PRE-READING ACTIVITY Define Family. Then Discuss How Family

Total Page:16

File Type:pdf, Size:1020Kb

PRE-READING ACTIVITY Define Family. Then Discuss How Family PRE-READING ACTIVITY CURRICULUM CONNECTIONS Definefamily . Then discuss how family and Jesse. How does Bea accept their love? first time. Sonia is homesick while in New Forgiveness is another theme in the Bea has to be reminded to “think two steps Bea has a green spiral notebook that lists means different things to different people. Bea’s dad and Jesse both tried to suppress York. Why does this make Bea feel like a novel. Miriam tells Bea, “Everyone but ahead.” (p. 41) Discuss times when Bea “The Things That Will Not Change” Instruct students to write an essay about their sexual orientation when they were failure as a sister? Describe the moment you forgives you.” (p. 191) Discuss what doesn’t think before she acts. Ask students after her parents’ divorce. Ask students the basic characteristics of a family. growing up. Compare how their families when Bea is homesick for her mom, who Bea learns about forgiveness from the to write a short paper that proposes a to write a brief paper that discusses at Correlates with Common Core State Standards in Writing: Text Types feel about their homosexuality. What does lives in the same city. (p. 72) Discuss following characters: Angus, Lizette, possible outcome to one of these incidents least one thing that does change and Bea’s & Purposes W. 4-7.1; Language: Convention of Standard English L. if Bea had followed the advice. acceptance of that change. 4-7.1, 4-7.2; Knowledge of Language L. 4-7.3. their relationship say about the importance whether this helps her understand Sonia. Angelica, Mom, Dad, Jesse, Sheila, of being who you are? and Miriam. Correlates with Common Core State Standards in Writing: Text Types Correlates with Common Core State Standards in Writing: Text Types Cite evidence that Bea’s paternal & Purposes W. 4-7.3; Language: Convention of Standard English L. & Purposes W. 4-7.1; Language: Convention of Standard English L. QUESTIONS FOR GROUP Bea thought she was doing the right thing grandfather was a good father. Discuss why Bea’s mom has an expression, “And then 4-7.1, 4-7.2; Knowledge of Language L. 4-7.3. 4-7.1, 4-7.2; Knowledge of Language L. 4-7.3. DISCUSSION when she secretly sent a wedding invitation her father wants to share with Bea the tapes worse met worst.” (p. 187) Discuss Ask students to write a paper that Bea’s mom makes doing chores fun by to Mission, Jesse’s brother. At what point of his father reading books aloud. There moments when Bea feels that this Explain the purpose of the prologue. interprets the following simile: “I thought have a “working dance party.” Divide does she realize she made a mistake? is one tape where Bea’s dad sings “You Are expression applies to her. How does What does “The Sound of Corn” reveal how my life with Mom and Dad was like the class into small groups and assign Mission does show up, and causes a scene My Sunshine.” How is this scene significant everyone experience this in their lives? about Bea’s father’s relationship with Uncle a room with two big windows and two them a household chore. Ask them to at the wedding. How do Bea’s dad and to the overarching theme of the book? How does Bea overcome her worst Frank? Bea says that she will tell a story different moons.” (p. 94) choreograph a dance for the chore and about “a different me.” Explain how this Jesse manage to make the day a joyful time, Why was Bea unwilling to share this tape moments? What might readers learn from Correlates with Common Core State Standards in Writing: Text Types set it to appropriate music. Then have despite Mission’s behavior? with Sonia? her experiences? & Purposes W. 4-7.1; Language: Convention of Standard English L. foreshadows her growth as a person. them write a description of the dance for a Correlates with Common Core State Standards in Reading Literature: 4-7.1, 4-7.2, L. 4-7.5; Knowledge of Language L. 4-7.3. Discuss how time spent at the lake cabin Why do Bea’s parents send her to a Bea asks Angus what it’s like having Key Ideas & Details RL. 4-7.1, 4-7.3; Craft & Structure RL. 4-7.4, performance called “Household Chores.” changes after Bea’s parents’ divorce. What counselor? She is a little uncomfortable a sister. He answers, “It’s like there’s 4-7.6; Speaking & Listening: Comprehension & Collaboration SL. Ask students to write a paragraph that Correlates with Common Core State Standards in Writing: Production 