I Slept with Joey Ramone: a Punk Rock Family Memoir Pdf, Epub, Ebook
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I SLEPT WITH JOEY RAMONE: A PUNK ROCK FAMILY MEMOIR DOWNLOAD FREE BOOK Mickey Leigh, Legs McNeil | 416 pages | 15 Dec 2010 | SIMON & SCHUSTER | 9781439159750 | English | New York, United States I Slept with Joey Ramone: A Punk Rock Family Memoir Javascript is not enabled in your browser. Were the Monkeys. The Ramones were a force necessary to this universe. Too Tough to Die? The reason this happens is because I believe that rock-n-roll is pure joy and that only the warmest souls who have a firm grasp on the concept that Shit Happens can create it. I like the Ramones and I have a shit-ton of respect for what they accomplished in breaking new ground and really establishing the punk scene in the US, but I just don't know a lot of their stuff beyond the 8 or 10 big songs. Though The Ramones were never really commercially viable, they were a huge influence on literally hundreds or perhaps thousands of bands to come along in their wake. I've never actually witnessed brothers behaving as brothers before. But, alas, all is forgiven now that there's a book around to vindicate the author and clear his name of all the evil rumors his brother had been spreading I Slept with Joey Ramone: A Punk Rock Family Memoir their tumultuous relationship. Mickey Leigh. The Old Man and the Seafood. It also reveals without exploiting the mental illness Joey Ramone battled. While the music lives on for new generations to discover, I Slept with Joey Ramone is the enduring portrait of a man who struggled to find his voice and of the brother who loved him. -
JANE LEE HOOKER Twitter.Com/Janeleehooker Jane Lee Hooker Is a Band of five Women from New York City Who Take Traditional Blues on a Fast and Rough Ride
917-843-5943 Alan Rand 2014 janeleehooker.com photo by facebook.com/JaneLeeHooker janeleehooker.bandcamp.com JANE LEE HOOKER twitter.com/JaneLeeHooker Jane Lee Hooker is a band of five women from New York City who take traditional blues on a fast and rough ride. Their self-released debut, “No B!,” was released in November. Notable stages they’ve graced include Pappy & Harriet’s [email protected] (Pioneertown, CA), Dogfish Head Brewery (Rehoboth Beach, DE), the Harrisburg Midtown Arts Center (Harrisburg, PA), Ojai Deer Lodge (Ojai, CA), and the Wonderbar (Asbury Park, NJ). Back home in NYC, they can be seen at the Knitting Factory, Mercury Lounge, Bitter End and Rock Shop, among other places. The band’s calling cards are songs by Muddy Waters, Howlin’ Wolf, Johnny Winter, Big Mama Thornton, and other blues greats—all fed through double lead guitars, a heavy rhythm section, and soul-scouring vocals. These women are by no means new to the game. Between the five band members, they have decades of experience playing, recording and touring both nationally and internationally. Individually, the members of Jane Lee Hooker have played for thousands of fans while sharing bills with the likes of Motorhead, MC5, Lynyrd Skynyrd, and Deep Purple, among others. And they’ve played more club gigs in more cities than even they can believe. So how’d this gang of pros finally find each other? Guitarists Hightop and Tina honed their mutual love of blazing dual leads during their time together in Helldorado in the 90s. From there, Hightop joined Nashville Pussy, Tina joined Bad Wizard, and both women toured the world. -
5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it. -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
The Musicares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405
