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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
High Bias Listening with Extreme Prejudice May 9, 2004 Home | Archives | Features | Contact Us Aural Fixations
High Bias Listening with extreme prejudice May 9, 2004 Home | Archives | Features | Contact Us Aural Fixations DIAMOND DOGS Black River Road (Smilodon) On its last album Too Much is Always Better Than Never Enough, the Swedish band Diamond Dogs did a note-perfect imitation of Rod Stewart's early 70s years, before he went Hollywood and ceased caring about making soulful rock & roll. Some might fault the band for stealing another artist's identity rather than finding one of its own, but hell, Rod the Mod hadn't made music like that in almost 30 years, and if no one else was gonna do it, why not Diamond Dogs? It helped that frontman Sulo has an excellent, grainy rock & roll voice and the songs were uniformly strong. For Black River Road, Sulo, guitarists Anders "Boba Fett" Lindstrom and Robert "Strings" Dahlqvist, both also of the Hellacopters, keyboardist Henrik Widen, bassist Johan Johansson and drummer Jesper Karlsson add horns, backup singers, guitarist Mattias Barjed from The Soundtrack of Our Lives and the music of the Rolling Stones and the Faces to their arsenal. The rubbery grooves, tasteful horns, restrained instrumentation and abundant hooks passionately and deliberately recall a time when rock wasn't afraid to acknowledge its roots in rhythm & blues–precisely the spirit in which the Stones and Stewart made music before they became self-conscious superstars. "Hand on Heart" and "Gotta Be Gone (It's Alright)," featuring Nicke Andersson of the Hellacopters, are stupendous pop songs that still sound like soul covers, while "Rush For Comfort" is the kind of tender, tough guy-with-a-heart- of-gold ballad no one makes anymore. -
Three New Acts for Northside
MC50 2018-04-17 10:00 CEST Three new acts for NorthSide The festival has found room to add Yungblud, Soleima, and a special anniversary edition of MC5 to the line-up NorthSide announced this year's festival poster with 41 primary international acts at the end of February, but the festival has still been able to add another three acts to the NorthSide 2018 line-up. MC50 The most iconic beginning to a punk song ever was delivered by Detroit's own Wayne Kramer, who in 1968 shouted "And right now ... right now ... right now it's time to ... kick out the jams, motherfuckers!" from the stage of the Grande Ballroom in Detroit. That’s how the title song from the debut album "Kick Out the Jams" by MC5 starts, which today is considered one of the most important albums from the time just before the world fell in love with Sex Pistols, Ramones, Black Flag, and The Clash. To celebrate the upcoming 50th anniversary of the groundbreaking album, Kramer has gathered a new band around him, which he calls the MC50. The band consists of the guitarist Kim Thayil from Soundgarden, Fugazi drummer Brendan Canty, King's X bassist Doug Pinnick, and Marcus Durant from Zen Guerrilla. They will this summer perform all eight songs from the debut album plus other favorites from the MC5 catalog . MC50 will play Friday June 8th at NorthSide 2018 Yungblud One of the hottest comets on the English music scene right now is Dominic Harrison, who performs under the name of Yungblud. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Songs-Of-Protest-2020.Pdf