4-7.1, 4-7.3; Language: Convention of Standard English L. 4-7.1; & Distribution of Writing W. 4-7.4. makes Bea miss her mom? Her relationship with Miriam, the counselor, in the someone else in my boat. Someone I don’t Knowledge of Language L. 4-7.3. explains the dedication: “For every kid have to explain things to.” (p. 136) What with her cousin Angelica is changing. beginning. At what point does Bea begin who sees two moons.” After a bat is found in their apartment, is Angus referring to when he says “my Correlates with Common Core State Standards in Writing: Text Types Debate whether this is simply because to trust her? Bea is a worrier. What does Bea and her mom have to get a series of boat”? Bea desperately wants to be a sister & Purposes W. 4-7.1; Language: Convention of Standard English L. the girls are growing up. How is their she worry about? How does Miriam help 4-7.1, 4-7.2; Knowledge of Language L. 4-7.3. rabies shots. Ask students to find out to Sonia. How are their boats different? relationship different at the end of Bea cope with her worrying? What other about rabies: how it is transmitted, its What do they have in common? Angus Jesse says, “If you think about it, Bea, life the novel? important things does Bea learn from symptoms, and the medical care required Miriam? Discuss whether Bea needs says, “[My sister] doesn’t know what is like a trip. A very long one. And what How does Bea describe her relationship to treat it. Create a brochure about rabies Miriam by the end of the novel. it’s like to be me, but she knows a lot of matters most is the people you travel with.” with her parents? Discuss how Bea has that Dr. Thomas might give to Bea to help reasons why I am me.” (p. 137) How does (p. 209) Ask students to write a paper a different set of rules in each home. Bea tells us, “Dad says I wear my heart on understand why she needs the shots. this statement help Bea understand the that describes Bea’s trip so far. Include a What might Bea say are the pros and my sleeve.” (p. 32) Explain what he means. The following website is helpful: cdc.gov role of siblings? discussion of her travel companions. cons of living in two places? Why is it Cite examples from the novel that support /rabies/index.html. Correlates with Common Core State Standards in Writing: Text Types sometimes confusing? Discuss whether this his assessment. Miriam tells Bea, “Feelings & Purposes W. 4-7.1; Language: Convention of Standard English L. Correlates with Common Core State Standards in Writing: Text Types 4-7.1, 4-7.2, L. 4-7.5; Knowledge of Language L. 4-7.3. & Purposes W. 4-7.2, Research to Build & Present Knowledge W. arrangement is to accommodate Bea or are sometimes like big dogs. Sometimes 4-7.7, 4-7.9; Language: Conventions of Standard English L. 4-7.1; her parents. they drag you around a little.” (p. 36) What Knowledge of Language L. 4-7.3. feelings drag Bea around? How does she Love is a central theme in the novel. Bea learn to manage her feelings? says that her mom and dad still love each other. How is their love different from when Bea is very excited that Jesse has a daughter they were married? Explain how their love her age. Discuss why Miriam encourages for each other makes their divorce easier for Bea to think about how it might feel for Bea. Describe the love between Bea’s dad Sonia when she comes to New York for the Art © 2019 by Christopher Silas Neal The List of Things That Will Not Change VOCABULARY/USE OF LANGUAGE Educators’ Guide The vocabulary in the novel isn’t difficult, but students should be encouraged to jot down unfamiliar words and try to define them, using clues from the context. Such words may include: humiliating (p. 44), fundamental (p. 69), garnish (p. 99), calligraphy (p. 106), and ABOUT THE BOOK karma (p. 200). Bea is eight years old when her parents Correlates to Common Core State Standards in Language: Vocabulary Acquisition & Use L. 4-7.4. call a family meeting and tell her they are getting a divorce. Some things in her life INTERNET RESOURCES will be different, but there are things that kidshealth.org/en/kids/eczema.html will never change. One of those things is Information about eczema that her parents love her, and each other. Another thing that doesn’t change is that cdc.gov/childrensmentalhealth/index.html Bea is a worrier. Her parents feel that with Childhood mental disorders, symptoms, and treatments the guidance of a counselor, Bea can learn aacap.org/AACAP/Families_and_Youth/Facts_for_Families/FFF-Guide/Children%20 coping skills.
