Elmer Leupen
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22.5. TISK Vizualita Filmu Petera Greenawaye
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Divadelní fakulta Ateliér Scénografie Vizualita filmů Petera Greenawaye Bakalářská práce autor: Jaracová Jana vedoucí práce: MgA. Marie Jirásková Ph.D. oponent: MgA. Kateřina Bláhová Brno 2015 Bibliografický záznam: JARACOVÁ Jana. Vizualita filmů Petera Greenawaye (Visuality of Peter Greenaway movies), Brno: Janáčkova akademie múzických umění v Brně, Divadelní fakulta, Katedra scénografie, 2015, s. 62, Vedoucí práce MgA. Marie Jirásková Ph.D. Anotace: Teoretická práce se zabývá vizualitou filmů Petera Greenawaye. Jeho filmová tvorba se vyznačuje osobitým výtvarným pojetím a divadelním přístupem k filmu. Pokouším se v nich najít a popsat principy spojující divadlo, výtvarné umění a architekturu v kompaktní filmové dílo. Annotation: This bachelor thesis deals with visuality of Peter Greenaway movies. His films are characterized by distinctive art conception and theatrical approach to movie. I tried to find out and describe the practices of his work combining theater, fine arts and architecture to compact film work. Klíčová slova: Greenaway Peter, režisér, film, divadlo, výtvarné umění, kostým, architektura, vizualita, Kuchař, zloděj, jeho žena a její milenec , Prosperovy knihy , baroko, renesance, nahota, perverze Key words: Greenaway Peter, director, movie, theater, fine arts, costume, architecture, visuality, The Cook, the Thief, His Wife & Her Lover , Prospero's Books , Baroque, Renaissance, nudity, perversion 2 Čestné prohlášení Prohlašuji, že jsem předkládanou bakalářskou práci zpracovala samostatně. Veškeré použité prameny a literatura jsou v této práci uvedeny. V Brně, dne 19.5.2015 Jana Jaracová 3 Na tomto místě bych ráda poděkovala MgA. Marii Jiráskové Ph.D. za vedení práce. Dále pak Olze Jaracové za korekturu a Edgarovi Kacko za nesmírnou podporu. -
SHARON HOWARD-FIELD 1 Casting Director
SHARON HOWARD-FIELD 1 Casting Director EMPLOYMENT HISTORY: • Howard-Field Casting, (Los Angeles, London & Europe) 1993-2014 • Director of Feature Casting, Warner Bros. Studios, Los Angeles 1989-1993 • Howard-Field Casting ( London & Europe) 1983-1989 • Casting & Project Consultant RKO, London operations 1983-1985 • Associate Casting Director Royal Shakespeare Company, London 1977-1983 • Production Assistant to director/producer Martin Campbell, London 1975-1977 • Assistant to writer, Tudor Gates, Drumbeat Productions, London 1975-1977 FILMS CURRENTLY IN DEVELOPMENT FOR 2014/15: AMOK – Director: Kasia Adamik. Screenplay: Richard Karpala. Executive producer: Agnieszka Holland. Producers: Beata Pisula, Debbie Stasson - in development for spring 2015 WALKING TO PARIS – Director: Peter Greenaway, Producer: Kees Kasander and Julia Ton. Scheduled to commence pp February 2015 in Romania, Switzerland and France. THE WORLD AT NIGHT – Director: TBC. Screenplay: William Nicholson. Producer: Vanessa van Zuylen, (VVZ Presse, Paris, France), Matthias Ehrenberg, Jose Levy, (Cuatro Films Plus) Ibon Cormenzana, (Arcadia Motion Pictures), – in development to shoot Argentina and France Spring 2015. Daniel Bruhl attached. RACE – In association with Suzanne Smith Casting. Director: Stephen Hopkins. Filming Berlin and Canada, September 2014. Casting a selection of cameo roles from the UK AMERICAN MASSACRE – Director: TBC Producer: Emjay Rechsteiner (Staccato Films); Executive Producer: Harris Tulchin - in development for Spring 2015, shooting New Zealand and Canary Islands LITTLE SECRET (Pequeno Segredo) – Director: David Schurmann; Writer: Marcos Bernstein; Producers: Matthias Ehrenberg (Cuatro Films Plus), Joao, Roni (Ocean Films, Brazil), Emma Slade (Fire Fly Films, NZ), Barrie Osborn – in development to shoot Brazil, October 2014. Finnoula Flanagan attached THE BAY OF SILENCE: - Director: Mark Pellington; Screenwriter & Producer: Caroline Goodall, Executive Producer: Peter Garde. -
