A New Look at the Astronomy and Geometry of Stonehenge ______
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Burial Mounds in Europe and Japan Comparative and Contextual Perspectives
Comparative and Global Perspectives on Japanese Archaeology Burial Mounds in Europe and Japan Comparative and Contextual Perspectives edited by Access Thomas Knopf, Werner Steinhaus and Shin’ya FUKUNAGAOpen Archaeopress Archaeopress Archaeology © Archaeopress and the authors, 2018. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78969 007 1 ISBN 978 1 78969 008 8 (e-Pdf) © Archaeopress and the authors 2018 © All image rights are secured by the authors (Figures edited by Werner Steinhaus) Access Cover illustrations: Mori-shōgunzuka mounded tomb located in Chikuma-shi in Nagano prefecture, Japan, by Werner Steinhaus (above) Magdalenenberg burial mound at Villingen-Schwenningen, Germany,Open by Thomas Knopf (below) The printing of this book wasArchaeopress financed by the Sainsbury Institute for the Study of Japanese Arts and Cultures All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2018. Contents List of Figures .................................................................................................................................................................................... iii List of authors ................................................................................................................................................................................. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Concrete Prehistories: the Making of Megalithic Modernism 1901-1939
Concrete Prehistories: The Making of Megalithic Modernism Abstract After water, concrete is the most consumed substance on earth. Every year enough cement is produced to manufacture around six billion cubic metres of concrete1. This paper investigates how concrete has been built into the construction of modern prehistories. We present an archaeology of concrete in the prehistoric landscapes of Stonehenge and Avebury, where concrete is a major component of megalithic sites restored between 1901 and 1964. We explore how concreting changed between 1901 and the Second World War, and the implications of this for constructions of prehistory. We discuss the role of concrete in debates surrounding restoration, analyze the semiotics of concrete equivalents for the megaliths, and investigate the significance of concreting to interpretations of prehistoric building. A technology that mixes ancient and modern, concrete helped build the modern archaeological imagination. Concrete is the substance of the modern –”Talking about concrete means talking about modernity” (Forty 2012:14). It is the material most closely associated with the origins and development of modern architecture, but in the modern era, concrete has also been widely deployed in the preservation and display of heritage. In fact its ubiquity means that concrete can justifiably claim to be the single most dominant substance of heritage conservation practice between 1900 and 1945. This paper investigates how concrete has been built into the construction of modern pasts, and in particular, modern prehistories. As the pre-eminent marker of modernity, concrete was used to separate ancient from modern, but efforts to preserve and display prehistoric megaliths saw concrete and megaliths become entangled. -
Stonehenge Bibliography
Bibliography Abbot, M. and Anderson-Whymark, H., 2012. Anon., 2011a, Discoveries provide evidence of Stonehenge Laser Scan: archaeological celestial procession at Stonehenge. On-line analysis report. English Heritage project source available at: 6457. English Heritage Research Report http://www.birmingham.ac.uk/news/latest/ Series no. 32-2012, available at: 2011/11/25Nov-Discoveries-provide- http://services.english- evidence-of-a-celestial-procession-at- herita ge.org.uk/Resea rch Repo rtsPdf s/032_ Stonehenge.aspx (accessed 2 April 2012). 2012WEB.pdf Anon., 2011b, Stonehenge’s sister? Current Alexander, C., 2009, If the stones could speak: Archaeology, 260, 6–7. Searching for the meaning of Stonehenge. Anon., 2011c, Home is where the heath is. National Geographic, 213.6 (June 2008), Late Neolithic house, Durrington Walls. 34–59. Current Archaeology, 256, 42–3. Allen, S., 2008, The quest for the earliest Anon., 2011d, Stonehenge rocks. Current published image of Stonehinge (sic). Archaeology, 254, 6–7. Wiltshire Archaeological and Natural Anon., 2012a, Origin of some of the Bluestone History Magazine, 101, 257–9. debris at Stonehenge. British Archaeology, Anon., 2006, Excavation and Fieldwork in 123, 9. Wiltshire 2004. Wiltshire Archaeological Anon., 2012b, Stonehenge: sourcing the and Natural History Magazine, 99, 264–70. Bluestones. Current Archaeology, 263, 6– Anon., 2007a, Excavation and Fieldwork in 7. Wiltshire 2005. Wiltshire Archaeological Aronson, M., 2010, If stones could speak. and Natural History Magazine, 100, 232– Unlocking the secrets of Stonehenge. 39. Washington DC: National Geographic. Anon., 2007b, Before Stonehenge: village of Avebury Archaeological and Historical wild parties. Current Archaeology, 208, Research Group (AAHRG) 2001 17–21. -