Recommended publications
  • Tolono Library CD List
    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
    [Show full text]
  • Stella Van Meersbergen Thesis Final Version
    !1 Contesting stereotypes and norms in African-American popular culture Representations of race, (homo)sexuality and fluidity within Baldwin’s Tell Me How Long the Train’s Been Gone (1968), Barry Jenkins’ Moonlight (2016) and Frank Ocean’s “Pyramids” and “Nikes”. MA Thesis in Literary Studies: Literature, Culture and Society Graduate School for Humanities Universiteit van Amsterdam By: Stella van Meersbergen 10355987 Supervisor: dr. H.H. (Hanneke) Stuit Second reader: dr. S. (Suze) van der Poll June, 2018 !2 Table of contents 1. Introduction…………………………………………………………………………….. 3 - 9 2. Fluidity of Identity in James Baldwin’s Tell Me How Long the Train’s Been Gone (1968)…………………………………………………………………………………….10-20 2.1. The general consensus……………………………………………………………10-13 2.2. Meeting the norm: Leo and Barbara……………………………………………..13-14 2.3. Double oppression: Sexuality and race………………………………………….14-16 2.4. Heteronormative desire: Leo and Madeleine……………………………………16 2.5. Contesting the norm: Leo and Christopher…………………………………….. 17-18 2.6. Fluidity as a defense and power mechanism……………………………………18-19 3. Appropriation and mimicry within Moonlight (2016)……………………………..21-32 3.1. Imposed identity…………………………………………………………………….23-26 3.2. Changing identity……………………………………………………………………26-27 3.3. Black and Blue: Mimicking identity………………………………………………..27-31 4. Contesting the genre: Fluidity in Frank Ocean’s lyrics and videos…………….33-45 4.1. Affirming stereotypes in “Pyramids”……………..………………………………..35-38 4.2. Contesting stereotypes in “Nikes”……………..………………………………….38-40 5. Conclusion………………………………………………………………………………..42-45 Bibliography !3 Introduction In the last five years, African-American literature has been more visible than before, and these narratives are being portrayed in different media. This might be a response to the political issues regarding racial injustice and inequality in the USA which are being high- lighted through news outlets as well as popular culture.
    [Show full text]
  • Keyshia Cole Where This Love Could End up Free Mp3 Download
    Keyshia cole where this love could end up free mp3 download MP3 Songs: Keyshia Cole-Where This Love Could End Up. Love keyshia cole - Just practice., got a lil rocky towards the end Download Just practice., got. Watch the video, get the download or listen to Keyshia Cole – Where This Love Could End Up for free. Where This Love Could End Up appears on the album A. Song / Music / Video with title/name Chippettes Sing Keyshia Cole's Where This Love Could End Up is delivered from Youtube and maybe containing a videos. Where This Love Mp3 Download Duration: - Source: youtube - FileType: mp3 - Bitrate: Kbps Keyshia Cole - Where This Love Could End Up. KEYSHIA COLE WHERE THIS LOVE COULD END UP MP3 Download ( MB), Video 3gp & mp4. List download link Lagu MP3 KEYSHIA COLE WHERE. Download Keyshia Where This Love Could End Up Mp3, 19 songs are ready for you to By downloading this mp3 song you are agree with our terms and conditions, This Love Could End 3 and enjoy our free mp3 download service! Where This Love Could End Up In The Style Of Keyshia Cole Karaoke Version. Keyshia Cole Ft Nas: Oh-Oh Yeah Yeah 3 Keyshia Cole - Enough Of No Love ft Lil 3 Keyshia Cole - Where This Love Could End 3. Title Where This Love Could End Up Artist Keyshia Cole Album A Different Me (), Track 13 (Keyshia. Buy Where This Love Could End Up (Album Version): Read Digital Music Reviews Start your day free trial of Unlimited to listen to this song plus tens of.
    [Show full text]
  • Title "Stand by Your Man/There Ain't No Future In
    TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan.
