Sunday Morning Grid 11/3/19 Latimes.Com/Tv Times

Total Page:16

File Type:pdf, Size:1020Kb

Sunday Morning Grid 11/3/19 Latimes.Com/Tv Times SUNDAY MORNING GRID 11/3/19 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) News The NFL Today (N) Å Football Indianapolis Colts at Pittsburgh Steelers. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) Å Saving Pets Paid Consumer Bensinger Paid Program Access Hollywood (N) 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News Ocean Hearts of Formula 1 Racing United States Grand Prix. (N) 9 KCAL KCAL 9 News Sunday Joel Osteen Jeremiah Joel Osteen Jentzen Mike Webb REAL-Diego Paid Program Icons The World’s 1 1 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Football Minnesota Vikings at Kansas City Chiefs. (N) Å 1 3 MyNet Paid Program Fred Jordan Freethought Paid Program News The Issue 1 8 KSCI Paid Program Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint Painting Joy of Paint Wyland’s Paint This Painting Cook Mexican Martha Cooking Simply Ming Food 50 2 8 KCET Kid Stew Curious Wunderkind Wunderkind Darwin’s Biz Kid$ KCET Special Å KCET Special Å KCET Special Å 3 0 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva (N) 4 0 KTBN Pathway Win Walk Prince Carpenter Jackson In Touch PowerPoint It is Written Ed Young Bethel Kelinda Hagee 4 6 KFTR Paid Program Super Ge Super Ge Mundo tuyo Mundo tuyo Masha’s Spooky Stories Paid Program 5 0 KOCE Nature Cat Nature Cat Wild Kratts Wild Kratts Odd Squad Odd Squad Antiques Roadshow Antiques Roadshow Nature Å 5 2 KVEA Paid La Liga Fútbol Premier League (N) La Liga Premier Copa FIFA Copa Mundial 5 6 KDOC Perry Stone In Search Lift Up Paid Cath. Mass J. Van Impe Paid Program 5 8 KLCS LAUSD Meeting (TVG) Jamestown (TV14) Å A&E Hoarders Phyllis; Janet. Hoarders Stacey; Roi. Hoarders Mike; Bonnie. Hoarders Å Hoarders Ruby & Mary. Hoarders Jim; Susan. AMC MASH (6:49) MASH (7:19) MASH (7:49) The Karate Kid Part II ›› (1986) Ralph Macchio. (8:19) (PG) The Karate Kid Part III ›› (1989) (10:49) (PG) Å Animal Pl Tanked Å Tanked (TVG) Å Tanked Å Tanked Å Tanked Å Tanked Å BBC America Great Bear Stakeout Great Bear Stakeout Nature’s Great Events Nature’s Great Events Nature’s Great Events Nature’s Great Events BET Paid Program Payne Payne Payne Payne Prince Prince Prince Prince Fresh Prince of Bel-Air Bravo Housewives-Atlanta Housewives-Atlanta Housewives-Atlanta Housewives-Atlanta Housewives-Atlanta Housewives-Atlanta CMT CMT Music Å CMT Music Å Hot 20 Countdown Counting down the top country videos. Å Meet the Parents ››› CNBC Paid Program Shark Tank (TV14) Å CNN Fareed Zakaria GPS (N) Reliable Source State of the Union Fareed Zakaria GPS CNN Newsroom CNN Newsroom Comedy Parks Parks The Office The Office The Office The Office (9:45) (TV14) The Office The Office The Office Dodgeball: Underdog Discovery Destroyed Operation Operation Given Right Dirty Jobs (TV14) Å Dirty Jobs (TV14) Å Dirty Jobs (TV14) Å Dirty Jobs Å Disney DuckTales Amphibia Big City Big City Big City Bunk’d Bunk’d Coop Gabby Gabby Jessie G.I. Jessie. Å E! Botched (TV14) Å Botched (TV14) Å Botched (TV14) Å Botched (TV14) Å Botched (TV14) Å The Kardashians ESPN Sunday NFL Countdown (N) Å Who’s In? College Football Final CFB 150 American Game ESPN2 2019 TCS New York City Marathon (6) (N) Å Fantasy Football Now (N) Women’s College Volleyball Minnesota at Purdue. Golf PGA Junior League Food Farmhouse Brunch at Guy’s Valerie’s Pioneer Wo. Pioneer Wo. Pioneer Wo. Pioneer Wo. Girl-Farm Girl-Farm Contessa Contessa Fox News Sunday Morning Futures MediaBuzz (N) Å America’s News HQ America’s News HQ Fox News Sunday Journal Editorial Report Fox Sports Paid Program Angler Angler Rams 360 Bundesliga Soccer Red Bull Series Red Bull Freeform Disn. Weddings Hercules ››› (1997) Tate Donovan. (G) Å Finding Nemo ›››› (2003) Albert Brooks. (10:10) (G) Å Dory FS Prime Paid Program Women’s College Volleyball Duke at Pittsburgh. (N) Sports Women’s College Volleyball FX Mike Mike Mike The Weekly The Boy Next Door › (2015) Jennifer Lopez. (R) Dawn of the Planet of the Apes ››› (2014) Å Hallmark Enchanted Christmas (6) It’s Christmas, Eve (2018) LeAnn Rimes. Å Christmas at Pemberley Manor (2018) Å Sleigh Bells Ring (2016) HGTV Home Town (TVG) Å Home Town (TVG) Å Home Town (TVG) Å Home Town (TVG) Å Home Town (TVG) Å Fixer to Fabulous (TVG) History Xtreme Off Engine Truck Tech Detroit Counting Cars Fighting Ford, Part 1. Roli and Ryan look at a ’71 Duster. Å Oak Island: Drilling Down IFC Mama ›› (2013) Jessica Chastain. (PG-13) Å Halloween II › (2009, Horror) Malcolm McDowell. (9:15) (R) Å Halloween › (2007, Horror) (R) Å Lifetime In Touch Truths That Amazing Jeremiah Joel Osteen Paid Love at the Christmas Table (2012) Å Christmas Lost MSNBC AM Joy (N) Å Weekends-Alex Witt Weekends-Alex Witt MSNBC Live MSNBC Live MTV Ridiculous. Ridiculous. Ridiculous. Ridiculous. Ridiculous. Ridiculous. Ridiculous. Ridiculous. Old School ›› (2003) Luke Wilson. (R) Å National Geo Paid Program Running Wild-Bear Grylls Running Wild-Bear Grylls Running Wild-Bear Grylls Running Wild-Bear Grylls Nickelodeon SpongeBob 44 Cats (N) Rangers SpongeBob SpongeBob SpongeBob Most Musical Family SpongeBob SpongeBob Casagran SpongeBob Oxygen Dateline: Secrets Snapped Å Snapped Å Snapped Shriya Patel. Snapped Å Killer Siblings (TV14) Para Paid Program Twilight ›› (2008, Romance) Kristen Stewart, Robert Pattinson. (PG-13) Å Twilight: New Moon Sundance Law Law & Order Å Dances With Wolves ›››› (1990) Kevin Costner. A Union officer befriends the Lakota. (PG-13) Å Pale Rider Syfy Paid Program Twi. Zone The Twilight Zone Å Everly › (2014, Action) Salma Hayek. (R) Å Underworld: Rise of the Lycans ›› TBS Friends Friends Misery Misery Misery Imp. Jokers Imp. Jokers The Campaign ›› (2012) Will Ferrell. (R) Å Intelligence TCM Sweet Smell of Success ››› (1957, Drama) Å Sylvia Scarlett ››› (1935) Å The Last Time I Saw Paris ››› (1954) Elizabeth Taylor. (10:45) TLC Say Yes Say Yes Say Yes Say Yes Say Yes Say Yes Say Yes Say Yes Say Yes to the Dress Say Yes to the Dress TNT NCIS: New Orleans Å NCIS: New Orleans Å NCIS: New Orleans Å NCIS: New Orleans Å Twister ››› (1996) Helen Hunt. (PG-13) Å Toon Bakugan Teen Titans Teen Titans Go! (TVPG) Total Drama Apple Apple Teen Titans Teen Titans Go! The 6th Titan. (TVPG) Å Travel Witches of Salem (TV14) Witches of Salem (TV14) Witches of Salem (TV14) Witches of Salem (TV14) Most Terrifying Places Most Terrifying Places Tru Inside Inside Adam Ruins Adam Ruins All Elite Wrestling World’s Dumbest ... World’s Dumbest ... World’s Dumbest ... TV Land Gold Girls The Golden Girls (7:45) Gold Girls Gold Girls Gold Girls Gold Girls Gold Girls Gold Girls Gold Girls Gold Girls Gold Girls USA Paid Program In Touch Joel Osteen Temptation Island (TV14) The Purge (TVMA) Å Treadstone (TVMA) Å Law & Order: SVU VH1 Martin Martin Wayans Wayans Wayans Wayans Wayans Wayans Wayans Wayans Wayans Wayans WGN A Cops Å Cops (TV14) Cops Å Cops Å Cops Å Cops (TV14) Cops (TV14) Cops (TV14) Cops (TV14) Cops (TV14) Cops (TV14) Cops (TV14) Cinemax The Hindenburg ›› (6) Hunter Killer ›› (2018) Gerard Butler. (8:10) (R) Bad Parents (2012) Janeane Garofalo. (10:15) Å Something About Mary Encr Frozen ››› (2013) Kristen Bell. (PG) Winnie the Pooh ››› (2011) (8:44) Big Hero 6 ››› (2014) (9:49) (PG) Monsters University ››› (11:33) (G) HBO Big ››› (1988) (6:30) Welcome to Marwen ›› (2018) Steve Carell. (8:15) The Rundown ››› (2003) The Rock. (10:15) Å The Shop Any One Showtime Misery ››› (1990) (6) Inside the NFL Å The Circus The Affair 501. (TVMA) The Affair 502. (TVMA) The Affair 503. (TVMA) The Affair Starz Barbershop 2: Back in Business ››› (6:59) Å Power (8:59) (TVMA) Leavenworth (9:59) Å Power Murderers. (TVMA) Power (11:58) (TVMA) TMC Rugrats Go Wild ›› (2003) (6:55) David Bowie: Finding Fame (8:20) The Fighting Temptations ›› (2003) (9:55) (PG-13) The Catcher Was a Spy SUNDAY AFTERNOON GRID 11/3/19 LATIMES.COM/TV TIMES 1 pm 1:30 2 pm 2:30 3 pm 3:30 4 pm 4:30 5 pm 5:30 6 pm 6:30 2 CBS Football Football Green Bay Packers at Los Angeles Chargers. (1:25) (N) Å CBS 2 Sports Central (N) CBS News CBS 2 News at 6PM (N) 4 NBC Figure Skating On Money NBC News Football Night in America Football New England Patriots at Baltimore Ravens. 5 CW Paid Program House Homeowner Cooking Traveler Goldbergs Goldbergs KTLA 5 News at 5 (N) News at 6 KTLA News 7 ABC 2019 TCS New York City Marathon (N) World of X Jack Hanna Eyewitness News at 4PM Eyewitness World News News Eye on L.A. 9 KCAL Paid Program Entertainers: Byron Allen Broke Girl Broke Girl Mike Mike 1 1 FOX Postgame PBA Bowling PBA Clash. (Taped) Cops Å Cops (TV14) TMZ Å Sports News Mod Fam Mod Fam 1 3 MyNet Paid Program Searching for Bobby Fischer ››› (1993) Joe Mantegna. (PG) Cops Å Harold and Maude ››› (1971) Bud Cort.
