Gap Inc. 2008 Annual Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Doris and Donald Fisher Collection Fact Sheet
The Doris and Donald Fisher Collection Fact Sheet Background Comprising more than 1,100 works by 185 artists, the Doris and Donald Fisher Collection is one of the greatest collections of postwar and contemporary art in the world. In 2009, the San Francisco Museum of Modern Art (SFMOMA) forged a groundbreaking partnership with the Fisher Art Foundation to share this extraordinary collection with visitors from around the world for at least 100 years, presenting art from the Fishers' holdings alongside works from the SFMOMA collection in the expanded museum, creating countless opportunities to reinterpret these works. SFMOMA provides dedicated gallery space to exhibit a rotating selection of works by the best-known artists of our time from the Doris and Donald Fisher Collection. The museum is empowered to install, conserve, loan and otherwise treat the Fisher Collection as it would its own collection. Installation of the Doris and Donald Fisher Collection at SFMOMA is supported in part by the Henry Luce Foundation and an award from the National Endowment for the Arts. The Collection The Fishers started collecting art in the 1970s. Their first purchases included prints, which were hung on the walls of an office building for Gap, the fashion apparel company they founded in San Francisco in 1969. Soon, their passion grew and they began adding paintings, sculpture, drawings, photographs and works in other media. They established two galleries totaling 26,000 square feet at the Gap offices in San Francisco, which showcased their collection. Over the years, the Fishers amassed a museum-quality collection of works by postwar and contemporary American and European artists and collected in depth the work of artists they especially admired. -
Summer2017 Visitorguide PDF
Good to Know Welcome Hours Open Sun–Tues and Fri 10 a.m.–5 p.m.; Thurs until 9 p.m.; and Sat until 8 p.m. Closed Wed. Public spaces also open at 10 a.m. Summer 2017 Become a Member and Visit for Free! Apply the value of up to two of today’s tickets to a membership to enjoy free admission for one year, 10% off at the Museum Store, and more. To become a member, or for more information, stop by the Membership Desk on Floor 2, call 415.357.4135, or visit sfmoma.org/join. Gallery Guidelines + Please do not touch the art. + Personal, noncommercial photography/video recording is allowed (except where marked). No flashes, tripods, or selfie sticks. + No eating, drinking, or cellphone conversations in the galleries. + Lost and Found: Visit the Information Desk (Floor 2) or call 415.357.4000. + All bags must be carried by hand below the waist or worn on the front of the body. + No smoking or vaping in the museum or on the outdoor terraces. Accessibility Ask our staff about accessibility services, including large-print and tactile guides. On-loan wheelchairs, strollers, and cane seats are available free of charge at Coat Check on Floors 1 and 2. See (and hear) art in a whole new way—free at sfmoma.org/app See inside for details. 151 Third Street, San Francisco, CA 94103 sfmoma.org 415.357.4000 Shop While You’re Here Museum Store Browse a wide selection of art books, home Tours + Programs Stop by the Information Desk on accessories and furnishings, jewelry, toys, artist prints, and more. -
052010 Sec2.Pdf
4 WWD, THURSDAY, MAY 20, 2010 SECTION II WWD.COM WWD DENIM IN DEPTH EDITOR IN CHIEF Edward Nardoza EDITOR James Fallon The denim industry has shrugged off the recession 6 and is showing stronger growth and renewed vigor, MANAGING EDITOR with women’s sales increasing 6.2 percent in the last year. Richard Rosen Guys are buying fewer jeans these days, but paying MANAGING EDITOR, FASHION/SPECIAL REPORTS 10 slightly more for them, keeping overall men’s denim Dianne M. Pogoda sales stable over the past year. SENIOR EDITOR Military motifs get some action this season — Arthur Friedman 12 from hearty parkas to cargo pants cut to fit a FASHION FEATURES EDITOR woman’s curves. Beth Kwon The ultraskinny jean prevails for fall, showcasing SENIOR FASHION EDITOR, traditional dark denim, black, gray and the SPORTSWEAR 20 Kim Friday Eighties-inspired acid wash, allowing for the inner rocker to emerge. MEN’S FASHION EDITOR Alex Badia Demand for premium denim is returning as a fashion staple in Europe, spurred by DENIM AND TEXTILES 30 MARKET EDITOR price adjustments, focus on quality and new Ross Tucker styles, according to denim brands. SENIOR EDITOR, MEN’S The incorporation of stretch fibers in David Lipke denim has evolved from a relatively 32 CONTRIBUTING EDITORS minor consideration several years ago to a Liza Casabona, Katya Foreman, performance requirement this year. Jessica Iredale, Emilie Marsh, Khanh T.L. Tran, Luisa Zargani If the late Gap co-founder Donald BOOKINGS EDITOR 34 Fisher taught Lucky Brand chief Cinnamon St. John executive officer David DeMattei one thing, it’s that retail companies buy FASHION ASSISTANT inventory and sell inventory. -