    [Show full text]
  • Pdf, 639.57 KB
    00:00:00 Music Music “Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton. A jaunty, upbeat instrumental. 00:00:09 Ross Host Hello! And welcome to Oh No Ross and Carrie—the show where Blocher we don’t just report on fringe science, spirituality, and claims of the paranormal, but we take part ourselves! 00:00:17 Carrie Host Yep! When they make the claims, we show up, so you don’t have Poppy to. I’m Ross Blocher. 00:00:21 Ross Host And I’m… Carrie Poppy. 00:00:23 Carrie Host [Laughs.] Begrudgingly. 00:00:25 Ross Host Well, now I’m gonna get it. 00:00:26 Crosstalk Crosstalk Ross: You know, “You are not Carrie Poppy!” Carrie: From that one little girl. [They laugh.] 00:00:29 Ross Host You know, I think—I think it happened once before camp, and she just resumed right where she left off. 00:00:34 Carrie Host [Laughing.] Ooh, okay. 00:00:36 Ross Host “You are not Carrie Poppy!” 00:00:37 Carrie Host I’ll be honest, this is not the episode for that little girl, anyway. 00:00:40 Ross Host A fair point. Well, actually—that’s a—that’s a good transition. So, we’re—in this episode, we’re very excited. [Carrie agrees.] We’ve got an interview guest that we hinted at that we might have. Isis Aquarian. 00:00:52 Carrie Host Isis was the archivist and historian and a ranking member of the Source family. 00:00:57 Ross Host You may have listened to our episode on the Source family reunion dinner, held at Gratitude in Beverly Hills.
    [Show full text]
  • NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
    January 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on The Music Business Looks Forward: 5 Social Media Predictions For 2012 The President’s Corner By Shore Fire Media via Hypebot.com Happy New Year everyone! In the last year, the music industry shifted from cautiously Those of you who attended our annual CCC Holiday Party at Café experimenting with social media, to recognizing it as a necessary part of Cordiale were treated to great food, great conversation and rousing every marketing strategy, from the smallest bands to the biggest brands. entertainment courtesy of Chris Saranec and his accordion. I’d like to It’s an exciting time. The tools and strategies we use daily shift at thank all of you who came and supported the CCC’s scholarship fund by bidding at our silent auction. Thanks to you, we were able to fund lightning speed. As a PR firm Shore Fire Media is focused on tracking our scholarship program for another year. Special thanks to those of this constant evolution. In the spirit of this inquiry, we asked music you who provided items for the auction and to our party planner industry insiders and social media experts what they see for the future of extraordinaire Teri Nelson Carpenter for organizing the event. social media. From a focus on mobile, to social listening, to the demise social media as we know it, here are predictions that will help guide us Tonight’s panel takes our usual film & TV panel and turns it on its through 2012.
    [Show full text]
  • Playa Cardz Right Keyshia Cole Ft 2Pac Lyrics
    Playa cardz right keyshia cole ft 2pac lyrics Playa Cardz Right Lyrics: Wassup, boo? Yeah / Hahahaha, yeah / Another shady Featuring 2Pac [Interlude: 2Pac + (Keyshia Cole)] You got to play your. "Playa Cardz Right (Female)" (feat. Keyshia Cole). [2Pac:] Wassup, boo? Yeah Hahahaha, yeah [2pac:] Another shady mission. Tricks, like watching pictures in. [2Pac] What's up boo. Ha ha ha ha. Yeah Another shady mission. Tricks Like watching pictures in hazy vision. Tonight is love making. Take you any place you. Music video by Keyshia Cole performing Playa Cardz Right. (C) Geffen Keyshia Cole - Playa Cardz. Lyrics to 'Playa Cardz Right' by Keyshia Cole. (feat. 2Pac) / (Forever) / You gotta play your cards right (oooh yeah) / Can't be rushing like it's a race you. Lyrics to 'Playa Cardz Right' by 2Pac. another shady mission / tricks / like watching pictures in hazey visions / tonight is loving making take you any place. Lyrics of PLAYA CARDZ RIGHT (FEMALE) by 2Pac feat. Keyshia Cole: (Verse One Tupac), What's up boo, Ha ha ha ha, Yeah, Another shady. Lyrics of PLAYA CARDZ RIGHT by Keyshia Cole feat. 2Pac: Verse 1 2Pac, Wassup boo (Ha ha yea), Another shady mission tricks like. Songtekst van 2pac met Playa Cardz Right (Female) (feat. Keyshia Cole) kan je hier vinden op Playa Cardz Right (Female) Songtext von 2Pac feat. Keyshia Cole mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf. Full and accurate LYRICS for "Playa Cardz Right" from "Keyshia Cole feat. 2Pac": Verse 1 2Pac, Wassup boo (Ha ha yea), Another shady mission tricks like.
