Specular Reflection from the Great Pyramid at Giza
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Die Harmonischen Abmessungen Aller Pyramidions Sind Jetzt Gefunden
Friedrich Wilhelm Korff (Philosophisches Seminar der Universität Hannover) Die harmonischen Abmessungen aller Pyramidions sind jetzt gefunden! Ein Erlebnisbericht für Rainer Stadelmann, Jan Assmann und seine Heidelberger Studenten der Ägyptologie 7. - 18. 12. 2010 Seit ich aus Ägypten zurück bin und mich in die Kälte hier ( - 13°) kaum eingewöhnt habe, möchte ich Ihnen zu Beginn des Advents erzählen, wie es mir in Kairo am 29. 10. 2010 ergangen ist. Bevor ich noch den Museumsbesuch wagte, spürte ich doch die Stunde der Wahrheit gekommen, da ich erfahren würde, ob meine schon veröffentlichte Behauptung zuträfe, die Basis des PYRAMIDION AMENEMHET III. (Dahshur) sei nicht 1,87 m, wie mein Rezensent Frank Müller - Römer aus der Literatur behauptete, sondern ich hielt dagegen, sie müsse 1,875 m lang sein, eben weil die Länge 11x17 = 187 cm unmöglich aus dem ägyptischen Meß- und Maßsystem abzuleiten ist. Dieses System wie auch das der bei Ptolemaios überlieferten Tonarten, deren Intervalle die Neigungen der Pyramiden hervorbringen, sieht doch nur Kombinationen aus den ersten fünf Primzahlen (1,2,3,5,7) vor. Und das ist bei 187,5 4 cm (3 x 5 /(2 x 5) = 187,5 cm der Fall. Die empirische Messung (1,87 m) aus den achtziger Jahren des 19. Jh. war ungenau. Wie tatsächlich in der Literatur angegeben, konnten es nur 3 4/7 Ellen oder (3 4/7) x 7 = 25 ganzzahlige Handbreit sein, und 3 4/7 Ellen x 0,525 m, errechnet mit dem Metermaß der Königselle, sind 1,875 m. Nur die Hälfte (12 Vi H) der Basislänge, mit dem Rücksprung (10/7) multipliziert, keine andere Länge ergab die Höhe von (12 Vi) x 10/7 =17 6/7 Handbreit, die den Rücksprung(17 6/7)/(12 Vi) = 10/7 bestätigte. -
PYRAMIDS and ZIGGURATS AS the ARCHITECTONIC REPRESENTATIONS of the ARCHETYPE of the COSMIC MOUNTAIN. Part I
I Andrzej WIERCINSKI, Warszawa PYRAMIDS AND ZIGGURATS AS THE ARCHITECTONIC REPRESENTATIONS OF THE ARCHETYPE OF THE COSMIC MOUNTAIN. Part I "Is there a man of you who by anxious thought can add a cubit to the age of his life? "(The Gospel of St. Matthew, 6, 27, according to Greek text) 1. Explanation of the problem The astrobiological religion played the role of a main ideological system which regulated societies of the formative-theocratic phase of cultural development of mankind which was distinguished by the rise of cultic centers of the monumental architecture. The latter ones were the cores of early urbanisation process. This religion has precised a model of the world with well defined position of man within it, and the sense of his activities. Its essence consisted of a dynamical and informational principle of transformation of an Absolute One into pairs of polarised opposites which, in turn, create an universal frame of reference of Cardinal Points organizing the time-spatial order of rhythmically repeating and mutually synchron ised cosmic, biological and socio-cultural processes and, at last, the psychic processes of the human individual. All these was vivified, personificated and deified ( for the main assumtions of the model see: A. Wiercinski, 19761 ). The astrobiological model of the world and man was statically patterned in mutually equivalent, due to a symbolical analogisation, archetypical (in Jungian sense) and iconic-numerical representations. Among them, the main position has been occupied by: the Cosmic Mountain, the Cosmic Tree � Cosmic Ladder � Cosmic Pillar, the Mandala, the Cosmic Man� man as Microcosmos and, © Del documento, los autores. -
Was the Function of the Earliest Writing in Egypt Utilitarian Or Ceremonial? Does the Surviving Evidence Reflect the Reality?”