Natiopal Gauery Qf
Natiopal GaUery qf UPDATED RELEASE Deborah Ziska, Information Officer May 17, 1999 PRESS CONTACT: Patricia O'Connell, Publicist (202) 842-6353 NATIONAL GALLERY OF ART SCULPTURE GARDEN OPENS MAY 23 New Acquisitions in Dynamic Space Offer Year-Round Enjoyment on the National Mall Washington, D.C. -- On May 23, the National Gallery of Art opens a dynamic outdoor sculpture garden designed to offer year-round enjoyment to the public in one of the preeminent locations on the National Mall. The National Gallery of Art Sculpture Garden is given to the nation by The Morris and Gwendolyn Cafritz Foundation. The landscaping of the 6.1-acre space provides a distinctive setting for seventeen major works, including important new acquisitions of post-World War II sculpture by such internationally renowned artists as Louise Bourgeois, Mark di Suvero, Roy Lichtenstein, Claes Oldenburg and Coosje van Bruggen, and Tony Smith. The Sculpture Garden is located at Seventh Street and Constitution Avenue, N.W., in the block adjacent to the West Building. "We are proud to bring to the nation these significant works of sculpture in one of the few outdoor settings of this magnitude in the country," said Earl A. Powell III, director, National Gallery of Art. "The opening of the Sculpture Garden brings to fruition part of a master plan to revitalize the National Mall that has been in development for more than thirty years. The National Gallery is extremely grateful to the Cafritz Foundation for making this historic event possible." - more - Fourth Street ;ii Constitution Avenue, N.W.. Washington. D.C. 20565 (202) 842-6353, facsimile (202) H42-2403 sculpture garden opening .. -
Interview with Doris and Donald Fisher Neal Benezra As an Opening
Interview with Doris and Donald Fisher Neal Benezra As an opening question, I wondered whether there was anything in your families that predisposed you to art? Was art part of your lives growing up? Doris: No, my parents had several paintings but nothing by a well-known artist. And Don’s family was not into art, either. Basically, we became interested in it at the same time. My friend Peggy Walker was the one who started us on the “art road.” It was through her that we became interested in prints in 1973. We started collecting seriously—it’s hard to believe—in 1976. Don: Gap went public in 1976, and I thought that was all I needed for the rest of my life. It certainly was enough to start collecting, as prices then were substantially lower than they are today. I have always categorized myself as a visual person. I remember things visually more than in any other way. When I finished college, I worked in the mill and cabinet and construction business. We specialized in designing and building homes along with other speculative building projects. So we worked with architects and were exposed to their design ideas. Later, when we started the Gap, it was always important to me that our stores have interesting graphics and be well designed. I also classify myself as an entrepreneur—which is probably an understatement. I’m always thinking of ways you can make money out of an idea. That really has nothing to do with our buying art, however. We started out with prints, which is a great way to begin learning about an artist’s work and to start collecting. -
Download Retail Leakage Report
Table of Contents Introduction .......................................................................................................................... 4 Overview ............................................................................................................................... 5 Gap Analysis .......................................................................................................................... 6 Supply and Demand .......................................................................................................................6 Methodology .................................................................................................................................9 Forney Demographic Overview .................................................................................................... 11 Recruiting Retailers ...................................................................................................................... 12 Site Selection Criteria by Type of Retail ................................................................................ 14 Car Dealerships ................................................................................................................... 14 Site Selection ............................................................................................................................... 14 Retailer Profile ............................................................................................................................. 16 Vehicle Parts Dealers -