Recommended publications
  • Annual Report and Accounts 2004/2005
    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
    [Show full text]
  • November 2019
    MOVIES A TO Z NOVEMBER 2019 D 8 1/2 (1963) 11/13 P u Bluebeard’s Ten Honeymoons (1960) 11/21 o A Day in the Death of Donny B. (1969) 11/8 a ADVENTURE z 20,000 Years in Sing Sing (1932) 11/5 S Ho Booked for Safekeeping (1960) 11/1 u Dead Ringer (1964) 11/26 S 2001: A Space Odyssey (1968) 11/27 P D Bordertown (1935) 11/12 S D Death Watch (1945) 11/16 c COMEDY c Boys’ Night Out (1962) 11/17 D Deception (1946) 11/19 S –––––––––––––––––––––– A ––––––––––––––––––––––– z Breathless (1960) 11/13 P D Dinky (1935) 11/22 z CRIME c Abbott and Costello Meet Frankenstein (1948) 11/1 Bride of Frankenstein (1935) 11/16 w The Dirty Dozen (1967) 11/11 a Adventures of Don Juan (1948) 11/18 e The Bridge on the River Kwai (1957) 11/6 P D Dive Bomber (1941) 11/11 o DOCUMENTARY a The Adventures of Robin Hood (1938) 11/8 R Brief Encounter (1945) 11/15 Doctor X (1932) 11/25 Hz Alibi Racket (1935) 11/30 m Broadway Gondolier (1935) 11/14 e Doctor Zhivago (1965) 11/20 P D DRAMA c Alice Adams (1935) 11/24 D Bureau of Missing Persons (1933) 11/5 S y Dodge City (1939) 11/8 c Alice Doesn’t Live Here Any More (1974) 11/10 w Burn! (1969) 11/30 z Dog Day Afternoon (1975) 11/16 e EPIC D All About Eve (1950) 11/26 S m Bye Bye Birdie (1963) 11/9 z The Doorway to Hell (1930) 11/7 S P R All This, and Heaven Too (1940) 11/12 c Dr.
    [Show full text]
  • +- Vimeo Link for ALL of Bruce Jackson's and Diane
    Virtual February 9, 2021 (42:2) William A. Wellman: THE PUBLIC ENEMY (1931, 83 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries +- Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the Spring 2021 BFS Vimeo link for our introduction to The Public Enemy Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Selected for National Film Registry 1998 Directed by William A. Wellman Written by Kubec Glasmon and John Bright Produced by Darryl F. Zanuck which are 1958 Lafayette Escadrille, 1955 Blood Cinematography by Devereaux Jennings Alley, 1954 Track of the Cat, 1954 The High and the Film Editing by Edward M. McDermott Mighty, 1953 Island in the Sky, 1951 Westward the Makeup Department Perc Westmore Women, 1951 It's a Big Country, 1951 Across the Wide Missouri, 1949 Battleground, 1948 Yellow Sky, James Cagney... Tom Powers 1948 The Iron Curtain, 1947 Magic Town, 1945 Story Jean Harlow... Gwen Allen of G.I. Joe, 1945 This Man's Navy, 1944 Buffalo Bill, Edward Woods... Matt Doyle 1943 The Ox-Bow Incident, 1939 The Light That Joan Blondell... Mamie Failed, 1939 Beau Geste, 1938 Men with Wings, 1937 Donald Cook... Mike Powers Nothing Sacred, 1937 A Star Is Born, 1936 Tarzan Leslie Fenton... Nails Nathan Escapes, 1936 Small Town Girl, 1936 Robin Hood of Beryl Mercer..
