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Schriftsteller Schreiben Wieder Über Gott
10 Kultur Die Tagespost Dienstag, 30. April 2013 Nr.52 Schriftsteller schreiben wieder über Gott Vonder „Renaissance des Katholischen“bei Gegenwartsautoren –Ein Gespräch mit dem Schriftleiter der Zeitschrift „Communio“, Professor Jan-Heiner Tück VON ANJA KORDIK Die Pastoralkonstitution „Gaudium et und Hochschullehrer Hanns-Josef Ortheil. Tück, Schriftführer von „Communio“. Tat- genLiteratur kommt eher auf der Ebene der lium. VonAndreas Maier stammt die Aussa- spes“ nimmt in ihrem Artikel 62 das Ver- Aufneue,jeeigene Weise setzen sich diese sache sei, dass sich nach einer langen Phase Erfahrung und biografischen Prägung ins ge: „Irgendwann habe ich begonnen, mir hältnis vonReligion und Literatur in den Autoren mit ihren katholischen Prägungen in der Nachkriegsliteratur,inder Autoren Spiel –etwa bei Peter Handke, wenn er die das Wort ,Gott‘ zu gönnen, sonst habe ich Blick: „Aufihre Weise sind Literatur und auseinander,zum Teil durchaus kritisch, oft wie Hans Magnus Enzensberger,Arno sprachprägende Kraft vonLiturgie in die Li- extreme Schwierigkeiten, bestimmte Dinge Kunst für das Leben der Kirche vongroßer aber dankbar erinnernd. Bezügezur katho- Schmidt, auch Siegfried Lenz und Günther teratur überführt.“ auszusprechen. Es kann nicht sein, dass wir Bedeutung.Denn sie bemühen sich um das lischen Liturgie –Gottesdienstbesuche und Grass ihre „religiösen Antennen“gleich- Grundsätzlich existieren viele Berüh- das Wort Gott nurbenutzen, um uns zu Verständnis des eigentümlichen Wesens Beichterfahrungen werden geschildert, sam eingezogenhatten, -
Limits of the Human
Limits of the human Machine s without limits? Phot. Geminoid F. Hiroshi Ishiguro ATR Laboratories © International Symposium Limits of the human, machines without limits? Contemporary stage and robotics: exchanges and collaborations October 6, 7, 8, 2021 University of Lausanne, Switzerland Organised by: Dr Izabella PLUTA, Colloquium Leader, University of Lausanne - Centre d'études théâtrales and Laboratoire de cultures et humanités digitales Dr Salvatore Maria ANZALONE, University Paris 8 - CHArt Laboratory Dr Gunter LÖSEL, Zurich University of the Arts - Institute for the Performing Arts and Film Dr Erica MAGRIS, University Paris 8 - Theatre Department Symposium office: Théo Arnulf (PhD Candidate, University Paris 8, Theatre Department), Stéphanie BARBETTA (Master’s Degree, University of Geneva, and independent artiste). To contact the office : [email protected] Supporting institution: Centre for Theatre Studies (Unil), Partners: College of Humanities Unil-EPFL, Zurich University of the Arts, Paris 8 University - Theatre and CHArt Laboratory Keywords: stage, robotics, prosthesis, robotic devices, creation, scientific research, uncanny valley, programming, creation process, neurosciences, transhumanism, digital humanities Scientific Committee: Prof. Marc Atallah (Univ. of Lausanne, Lausanne, Switzerland), Prof. Matteo Casari (Univ. of Bologna, Bologna, Italy) Dr. Ester Fuoco (Univ. of Genoa, Genoa, Italy), Dr. Aurélie Gallois (Espace culturel Nymphéa, Amiens, France), Dr. Simon Hagemann (PRAG, Univ. of Lorraine, Nancy, France), Dr. Louise LePage (Univ. of York, UK) Dr. Piotr Mirowski (DeepMind, UK) Prof. Anna Maria Monteverdi (Univ. of Milan, Milan, Italy), Prof. Emanuele Quinz (Univ. Paris 8, Paris 8, France), Prof. Zaven Paré (Uni. of Rio de Janeiro, Brazil) Prof. Thomas Riccio (University of Texas at Dallas, USA) Argumentation Many artists today have introduced robots into their creations, questioning aesthetic visions and exploring trans- and posthumanism. -
Planners Guide to Chicago 2013