Gap Inc. Strategic Report
Gap Inc. Strategic Report Strategic Report Brendan Springstubb Andrew McKibben Michael Mandelbaum April 20, 2005 SageGroup, LLP 1 Gap Inc. Strategic Report Table of Contents Executive Summary .......................................................................... 3 Company History .............................................................................. 4 Competitive Analysis ........................................................................ 6 Industry...................................................................................................6 Substitutes and Complements..................................................................8 Buyer and Supplier Power........................................................................9 Entry ......................................................................................................10 Financial Analysis ........................................................................... 12 Key Issues...................................................................................... 20 Conclusion ...................................................................................... 23 References ..................................................................................... 24 SageGroup, LLP 2 Gap Inc. Strategic Report Executive Summary Gap Inc., one of the largest retail apparel companies in the U.S., is in the process of finishing a recovery from a severe downturn in 2000-2002 which saw the company lose over 60% of its market capitalization. Contributing factors -
Annual Report 2002
2002 ANNUAL REPORT NATIONAL GALLERY OF ART WASHINGTON, D C. BOARD OF TRUSTEES Robert F. Erburu AUDIT COMMITTEE TRUSTEES' COUNCIL Sally Engelhard Pingree (as of 30 September 2002) Chairman (as of 30 September 2002) Diana C. Prince Robert F. Erburu Mitchell P. Rales Chairman Victoria P. Sant, Chair Catherine B. Reynolds Paul H. O'Neill La Salle D. Leffall Jr., Vice Chair Sharon Percy Rockefeller Robert H. Smith The Secretary of the Treasury Leon D. Black President Robert M. Rosenthal Robert H. Smith W. Russell G. Byers Jr. Roger W. Sant Julian Ganz, Jr. Calvin Cafritz B. Francis Saul II David 0. Maxwell William T. Coleman Jr. Thomas A. Saunders III Victoria P. Sant Edwin L. Cox Julian Ganz, Jr. Albert H. Small — James T. Dyke James S. Smith FINANCE COMMITTEE Mark D. Ein Ruth Carter Stevenson Edward E. Elson Roselyne C. Swig Robert H. Smith Doris Fisher Chairman Frederick A. Terry Jr. David 0. Maxwell Aaron I. Fleischman Paul H. O'Neill Joseph G. Tompkins Juliet C. Folger The Secretary of the Treasury John C. Whitehead John C. Fontaine Robert F. Erburu John Wilmerding Marina K. French Julian Ganz, Jr. Dian Woodner Morton Funger David 0. Maxwell Nina Zolt 1 Victoria P. Sant Lenore Greenberg Victoria P. Sant Rose Ellen Meyerhoff Greene EXECUTIVE OFFICERS ART AND EDUCATION Frederic C. Hamilton (as of 30 September 2002) COMMITTEE Richard C. Hedreen Teresa F. Heinz Robert H. Smith William H. Rehnquist i: Raymond J. Horowitz President The Chief Justice Robert H. Smith of the United States Chairman Robert J. Hurst Earl A. -
THE GAP, INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☑ Annual report pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 For the fiscal year ended February 1, 2020 ☐ Transition report pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 For the transition period from to Commission File Number 1-7562 THE GAP, INC. (Exact name of registrant as specified in its charter) Delaware 94-1697231 (State of Incorporation) (I.R.S. Employer Identification No.) Two Folsom Street San Francisco, California 94105 (Address of principal executive offices) Registrant’s telephone number, including area code: (415) 427-0100 Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol Name of each exchange on which registered Common Stock, $0.05 par value GPS The New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☑ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ No ☑ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
2008-2009 Annual Report of Private Giving Haas School