    [Show full text]
  • A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
    MOVIES A TO Z FEBRUARY 2021 D 12 Angry Men (1957) 2/27 D Black Panthers (1968) 2/28 D Convicts 4 (1962) 2/10 a ADVENTURE z 20,000 Years in Sing Sing (1932) 2/3 D Black Patch (1957) 2/19 D The Corn is Green (1945) 2/21 m 42nd Street (1933) 2/7 D Blackboard Jungle (1955) 2/3 sD The Cossacks (1928) 2/21 c COMEDY S z Blackwell’s Island (1939) 2/3 D Countryman (1982) 2/21 –––––––––––––––––––––– ––––––––––––––––––––––– A y Blazing Saddles (1974) 2/6 u Crossfire (1947) 2/9 z CRIME u Act of Violence (1949) 2/9 y Blood on the Moon (1948) 2/19 R Crossing Delancey (1988) 2/12 S c Adam’s Rib (1949) 2/22 D Body and Soul (1947) 2/9 D Cry, the Beloved Country (1951) 2/3 o DOCUMENTARY a The Adventures of Huckleberry Finn (1939) 2/10 D Bombshell (1933) 2/21 c The Affairs of Martha (1942) 2/24 a Boom Town (1940) 2/25 P –––––––––––––––––––––– D ––––––––––––––––––––––– D DRAMA c Affectionately Yours (1941) 2/10 D Born to Be Bad (1950) 2/9 y Dances with Wolves (1990) 2/27 u After Office Hours (1935) 2/1 c Born Yesterday (1950) 2/21 D Dancing Co-Ed (1939) 2/8 e EPIC P R The Age of Innocence (1993) 2/14 c Boys’ Night Out (1962) 2/11 D Dangerously They Live (1941) 2/23 S S S w Air Force (1943) 2/23 D The Breaking Point (1950) 2/9 R Daughters Courageous (1939) 2/16 S HORROR/SCIENCE-FICTION z Al Capone (1959) 2/16 R Brief Encounter (1945) 2/12 D Days of Wine and Roses (1962) 2/28 P m sc Algie the Miner (1912) 2/7 m Brigadoon (1954) 2/18, 2/25 D Death in Venice (1971) 2/23 MUSICAL y Along The Great Divide (1951) 2/19 D Broadway Musketeers (1938) 2/6 cR Design for Living (1933) 2/21 R ROMANCE HD The Amazing Mr.
    [Show full text]
  • Memories of Three Score Years and Ten
    Library of Congress Memories of three score years and ten. Richard McIlwaine, D.D., LL.D. FRONTISPIECE Memories of Three Score Years and Ten BY RICHARD McILWAINE, D.D., LL.D. ILLUSTRATED LC New York and Washington THE NEALE PUBLISHING COMPANY 1908 08-19140 F231 M15 LIBRARY OF CONGRESS Two Copies Receive JUN 20 1903 Jun 20 1908 CLASS A 210075 COPY B. COPYRIGHT, 1908, BY THE NEALE PUBLISHING COMPANY LC DEDICATION These recollections are affectionately dedicated to the descendants of my father and mother and of their brothers and sisters—four generations of whom are now represented in Virginia and as many in the Emerald Isle—with the fervent prayer that they may take their fathers' God to be their God, and walk in the light of His word. PREFACE Memories of three score years and ten. http://www.loc.gov/resource/lhbcb.19140 Library of Congress This volume was begun with special reference to my kinspeople. As it developed it seemed to contain matter of interest to a wider circle; sketches of honored and useful men and women, whose memory ought to be cherished; scenes in bygone days and stirring times, little known to the present generation; suggestions drawn from experience, which may be of value, specially to the young entering on the duties of life. It covers a period of nearly “three-score years and ten,” spent under a variety of conditions, embracing: childhood; school days; college, university and seminary life; a visit in youth to Ireland, the home of my ancestors; travel and study abroad at a later period; pastoral work in Amelia, Farmville and Lynchburg, Virginia; service in the army of the Confederate States as lieutenant and chaplain; the progress and close of the Civil War and of Reconstruction in Virginia; a period of service as Secretary of Missions of the Southern Presbyterian Church (1872–1883), including Reconstruction in South Carolina (1872–5); presidency of Hampden-Sidney College (1883–1904), and membership in the Constitutional Convention of Virginia (1901–2).