Elliott Forrest Dara Falco Executive & Artistic Director Managing Director Board of Trustees Stephen Iger, President Melanie Rock, Vice President Joe Morley, Secretary Tim Domini, Treasurer Karen Ayres Rod Greenwood Simon Basner Patrick Heaphy David Brogno James Sarna Hal Coon Lisa Waterworth Jeffrey Doctorow Matthew Watson SUPPORT THE ARTS Donations accepted throughout the show online at ArtsRock.org The mission of ArtsRock is to provide increased access to professional arts and multi-cultural programs for an underserved, diverse audience in and around Rockland County. ArtsRock.org ArtsRock is a 501 (C)(3) Not For-Profit Corporation Dear Friends both Near and Far, Welcome to SONGS OF PROTEST 4, from ArtsRock.org, a non- profit, non-partisan arts organization based in Nyack, NY. We are so glad you have joined us to celebrate the power of music to make social change. Each of the first three SONGS OF PROTEST events, starting in April of 2017, was presented to sold-out audiences in our Rockland, NY community. This latest concert, was supposed to have taken place in-person on April 6th, 2020. We had the performer lineup and songs already chosen when we had to halt the entire season due to the pandemic. As in SONGS OF PROTEST 1, 2 & 3, we had planned to present an evening filled with amazing performers and powerful songs that have had a historical impact on social justice. When we decided to resume the series virtually, we rethought the concept. With so much going on in our country and the world, we offered the performers the opportunity to write or present an original work about an issue from our current state of affairs. -
Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Musikvideolistan 21-27 Mars 2009
Musikvideolistan 21-27 mars 2009 1. King Coffee: Kebab YT 2. King Coffee: Ingen Kärring YT 3. Thrixz: Sam sam YT 4. Foobar the band: Revolution YT 5. Wolfman: Don't like ya Krummagumma 6. Titiyo: Stumble to fall YT 7. Fever Ray: If I had a heart YT 8. Jenny Wilson: The wooden chair YT 9. The Kid: Mayhem Troopers YT 10. Testbild!: ENIAC vs UNIVAC YT 11. Jonna Lee: My High YT 12. Babian: Tillbaka till djungeln YT 13. They Live By Night: Catching Up YT 14. Philis: Ner till botten YT 15. Pascal: Cadillac YT 16. Johnossi: Execution Song YT 17. Sunshinerabbits: Colourofthefur YT 18. Malinmarie: Kom inte tillbaka YT 19. Fever Ray: When I Grow Up YT 20. Dundertåget: Ifrån mej själv YT 21. Laleh: Bjurö klubb (live) YT 22. Parken: Jag har varit vilsen, Lisa YT 23. Montt Mardié: Det bästa i världen YT 24. Friday bridge: There's no doubt (you'd get killed) YT 25. Antennas: Lies YT 26. Mohammed Ali: Ladda Ned Processen! MS 27. LALEH: Simon says YT 28. Johnossi: Bobby YT 29. Vapnet: Inga fåglar YT 30. Jonathan Johansson: En hand i himlen YT 31. John Landehag: Waterfalls YT 32. SOPHIA SOMAJO: I-rony YT 33. Adiam Dymott: Miss you YT 34. The Asteroids Galaxy Tour: Around the bend YT 35. Twiggy Frostbite: Heroes YT 36. Henok Achido feat Sophia Somajo: Pusher YT 37. Norma: Waste YT 38. Maia Hirasawa: South again YT 39. Lotta Wenglén: Move Away YT 40. They Live By Night: Ctrl+Alt+Del my heart YT 41. -
JANE LEE HOOKER Twitter.Com/Janeleehooker Jane Lee Hooker Is a Band of five Women from New York City Who Take Traditional Blues on a Fast and Rough Ride
917-843-5943 Alan Rand 2014 janeleehooker.com photo by facebook.com/JaneLeeHooker janeleehooker.bandcamp.com JANE LEE HOOKER twitter.com/JaneLeeHooker Jane Lee Hooker is a band of five women from New York City who take traditional blues on a fast and rough ride. Their self-released debut, “No B!,” was released in November. Notable stages they’ve graced include Pappy & Harriet’s [email protected] (Pioneertown, CA), Dogfish Head Brewery (Rehoboth Beach, DE), the Harrisburg Midtown Arts Center (Harrisburg, PA), Ojai Deer Lodge (Ojai, CA), and the Wonderbar (Asbury Park, NJ). Back home in NYC, they can be seen at the Knitting Factory, Mercury Lounge, Bitter End and Rock Shop, among other places. The band’s calling cards are songs by Muddy Waters, Howlin’ Wolf, Johnny Winter, Big Mama Thornton, and other blues greats—all fed through double lead guitars, a heavy rhythm section, and soul-scouring vocals. These women are by no means new to the game. Between the five band members, they have decades of experience playing, recording and touring both nationally and internationally. Individually, the members of Jane Lee Hooker have played for thousands of fans while sharing bills with the likes of Motorhead, MC5, Lynyrd Skynyrd, and Deep Purple, among others. And they’ve played more club gigs in more cities than even they can believe. So how’d this gang of pros finally find each other? Guitarists Hightop and Tina honed their mutual love of blazing dual leads during their time together in Helldorado in the 90s. From there, Hightop joined Nashville Pussy, Tina joined Bad Wizard, and both women toured the world. -