Planners Guide to Chicago 2013 2013 Lake Baha’i Glenview 41 Wilmette Temple Central Old 14 45 Orchard Northwestern 294 Waukegan Golf Univ 58 Milwaukee Sheridan Golf Morton Mill Grove 32 C O N T E N T S Dempster Skokie Dempster Evanston Des Main 2 Getting Around Plaines Asbury Skokie Oakton Northwest Hwy 4 Near the Hotels 94 90 Ridge Crawford 6 Loop Walking Tour Allstate McCormick Touhy Arena Lincolnwood 41 Town Center Pratt Park Lincoln 14 Chinatown Ridge Loyola Devon Univ 16 Hyde Park Peterson 14 20 Lincoln Square Bryn Mawr Northeastern O’Hare 171 Illinois Univ Clark 22 Old Town International Foster 32 Airport North Park Univ Harwood Lawrence 32 Ashland 24 Pilsen Heights 20 32 41 Norridge Montrose 26 Printers Row Irving Park Bensenville 32 Lake Shore Dr 28 UIC and Taylor St Addison Western Forest Preserve 32 Wrigley Field 30 Wicker Park–Bucktown Cumberland Harlem Narragansett Central Cicero Oak Park Austin Laramie Belmont Elston Clybourn Grand 43 Broadway Diversey Pulaski 32 Other Places to Explore Franklin Grand Fullerton 3032 DePaul Park Milwaukee Univ Lincoln 36 Chicago Planning Armitage Park Zoo Timeline Kedzie 32 North 64 California 22 Maywood Grand 44 Conference Sponsors Lake 50 30 Park Division 3032 Water Elmhurst Halsted Tower Oak Chicago Damen Place 32 Park Navy Butterfield Lake 4 Pier 1st Madison United Center 6 290 56 Illinois 26 Roosevelt Medical Hines VA District 28 Soldier Medical Ogden Field Center Cicero 32 Cermak 24 Michigan McCormick 88 14 Berwyn Place 45 31st Central Park 32 Riverside Illinois Brookfield Archer 35th -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Annual Taxpayer Location Address List 2014
Annual Taxpayer Location Address List 2014 ILLINOIS BUSINESS TAX NUMBER SEQUENCE NUMBER TYPE OF FILER 4139-6499 0 CL 4152-9510 0 CL 4148-4207 0 CL 4044-1474 0 CL 0196-7053 0 CL 2241-7494 1 CL 4149-4229 0 CL 3904-2121 0 CL 3041-2331 0 CL Page 1 of 3815 09/27/2021 Annual Taxpayer Location Address List 2014 SIC DBA NAME OWNING ENTITY 5431 JACKIE BURNS 5947 KENSON ORR 5999 SHANNON WYNN BITE A BILLION 5947 MADELINE RAMOS KAY-EMI BALLOON KEEPSAKES 2038 SCHWANS HOME SERVICE INC 5065 ECHOSPHERE LLC 5947 AFRICOBRA LLC 5999 CHASE EVENTS INC 5661 VICTOR GUTIERREZ Page 2 of 3815 09/27/2021 Annual Taxpayer Location Address List 2014 ADDRESS ADDRESS SECONDARY CITY PO BOX 25 MARSHALL PO BOX 6623 ENGLEWOOD 316 PINE ST SUMTER 3N265 WILSON ST ELMHURST 5233 W 29TH PL CICERO Page 3 of 3815 09/27/2021 Annual Taxpayer Location Address List 2014 Boundaries - Community STATE ZIP LOCATION ZIP Codes Areas MN 56258-0025 PO BOX 25 MARSHALL, MN 56258-0025 (44.44589741800007, - 95.78116775399997) CO 80155-6623 PO BOX 6623 ENGLEWOOD, CO 80155-6623 (39.592180549000034, - 104.87610010699996) SC 29150-3545 316 PINE ST SUMTER, SC 29150-3545 (33.93458485700006, - 80.34958253299999) IL 60126-1359 3N265 WILSON ST ELMHURST, IL 60126-1359 (41.92621464400003, - 87.93331031799994) IL 60804-3523 5233 W 29TH PL CICERO, IL 60804-3523 Page 4 of 3815 09/27/2021 Annual Taxpayer Location Address List 2014 Historical Zip Codes Census Tracts Wards Wards 2003- 2015 21432 20300 12955 15603 4458 Page 5 of 3815 09/27/2021 Annual Taxpayer Location Address List 2014 4144-6917 0 CL 4114-7601 0 CL 2258-3394 0 CL 2251-1423 0 CL 0354-2785 0 CL 4002-5845 0 CL Page 6 of 3815 09/27/2021 Annual Taxpayer Location Address List 2014 5999 JASCO INC 5651 CORTEZ BROADNAX 2449 THE LONGABERGER CO 7379 DUNN SOLUTIONS GROUP INC 2099 LANDSHIRE INC 1389 IPC (USA) INC. -
NT 2 06 Omslag .Indd