    [Show full text]
  • Absent Presence: Women in American Gangster Narrative
    Absent Presence: Women in American Gangster Narrative Carmela Coccimiglio Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfilment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Carmela Coccimiglio, Ottawa, Canada, 2013 TABLE OF CONTENTS Abstract iii Acknowledgements v Introduction 1 Chapter One 27 “Senza Mamma”: Mothers, Stereotypes, and Self-Empowerment Chapter Two 57 “Three Corners Road”: Molls and Triangular Relationship Structures Chapter Three 90 “[M]arriage and our thing don’t jive”: Wives and the Precarious Balance of the Marital Union Chapter Four 126 “[Y]ou have to fucking deal with me”: Female Gangsters and Textual Outcomes Chapter Five 159 “I’m a bitch with a gun”: African-American Female Gangsters and the Intersection of Race, Sexual Orientation, and Gender Conclusion 186 Works Cited 193 iii ABSTRACT Absent Presence: Women in American Gangster Narrative investigates women characters in American gangster narratives through the principal roles accorded to them. It argues that women in these texts function as an “absent presence,” by which I mean that they are a convention of the patriarchal gangster landscape and often with little import while at the same time they cultivate resistant strategies from within this backgrounded positioning. Whereas previous scholarly work on gangster texts has identified how women are characterized as stereotypes, this dissertation argues that women characters frequently employ the marginal positions to which they are relegated for empowering effect. This dissertation begins by surveying existing gangster scholarship. There is a preoccupation with male characters in this work, as is the case in most gangster texts themselves.
    [Show full text]
  • V? ;;J"X* BANK REGISTER Uiurt Wsakl* «Pt»««T U Stsmd'clui Alatur *T Tbs Pott- 31." Om» at B«L Bank
    gagfo-a »„ , r • t ,<• v? ;;j"X* BANK REGISTER Uiurt Wsakl* «pt»««t u Stsmd'Clui alatur *t tbs Pott- 31." om» at B«l Bank. It J, outer cos AM ot Hutb I, HI». RED BANK, N. J., WEDNESDAY, JANUARY 21,* 1931. $1.50 PER YEAR PAGES on the north side of East'Front rovements Indicated above are to e Aplenty . ToWs New Mayor street be extended to a point near Vlonthly Report Annual Message e completed during 1081 England the Topic Annual Report erf Washington street. Another sug- I wish to express my thanks to the gestion was that night collections of nembers of the council for their For This Woman Begins His Duties garbage bft-made on the btislneM sec- ofRedCross of Mayor Salmon 'ery splendid co-operation, and the of Club Meeting the Police Chief tion of Broad street. Mr. Kohn lonsclentlous and diligent conduct of Sadie Mande of HOJSKM Charles R. English Presided «t asked the. mayor and council to take Thirty-Seven Cases of Veteran e Tells What the Commission- their duties they have shown during An Interesting Program at a Interesting Facts and Figurt* in • Has « Series of Mlsfortancs, the Official Meeting at Redaction to prevent outside business in- Compensation Handled Dur- ers Have Done the Past Year the year, and I have no doubt but River Plaza Home Last Thurs- His Statement of Uw Work' •"> terests from coming Into Bed Bank what this fine spirit will continue. day Night—Articles and Re- : V: Winding Up In Her Getting Bank Monday Night—A Gift and operating here t8t a few days or ing Month—Many Patted First and What They Expect to do The borough la to be congratulated Done by the Police Depart* \ j|| Into trio Toilaof the Uw.
    [Show full text]
  • Hays Gone By: the Proto-Feminism of Pre-Code Hollywood and the Films
    Hays Gone By: The Proto-Feminism of Pre-Code Hollywood and the Films of Mae West By Daniel Simpson A thesis submitted to the Graduate Program in Cultural Studies in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada July, 2019 Copyright © Daniel Simpson, 2019 For Mom and Dad ii Abstract Pre-Code Hollywood has famously been described as an alternative universe of American cinema, as looser censorship restrictions allowed filmmakers to explore adult themes of violence and sexuality far more openly than would be permissible under Joseph Breen and the Production Code Association. My thesis addresses how this era gave rise to a proto-feminist cinema through the transgression of Production Code rules pertaining to gender and sexuality. Though the Pre- Code era was no stranger to virulently misogynistic works, the lack of strict censorship allowed filmmakers to put forth depictions of independent women who were sexually active and in control of their lives. The epitome of this archetype is Mae West, who not only portrayed sex sirens with tremendous agency on-screen, but also took an active role behind-the-scenes as a screenwriter and should be considered the primary author of her films. Though West’s independence on and off-screen would diminish as the Pre-Code era ended, her work remains a trove of proto-feminist cinema through its subversion of male gaze and its consideration of a female spectator. Understanding West’s films, and the era which produced them, helps provide insight on the challenges faced by women in Hollywood, and more specifically, how women- centric art is often devalued and dismissed.