The MusiCares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405 ***TIP SHEET FOR FRIDAY, MAY 9, 2008*** BLIND MELON AND CAMP FREDDY — WITH SPECIAL GUESTS CHESTER BENNINGTON, WAYNE KRAMER, DUFF MCKAGAN, CHAD SMITH, STEVEN TYLER AND ROBIN ZANDER — TO PERFORM AT FOURTH ANNUAL MUSICARES MAP FUNDSM BENEFIT CONCERT ON MAY 9 HONORING ALICE COOPER AND SLASH Sold-Out Concert Event — Sponsored In Part By Gibson Foundation — At The Music Box @ Fonda Will Raise Funds For MusiCares® Addiction Recovery Services WHO: Honorees: Legendary artist Alice Cooper to receive the Stevie Ray Vaughan Award and GRAMMY®-winning guitarist Slash to receive the MusiCares® From the Heart Award. Host: Actor, stand-up comedian, musician and singer Tommy Davidson. Presenters: Bernie Taupin will present the Stevie Ray Vaughan Award to honoree Alice Cooper; Steven Tyler will present the MusiCares® From the Heart Award to honoree Slash. Performers: Blind Melon (Glen Graham, Brad Smith, Rogers Stevens, Christopher Thorn and Travis Warren) and Camp Freddy (Chris Chaney, Donovan Leitch, Billy Morrison and Matt Sorum) with Slash on guitar, along with special guests Chester Bennington (Linkin Park), Wayne Kramer (MC5), Duff McKagan (Velvet Revolver), Chad Smith (Red Hot Chili Peppers), Steven Tyler (Aerosmith) and Robin Zander (Cheap Trick). The evening will also feature special performances by Alice Cooper and Slash. Attendees: MusiCares Foundation Board Chair John Branca; Gilby Clarke (Guns N' Roses); Bob Forrest (Celebrity Rehab); Anthony Kiedis (Red Hot Chili Peppers); Dave Kushner (Velvet Revolver); Martyn LeNoble (Jane's Addiction and Porno For Pyros); and President/CEO of The Recording Academy® and President of the MusiCares Foundation Neil Portnow. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
DKT/MC5 Sonic Revolution
Listen mister, back in my day, blotter was 25 cents a hit and we had to walk two miles uphill to get it! And we liked it! Wayne Kramer is not someone who normally seems into beaming—his image is a little more ferocious than that. But onstage during the second night of the DKT-MC5 tour in Chicago, Kramer busted loose a big fat grin and started jumping up and down at one point. Back in the MC5 days, the band was known for its energetic, physical shows. Having never seen them live, I don't know if they ever jumped for pure joy back then, but that's clearly what Kramer was doing that night. The reunion of the surviving members of the MC5 (guitarist Kramer, bassist Michael Davis and drummer Dennis Thompson)—along with resurrections of the Stooges and the New York Dolls—is showing a renewed interest in these progenitors of punk rock. "It's surprising to me and it should be surprising to Iggy and those guys how much influence and affect our two bands have had on music now," Davis said. "I'm kind of in awe of it. We've had this kind of effect. And it's one thing to do something that people DKT/MC5 admire a lot, and go, 'That was really cool Sonic Revolution: Live At London's 100 stuff,' but to have this much influence is really Club [DVD] surprising to me." 2004 Image He continued: "I thought it was great, but I The DKT/MC5 gig at London's 100 Club never thought it was so foundational to the was the first salvo in what has become a future. -
Never Mind the Sex Pistols, Here╎s CBGB the Role of Locality and DIY
Vassar College Digital Window @ Vassar Senior Capstone Projects 2020 Never mind the sex pistols, here’s CBGB the role of locality and DIY media in forming the New York punk scene Ariana Bowe Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Bowe, Ariana, "Never mind the sex pistols, here’s CBGB the role of locality and DIY media in forming the New York punk scene" (2020). Senior Capstone Projects. 1052. https://digitalwindow.vassar.edu/senior_capstone/1052 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Bowe 1 Vassar College Never Mind The Sex Pistols, Here’s CBGB The Role of Locality and DIY Media in Forming the New York Punk Scene A thesis submitted in partial satisfaction of the requirements for the degree Bachelor of Arts in Media Studies. By Ariana Bowe Thesis Advisers: Professor Justin Patch May 2020 Bowe 2 Project Statement In my project, I will explore the New York City venue CBGB as one of the catalysts behind the rise of punk subculture in the 1970s. In a broader sense, I argue that punk is defined by a specific local space that facilitated a network of people (the subculture’s community), the concepts of DIY and bricolage, and zines. Within New York City, the locality of the punk subculture, ideas and materials were communicated via a DIY micro-medium called zines. -
Astral Weeks? – It’S Not Just Me, …