“Was the function of the earliest writing in Egypt utilitarian or ceremonial? Does the surviving evidence reflect the reality?” Article written by Marsia Sfakianou Chronology of Predynastic period, Thinite period and Old Kingdom..........................2 How writing began.........................................................................................................4 Scopes of early Egyptian writing...................................................................................6 Ceremonial or utilitarian? ..............................................................................................7 The surviving evidence of early Egyptian writing.........................................................9 Bibliography/ references..............................................................................................23 Links ............................................................................................................................23 Album of web illustrations...........................................................................................24 1 Map of Egypt. Late Predynastic Period-Early Dynastic (Grimal, 1994) Chronology of Predynastic period, Thinite period and Old Kingdom (from the appendix of Grimal’s book, 1994, p 389) 4500-3150 BC Predynastic period. 4500-4000 BC Badarian period 4000-3500 BC Naqada I (Amratian) 3500-3300 BC Naqada II (Gerzean A) 3300-3150 BC Naqada III (Gerzean B) 3150-2700 BC Thinite period 3150-2925 BC Dynasty 1 3150-2925 BC Narmer, Menes 3125-3100 BC Aha 3100-3055 BC -
ROYAL STATUES Including Sphinxes
ROYAL STATUES Including sphinxes EARLY DYNASTIC PERIOD Dynasties I-II Including later commemorative statues Ninutjer 800-150-900 Statuette of Ninuter seated wearing heb-sed cloak, calcite(?), formerly in G. Michaelidis colln., then in J. L. Boele van Hensbroek colln. in 1962. Simpson, W. K. in JEA 42 (1956), 45-9 figs. 1, 2 pl. iv. Send 800-160-900 Statuette of Send kneeling with vases, bronze, probably made during Dyn. XXVI, formerly in G. Posno colln. and in Paris, Hôtel Drouot, in 1883, now in Berlin, Ägyptisches Museum, 8433. Abubakr, Abd el Monem J. Untersuchungen über die ägyptischen Kronen (1937), 27 Taf. 7; Roeder, Äg. Bronzefiguren 292 [355, e] Abb. 373 Taf. 44 [f]; Wildung, Die Rolle ägyptischer Könige im Bewußtsein ihrer Nachwelt i, 51 [Dok. xiii. 60] Abb. iv [1]. Name, Gauthier, Livre des Rois i, 22 [vi]. See Antiquités égyptiennes ... Collection de M. Gustave Posno (1874), No. 53; Hôtel Drouot Sale Cat. May 22-6, 1883, No. 53; Stern in Zeitschrift für die gebildete Welt 3 (1883), 287; Ausf. Verz. 303; von Bissing in 2 Mitteilungen des Kaiserlich Deutschen Archäologischen Instituts, Athenische Abteilung xxxviii (1913), 259 n. 2 (suggests from Memphis). Not identified by texts 800-195-000 Head of royal statue, perhaps early Dyn. I, in London, Petrie Museum, 15989. Petrie in Journal of the Anthropological Institute of Great Britain and Ireland xxxvi (1906), 200 pl. xix; id. Arts and Crafts 31 figs. 19, 20; id. The Revolutions of Civilisation 15 fig. 7; id. in Anc. Eg. (1915), 168 view 4; id. in Hammerton, J. A. -
2019-Egypt-Skydive.Pdf
Giza Pyramids Skydive Adventure February 15-19, 2019 “Yesterday we fell over the pyramids of Giza. Today we climbed into the King’s Chamber of the Great Pyramid. I could not think of any other way on (or above) the earth to experience all of the awe inspiring mysteries that this world has to offer.” JUMP Like a Pharaoh in 2019 Start making plans now for our first Tandem Jump Adventure over the Pyramids of Giza! Tandem Skydive over the Great Giza Pyramid, one of the Seven Ancient Wonders of the World. Leap from an Egyptian military Hercules C-130 and land between the pyramids. No prior skydiving experience is necessary….just bring your sense of adventure! Skydive Egypt – Sample Itinerary February 15th-19th, 2019 Day 1, February 15 – Arrival Arrive in Cairo, Egypt at own expense Met by Incredible Adventures Representative Transfer to Mercure La Sphinx Hotel * Days 2, 3 - February 16 – 17 – Designated Jump Days** Arrive at Drop Zone Review and sign any necessary waivers Group briefing and equipment fitting Review of aircraft safety procedures and features Individual training with assigned tandem master Complete incredible Great Giza Tandem Skydive Day 4 (5) – February 18 (19) Free Day for Sightseeing & Jump Back-Up Day - Depart Egypt Note: Hotel room will be kept until check-out time on the 19th. American clients should plan to depart on an “overnight flight” leaving after midnight on the 18th. * Designated hotel may change, based on availability. Upgrade to the Marriott Mena for an additional fee. ** You’ll be scheduled in advance to tandem jump on Day 2 or 3, with Day 4 serving as a weather back-up day. -