A Film Fogalma. a Sajátság Természetrajza
Pécsi Tudományegyetem BTK Irodalomtudományi Doktori Iskola Irodalomtudományi Doktori Program Iskolavezető: Dr. Thomka Beáta DSc Dr. habil. egyetemi tanár STRUKTÚRA ÉS NARRATÍVA PETER GREENAWAY FILMJEIBEN Phd-értekezés Prax Levente Témavezető: Prof. dr. Orbán Jolán egyetemi tanár PTE BTK Modern Irodalomtörténeti és Irodalomelméleti Tanszék Pécs 2017 1 Peter Greenaway 2 Tartalomjegyzék Tartalomjegyzék 3 Bevezetés 6 1. Parametrikus elbeszélés, szeriális szerkezet, moduláris narratíva 11 1.1 Az alapvető fogalmak meghatározása 11 1.2. A parametrikus elbeszélés (David Bordwell) 14 1.3. A szeriális szerkezet (Kovács András Bálint) 18 1.4. Moduláris narratíva (Allen Cameron) 19 2. Irodalmi és filmes előképek Greenaway művészetében 22 2.1. Felhangmontázs (Szergej Eizenstein) 22 2.2. A katalógus, mint ontológiai eredet (Jorge-Luis Borges) 24 2.3. A francia új regény és új film (Alain Robbe-Grillet) 28 2.3.1. Narratívák Alain Robbe-Grillet A hazug ember című filmjében 33 2.3.2. Önreflexió és a hamisító elbeszélés fogalma 37 2.4. Narráció és dekonstrukció (Jean-Luc Godard) 38 3. A nyitott mű problematikája Greenaway munkásságában 45 3.1. A nyitott mű pre-strukturalista/strukturalista felfogása 45 3.2. A nyitottság fokozatai 48 3.3. Egy túlzónak ható értelmezés 49 3.4. A nyitott mű fogalma Deleuze-nél 51 4. Elbeszélésmódok Greenaway filmjeiben 55 4.1. Barokk determinizmus a rendező munkásságában 55 4.2. A szerkezetcentrikusság és a narratíva általános összefüggései 58 4.2.1. Borges barokk-definíciója 61 4.3. Az irónia, mint a strukturalista paradigma megbontásának eszköze 63 4.3.1. Paul de Man irónia-definíciója és Greenaway 63 4.3.2. Az irónia fogalma a filmművészetben 65 4.3.3. -
Elmer Leupen
ELMER LEUPEN, NCE ˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙film editor I am a versatile film editor with a passion for art-related projects and 30 years of experience editing films for cinema, television, art installations and operas. I enjoy being involved in the entire post-production process and work a lot independently. I believe in an inspiring working relationship with the director to creatively rise above myself for the benefit of the film. My specialization is making image compositions and creating 2D or 3D content where necessary. I enjoy working on projects about art and science. MEMBERSHIPS STUDIO ADDRESS Active member of the NCE (Netherlands Association of Cinema Editors) Korte Leidsedwarsstraat 12 Member of the EFA (European Film Academy) 1017 RC Amsterdam The Netherlands TOOLS & SOFTWARE Avid Media Composer [email protected] Adobe CC: Premiere Pro, After Effects, Photoshop, Illustrator, Indesign www.elmerleupen.nl DaVinci Resolve Studio, Apple Motion, Cinema 4D, SynthEyes, Unity +31(0)6 2467 1181 mobile EDUCATION 1988-1992 Netherlands Film Academy - completed studies: Editing & Sound Filmography FEATURE FILMS 2021 WALKING TO PARIS | Peter Greenaway | Enjoy Movies – IN PRODUCTION – 2014 EISENSTEIN IN GUANAJUATO | Peter Greenaway | Submarine, Fu Works Nominee Golden Berlin Bear, Berlin International Film Festival 2015 Nominee Teddy Best Feature Film Teddy Ballot Volkswagen Audience Award, Berlin Int. Film Festival -
The Raiffeisen Maître Du Réel Award 2016 Goes to Peter Greenaway
PRESS KIT MAITRE DU RÉEL — PETER GREENAWAY The Raiffeisen Maître du Réel Award 2016 goes to Peter Greenaway Biography Peter Greenaway was born in Wales in 1942. His films are influenced by the Renaissance and Baroque painting and in particular the Flemish painting. The characteristics of his works can be seen in their scenic composition and illumination, and in the contrast between costume and nudity as well as that between nature and architecture, furniture and people, sexual pleasure and painful death. Among the recurring elements of his work are murder, scheming, sex, irony and a certain cruelty. Following a classical training in painting, he took an interest in European cinema, Ingmar Bergman and the French nouvelle