Stonehenge OCR Spec B: History Around Us
OCR HISTORY AROUND US Site Proposal Form Example from English Heritage The Criteria The study of the selected site must focus on the relationship between the site, other historical sources and the aspects listed in a) to n) below. It is therefore essential that centres choose a site that allows learners to use its physical features, together with other historical sources as appropriate, to understand all of the following: a) The reasons for the location of the site within its surroundings b) When and why people first created the site c) The ways in which the site has changed over time d) How the site has been used throughout its history e) The diversity of activities and people associated with the site f) The reasons for changes to the site and to the way it was used g) Significant times in the site’s past: peak activity, major developments, turning points h) The significance of specific features in the physical remains at the site i) The importance of the whole site either locally or nationally, as appropriate j) The typicality of the site based on a comparison with other similar sites k) What the site reveals about everyday life, attitudes and values in particular periods of history l) How the physical remains may prompt questions about the past and how historians frame these as valid historical enquiries m) How the physical remains can inform artistic reconstructions and other interpretations of the site n) The challenges and benefits of studying the historic environment 1 Copyright © OCR 2018 Site name: STONEHENGE Created by: ENGLISH HERITAGE LEARNING TEAM Please provide an explanation of how your site meets each of the following points and include the most appropriate visual images of your site. -
The River and the Sky: Astronomy and Topography in Caral Society, America’S First Urban Centers
The River and the Sky: Astronomy and Topography in Caral Society, America’s First Urban Centers A. César González-García , Aldemar Crispín, Ruth Shady Solís, José Ricra, Felipe Criado-Boado, and Juan A. Belmonte America’s first urban centers may have been located in the Supe Valley, Peru. After investigating the location and the orien- tation of the main built structures, we show that it is not only the presence of the Supe River that determines their orientation but also that astronomical relationships within the orientation of the buildings dictate their setting within the valley. The south- ernmost position of moonrise on the horizon seems to be the most important astronomical target. There is the possibility of a trend toward attributing greater importance to the June solstice sunrise and the rising of certain stars or asterisms. These orientations could relate to specific moments throughout the year, in particular to seasonal rains, subsequent river flood- ing, and agricultural cycles. This is one of the earliest examples of the interaction of land- and skyscapes in human cultures and indeed the first in the Americas. Keywords: Caral, Supe Valley, Andean Formative period, orientation, topography, landscape, archaeoastronomy El valle del río Supe en Perú posiblemente alberga una de las primeras manifestaciones de urbanismo en América. Los resul- tados de la investigación sobre la localización y orientación de los edificios principales muestran que no es sólo la presencia del río Supe la que determina la orientación de estos edificios, pero la localización dentro del valle también viene dictada por posibles relaciones astronómicas. Se muestra que la orientación más importante de estas estructuras concuerdan con la salida más meridional de la luna. -
Researching Stonehenge: Theories Past and Present
