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Buildings for the Performing Arts This Page Intentionally Left Blank Buildings for the Performing Arts a Design and Development Guide
Buildings for the Performing Arts This page intentionally left blank Buildings for the Performing Arts A design and development guide Second Edition Ian Appleton AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Architectural Architectural Press is an imprint of Elsevier Press Architectural Press is an imprint of Elsevier Ltd Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Road, Burlington, MA 01803 First published 1996 Reprinted 1997 Second edition 2008 Copyright © 2008 Ian Appleton. Published by Elsevier Limited. All rights reserved The right of Ian Appleton to be identified as the author of this work ha been asseted in accordance with the copyright, Designs and Patents Act 1988 No part of this publication may be reproduced stored in a retrieval system or transmitted in any form or by any means electronic, mechincal, photocopying, recording or otherwise without the prior written permission of the publisher Permission may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone (ϩ44) (0) 1865 843830; fax (ϩ44) (0) 1865 853333; email: [email protected]. Alternatively you can submit your request online by visiting the Elsevier web site at http://elsevier.com/locate/ permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons to property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein. Becuse or rapid advances in the medical sciences, in particular, independent verification of diagnoses and drug dosages should be made. -
Architecture Program Report 7 September 2015
ARCHITECTURE PROGRAM REPORT FOR THE NATIONAL ARCHITECTURAL ACCREDITATION BOARD 7 SEPTEMBER 2015 THE IRWIN S. CHANIN SCHOOL OF ARCHITECTURE THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART NADER TEHRANI, DEAN ELIZABETH O’DONNELL, ASSOCIATE DEAN The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 The Cooper Union for the Advancement of Science and Art The Irwin S. Chanin School of Architecture Architecture Program Report for 2016 NAAB Visit for Continuing Accreditation Bachelor of Architecture (160 credits) Year of the Previous Visit: 2010 Current Term of Accreditation: From the VTR dated July 27, 2010 “The accreditation term is effective January 1, 2010. The Program is scheduled for its next accreditation visit in 2016.” Submitted to: The National Architectural Accrediting Board Date: 7 September 2015 The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Program Administrator: Nader Tehrani, Dean and Professor Chief administrator for the academic unit in which the Program is located: Nader Tehrani, Dean and Professor Chief Academic Officer of the Institution: NA President of the Institution: William Mea, Acting President Individual submitting the Architecture Program Report: Nader Tehrani, Dean and Professor Name of individual to whom questions should be directed: Elizabeth O’Donnell, Associate Dean and Professor (proportional-time) The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Section Page Section 1. Program Description I.1.1 History and Mission I.1.2 Learning Culture I.1.3 Social Equity I.1.4 Defining Perspectives I.1.5 Long Range Planning I.1.6 Assessment Section 2. -
Press Release
Centre Canadien d’Architecture 1920, rue Baile Canadian Centre for Architecture Montréal, Québec Canada H3H 2S6 t 514 939 7000 f 514 939 7020 www.cca.qc.ca communiqué / press release For immediate distribution THE CCA PRESENTS NOTES FROM THE ARCHIVE : JAMES FRAZER STIRLING On view from 15 May until 14 October 2012, the exhibition highlights the career and legacy of British architect James Frazer Stirling. Portrait of James Stirling. Ray Williams, photographer. James James Stirling, Michael Wilford and Associates. Staatsgalerie, Stuttgart, Stirling/Michael Wilford fonds, Canadian Centre for Germany (1977–1984), 1984. Alastair Hunter, photographer. James Architecture © Ray Williams Stirling/Michael Wilford fonds, Centre Canadien d’Architecture © Alastair Hunter / RIBA Library Photographs Collection Montréal, 15 May 2012 — The Canadian Centre for Architecture (CCA) presents Notes from the Archive: James Frazer Stirling , on view in the Main Galleries from 15 May until 14 October 2012. The exhibition is the first ever international showcase of the archive of British architect, Yale School of Architecture professor, and Pritzker Prize laureate James Stirling (1926–1992), presenting the work of one of the most important and innovative architects of the twentieth century. The exhibition is co-produced by the CCA and the Yale Center for British Art and is curated by architecture historian Anthony Vidler , Dean and Professor of the Cooper Union’s Irwin S. Chanin School of Architecture, New York. Notes from the Archive: James Frazer Stirling premiered at the Yale Center for British Art in October 2010. It has travelled to the Tate Britain in London (April-August 2011) and to the Staatsgalerie in Stuttgart (October 2011-January 2012). -
M I C H a E L M C N a M a R a [email protected]
M i c h a e l M c N a m a r a [email protected] Michael McNamara is a British-American architect with over 20 years’ experience in design, building, and teaching. He has ability in all phases of design and building production, and is particularly skilled in the areas of conceptual design, technical detailing, and digital design. Born and educated in the USA, he moved to London, England in 1987 to take a position with James Stirling and Michael Wilford Assocs. There he worked on the second phase of the Stuttgart arts complex, on an addition to Milan’s Brera Gallery, and on the SWA entry to the Disney Concert Hall Competition. He also worked for Richard Rogers Architects where he gained technical expertise in building structures and exterior envelopes. At Kohn Pederson Fox (Intl.) from 1990-93, he designed and detailed projects in London, Frankfurt, and Hamburg. In 1993, he started in private practice as LaMa Architects, which produced theoretical and practical projects ranging from buildings and cladding systems to urban designs. From1993 until 2001, Mr. McNamara was also a Unit Master at the Architectural Association. During this period he lectured widely in Europe, America, and Asia. In 2001-02 he was invited to return to the USA to serve as a Visiting Critic for the Harvard Design School and at Cornell University, among others. In 2004, he and his Partner, M E LaGess reopened the LaMa Studio in London with a range of office, residential and development projects. E D U C A T I O N Harvard University Graduate School of Design, Master of Architecture,1988. -
New 02 2016 David Turnbull Cv
Professor David TURNBULL FRSA The Irwin S. Chanin School of Architecture The Cooper Union for the Advancement of Science & Art, 7, East 7th Street, New York, NY 10003 email: [email protected] EDUCATION University of Bath, UK BSc Architecture distinction (cum laude) BArch (MArch equivalent) first class honors (summa cum laude) PROFESSIONAL AFFILIATIONS Fellow of the Royal Society for the Arts, FRSA – elected 2003 Advisory Board Member, International Youth Fellowship, Innovation Academy, 2015 - Chair, RSA-US Student Design Awards, 2013 - 14 Member of Revenue Task Force, The Cooper Union for the Advancement of Science & Art, 2011 - 12 Member of the Assessment Panel for the EBAE, European Business Awards for the Environment, 2011 Member of International (UIA) Jury for Brunico Transportation Center Competition, Brunico, Italy, 2000 - 2001 Member of Urban Design Group, UK 1998 - 2000 UK Correspondent for il Progetto, Milan, Italy 1997– 99 President of International Advisory Committee - National Gallery of Slovenia extension, 1996 – 2001 Member of Academy Forum, Royal Academy of Arts, London, UK 1996 – 1999 ACADEMIC APPOINTMENTS The Cooper Union, Irwin S. Chanin School of Architecture, New York, USA, 2005 - present Ellen & Sydney Feltman Chair in Architecture, 2008 - 9 Professor 2007 - present Visiting Professor, 2005 – 7 The African University of Science & Technology (AUST); Abuja, Nigeria Visiting Professor of Innovation, 2012 - 13 Cornell University, Ithaca, New York, USA Visiting Professor, 2015 University of Bath, UK Visiting Professor, -