Architecture and the Pyramids of Giza Known As “The Age of the Pyramids,” the Old Kingdom Was Characterized by Revolutionary
Architecture and the Pyramids of Giza Known as “the Age of the Pyramids,” the Old Kingdom was characterized by revolutionary advancements in architecture. Figure 1: The Pyramids of Giza This view shows all three pyramid structures: the Great Pyramid, the Pyramid of Khafre, and the Pyramid of Menkaure. The Old Kingdom (2686 BC - 2182 BC) was a period of political stability and economic prosperity, during which great tombs were built for Egyptian Kings in the form of pyramids. The first king to launch a major pyramid building project was King Djoser, who built his famous “Step Pyramid” at Saqqara. The Pyramids of Giza are the greatest architectural achievement of the time, and include three pyramid structures and the Great Sphinx monument. It would have taken several thousand workers decades to complete just one pyramid. While we know that the stone for the pyramids was quarried, transported and cut from the nearby Nile, we still cannot be sure just how the massive stones were then put into place. While stone was generally reserved for tombs and temples, sun-baked mud bricks were used in the construction of Egyptian houses, palaces, fortresses, and town walls. Note: Limestone is an abundant rock of marine and freshwater sediments, primarily composed of calcite (CaCO₃). It occurs in a variety of forms, both crystalline and amorphous. To quarry means to obtain (mine) stone from an excavation pit, usually by blasting, cutting, or digging. A quarry is a site for mining stone, limestone or slate. A sphinx was a creature with the head of a human and the body of an animal (commonly a lion). -
"Excavating the Old Kingdom. the Giza Necropolis and Other Mastaba
EGYPTIAN ART IN THE AGE OF THE PYRAMIDS THE METROPOLITAN MUSEUM OF ART, NEW YORK DISTRIBUTED BY HARRY N. ABRAMS, INC., NEW YORK This volume has been published in "lIljunction All ri~llIs r,'slTv"d, N"l'art 01 Ihis l'ul>li,';\II"n Tl'.ul,,,,,i,,,,, f... "u the I'r,'u,'h by .I;\nl<" 1'. AlIl'll with the exhibition «Egyptian Art in the Age of may be reproduced llI' ',",lIlsmilt"" by any '"l';\nS, of "'''Iys I>y Nadine (:I",rpion allll,kan-Philippe the Pyramids," organized by The Metropolitan electronic or mechanical, induding phorocopyin~, I,auer; by .Iohu Md )on;\ld of essays by Nicolas Museum of Art, New York; the Reunion des recording, or information retrieval system, with Grima I, Audran I."brousse, .lean I.eclam, and musees nationaux, Paris; and the Royal Ontario out permission from the publishers. Christiane Ziegler; hy .lane Marie Todd and Museum, Toronto, and held at the Gaieries Catharine H. Roehrig of entries nationales du Grand Palais, Paris, from April 6 John P. O'Neill, Editor in Chief to July 12, 1999; The Metropolitan Museum of Carol Fuerstein, Editor, with the assistance of Maps adapted by Emsworth Design, Inc., from Art, New York, from September 16,1999, to Ellyn Childs Allison, Margaret Donovan, and Ziegler 1997a, pp. 18, 19 January 9, 2000; and the Royal Ontario Museum, Kathleen Howard Toronto, from February 13 to May 22, 2000. Patrick Seymour, Designer, after an original con Jacket/cover illustration: Detail, cat. no. 67, cept by Bruce Campbell King Menkaure and a Queen Gwen Roginsky and Hsiao-ning Tu, Production Frontispiece: Detail, cat. -
Das Pyramidion Der Pyramide G III-A. Bemerkungen Zu Den