    [Show full text]
  • Download Transcript (PDF)
    Tracy Daugherty Oral History Interview, June 2, 2015 Title “A Citizen, Novelist and Biographer at OSU” Date June 2, 2015 Location Valley Library, Oregon State University. Summary In the interview, Daugherty provides an overview up his upbringing in west Texas, including the role that his grandfather played in his love of literature, and his own early interests in astronomy and drumming. From there he charts his path as a student, discussing his decision to pursue both bachelor's and master's degrees at Southern Methodist University, and the vibrant literary culture that thrived at SMU during those years. He then recalls his Ph.D. studies at the University of Houston and, in particular, the crucial role that his mentor, Donald Barthelme, played in his growth as a writer. He likewise notes his early use of a manual typewriter to compose texts while a graduate student and the differences in his creative process that arose out of the introduction of computers to his work. The session next turns its attention to Daugherty's experiences at Oregon State, and as part of this conversation Daugherty recalls his initial interview for the OSU position, his first impressions of the university, his duties as a junior faculty member, and colleagues who became important to him as his career progressed. He likewise recounts the lengthy process by which OSU was able to establish its Master of Fine Arts program in Creative Writing, and provides a broader perspective on the gradual blossoming of a strong literary culture on campus and in the community. In its final third, the interview focuses more intently on Daugherty's teaching and writing.
    [Show full text]
  • The Tim Ferriss Show Transcripts Episode 124: Jamie Foxx Show Notes and Links at Tim.Blog/Podcast
    The Tim Ferriss Show Transcripts Episode 124: Jamie Foxx Show notes and links at tim.blog/podcast Tim Ferriss: Jamie, welcome to the show. Jamie Foxx: Man, thanks buddy. Tim Ferriss: I am so excited to be here. I'm admiring your setup, here. Jamie Foxx: Crazy, right? Tim Ferriss: This is where the magic happens. Jamie Foxx: To be honest with you, a lot of magic happens here. For the people that are listening, we are actually in my studio, my home studios. Studios – we’re talking about tech world. Studios, because of tech world, a lot of them dissipated in closed doors. Because if you think about when LMFAO came around, they didn’t need studios. They did all of their music on a laptop, flying from here to Germany or whatever like that and just dumped it onto – just pressed up the CD or the iTunes. So studios have almost become obsolete. But there’s something very interesting about this studio. First, just for people that are listening, this studio – and I'll describe it – it’s sort of plush, the carpet’s great, we can sit next to a grand piano. You hear the grand piano? [Plays piano] So we keep a grand piano around just to make sure we don’t get too techy. But what’s interesting about it is, it’s actually electric. But it’s an electric grand piano so we still have the wood to give you that warm sound. I think it makes a lot of sense because as music starts to progress, because of the way we record now, sometimes you lose a little bit of the heart of it.