A New Kind of Bleak. Journeys Through Urban Britain
A NEW KIND OF BLEAK engineeringwithraj engineeringwithraj A NEW KIND OF BLEAK Journeys Through Urban Britain OweN HatHERleY engineeringwithraj London • New York First published by Verso 2012 © Owen Hatherley 2012 All rights reserved The moral rights of the author have been asserted 1 3 5 7 9 10 8 6 4 2 Verso UK: 6 Meard Street, London W1F 0EG US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New Left Books ISBN-13 978-1-84467-857-0 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Hatherley, Owen. A new kind of bleak : journeys through urban Britain / Owen Hatherley. -- 1st ed. p. cm. Includesengineeringwithraj bibliographical references and index. ISBN 978-1-84467-857-0 -- ISBN 978-1-84467-909-6 (ebook) 1. Great Britain--Social conditions--21st century. 2. Great Britain--Economic policy--21st century. 3. Great Britain--Politics and government--21st century. I. Title. HN385.5.H38 2012 306.0941--dc23 2012010811 Typeset in Fournier by MJ Gavan, Truro, Cornwall Printed by ScandBook AB in Sweden …We wanted something new, and we Would sacrifice most anything (Well, decorum definitely) To get our gawky, sky-jostling Ruck with nature set in knifey Portland stone. Of course, I know Time hasn’t widened out the way We reckoned all those years ago. You plan for that, allow for that. I know the building might have housed The odd careerist democrat Or two, and yes, we missed Our chance to make a truly ideal Hive, a fair organic whole. -
New London 2015/2016
1 NEW LONDON 2015/2016 A selection of the best newly completed and upcoming projects in the capital, chosen for their architectural quality and wider contribution to London’s built environment. 02 The selection process 04 Foreword 06 Conservation & Retrofit 20 Education 30 Health & Care 36 Homes 44 Hotels & Hospitality 50 Housing 62 Masterplans & Area Strategies 72 Mixed-Use 82 Office Buildings 90 Office Interiors 96 Public Buildings 104 Public Spaces 112 Retail 118 The Temporary 126 Transport & Infrastructure 132 Sponsors 139 Index This catalogue is published by NLA to coincide with the New London Awards 2015 Contributor: David Taylor Editorial Team: Jenine Hudson, Debbie Whitfield, Molly Nicholson, Jessame Cronin, Sarah Johnson Design: Martin Page © New London Architecture, July 2015 NLA, The Building Centre, 26 Store Street, London WC1E 7BT www.newlondonarchitecture.org @nlalondon #NLAwards2015 1 The selection process The New London Awards were launched also for their impact on surroundings and wider five years ago by New London Architecture contribution to London. (NLA) to celebrate the capital’s best new projects, and is the only London-wide awards This year, as part of NLA’s 10th Anniversary to recognise both recently completed projects celebrations, a new Mayor’s Prize, in association and those on the drawing board, across all with the Mayor of London, has been awarded sectors of the built environment. to the project that best creatively contributes to the capital’s economy. Projects are selected not only as being of the highest architectural and design quality, but © Agnese Sanvito The International Jury Clockwise from top left David J Burney Over 300 submissions were extensively reviewed by a team Professor of Planning and Placemaking, of London-based Expert Assessors, each specialists in their Expert Assessors Pratt Institute School of Architecture, New particular field. -
An Investigation of the Architectural, Urban, and Exhibit Designs of the Tate Museums