NORDISK TIDSKRIFT NORDISK TIDSKRIFT 2006 – HÄFTE 2 Nordisk Tidskrift för vetenskap, konst och industri utgiver under 2006 sin hundratjugo- nionde årgång, den åttioandra i den nya serien som i samarbete med föreningarna Norden begyntes 1925. Tidskriften vill liksom hittills framför allt ställa sina krafter i det nordiska kulturutbytets tjänst. Särskilt vill tidskriften uppmärksamma frågor och ämnen som direkt hänför sig till de nordiska folkens gemenskap. Enligt Letterstedtska föreningens grundstadgar sysselsätter den sig ej med politiska frågor. Letterstedtska föreningens och Nordisk Tidskrifts hemsida: www.letterstedtska.org Litteraturanmälningarna består av årsöversikter omfattande ett urval av böcker på skilda områden, som kan anses ha nordiskt intresse. Krönikan om nordiskt samarbete kommer att fortsättas. Under rubriken För egen räkning kommer personligt hållna inlägg om nordiska samarbetsideologiska spörsmål att publiceras. Tidskriften utkommer med fyra nummer. Prenumerationspriset inom Norden för 2006 är 250 kr, lösnummerpriset är 65 kr. FÖR VETENSKAP, KONST OCH INDUSTRI Prenumeration för 2006 sker enklast genom insättande av 250 kr på plusgirokonto nr 40 91 95-5. Nordisk Tidskrift för vetenskap, konst och industri, c/o Blidberg, SE-179 75 Skå. UTGIVEN AV LETTERSTEDTSKA FÖRENINGEN Prenumeration kan även tecknas i bokhandeln. För medlemmar av föreningarna Norden gäller dock, att dessa genom hänvändelse direkt till ● redaktionen kan erhålla tidskriften till nedsatt pris. Nils Holgerssons underbara resa 100 år: ● Tidskriften distribueras i samarbete med svenska Föreningen Norden, Hantverkargatan 33, Henrik Wivel 112 21 Stockholm. Tel 08-506 113 00. Äldre årgångar kan rekvireras från redaktionen. ● Louise Vinge Redaktionen: ● Nordisk Tidskrift, Box 22333, SE-104 22 Stockholm. Telefontid fredagar 10–12. Jaana Jokinen Kansliassistent: Fil.kand. -
Local Links for SAA Web Site
LOCAL LINKS FOR SAA ANNUAL MEETING WEB SITE Updated: April 30, 2007 Locations are Chicago, IL unless otherwise noted. Telephone number in right column indcates no web site. IN TWELVE SECTIONS 1. GENERAL AND LOGISTICS 7. MUSEUMS, ARCHIVES, LIBRARIES, PARKS, AND OTHER CULTURAL INSTITUTIONS 2. ARCHIVAL ORGANIZATIONS 8. MUSIC, THEATER, AND FILM 3. BOOKSTORES 9. ORGANIZED SIGHTSEEING AND TOURS 4. COLLEGES AND UNIVERSITIES 10. SPORTS AND RECREATION 5. DINING--PART 1--DINING GUIDES AND REVIEWS 11. TOURIST SITES AND HISTORIC AREAS AND NEIGHBORHOODS 6. DINING--PART 2--NEARBY RESTAURANTS (SEE MAP) 12. TRANSPORTATION 1. GENERAL AND LOGISTICS Chicago and Illinois Tourist Office http://www.gochicago.com/ Chicago Convention and Tourism Bureau http://www.choosechicago.com/ Chicago Defender (newspaper) http://chicagodefender.com/ Chicago Greeter (volunteer city orientation service) http://chicagogreeter.com/ Chicago Magazine (monthly magazine) http://chicagomag.com/ Chicago Quick Guide http://guestinformant.com Chicago Reader (alternative weekly newspaper) http://chicagoreader.com Chicago Sun-Times (newspaper) http://www.suntimes.com Chicago Traveler http://www.chicagotraveler.com/ Chicago Tribune (newspaper) http://chicagotribune.com City of Chicago (city government) http://www.cityofchicago.org City Pass (multi-attraction pass) http://www.citypass.com Cook County (county government) http://www.co.cook.il.us Enjoy Illinois (Illinois tourism information) http://www.enjoyillinois.com/ Fairmont Chicago Hotel http://www.fairmont.com/chicago/ Fodor's Guide -
Robot Theatre Marek Perkowski 1
Towards Robot Theatre Marek Perkowski 1. History of robot theatre 2. Modern robot theatre 3. Robot theatre at PSU 4. Models of robot theatre 5. Research topics on Robot Theatre 6. Future Robot Theatre History of Robot Theatre From antiquity until 1996 Heron’s Book Automata Robot Theatre of Hero • A collection of constructions called miracles of Alexandria (thaumata) for temples. • Heron describes automatic rotating objectives, noise such as thunder, automatic opening doors. • Philon from Byzanz describes the existence of automata in his book Mechaniki syntaxis, that includes pneumatic apparatus and automatic astronomical devices as early as 300 BC. Albertus Magnus and his robot head Albertus is recorded as having made a mechanical automaton in the form of a brass head that would answer questions put to it. Knight of Leonardo Da Vinci 1. Leonardo's robot refers to a humanoid automaton designed by Leonardo da Vinci around the year 1495. 