Revista de Comunicación de la SEECI. (Julio 2016). Año XX (40), 136-156 ISSN: 1576-3420. http://dx.doi.org/10.15198/seeci.2016.40.136-156 RESEARCH Recibido: 26/04/2016 --- Aceptado: 19/05/2016 --- Publicado: 15/07/2016 THE TRANSGRESSIVE DISCOURSE OF ROWLAND BROWN’S CINEMA (1931–1933): A BRIEF CAREER IN PRE-CODE HOLLYWOOD Carmen Guiralt Gomar1: University of Valencia. Spain.
[email protected] ABSTRACT: This article consists of an analysis of the film work and career of director Rowland Brown, one of the first (if not the first) director-screenwriters in Hollywood. Brown pursued his career during Hollywood’s pre-Code era, but only directed three idiosyncratic films, all of which were linked to the gangster genre: Quick Millions (1931), Hell’s Highway (1932) and Blood Money (1933). There are many factors which explain why he was ousted from Hollywood and not allowed to direct again, one of which is the highly transgressive and critical nature of the discourse found in his cinema. Despite the uniqueness and originality of his film work, today he is an all but forgotten figure, only acknowledged by a prestigious group of film historians. His cinema has yet to be studied in depth. The ultimate purpose of this article is to contribute towards redressing this omission in the History of Film. KEY WORDS: Rowland Brown–Classical Hollywood cinema–Pre-Code period (1930– 1934)–Quick Millions (1931)–Hell’s Highway (1932)–Blood Money (1933)–gangster genre 1 Carmen Guiralt Gomar: PhD in Art History from the Universidad de Valencia, Bachelor’s Degree in Art History from the same university and Master’s Degree in History and Aesthetics of Film from the Universidad de Valladolid.