vague of Jean-Luc Godard and Alain Resnais. His studies at Walthamstow College of Art in London would lead him to spend 15 years working as a film editor and director for the Central Office of Information (COI). In 1966, he directed the experimental films Train and Tree. In the 1970s, he started making more ambitious films like Vertical Features Remake (1978) and A Walk Through H (1979). His most striking works date from the 1980s: The Falls (1980), his first feature-length film, then The Draughtsman’s Contract (1982), A Zed & Two Noughts (1985), The Belly of an Architect (1987), Drowning by Numbers (1988, an award-winner at the Festival of Cannes), and his most famous film, The Cook, The Thief, His Wife & Her Lover (1989). In 1989, he collaborated with the artist Tom Phillips on the creation of a television series, A TV Dante, based on Dante’s “Inferno”. -
DP-Peter Greenaway DE
PRESSEMAPPE MAITRE DU RÉEL – PETER GREENAWAY Der Prix Raiffeisen Maître du Réel 2016 geht an Peter Greenaway Biografie Peter Greenaway wurde 1942 in Wales geboren. Seine Filme sind von der Kultur der Renaissance und der Barockmalerei, insbesondere der flämischen, beeinflusst. Sichtbaren Ausdruck erhält das Wesen seines Schaffens in der Komposition und der szenischen Lichtgestaltung, dem Kontrast zwischen den Kostümen und der Nacktheit, der Beziehung zwischen Natur und Architektur, dem Mobiliar und den Figuren, dem sexuellen Lustempfinden und dem qualvollen Tod. Den Platz zwischen diesen stets wiederkehrenden Elementen seiner Arbeit nehmen Mord, Machenschaften, Sex, Ironie und eine gewisse Grausamkeit ein. Nach einer klassischen Malereiausbildung beschäftigt er sich mit dem europäischen Film, von Ingmar Bergman bis zur französischen Nouvelle Vague mit Jean-Luc Godard und Alain Resnais. Im Anschluss an sein Studium am Londoner Walthamstow College of Art ist er fünfzehn Jahre als Herausgeber und Filmregisseur für das Central Office of Information (COI) tätig. 1966 dreht er die Experimentalfilme Train und Tree. In den 70er-Jahren beginnen ehrgeizige Filmprojekte wie Vertical Features Remake (1978) und A Walk Through H (1979). Seine bedeutendsten Filme stammen aus den 80er-Jahren: The Falls (1980), sein erster Langfilm, gefolgt von The Draughtsman’s Contract (1982), A Zed & Two Noughts (1985), The Belly of an Architect (1987), Drowning by Numbers (1988 bei den Internationalen Filmfestspielen von Cannes ausgezeichnet), sowie sein bekanntester Film The Cook, The Thief, His Wife & Her Lover (1989). 1989 arbeitet er mit dem Künstler Tom Phillips an der Schaffung einer Fernsehserie über Dantes „Inferno“, A TV Dante, zusammen. In den 90er-Jahren führt er Regie für Prospero’s Books (1991), The Baby of Mâcon (1993), The Pillow Book (1996) und 8 ½ Women (1999). -
Eisenstein in Guanajuato
Strand Releasing presents EISENSTEIN IN GUANAJUATO A FILM BY PETER GREENAWAY Starring Elmer Bäck, Luis Alberti and Maya Zapata Official Selection: Berlin International Film Festival Toronto LGBT Film Festival Frameline Film Festival PRELIMINARY PRESS NOTES Country of Origin: Netherlands | Mexico | Finland | Belgium Format: DCP/2.35/Color Sound Format: Dolby 5.1 Running Time: 105 minutes Genre: Biography/Comedy/Romance Rating: Not Rated In English and Spanish with English Subtitles National Press Contact: Jenna Martin / Marcus Hu Strand Releasing Phone: 310.836.7500 [email protected] [email protected] Please download photos from our website: http://strandreleasing.com/films/eisenstein-guanajuato/ SYNOPSIS Directed by Peter Greenaway. In 1931, at the height of his artistic powers, Soviet filmmaker Sergei Eisenstein travels to Mexico to shoot a new film to be titled Que Viva Mexico. Freshly rejected by Hollywood and under increasing pressure to return to Stalinist Russia, Eisenstein arrives at the city of Guanajuato. Chaperoned by his guide Palomino Cañedo, he vulnerably experiences the ties between Eros and Thanatos, sex and death, happy to create their effects in cinema, troubled to suffer them in life. Peter Greenaway’s film explores the mind of a creative genius facing the desires and fears of love, sex and death through ten passionate days that helped shaped the rest of the career of one of the greatest masters of Cinema. PETER GREENAWAY ON EISENSTEIN IN GUANAJUATO WHY EISENSTEIN? I discovered the films of Eisenstein by accident when I was 17 in 1959 in an East London cinema. My first amazement was Eisenstein’s STRIKE, made in 1925 when he was at the absurdly early age of 27. -