2. The design notes for the robot appear in sketchbooks that were rediscovered in the 1950s. 3. It is not known whether or not an attempt was made to build the device during da Vinci's lifetime. 4. Since the discovery of the sketchbook, the robot has been built faithfully based on Leonardo's design; this proved it was fully functional. Duck of Vaucanson • The Canard Digérateur, or Digesting Duck, was an automaton in the form of a duck, created by Jacques de Vaucanson in 1739. • The mechanical duck appeared to have the ability to eat kernels of grain, and to metabolize and defecate them Constructed and unveiled in 1770 by Wolfgang von Turk of Kempelen Kempelen (1734–1804) to impress the Empress Maria Theresa • The Turk was in fact a mechanical illusion that allowed a human chess master hiding inside to operate the machine. -
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 Min)
October 5, 2010 (XXI:6) Federico Fellini, 8½ (1963, 138 min) Directed by Federico Fellini Story by Federico Fellini & Ennio Flaiano Screenplay by Ennio Flaiano, Tullio Pinelli, Federico Fellini & Brunello Rondi Produced by Angelo Rizzoli Original Music by Nino Rota Cinematography by Gianni Di Venanzo Film Editing by Leo Cattozzo Production Design by Piero Gherardi Art Direction by Piero Gherardi Costume Design by Piero Gherardi and Leonor Fini Third assistant director…Lina Wertmüller Academy Awards for Best Foreign Picture, Costume Design Marcello Mastroianni...Guido Anselmi Claudia Cardinale...Claudia Anouk Aimée...Luisa Anselmi Sandra Milo...Carla Hazel Rogers...La negretta Rossella Falk...Rossella Gilda Dahlberg...La moglie del giornalista americano Barbara Steele...Gloria Morin Mario Tarchetti...L'ufficio di stampa di Claudia Madeleine Lebeau...Madeleine, l'attrice francese Mary Indovino...La telepata Caterina Boratto...La signora misteriosa Frazier Rippy...Il segretario laico Eddra Gale...La Saraghina Francesco Rigamonti...Un'amico di Luisa Guido Alberti...Pace, il produttore Giulio Paradisi...Un'amico Mario Conocchia...Conocchia, il direttore di produzione Marco Gemini...Guido da ragazzo Bruno Agostini...Bruno - il secundo segretario di produzione Giuditta Rissone...La madre di Guido Cesarino Miceli Picardi...Cesarino, l'ispettore di produzione Annibale Ninchi...Il padre di Guido Jean Rougeul...Carini, il critico cinematografico Nino Rota...Bit Part Mario Pisu...Mario Mezzabotta Yvonne Casadei...Jacqueline Bonbon FEDERICO FELLINI -
The Testament of William S. © Editions Blake & Mortimer / Studio Jacobs (Dargaud-Lombard S.A.) - Sente & Juillard NEW TITLES to DECEMBER 2016 JULY OCTOBER
CATALOGUE 21 SUMMER/AUTUMN 2016 The Testament of William S. © Editions Blake & Mortimer / Studio Jacobs (Dargaud-Lombard s.a.) - Sente & Juillard NEW TITLES TO DECEMBER 2016 JULY OCTOBER P4 P5 P6 P7 P8 P17 P18 P19 P20 AUGUST NOVEMBER P9 P10 P11 P12 P21 P22 P23 P24 SEPTEMBER DECEMBER P13 P14 P15 P16 P25 P26 Dear readers, welcome to Cinebook’s Hunting will be the order of the day for ty, although their days as official agents Spirou is forced to investigate his friend 21st catalogue. some. The Marquis of Anaon is after a par- of Earth are now gone; two volumes of Fantasio, who appears to have turned art This year is the 400th anniversary of ticularly brutal creature that’s been terror- freelancing time travel adventures for your thief. Meanwhile, Lucky Luke is up to his William Shakespeare’s death, and amid ising the French Alps, and has the locals pleasure! And speaking of time travel, our usual shenanigans, supervising the Dal- the other celebrations, Sente and Juillard talking of demons. On the other hand, the latest Espresso Collection title, Clear Blue tons’ on a vengeance spree, helping a have done us the great pleasure of creat- stranded heroes of Barracuda find them- Tomorrows, explores a man’s attempt to newly founded town survive, and dealing ing a new adventure of Blake & Mortimer selves on an island populated by dan- change his past – and his memories of the with a haunted ranch. As for Iznogoud, his centred around The Bard and his legacy. gerous cannibals – and they become the future he doesn’t want to happen. -