5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it. -
The Musicares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405
The MusiCares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405 ***TIP SHEET FOR FRIDAY, MAY 9, 2008*** BLIND MELON AND CAMP FREDDY — WITH SPECIAL GUESTS CHESTER BENNINGTON, WAYNE KRAMER, DUFF MCKAGAN, CHAD SMITH, STEVEN TYLER AND ROBIN ZANDER — TO PERFORM AT FOURTH ANNUAL MUSICARES MAP FUNDSM BENEFIT CONCERT ON MAY 9 HONORING ALICE COOPER AND SLASH Sold-Out Concert Event — Sponsored In Part By Gibson Foundation — At The Music Box @ Fonda Will Raise Funds For MusiCares® Addiction Recovery Services WHO: Honorees: Legendary artist Alice Cooper to receive the Stevie Ray Vaughan Award and GRAMMY®-winning guitarist Slash to receive the MusiCares® From the Heart Award. Host: Actor, stand-up comedian, musician and singer Tommy Davidson. Presenters: Bernie Taupin will present the Stevie Ray Vaughan Award to honoree Alice Cooper; Steven Tyler will present the MusiCares® From the Heart Award to honoree Slash. Performers: Blind Melon (Glen Graham, Brad Smith, Rogers Stevens, Christopher Thorn and Travis Warren) and Camp Freddy (Chris Chaney, Donovan Leitch, Billy Morrison and Matt Sorum) with Slash on guitar, along with special guests Chester Bennington (Linkin Park), Wayne Kramer (MC5), Duff McKagan (Velvet Revolver), Chad Smith (Red Hot Chili Peppers), Steven Tyler (Aerosmith) and Robin Zander (Cheap Trick). The evening will also feature special performances by Alice Cooper and Slash. Attendees: MusiCares Foundation Board Chair John Branca; Gilby Clarke (Guns N' Roses); Bob Forrest (Celebrity Rehab); Anthony Kiedis (Red Hot Chili Peppers); Dave Kushner (Velvet Revolver); Martyn LeNoble (Jane's Addiction and Porno For Pyros); and President/CEO of The Recording Academy® and President of the MusiCares Foundation Neil Portnow. -
Tripwires-Onesheet
The Tripwires Get Young THE TRIPWIRES - GET YOUNG FOLC RECORDS. LANZAMIENTO 15/9/2014 Side One GET YOUNG EARLY BRIGHT YOU HAVE A BELL BE ALL END ALL PRODUCTION SEDAN OWNER/OPERATOR Side Two HOW IN HEAVEN’S NAME GRATITUDE DANCE WITH A DRINK IN YOUR HAND GOOD SPORT ANYTHING NICE WAITING FOR THE SNOW THE TRIPWIRES son un combo all-star que llega desde Seattle enarbolando la bandera del power-pop. Formados en 2006, y tras dos estupendos discos ("Makes You Look Around" y "House To House"), The Tripwires presentan ahora su tercer álbum bajo el título de GET YOUNG. Los componentes de THE TRIPWIRES son parte de la aristocracia musical de Seattle, veteranos supervivientes de la gran explosión sónica de su ciudad en los años 90s, que se mantienen saludablemente en activo haciendo la música que quieren. Grandísimos músicos que son o han sido parte fundamental de bandas de tanta calidad como YOUNG FRESH FELLOWS (Jim Sangster), MUDHONEY (Dan Peters), MODEL ROCKETS y THE MINUS 5 (John Ramberg), la banda original de NEKO CASE o MAGGIE BJÖRKLUND (Johnny Sangster), y muchas otras (y si es cuestión de dejar caer nombres ¡el batería Dan Peters tocó y grabó con los mismísimos NIRVANA!) Las principales señas de identidad de THE TRIPWIRES, muy patentes en “Get Young”, son la extraordinaria capacidad de John Ramberg para escribir inusuales pero pegadizas melodías (algo que ya hizo fantásticamente al frente de los Model Rockets), el talento de Johnny Sangster como guitarrista, arreglista y productor, y la delicada orfebrería vocal de sus canciones. Con influencias de bandas de los sesenta y los setenta (como The Zombies, The Hollies, Big Star, Brinsley Schwarz...), y el mejor power-pop nuevaolero (The Beat, The Knack, Squeeze), el rock&roll y el pop se dan la mano en “Get Young”. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff.