Dream and Reality
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Copyright by Gwendolyn Sarah Kirk 2016
Copyright by Gwendolyn Sarah Kirk 2016 The Dissertation committee for Gwendolyn Sarah Kirk certifies that this is the approved version of the following dissertation: Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan Committee: _____________________________ Craig Campbell, Co-Supervisor _____________________________ Elizabeth Keating, Co-Supervisor _____________________________ Kamran Ali _____________________________ Patience Epps _____________________________ Ali Khan _____________________________ Kathleen Stewart _____________________________ Anthony Webster Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan by Gwendolyn Sarah Kirk, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2016 To my parents Acknowledgements This dissertation would not have been possible first and foremost without the kindness and generosity of the filmmakers I worked with at Evernew Studio. Parvez Rana, Hassan Askari, Z.A. Zulfi, Pappu Samrat, Syed Noor, Babar Butt, and literally everyone else I met in the film industry were welcoming and hospitable beyond what I ever could have hoped or imagined. The cast and crew of Sharabi, in particular, went above and beyond to facilitate my research and make sure I was at all times comfortable and safe and had answers to whatever stupid questions I was asking that day! Along with their kindness, I was privileged to witness their industry, creativity, and perseverance, and I will be eternally inspired by and grateful to them. My committee might seem large at seven members, but all of them have been incredibly helpful and supportive throughout my time in graduate school, and each of them have helped develop different dimensions of this work. -
Neo-Vernacularization of South Asian Languages
LLanguageanguage EEndangermentndangerment andand PPreservationreservation inin SSouthouth AAsiasia ed. by Hugo C. Cardoso Language Documentation & Conservation Special Publication No. 7 Language Endangerment and Preservation in South Asia ed. by Hugo C. Cardoso Language Documentation & Conservation Special Publication No. 7 PUBLISHED AS A SPECIAL PUBLICATION OF LANGUAGE DOCUMENTATION & CONSERVATION LANGUAGE ENDANGERMENT AND PRESERVATION IN SOUTH ASIA Special Publication No. 7 (January 2014) ed. by Hugo C. Cardoso LANGUAGE DOCUMENTATION & CONSERVATION Department of Linguistics, UHM Moore Hall 569 1890 East-West Road Honolulu, Hawai’i 96822 USA http:/nflrc.hawaii.edu/ldc UNIVERSITY OF HAWAI’I PRESS 2840 Kolowalu Street Honolulu, Hawai’i 96822-1888 USA © All text and images are copyright to the authors, 2014 Licensed under Creative Commons Attribution Non-Commercial No Derivatives License ISBN 978-0-9856211-4-8 http://hdl.handle.net/10125/4607 Contents Contributors iii Foreword 1 Hugo C. Cardoso 1 Death by other means: Neo-vernacularization of South Asian 3 languages E. Annamalai 2 Majority language death 19 Liudmila V. Khokhlova 3 Ahom and Tangsa: Case studies of language maintenance and 46 loss in North East India Stephen Morey 4 Script as a potential demarcator and stabilizer of languages in 78 South Asia Carmen Brandt 5 The lifecycle of Sri Lanka Malay 100 Umberto Ansaldo & Lisa Lim LANGUAGE ENDANGERMENT AND PRESERVATION IN SOUTH ASIA iii CONTRIBUTORS E. ANNAMALAI ([email protected]) is director emeritus of the Central Institute of Indian Languages, Mysore (India). He was chair of Terralingua, a non-profit organization to promote bi-cultural diversity and a panel member of the Endangered Languages Documentation Project, London. -
E:\2019\Other Books\Final\Darshan S. Tatla\New Articles\Final Articles.Xps
EXPLORING ISSUES AND PROJECTS FOR COOPERATION BETWEEN EAST AND WEST PUNJAB WORLD PUNJABI CENTRE Monographs and Occasional Papers Series The World Punjabi Centre was established at Punjabi University, Patiala in 2004 at the initiative of two Chief Ministers of Punjabs of India and Pakistan. The main objective of this Centre is to bring together Punjabis across the globe on various common platforms, and promote cooperation across the Wagah border separating the two Punjabs of India and Pakistan. It was expected to have frequent exchange of scholarly meetings where common issues of Punjabi language, culture and trade could be worked out. This Monograph and Occasional Papers Series aims to highlight some of the issues which are either being explored at the Centre or to indicate their importance in promoting an appreciation and understanding of various concerns of Punjabis across the globe. It is hoped other scholars will contribute to this series from their respective different fields. Monographs 1. Exploring Possibilities of Cooperation among Punjabis in the Global Context – (Proceedings of the Conference held in 2006), Edited by J. S. Grewal, Patiala: World Punjabi Centre, 2008, 63pp. 2. Bhagat Singh and his Legend, (Papers Presented at the Conference in 2007) Edited by J. S. Grewal, Patiala: World Punjabi Centre, 2008, 280pp. Occasional Papers Series 1. Exploring Issues and Projects For Cooperation between East and West Punjab, Balkar Singh & Darshan S. Tatla, Patiala: World Punjabi Centre, Occasional Papers Series No. 1, 2019 2. Sikh Diaspora Archives: An Outline of the Project, Darshan S. Tatla & Balkar Singh, Patiala: World Punjabi Centre, Occasional Papers Series No. -
Globalisation and Punjabi Identity Globalisation and Punjabi Identity: Resistance, Relocation and Reinvention (Yet Again!)