Parker Pearson, M 2013 Researching Stonehenge: Theories Past and Present. Archaeology International, No. 16 (2012-2013): 72-83, DOI: http://dx.doi.org/10.5334/ai.1601 ARTICLE Researching Stonehenge: Theories Past and Present Mike Parker Pearson* Over the years archaeologists connected with the Institute of Archaeology and UCL have made substantial contributions to the study of Stonehenge, the most enigmatic of all the prehistoric stone circles in Britain. Two of the early researchers were Petrie and Childe. More recently, colleagues in UCL’s Anthropology department – Barbara Bender and Chris Tilley – have also studied and written about the monument in its landscape. Mike Parker Pearson, who joined the Institute in 2012, has been leading a 10-year-long research programme on Stonehenge and, in this paper, he outlines the history and cur- rent state of research. Petrie and Childe on Stonehenge William Flinders Petrie (Fig. 1) worked on Stonehenge between 1874 and 1880, publishing the first accurate plan of the famous stones as a young man yet to start his career in Egypt. His numbering system of the monument’s many sarsens and blue- stones is still used to this day, and his slim book, Stonehenge: Plans, Descriptions, and Theories, sets out theories and observations that were innovative and insightful. Denied the opportunity of excavating Stonehenge, Petrie had relatively little to go on in terms of excavated evidence – the previous dig- gings had yielded few prehistoric finds other than antler picks – but he suggested that four theories could be considered indi- vidually or in combination for explaining Stonehenge’s purpose: sepulchral, religious, astronomical and monumental. -
East Aquhorthies Stone Circle Statement of Significance
Property in Care (PIC) ID: PIC242 Designations: Scheduled Monument (SM90126) Taken into State care: 1963 (Guardianship) Last Reviewed: 2021 STATEMENT OF SIGNIFICANCE EAST AQUHORTHIES STONE CIRCLE We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH © Historic Environment Scotland 2021 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open- government-licence/version/3 or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot You can download this publication from our website at www.historicenvironment.scot Cover image: The recumbent stone circle of East Aquhorthies from the south- west. © Crown Copyright: HES. Historic Environment Scotland – -
A303 Amesbury to Berwick Down
A303 Amesbury to Berwick Down TR010025 6.3 Environmental Statement Appendices Volume 1 6 Appendix 6.1 Annex 8 Influences of the monuments and landscape of the Stonehenge part of the World Heritage Site on literature and popular culture APFP Regulation 5(2)(a) Planning Act 2008 Infrastructure Planning (Applications: Prescribed Forms and Procedure) Regulations 2009 October 2018 HIA Annex 8 – Influences of the monuments and landscape of the Stonehenge part of the WHS on literature and popular culture Introduction Stonehenge, Avebury and Associated Sites was inscribed on the UNESCO World Heritage Site List in 1986, one of the original list of seven sites in the UK to be put forward for inscription. The Statement of Outstanding Universal Value (OUV) was adopted in 2013. The Statement of OUV notes that ‘the monuments and landscape have had an unwavering influence on architects, artists, historians and archaeologists’ (UNESCO 2013). The 2015 Management Plan (Simmonds & Thomas 2015) identifies seven Attributes of OUV for the entirety of the WHS, of which the seventh is: ‘The influence of the remains of the Neolithic and Bronze Age funerary and ceremonial monuments and their landscape setting on architects, artists, historians, archaeologists and others.’ The landscape around Stonehenge, comprising natural and cultural elements, is not just a physical environment, but an abstraction that is perceived by the human observer. Such observers have included literary writers, poets and travel writers, who have used their sense of the place as they experienced it to inspire their creative writing. The unique strength of Stonehenge is that the monument is an instantly recognisable structure which resembles no other and onto which a range of fantasies can be projected (Hutton 2009, 45). -
2019-2020 Annual Report and Financial Statements
ANNUAL REPORT and FINANCIAL STATEMENTS - for the year ended 31 MARCH 2020 STATEMENTS REPORT and FINANCIAL ANNUAL The Museum, 41 Long Street, Devizes, Wiltshire. SN10 1NS Telephone: 01380 727369 www.wiltshiremuseum.org.uk Our Audiences Our audiences are essential and work is ongoing, with funding through the Wessex Museums Partnership, to understand our audiences and develop projects and facilities to ensure they remain at the core of our activities. Our audience includes visitors, Society members, school groups, community groups, and researchers. Above: testimonial given in February 2020 by one of our visitors. Below: ‘word cloud’ comprising the three words used to describe the Museum on the audience forms during 2019/20. Cover: ‘Chieftain 1’ by Ann-Marie James© Displayed in ‘Alchemy: Artefacts Reimagined’, an exhibition of contemporary artworks by Ann-Marie James. Displayed at Wiltshire Museum May-August 2020. (A company limited by guarantee) Charity Number 1080096 Company Registration Number 3885649 SUMMARY and OBJECTS The Wiltshire Archaeological and Natural History Researchers. Every year academic researchers Society (the Society) was founded in 1853. The carry out important research on the collection. Society’s first permanent Museum opened in There are over 500,000 items in the collections Long Street in 1874. The Society is a registered and details can be found in our online searchable charity and governed by Articles of Association. database. The collections are ‘Designated’ of national importance and ‘Accreditation’ status Objects. To educate the public by promoting, was first awarded in 2005. Overseen by the fostering interest in, exploration, research and Arts Council the Accreditation Scheme sets publication on the archaeology, art, history and out nationally-agreed standards, which inspire natural history of Wiltshire for the public benefit. -
Bochum Paper
A NEW ARCHAEOASTRONOMICAL INVESTIGATION OF THE IRISH AXIAL-STONE CIRCLES CLIVE L.N. RUGGLES, University of Leicester, UK and FRANK PRENDERGAST, Dublin Institute of Technology, Ireland Abstract This paper presents the preliminary results of a project undertaken in 1994 to investigate the astronomical potential of the axial-stone circles (ASCs) of seven or more stones in Counties Cork and Kerry, south-west Ireland. This group of sites is of particular interest in that the monuments in the group bear a striking resemblance to the recumbent stone circles (RSCs) of Aberdeenshire, eastern Scotland, which appear to exhibit a strong pattern of alignment in relation to prominent hilltop summits and the rising and setting position of the moon. The first indications from the Irish data are that similar patterns of alignment are not evident in the Irish ASCs. The Irish sites show no preference for orientation upon prominent hilltops and no clear astronomical trends. Introduction Astronomical alignments were quite extensively incorporated into monumental architecture at different times during the Neolithic and Bronze Age in the British Isles. Examples such as the solar alignment of the passage grave at Newgrange (Patrick 1974) and the solar axial orientation of Stonehenge in its later phases (Ruggles 1997a) are well known. Contrary to popular belief, the sites concerned were not “observatories” in the modern sense of the word, and there is no convincing evidence that the alignments were of any great precision (Ruggles 1997b). The astronomy was, rather, symbolic; studying the nature of this symbolism, and its manifestations in different groups of prehistoric monuments, gives us valuable insights into changing customs and beliefs in Britain during the third and second millennia BC (Ruggles and Burl 1995). -
Stonehenge and Ancient Astronomy Tonehenge Is One of the Most Impressive and Best Known Prehistoric Stone Monuments in the World
Stonehenge and Ancient Astronomy tonehenge is one of the most impressive and best known prehistoric stone monuments in the world. Ever since antiquarians’ accounts began to bring the site to wider attention inS the 17th century, there has been endless speculation about its likely purpose and meaning, and a recurring theme has been its possible connections with astronomy and the skies. was it a Neolithic calendar? A solar temple? A lunar observatory? A calculating device for predicting eclipses? Or perhaps a combination of more than one of these? In recent years Stonehenge has become the very icon of ancient astronomy, featuring in nearly every discussion on the subject. And yet there are those who persist in believing that it actually had little or no connection with astronomy at all. A more informed picture has been obtained in recent years by combining evidence from archaeology and astronomy within the new interdiscipline of archaeoastronomy – the study of beliefs and practices concerning the sky in the past and the uses to which people’s knowledge of the skies were put. This leaflet attempts to summarize the evidence that the Stonehenge monument was constructed by communities with a clear interest in the sky above them. Photograph: Stonehenge in the snow. (Skyscan/english heritagE) This leaflet is one of a series produced by the Royal Astronomical Society (RAS). An electronic version is available for download at www.ras.org.uk. It has been written by the following members of the RAS Astronomical Heritage Committee: Clive Ruggles, Bill Burton, David Hughes, Andrew lawson and Derek McNally.