ASTRAL WEEKS? – IT’S NOT JUST ME, … THE RECORDING Van: “The entire LP was recorded in two eight-hour sessions, plus two overdub sessions. That was the whole album.” (Yorke p.51). Astral Weeks was recorded in just two sessions (48 hours) at Century Sound Studios, on West 52nd Street in New York (25 September & 15 October 1968), using NY session (jazz) musicians: Richard Davis (bass), Connie Kay (drums) from the Modern Jazz Quartet, Warren Smith Jr. (percussionist/vibraphone), John Payne (flute/soprano saxophone), and Jay Berliner (guitar), chosen by Lew Merenstein (Producer) in consultation with Richard Davis (bassist). “Merenstein received a call from Warner Bros: ‘We’ve signed Van Morrison, go up to Boston, see what he’s got’. … Morrison played Merenstein his song Astral Weeks: ‘Thirty seconds into it my whole being was vibrating … I had to be the producer to do it. Not that producer, not that producer, regardless of their accomplishments. It had to be Richard (Davis), not that bass player, I don’t want to sound existential, but there was Van, and that was it; there was no band, there were no arrangements, the direction was him singing and playing – that was where I followed. That’s why it came out like it did. To this day, it gives me pain to hear it; pain is the wrong word – I’m so moved by it.” (Marcus p.52-8). Lew Merenstein (Producer): “The musical energy of Astral Weeks came from the great players. That was the jazz background that I had, and that I brought in to it. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc. -
The N~ W Hampshire
-INSIDE The UNH baseball team Calendar__ page 5 won Scandal was one of six three games against N o,-t:ices ___page 6 the University of Ver bands playing at or near mont during the wee Editorial-page 14 UNH this weekend. See kend. See related story Features-page 17 stories page 17. page 28. Sports---page 28 The N~w Hampshire Vol. 75 No. 45 862-1490 Durham, N.H. Bulk Rate U.S. Posta,oe Paid Durham N.H. Permit #30 Distinguished profs awarded By Kris Lenfest began reviewing the 107 nom Dr. John C. Rouman, profes- inations in early fall. Full-time _sor of Classics, and Dr. Robert teaching faculty members who F. Barlow, professor of Econom had taught at UNH for a min ics and Administration, will be imum of three consecutive years this year's recipients of the were eligible for nomination. UNH Alumni Distinguished Rouman, when first told he Teaching Award, according to had received the award, said he Polly Daniels, assistant director remembered feeling proud and of the Alumni Association. surprised. "I think it's great, The award, which allows but I don't know if it's deserved." students, faculty, and alumni "This is my twentieth year to nominate teachers they feel at UNH and I've developed a are outstanding, was set up as lot of my own theories about a means of honoring distin teaching. I consider it very guished teachers and providing important, and I was proud to encouragement and an incentive be chosen. for excellence in their fields. -
In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock
11 In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock Lester Bangs All the shit they play on the radio today-it lacks the true meaning of rock, which is sex, subversion, and style. Rock 'n' roll is pagan and primitive and very jungle, and that's how it should be. The moment it stops being those things, it's dead. -Sex Pistols manager Malcolm McClaren (Kohut and Kohut 1994, 18) The kids want misery and death. They want threatening noises because that shakes you out of your apathy. -John Lydon of the Sex Pistols (Kohut and Kohut 1994, 101) Lester Bangs is the most celebrated critic in the history of rock. A wild man and visionary armed with a pugnacious attitude and original writing style, which he claimed was based on the sound and language of rock and roll itself (Bangs 1987, ix), he was an early champion of punk rock. According to Bangs, punk means rock "in its most basic, primitive form," and it has thus been around from the beginnings of rock 'n' roll. Here he expounds upon what he sees as the true meaning of not only punk, but of rock itself, delivering a manifesto for both: the essence is passion. Rock must be first and foremost "a raw wail from the bottom of the guts." Punk rock was hardly invented by the Ramones in Qyeens, NY, in 1974-5, any more than it was by the Sex Pistols in London a year or so later. You have to go back to the New York Dolls.