on Bagpt anft Cbalfta?a VOL. II. EGYPTIAN MAGIC PUBLISHERS’ NOTE. In the year 1894 Dr. Wallis Budge prepared for Messrs. Kegan Paul, Trench, Triibner & Co. an elementary work on the Egyptian language, entitled “First Steps in Egyptian,” and two years later the companion volume, “ An Egyptian Reading Book,” with transliterations of all the texts printed in it, and a full vocabulary. I he success of these works proved that they had helped to satisfy a want long felt by students of the Egyptian language, and as a similar want existed among students of the languages written in the cuneiform character, Mr. L. W. King, of the British Museum, prepared, on the same lines as the two books mentioned above, an elementary work on the Assyrian and Babylonian languages (“First Steps in Assyrian”), which appeared in 1898. These works, however, dealt mainly with the philological branch of Egyptology and Assyriology, and it was impossible in the space allowed to explain much that needed explanation in the other branches of these subjects—that is to say, matters relating to the archaeology, history, religion, etc., of the Egyptians, Assyrians, and Babylonians. In answer to the numerous requests which have been made, a series of short, popular handbooks on the most important branches of Egyptology and Assyriology have been prepared, and it is hoped that these will serve as introductions to the larger works on these subjects. The present is the second volume of the series, and the succeeding volumes will be published at short intervals, and at moderate prices. -
L'art De L'ancien Empire Égyptien
conferences et colloques L'art de l'Ancien Empire égyptien La documentation Française © La Documentation fran~aise, Paris, 1999 © Musee du Louvre, Paris, 1999 ISBN: 2-11-004264-8 conferences et colloques L'art de l'Ancien Empire egyptien Aetes du colloque organise au musee du Louvre par Ie Service culturel les 3 et 4 avril 1998 Etablis par Christiane Ziegler, conservateur general chargee du departement des Antiquites egyptiennes, avec la collaboration de Nadine Palayret La documentation Franc;:aise Direction de Ia collection Jean GALARD, Service culturel du musee du Louvre Direction de l'ouvrage Christiane ZIEGLER, departement des Antiquites egyptiennes, musee du Louvre, avec la collaboration de Nadine Palayret, chargee de mission, departement des Antiquites egyptiennes Coordination Violaine BoUVET-LANSELLE, Service culturel du musee du Louvre Realisation Fabrice DouAR, Service culturel du musee du Louvre Mise en page et relecture Lucien CHAMBADAL Index Annie DESVACHEZ Maquette Service graphique de la Documentation franr;aise Couverlure Frederic BALOURDET, musee du Louvre 4 Sommaire Avant-propos, par Pierre RosENBERG .......•... 7 Preface, par Christiane ZIEGLER ...........•.. 9 L'art royal Michel VALLOGGIA Les choix architecturaux de la pyramide de Radjedef a Abu Rawash 13 Michel BAUD La statuaire de Redjedef 35 Miroslav VERNER Quelques remarques sur Ie contexte archeologique de la decouverte des statues du roi Raneferef 63 L'art prive ZahiHAwASS "The Pyramid Builders": A Group ofUnique Statues Discovered at Giza IV. The Statue ofan Overseer ofthe Craftsmen and his WIfe 79 Biri FAY Royal Women as Represented in Sculpture During the Old Kingdom 99 5 Hourig SOUROUZIAN La statue du musicien Ipi jouant de la flute et autres monuments du regne de Snofrou a Dahchour 149 Rainer STADELMANN Representations de la famille royale dans l'Ancien Empire 169 Iconographie et datation Gunter DREYER Motive und Datierung der dekorierten pradynastischen Messergriffe ..................................