An Investigation of the Architectural, Urban, and Exhibit Designs of the Tate Museums by Deirdre L. C. Hennebury A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Architecture) in the University of Michigan 2014 Doctoral Committee: Professor Robert L. Fishman, Co-chair Associate Professor Claire A. Zimmerman, Co-chair Associate Professor Scott D. Campbell Professor Raymond A. Silverman The chief function of the city is to convert power into form, energy into culture, dead matter into the living symbols of art, biological reproduction into social creativity. Lewis Mumford, The City in History (1961) For Eric ii Acknowledgements It is a pleasure to be able to thank those who have helped me to write and research this dissertation over many years. Thank you first to my dedicated co-chairs, Robert Fishman and Claire Zimmerman, and committee members, Scott Campbell and Ray Silverman, who despite my meanderings, stayed the course and provided timely and insightful commentary to buoy me along. Thank you also to David Scobey who many years ago first suggested I investigate the University of Michigan’s Museum Studies program; a program that has offered countless benefits to this project and my intellectual development. As the grateful recipient of a Museum Studies Fellowship for Doctoral Research in Museums, I was able to do the travel and research required to complete this work. In Ray Silverman and Brad Taylor, I found examples of generous and talented scholars who are also very fine people. Thank you. I am endlessly grateful to the University of Michigan’s Rackham Graduate School and Doctoral Program in Architecture for the fellowships and grant opportunities I have received throughout my years in Ann Arbor. -
Today's News - Friday, July 18, 2008 -- We Lose a Master and Mentor in Historic Preservation
Home Yesterday's News Calendar Contact Us Subscribe Advertise Today's News - Friday, July 18, 2008 -- We lose a master and mentor in historic preservation. -- A new research facility fits harmoniously into a classic campus. -- Woodman accesses some of the nominees on the just-announced Stirling Prize shortlist. -- A first look at H&deM's "radically revised design" for Tate Modern extension. -- Survey by RIAI finds 80% of architects in Ireland think planners waste architects' time. -- Szenasy wonders "how do we - the people - convince architects that we need them, and that they need us?" -- Weekend diversions: Dyckhoff finds the Serpentine Pavilion is "the real Gehry: chunky, clumsy, jagged, direct" (he really likes it). -- MoMA's "Home Delivery" sparks new looks at prefab: lots of energy going into proving the concept can live up to its hype. -- Ouroussoff finds the show is "the kind of loving, scholarly achievement that is rare in today's architectural climate, which so often favors cheap spectacle over probing intellect" (great pix, too). -- Saffron says the "five little homes" point to the construction industry's need to learn to build more efficiently; and spends some time with Kieran & Timberlake as they set up their Cellophane House. -- Jacobs says their house "takes the mass and the production out of mass production." -- Hawthorne on Lautner retrospective at the Hammer: "seeks to save the 'Chemosphere' architect from stereotypes." -- "Spaced Out" author Alastair Gordon reviews the Woodstock museum: "More Republican golf club than hippie hallucination, it's still worth the trip." -- Isozaki celebrates his 77th with a traveling show. -- The V&A celebrates triumphs of structural engineering. -
Continuity and Development in Architecture Transcript
Continuity and Development in Architecture Transcript Date: Thursday, 5 June 2014 - 6:00PM Location: Guildhall 05 June 2014 The Gresham Special Lecture Continuity and Development in Architecture Stephen Hodder MBE President of the Royal Institute of British Architects I am deeply honoured to have been invited to give this year’s Gresham Special lecture. For this I have chosen the subject ‘Continuity and tradition, an exploration of the value and impact of architecture’, using the Stirling Prize as a vehicle for this exploration. But I would like to start with a quotation; ‘Good design builds communities, creates quality of life, and makes places better for people to live, work and play in. I want to make sure we’re doing all we can to recognise the importance of architecture and reap the benefits of good design.’ Ed Vaizey MP, in his foreword to the Farrell review Established in 1996 the RIBA Stirling Prize is awarded to a building that has made the most significant contribution to the advancement of architecture and the built environment in the European Union in a given year. But first a little background. The RIBA Awards have been running annually since 1966, and the Building of the Year since 1993, initially the gift of the President. Buildings are initially entered and assessed regional. Regional award-winning buildings are then considered nationally, from which a shortlist of six national award-winning buildings go on to be considered for the premier prize. It is a most rigorous process with each building being visited by a panel comprising of both architect and lay judges. -
Constructs Yale Architecture Fall 2009
Constructs Yale Architecture Fall 2009 Constructs Fall 2009 Table of Contents 02 Eric Bunge and Mimi Hoang/ nARCHITECTS 03 Lise Anne Couture/Asymptote 04 Reconsidering Rudolph by Brad Walters 06 James Stirling: Architect and Teacher by Enrique Ramirez Views on Stirling by Everardo Jefferson, Alexander Gorlin, Raymund Ryan 08 Worlds Away exhibit reviewed by Andrei Harwell 09 Spatial Illiteracies reviewed by Michael Abrahamson Hines Fund for Advanced Research 10 Modern Times and Palladio by Dietrich Neumann 11 In the Field Unspoken Borders reviewed by Kian Goh One Perspective from New Orleans by David Waggonner A Matter of Opinion reviewed by Michael Abrahamson 12 Sustainable Urbanism with Ljiljana Blagojevic, Alex Felson, Keith Krumwiede, Tim Love, and Ed Mitchell 16 Book Reviews Modernism in the Middle East reviewed by Tala Gharagozlou Alvar Aalto reviewed by Ken Tadashi Oshima Twenty Minutes in Manhattan reviewed by Ed Mitchell Greg Lynn Form reviewed by Pierre Alexander de Looz 18 Fall Events Symposium: Constructed Objects by John Stuart Gordon Exhibitions: The Green House What We Learned: The Yale Las Vegas Studio and the Work of Venturi Scott Brown & Associates New YSoA Books: Kahn Assistant professorship: Vol. 2 Building (in) the Future Bass, Vol. 4: Nick Johnson/FAT 19 Kroon Hall assessed by Mike Taylor, Patrick Bellew, and Mark Simon 20 Spring 2009 Lectures 22 Spring 2009 Advanced Studios 23 Vann Molyvann Project by Bill Greaves 24 Faculty News 26 Alumni News, Where and How to Work Charles Gwathmey: A Eulogy 2 CONSTRUCTS YALE ARCHITECTURE FALL 2009 ERIC BUNGE AND MIMI HOANG Eric Bunge and Mimi Hoang of nARCHITECTS are the Louis I. -
Arch 5124 ARCHITECTURAL HISTORY 2 Part 2B
arch 5124 ARCHITECTURAL HISTORY 2 Part 2B 30 April 2015 15.3 Mb, 13,751 words 22 Early 20th Century. Modernism 23 Frank Lloyd Wright. Mies van der Rohe 24 Le Corbusier JUGENDSTIL, RIGA, LATVIA Built from 1899. In Riga, two main styles, decorative and romantic-nationalistic. Riga is one of the largest centres of Art Nouveau, with more than a third of the buildings of its Central District;. The main street for Riga's Art Nouveau district is Elizabetes, which crosses Brivibas Boulevard, also Alberta and Strelnieku Streets. There are 800 Jugendstil buildings in Riga. Most were designed and built by Latvian architects. The Latvian Ethnographic Exhibition in 1896 and the Industrial and Handicrafts Exhibition in 1901, which commemorated the city's 700th anniversary were dominated by pavilions designed in the new style. Within three years, Art Nouveau would become the only design style used in construction, adopted in the main by the new generation of architects who graduated from the Riga Polytechnic Institute. Buildings built at the beginning of the century in the city's medieval centre and on Alberta iela, most of which were designed by the Russian architect Eisenstein and the German architects Scheffel and Scheel. The floral, geometric and sculptural motifs decorating these buildings create rhythms that are typical of eclectic architecture. Refer: Latvian Museum of Architecture located in one of the Three Brothers, Old Town. Mikhail Eisenstein, architect In the decorative Jugendstil style, father of director Sergei Eisenstein. Elizabetes 10a and 10b, and Alberta 2, 2a, 4 and 8. Alberta 13 From 1904, now the Riga Graduate School of Law, fully restored and publicly accessible.