THE INSEAM of OUR LIVES In* Seam”, V.T
005 WWW.DISTRIKTMAG.COM WWW.DISTRIKTMAG.COM 08/06 THE INSEAM OF OUR LIVES 455098782568589 THE INSEAM OF OUR LIVES In* seam”, v.t. To impress or mark with a seam or cicatrix Hello Distrikt Readers, We are very excited about AeroMexico including our beloved magazine in some of their flights, it’s such an honor! Check out the promotion and save 15% on your next flight. Gracias Amigos! In this musically oriented issue we are thrilled about the exclusive interviews with Paul Van Dyk, Infected Mushroom and funk master Jerome Brailey. Thank you guys, and thanks to Jose Luis Pardo, aka DJ Afro from Los Amigos Invisibles for his input on our Tunes section. To the Manifesto Central crew: thanks for an amazing night of talent at Art+ Gallery. Alberto Ferreras will make you laugh till you cry with his original S.E.X article while Eli Bravo will make you reminisce about the 80’s with his Special on Rock. Don’t forget to check out our Greening section about Mantras and Noise Pollution, our High Maint section on Music Therapy and the wacky Periscope section which will surprise you; read World 101 on Rus- sian, 7th on David Lynch and… Heck! Read it all and understand why we are now the favorite magazine in Miami and its surroundings. We love to hear from our readers and supporters, so keep on sending the good vibes this way. Remember that there is a Dec/Jan Anniversary Edition that promises to be mind-blowing. Earth Dance is celebrated every year, at the same exact time. -
“Techno-Diplomacy” for the Twenty-First Century: Lessons of U.S.-Soviet Space Cooperation for U.S.-Russian Cooperation in the Arctic
THE HURFORD FOUNDATION 2015-2016 HURFORD NEXT GENERATION FELLOWSHIP RESEARCH PAPERS No. 6 “TECHNO-DIPLOMACY” FOR THE TWENTY-FIRST CENTURY: LESSONS OF U.S.-SOVIET SPACE COOPERATION FOR U.S.-RUSSIAN COOPERATION IN THE ARCTIC Rachel S. Salzman EASI-Hurford Next Generation Fellow The Hurford Fellows Program is sponsored by the Carnegie Endowment for International Peace and is made possible by a generous grant from the Hurford Foundation THE HURFORD FOUNDATION The Hurford Fellowships, administered by the Carnegie Endowment for International Peace, support the Euro- Atlantic Security Initiative (EASI) Next Generation Network in identifying young academics conducting innovative research on international security in the Euro- Atlantic area. 2 Table of Contents Introduction ............................................................................................................................................ 4 Cooperation and Techno-Diplomacy: Some Definitions ......................................................... 4 Learning the Wrong Lessons: Is the Cold War Really the Right Frame? ............................ 6 From “the Pearl Harbor of American Science” to the “Handshake in Space”: U.S.- Soviet Space Cooperation ................................................................................................................... 7 The Good .............................................................................................................................................................. 8 The Bad .............................................................................................................................................................