UNIVERSITY OF CALIFORNIA BERKELEY HAAS SCHOOL OF BUSINESS 2008-2009 ANNUAL REPORT OF PRIVATE GIVING Haas School of Business Annual Report 2008–2009 2008-2009 “ I give back to Haas because I enjoy making a financial ANNUAL investment in the school’s future. I am excited to REPORT witness the change that comes with that investment.” OF — Steven Peletz, BS 83, MBA 99 PRIVATE GIVING TABLE OF CONTENTS Chairman’s Message 2 Dean’s Message 3 Annual Giving at Haas 4 Donors by Class Year 14 Corporate Partners 42 Haas Investors 45 Cumulative Giving 46 Matching Gift Companies 48 Endowed Chairs and Professorships 49 Haas School Endowments 50 Planned Giving 52 Memorials and Special Gifts 54 Friends of the Haas School 55 Haas Alumni Network 58 Haas School Board 60 CHAIRMAN’S “ Collective giving is a key reason the Haas School is one MESSAGE of the world’s most dynamic educational environments.” MICHAEL R. GALLAGHER, BA 67, MBA 68 Dear Fellow Haas School Supporters: Chair During this time of year, many of us pause to reflect on what we have accomplished Haas School Board while gearing up to tackle a new set of goals. Our shared achievements in support of the Haas School are noteworthy. But our work is never done. We must always look to the future and continue raising the bar. Together, the more than 5,000 gifts we made over the past year are helping the school improve its online career and networking services, supporting students through scholarships and experiential learning programs, and funding more groundbreaking research. -
ELIZABETH MURRAY Selected Publications
ELIZABETH MURRAY Selected Publications 2019 Alvaro Barrington: Artists I Steal From. London: Galerie Thaddaeus Ropac, 2019. Katz, Anna. Elizabeth Murray: Flying Bye. London: Camden Arts Centre; Arts Council England, 2019. Schjeldahl, Peter, “Elizabeth Murray,” in Hot, Cold, Heavy, Light, 100 Art Writings, 1988–2018. New York: Abrams Press, 2019. 2017 Jones, Kellie. Elizabeth Murray: Painting in the ‘80s. New York: Pace Gallery, 2017. Storr, Robert and Francesca Pietropaolo, ed. “Elizabeth Murray,” in Interviews on Art. London: Heni Publishing, 2017. Why Draw? 500 Years of Drawings and Watercolors. Brunswick, Maine and Munich: Bowdoin College Museum of Art, DelMonico Books·Prestel, 2017. Painting Paintings (David Reed) 1975. New York: Gagosian Gallery, 2017. Dunham, Carroll. “Shapes of Things to Come: On Elizabeth Murray,” in Into Words: The Selected Writings of Carroll Dunham. New York: Badlands Unlimited, 2017. Woodham, Doug. “Elizabeth Murray: Right Place at the Right Time, Until Tastes Changed,” in Art Collecting Today: Market Insights for Everyone Passionate About Art. New York: Allworth Press, 2017. 2016 Art at Work: The JPMorgan Chase Art Collection. Third edition. New York: JP Morgan Chase & Co., 2016. Hickey, Dave. 25 Women: Essays on Their Art. Chicago and London: The University of Chicago Press, 2016. Painting 2.0: Expression in the Information Age. Munich and Vienna: Museum Brandhorst; Museum Moderner Kunst Stiftung Ludwig Wien, 2016. Sayre, Henry M. A World of Art. 8th edition. Boston, New York and other cities: Pearson, 2016. 2015 Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. New York: Whitney Museum of American Art, 2015. 2014 Allen, Gwen, David Cateforis, and Evelyn C. -
2015 Proxy Statement
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 SCHEDULE 14A (Rule 14a-101) INFORMATION REQUIRED IN PROXY STATEMENT SCHEDULE 14A INFORMATION Proxy Statement Pursuant to Section 14(a) of the Securities Exchange Act of 1934 (Amendment No. ) Filed by the Registrant x Filed by a Party other than the Registrant ¨ Check the appropriate box: ¨ Preliminary Proxy Statement ¨ Confidential, for Use of the Commission Only (as permitted by Rule 14a-6(e)(2)) x Definitive Proxy Statement ¨ Definitive Additional Materials ¨ Soliciting Material Pursuant to § 240.14a-12 THE GAP, INC. (Name of Registrant as Specified in Its Certificate) (Name of Person(s) Filing Proxy Statement, if Other Than the Registrant) Payment of Filing Fee (Check the appropriate box): x No Fee Required. ¨ Fee computed on table below per Exchange Act Rules 14a-6(i)(1) and 0-11. (1) Title of each class of securities to which transaction applies: (2) Aggregate number of securities to which transaction applies: (3) Per unit price or other underlying value of transaction computed pursuant to Exchange Act Rule 0-11 (set forth the amount on which the filing fee is calculated and state how it was determined): (4) Proposed maximum aggregate value of transaction: (5) Total fee paid: ¨ Fee paid previously with preliminary materials. ¨ Check box if any part of the fee is offset as provided by Exchange Act Rule 0-11(a)(2) and identify the filing for which the offsetting fee was paid previously. Identify the previous filing by registration statement number, or the form or schedule and the date of its filing.