153 Pritam Singh: Globalisation and Punjabi Identity Globalisation and Punjabi Identity: Resistance, Relocation and Reinvention (Yet Again!) Pritam Singh Oxford Brookes University _______________________________________________________________ Punjabiyat or Punjabi identity evokes simultaneous contradictory images of a splintered identity, yet a potentially powerful economic, political and cultural force. This paper attempts to capture different aspects of this contradictory nature by situating the conflicting pulls on Punjabi identity in the context of the ongoing process of globalisation of economy, politics and culture. One aspect of globalisation that is particularly taken into account is the role of the Punjabi diaspora in giving impetus both to the powerful imagining of a unified Punjabi identity and to many divisions in the global Punjabi community. Methodologically, the paper attempts to fuse mapping the historical lineages of Punjabi identity with an analytical interrogation of the idea of Punjabiyat or Punjabi identity. It concludes by outlining the potential for the emergence of a stronger Punjabi identity in spite of fissures in that identity. _______________________________________________________________ Introduction When thinking and writing about Punjabi identity, it seems we feel compelled immediately to mention one or other of those accompanying words whose purpose seems to be to qualify and problematise the subject of Punjabi identity. These accompanying words could be: examine, interrogate and explore.1 Though all of these words connote some degree of hesitation, each signifies a different nuance of that hesitation. If interrogation suggests some kind of scepticism and examination hints at a neutral stance, exploration certainly has a developmental and optimistic ring about it. Behind different shades of scepticism and optimism lie not only the attempts at objective unwrapping of the limitations and potentialities of Punjabi identity but also the political projects aimed at undoing and making it. -
Majority Language Death
Language Documentation & Conservation Special Publication No. 7 (January 2014) Language Endangerment and Preservation in South Asia, ed. by Hugo C. Cardoso, pp. 19-45 KWWSQÀUFKDZDLLHGXOGFVS 2 http://hdl.handle.net/10125/4600 Majority language death Liudmila V. Khokhlova Moscow University The notion of ‘language death’ is usually associated with one of the ‘endangered languages’, i.e. languages that are at risk of falling out of use as their speakers die out or shift to some other language. This paper describes another kind of language death: the situation in which a language remains a powerful identity marker and the mother tongue of a country’s privileged and numerically dominant group with all the features that are treated as constituting ethnicity, and yet ceases to be used as a means of expressing its speakers’ intellectual demands and preserving the FRPPXQLW\¶VFXOWXUDOWUDGLWLRQV7KLVSURFHVVPD\EHGH¿QHG as the ‘intellectual death’ of a language. The focal point of the analysis undertaken is the sociolinguistic status of Punjabi in Pakistan. The aim of the paper is to explore the historical, economic, political, cultural and psychological reasons for the gradual removal of a majority language from the repertoires of native speakers. 1. P REFACE. The Punjabi-speaking community constitutes 44.15% of the total population of Pakistan and 47.56% of its urban population. 1 13DNLVWDQLVDPXOWLOLQJXDOFRXQWU\ZLWKVL[PDMRUODQJXDJHVDQGRYHU¿IW\QLQHVPDOOHU languages. The major languages are Punjabi (44.15% of the population), Pashto (15.42%), Sindhi -
DT Bonfanti Sara 2015.Pdf
Università degli Studi di Bergamo Scuola di Dottorato in Antropologia ed Epistemologia della Complessità Ciclo XXVII SOCIAL DIVIDES AND TRANSNATIONAL VALUES. EN-GENDERING HOMES IN THE INTERGENERATIONAL NARRATIVES OF PUNJABI DIASPORANS IN NORTHERN ITALY Coordinatore Candidata Chiar.mo Prof. Enrico Giannetto Sara Bonfanti Supervisore Chiar.mo Prof. Bruno Riccio Settore Scientifico-Disciplinare M-DEA/01 Anno Accademico 2014-2015 2 Tables of Contents Abstract ....................................................................................................................................................... 6 Acknowledgments ....................................................................................................................................... 7 Acronyms and Glossary of recurrent Punjabi terms ...................................................................................... 8 Introduction: from personal friendship to authorship, getting into ethnographic design .............................11 PART I Research rationale and methods ....................................................................................................20 Ch. 1 Sensing life in an Italian Punjabi “transnational village” ......................................................................21 1.1 Concepts. Theories of mobility and inequalities .................................................................................22 1.1.1 Transnationalism and Diaspora studies .......................................................................................23 -