STUDIA AEGYPTIACA XIV INTELLECTUAL HERITAGE OF EGYPT STUDIES PRESENTED TO LAszL6 KAKOSY BYFRIENDS AND COLLEAGUES ON THE OCCASION OFHIS 60TH BIRTHDAY BUDAPEST 1992 301 DAS PYRAMIDION DER PYRAMIDE G III-a Bemerkungen zu den Pyramidenspitzen des Alten Reiches* (PIs. XIX.A- XX.A) Peter Janosi,,Wien Verglichen mit dem Materialbefund des Mittleren Reiches ist die Anzahl der erhaltenen Pyramidenspitzen des Alten Reiches wesentlich geringer, Vor einigen Jahren wurde das Kalksteinpyramidion der Roten Pyramide gefunden. Es ist das älteste und auch bisher einzige erhaltene Exemplar von einer Königspyramide des Alten Reiches.' Neben dem archäologischen Befund geben noch drei Inscbriften2 über Pyramidenspitzen dieser Zeit Auskunft. Bei vier Pyramiden lassen sich die Pyramidenspitzen aufgrund der erhaltenen, darunterliegenden Verkleidungsblöcke rekonstruieren (s.u.). Ungeachtet dieses recht dürftigen Befundes ist davon auszugehen, daß alle vollendeten Pyramiden Spitzen aus Kalkstein oder Hartgestein (?) besaßen. Das Pyramidion von G III-a Wahrend der Beschäftigung mit der Architektur der Nebenpyramiden konnte in Giza ein weiteres Pyramidion des Alten Reiches "entdeckt" werden. Es stammt von der Pyramide G III-a, der östlichsten der drei Nebenpyramiden südlich der Mykerinospyramide.3 Wann dieses Pyramidion gefunden wurde, ist nicht sicher festzustellen. Es wurde'vermutlich 1972, als man nach Bootsgruben an der Südseite dieser Pyramide suchte, entdeckt.4 Das Pyramidion liegt einige Meter südlich der Pyramide G III-a und besteht aus Kalkstein (PI. XIX. A). Sowohl seine Position als auch die Tatsache, daß die unmittelbar westlich • Das vie'lfältige Interesse Laszl6 Kakosys galt des öfteren den Pyramiden des Alten Reiches. Neben seiner oftmaligen Auseinandersetzung mi t den Pyramidentexten siehe: "Pyramids as Divinities",AnnalesUniversitatis Scientiarium Budapestinensis de Rolando Eötvös Nominatae, Sectio C1assica, Thmus IX-X, Budapest 1982 1985,63-77 und"The Plundering ofthe Pyramid ofCheops",SAK 16 (1989) 145-169. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
Bulletin De L'institut Français D'archéologie Orientale
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE BULLETIN DE L’INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne BIFAO 114 (2014), p. 455-518 Nico Staring The Tomb of Ptahmose, Mayor of Memphis Analysis of an Early 19 th Dynasty Funerary Monument at Saqqara Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), Dennis Halft (éd.) © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 The Tomb of Ptahmose, Mayor of Memphis Analysis of an Early 19 th Dynasty Funerary Monument at Saqqara nico staring* Introduction In 2005 the Metropolitan Museum of Art, New York, acquired a photograph taken by French Egyptologist Théodule Devéria (fig. -
THE MUMMY CASE Elizabeth Peters
THE MUMMY CASE Peabody Book 03 Elizabeth Peters After the death of the author of these memoirs (of which this is the third volume to appear), her heirs felt that her animated (if biased) descriptions of the early days of excavation in Egypt should not be kept from historians of that period. Since certain episodes involve matters that might embarrass the descendants of the participants therein (and possibly render publisher and editor subject to legal action), it was agreed that the memoirs should appear in the guise of fiction. A certain amount of judicious editing was done, and many of the names were changed, including that of Mrs. "Emerson." However, in recent years rumors have circulated regarding the accuracy of these works and the identity of their author— originated, we suspect, by disaffected members of Mrs. "Emerson's" family, who resent their exclusion from the financial proceeds (modest though they are) of the works in question. The editor therefore wishes to disclaim all responsibility for, first, the opinions expressed herein, which are those of the late lamented Mrs. "Emerson"; and second, certain minor errors of fact, which are due in part to Mrs. "Emerson's" faulty memory and in even larger part to her personal eccentricities and prejudices. The editor also wishes to apologize for the stylistic peculiarities of this foreword, which seems to have been unconsciously influenced by the literary style of Mrs. "Emerson." She would no doubt be pleased at such a demonstration of the influence she continues to exert on those who were affected by it during her long and vigorous life. -