Vizualita Filmu Petera Greenawaye
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Divadelní fakulta Ateliér Scénografie Vizualita filmů Petera Greenawaye Bakalářská práce autor: Jaracová Jana vedoucí práce: doc. Mgr. Marie Jirásková Ph.D. oponent: MgA. Kateřina Bláhová Brno 2013 Bibliografický záznam: JARACOVÁ Jana. Vizualita filmů Petera Greenawaye (Visuality of Peter Greenaway movies), Brno: Janáčkova akademie múzických umění v Brně, Divadelní fakulta, Katedra scénografie, 2014, s. 49, Vedoucí práce doc. Mgr. Marie Jirásková Ph.D. Anotace: Teoretická práce se zabývá vizualitou filmů Petera Greenawaye. Jeho filmová tvorba se vyznačuje osobitým výtvarným pojetím a divadelním přístupem k filmu. Pokouším se v nich najít a popsat principy spojující divadlo, výtvarné umění a architekturu v kompaktní filmové dílo. Skrze analýzu jednoho z jeho filmů, Kuchaře, zloděje, jeho ženy a jejího milence, se posléze dostanu ke konkrétním příkladům ilustrujícím předchozí poznatky. Annotation: This bachelor thesis deals with visuality of Peter Greenaway movies. His films are characterized by distinctive art conception and theatrical approach to movie. I tried to find out and describe the practices of his work combining theater, fine arts and architecture to compact film work. Through the analysis of one of his movie, The Cook, the Thief, His Wife & Her Lover , we will get to specific examples illustrating the previous findings. Klíčová slova: Greenaway Peter, režisér, film, divadlo, výtvarné umění, kostým, architektura, vizualita, Kuchař, zloděj, jeho žena a její milenec , baroko, renesance, nahota, perverze Key words: Greenaway Peter, director, movie, theater, fine arts, costume, architecture, visuality, The Cook, the Thief, His Wife & Her Lover , Baroque, Renaissance, nudity, perversion 2 Čestné prohlášení Prohlašuji, že jsem předkládanou bakalářskou práci zpracovala samostatně. -
Ca' Foscari Short Film Festival 8
Short ca’ foscari short film festival 8 1 8 MARCH 21 - 24, 2018 AUDITORIUM SANTA MARGHERITA - VENEZIA 8 8 8 INDICE CONTENTS × Michele Bugliesi Saluti del Rettore, Università Ca’ Foscari Venezia × Michele Bugliesi Greetings from the Rector, Ca’ Foscari University of Venice × Flavio Gregori Saluti del Prorettore alle attività e rapporti culturali, × Flavio Gregori Greetings from the Vice Rector for Cultural activities and relationships, Università Ca’ Foscari Venezia Ca’ Foscari University of Venice × Board × Board × Ringraziamenti × Acknowledgements × Comitato Scientifico × Scientific Board × Giuria Internazionale × International Jury × Roberta Torre × Roberta Torre × Hiroki Hayashi × Hiroki Hayashi × Marcin Bortkiewicz × Marcin Bortkiewicz × Giuria Levi Colonna Sonora × Levi Soundtrack Jury × Concorso Internazionale × International Competition × Concorso Scuole Superiori Olga Levi × Olga Levi High Schools’ Competition × Concorso Music Video × Music Video Competition × Premi e menzioni speciali × Prizes and special awards × Programmi Speciali × Special programs × Il mondo di Giorgio Carpinteri × The world of Giorgio Carpinteri × Ca’ Foscari Honorary Fellow: Roger Corman × Ca’ Foscari Honorary Fellow: Roger Corman × Short Meets Peter Greenaway × Short Meets Peter Greenaway × Fantastica scienza × Wonderful Science × Il mondo di Robb Pratt × The World of Robb Pratt × Short Meets Shūtarō Oku × Short Meets Shūtarō Oku × Animazione. Una storia globale × Animation. A Global History × Il mondo di Gitanjali Rao × The World of Gitanjali Rao × Lo