    [Show full text]
  • Democrats Take Full Control of Township Government
    WhfcN WOOnBRIDGE TOWNSHIP NEI DS A DAILY PAPER 20 Pages Today THE INDEPENDENT W1IL PUBLISH DAILY Three Sections Vol.. XII, N". 45 WOODltRIIMiK, N. J., FRIDAY, JANUARY 16, PRICE THREE CENTS DEMOCRATS TAKE FULL CONTROL OF TOWNSHIP GOVERNMENT ».kOK<.;h I. APPLECATE ANTHONY AQUll.A MAYOR WILLIAM A. RYAN JACOB W. C.RAUSAM Committee Meets For Business With Seven JOSEPH L. GILL WILLIAM P. CAMPBELL ROBERT L. SATTLER HERE, CHICK, RED CROSS STARTS CHICK, CHICK! Democrats Taking Up Work Of New Year "Say, someone's heen raid- TO TALK HERE ON ing my chicken farm — I'm EMERGENCY DRIVE With United Democratic Support Mayor Ryan Starts 1931, As missing nearly 200," blurted out a Port Reading chicken MORALS OF YOUTH THANK YOU' SAYS EDISON BOARD OF HEALTH New Committeeman, Anthony Aquila, Goes Into Action— dealer to Sergeant Keating, of FOR TEN MILLION In a letli'i1 bearing his own Ryan Urges Abolition Of Lighting Districts As Committee the Woodbridge force Monday. signature', Thomas A. Edison, The astounded sergeant put To Relieve Drought Misery In AND SEXJRAINING the noted scientist, thanked MOVES TO FIGHT Considers Changes — Iselin Sidewalks and Buses Enter Officer Andrew Simonsen on) 21 States — Hoover Backs the township committee for its Discussion With Aquila Taking. Active Part. the case, and he found the Dr. Barker, Likened To Judge , action in urging the construc- large scale theft had been com- Movement With Proclama- DIPHTHERIA HERE mitted in the following man- Ben Lindsey, Will Give 4| tion of the Kilison Memorial With every desk occupied by Democrats, the township tion — Local Chapter Sends Houlevard proposed to be ner; $500.
    [Show full text]
  • The Transgressive Discourse of Rowland Brown's
    Revista de Comunicación de la SEECI. (Julio 2016). Año XX (40), 133-153 ISSN: 1576-3420 INVESTIGACIÓN/RESEARCH Recibido: 26/04/2016 --- Aceptado: 19/05/2016 --- Publicado: 15/07/2016 THE TRANSGRESSIVE DISCOURSE OF ROWLAND BROWN’S CINEMA (1931-1933): A BRIEF CAREER IN PRE-CODE HOLLYWOOD Carmen Guiralt Gomar1: University of Valencia. Spain. [email protected] ABSTRACT: This article consists in the analysis of the Rowland Brown director’s film work and career, who was one of the first (if not the first) directors-screenwriters of Hollywood. He developed his career during Hollywood’s pre-Code era and he only directed three idiosyncratic films linked to the gangster genre: Quick Millions (1931), Hell’s Highway (1932) and Blood Money (1933). There were a great number of reasons why he was thrown out from Hollywood and he was not allowed to return to direct, among them the highly transgressive and critical discourse of his cinema. Despite of the singularity and originality of his film work, today Brown is a forgotten figure, only recognised by a prestigious group of film historians. His cinema has not been studied thoroughly yet. The final aim of this article it to contribute to filling this gap in the History of Cinema. KEY WORDS: Rowland Brown – Classical Hollywood cinema – Pre-Code period (1930-1934) –Quick Millions (1931) – Hell’s Highway (1932) –Blood Money (1933) – gangster genre 1 Carmen Guiralt Gomar: Phd in History of Art from the University of Valencia, BA in Art History from the same university and a Masters in History and Aesthetics of Cinematography from the University of Valladolid.
    [Show full text]
  • Ed Wheeler Craig Roberts Doorway to Hell Disasbook4you.Pdf
    Doorway to Hell ACKNOWLEDGEMENTS The research and preparation of this narrative would not have been possible without the guidance, assistance, direction, and contributions of Professor Thomas Buckley, University of Tulsa History Department. On behalf of his soldiers' families and loved ones, I wish to extend my personal appreciation to U.S. Army Lieutenant Colonel Robert L. Davis, the last commander of the 43rd Engineer Combat Battalion (Heavy), during both Operations Restore and Continue Hope. He led a total of over a thousand troops through the "doorway to hell" twice, and brought them all back alive. Special acknowledgment is also extended to Major Mark Feierstein, 36th Engineer Group S-4 (Logistics) during Operation Restore Hope and 43rd S-3 (Operations) during Operation Continue Hope; Major Alan Estes, 43rd S-3 (Operations) during Operation Restore Hope; Captain Brian Unwin, Surgeon, 43rd Engineer Combat Battalion (H) during Operation Restore Hope; Captain Dale Forrester, 43rd Chaplain, Operation Restore Hope; Captain Jeffrey T. Bochonok, 43rd S-l (Personnel/Admin) during Operation Continue Hope; First Lieutenant Brian E. Wheeler, the 43rd's Signal Officer and Command Sergeant Major Larence Maxwell, both of whom served during Operations Restore Hope and Continue Hope; and Sergeant Hans Smith, 43rd Operations NCO who served during the Somalian Aid Mission in 1985, and during Operation Continue Hope. These men, who were based at Fort Benning, Georgia and deployed to Somalia with their colleagues of the 43rd Engineers, served unselfishly iv Doorway to Hell and heroically. In doing so, twice they walked through the "Doorway to Hell" for a nation that ultimately wished they hadn't gone at all.
    [Show full text]
  • The Transgressive Discourse of Rowland Brown’S Cinema (1931–1933): a Brief Career in Pre-Code Hollywood
    Revista de Comunicación de la SEECI. (Julio 2016). Año XX (40), 136-156 ISSN: 1576-3420. http://dx.doi.org/10.15198/seeci.2016.40.136-156 RESEARCH Recibido: 26/04/2016 --- Aceptado: 19/05/2016 --- Publicado: 15/07/2016 THE TRANSGRESSIVE DISCOURSE OF ROWLAND BROWN’S CINEMA (1931–1933): A BRIEF CAREER IN PRE-CODE HOLLYWOOD Carmen Guiralt Gomar1: University of Valencia. Spain. [email protected] ABSTRACT: This article consists of an analysis of the film work and career of director Rowland Brown, one of the first (if not the first) director-screenwriters in Hollywood. Brown pursued his career during Hollywood’s pre-Code era, but only directed three idiosyncratic films, all of which were linked to the gangster genre: Quick Millions (1931), Hell’s Highway (1932) and Blood Money (1933). There are many factors which explain why he was ousted from Hollywood and not allowed to direct again, one of which is the highly transgressive and critical nature of the discourse found in his cinema. Despite the uniqueness and originality of his film work, today he is an all but forgotten figure, only acknowledged by a prestigious group of film historians. His cinema has yet to be studied in depth. The ultimate purpose of this article is to contribute towards redressing this omission in the History of Film. KEY WORDS: Rowland Brown–Classical Hollywood cinema–Pre-Code period (1930– 1934)–Quick Millions (1931)–Hell’s Highway (1932)–Blood Money (1933)–gangster genre 1 Carmen Guiralt Gomar: PhD in Art History from the Universidad de Valencia, Bachelor’s Degree in Art History from the same university and Master’s Degree in History and Aesthetics of Film from the Universidad de Valladolid.
    [Show full text]