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Socialist Studies / Études socialistes 13 (2) Fall 2018 Copyright © 2018 The Author(s) Article OF SUBALTERNS AND SAMMI TREES: ECHOES OF GHADAR IN THE PUNJABI LITERARY MOVEMENT SARA KAZMI Abstract This paper explores how the Ghadar legacy is interpreted by the Punjabi literary movement in Punjab, Pakistan. Putting Ghadar poetry into conversation with the work of these contemporary activists sheds light on unexplored facets of both. It unveils how these writers and thespians invoke Ghadar to subvert the narrow discourse of “Punjabiyat” and ethno-nationalist identity, and allows us to appreciate the politics of language that underpinned Ghadar di Goonj. The intertwining of these histories of literary dissent raises key questions for debates around radical literature and progressive writing in South Asia, by highlighting the role of vernaculars in reading subaltern consciousness and native traditions of revolt. Keywords Ghadar, Punjabi movement, Punjabi, language politics Introduction The air is cold but the sun shines bright onto the mud courtyard. The surrounding walls are neatly scrubbed, mud and thatch, enclosing a group of around 50 women, young and old, with their eyes trained onto a lean man clad in blue, and a vivacious young girl in pink. Some among the audience whisper fervently into each other’s ears, discussing the tale unfolding, others seem a bit confused, if not bored, with their fidgety, frollicky children giving them a hard time concentrating on the dialogue: “He is a Ghadri, he is fighting a war against the English. We have to throw the English out. We want to bring the rule of the poor, remove the hold of the ruling classes, bring back the relations between people, what they make and what they eat.”1 (Syed 2004, 10) A contemporary Punjabi play, Sammi di Vaar is being performed in a small village in Chakwal by the Sangat troupe, the small but active group of intellectuals and artists who constitute a Marxist stream within the Punjabi movement. -
T00031.Pdf (1.176Mb)
Theme of Revolt in the Selected Poems of Pash and Lal Singh Dil Dissertation submitted to the Central University of Punjab For the award of Master of Philosophy in Comparative Literature by Manpreet Kaur Administrative Guide: Prof. Paramjit Singh Ramana Dissertation Coordinator: Dr. Rajinder Kumar Centre for Comparative Literature School of Languages, Literature and Culture Central University of Punjab, Bathinda September, 2012 CERTIFICATE I declare that the dissertation entitled “Theme of Revolt in the Selected Poems of Pash and Lal Singh Dil,” has been prepared by me under the guidance of Prof. Paramjit Singh Ramana, Supervisor, Dean, School of Languages, Literature and Culture and Dr. Rajinder Kumar, Assistant Professor, Centre for Comparative Literature, Central University of Punjab. No part of this dissertation has formed the basis for the award of any degree or fellowship previously. (Manpreet Kaur) Centre for Comparative Literature School of Languages, Literature and Culture, Central University of Punjab, Bathinda-151001. Date: ii ACKNOWLEDGEMENTS From the deepest corners of my heart, I want to my gratitude to the greatest source of inspiration – Almighty. Without His wish, this work would not have ever materialized. Being a student of Punjabi literature, it was not an easy task for me to do research in English language. Today, I want to utter my gratefulness to those persons who have supported me to complete this difficult task. Thanks are due to my supervisor Professor. P. S. Ramana, Dean, School of Languages, Literature and Culture and my dissertation Coordinator Dr. Rajinder Kumar, Assistant Professor, Centre for Comparative Literature. I was fortunate to have such scholars to help and advise me. -
Starting Pages Final
PUNJAB VIDHAN SABHA COMPENDIUM OF WHO'S WHO OF MEMBERS (1937-2017) (Updated till 25-10-2019) w B s n w D v i PUNJAB PUNJAB VIDHAN SABHA SECRETARIAT CHANDIGARH 2020 (i) (ii) Shri V.P. Singh Badnore Hon’ble Governor of Punjab (iii) (iv) Rana K. P. Singh Hon'ble Speaker Punjab Legislative Assembly (v) (vi) Captain Amarinder Singh Hon’ble Chief Minister, Punjab (vii) (viii) Sardar Ajaib Singh Bhatti Hon'ble Deputy Speaker Punjab Legislative Assembly (ix) (x) Sardar Harpal Singh Cheema Leader of the Opposition Punjab Legislative Assembly (xi) Smt. Shashi Lakhanpal Mishra Secretary Punjab Legislative Assembly (xiii) Foreword I take immense pride in presenting this fresh edition of the Compendium of WHO’s WHO of Members of Punjab Legislative Assembly (1937 - 2017) which would briefly give us an insight into the lives of its Members right from the inception of Punjab Legislative Assembly. The readers would surely be enriched in knowledge through the information that this book endeavours to provide about the leaders of Punjab who have represented their people in the past as well as in the present. Therefore, I must record my sincere gratitude and appreciation for the concerted efforts of the Punjab Vidhan Sabha Secretariat for this publication. It is hoped that this volume would be found useful and informative by the men of learning and lay readers alike who have interest in acknowledging the services rendered by the leaders to the people of Punjab. Rana K. P. Singh Speaker Punjab Legislative Assembly (xvi) (xii) kY. AmirMdr isMG mu`K mMqrI, pMjwb Capt.