    [Show full text]
  • The Molloy Student Literary Magazine Volume 13
    Molloy College DigitalCommons@Molloy The oM lloy Student Literary Magazine English 2015 The olM loy Student Literary Magazine Volume 13 Damian Hey Ph.D. Molloy College, [email protected] Emily Cruz Chloe Chappa Katy Mormino Sammi Messina See next page for additional authors Follow this and additional works at: https://digitalcommons.molloy.edu/eng_litmag Part of the Fiction Commons, Nonfiction Commons, and the Poetry Commons DigitalCommons@Molloy Feedback Recommended Citation Hey, Damian Ph.D.; Cruz, Emily; Chappa, Chloe; Mormino, Katy; Messina, Sammi; Kaczmarczyk, Eve; Windle, Taylor; Ostapiuk, Joseph; Daly, Helen; Spotkov, Lauren; Abdo, Caitlin; Bissex, Theresa Mary; and Gutierrez, Alyssa, "The oM lloy Student Literary Magazine Volume 13" (2015). The Molloy Student Literary Magazine. 3. https://digitalcommons.molloy.edu/eng_litmag/3 This Book is brought to you for free and open access by the English at DigitalCommons@Molloy. It has been accepted for inclusion in The oM lloy Student Literary Magazine by an authorized administrator of DigitalCommons@Molloy. For more information, please contact [email protected],[email protected]. Authors Damian Hey Ph.D., Emily Cruz, Chloe Chappa, Katy Mormino, Sammi Messina, Eve Kaczmarczyk, Taylor Windle, Joseph Ostapiuk, Helen Daly, Lauren Spotkov, Caitlin Abdo, Theresa Mary Bissex, and Alyssa Gutierrez This book is available at DigitalCommons@Molloy: https://digitalcommons.molloy.edu/eng_litmag/3 The Molloy Student Literary Magazine Volume 13 (2015-2016) Managing Editor Damian Ward Hey, Ph.D. English Department; [email protected] ____________________________________ Student Executive and Editorial Board Maiya Kasprzyk, President Justin Mahabir, Vice-President Ana Godsell, Treasurer Erika Sullivan, Secretary Given sufficient content, The Molloy Student Literary Magazine is published twice a year in Spring and Fall.
    [Show full text]
  • So Grows the Forest: Reconceptualizing Rural Education Through Significant Memories, Epiphanic Moments, and Critical Conversations in a Post-Reconceptualist Era
    MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Peggy Sue Larrick Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Thomas S. Poetter, Director ______________________________________ Dr. Denise Taliaferro-Baszile, Reader ______________________________________ Dr. Joel Malin, Reader ______________________________________ Dr. Sheri Leafgren, Graduate School Representative ABSTRACT SO GROWS THE FOREST: RECONCEPTUALIZING RURAL EDUCATION THROUGH SIGNIFICANT MEMORIES, EPIPHANIC MOMENTS, AND CRITICAL CONVERSATIONS IN A POST-RECONCEPTUALIST ERA by Peggy S. Larrick In this project, I engage in pedagogical research, through self-study, situated in time, space, and place, and work toward reconceptualizing curriculum in which poor, rural, elementary students can unlearn and disrupt constructs of structural racism. I return to the past to explore my own educational experiences in which I failed to acknowledge what it meant to be white in a rural place that is predominantly white. I suggest that miseducation (Woodson, 1933/2010) occurs in rural places but goes unnoticed because of an unexamined commitment to white supremacist patriarchal systems of schooling (hooks, 1994). I engage in a personal healing process by drawing on Critical Race Feminist currere (Baszile, 2015) and place-based pedagogy (Gruenwald, 2003a, 2003b). This healing predicates and includes a personal dialogue with self about the intersection of race, class, and gender in predominantly
    [Show full text]
  • Paint It Black
    EQUITY RESEARCH | October 4, 2016 MUSIC IN THE AIR PAINT IT BLACK Avoiding the prisoner’s dilemma and assessing the risks to music’s UBLE DO M nascent turnaround ALBU The complicated web of competing interests in the music industry poses a threat to the budding turnaround that we expect to almost double global music revenue over the next 15 years. In this second of a “double album“ on the music industry’s return to growth, we assess the risks and scenarios that could derail our thesis, from the risk of “windowing” and exclusivity turning off fans to an acceleration in declines for physical CDs and downloads that would come too fast for streaming to fill the void in the near term. Lisa Yang Heath P. Terry, CFA Masaru Sugiyama Simona Jankowski, CFA Heather Bellini, CFA +44(20)7552-3713 (212) 357-1849 +81(3)6437-4691 (415) 249-7437 (212) 357-7710 lisa.yang@ gs.com heath.terry@ gs.com masaru.sugiyama@ gs.com simona.jankowski@ gs.com heather.bellini@ gs.com Goldman Sachs Goldman, Sachs & Co. Goldman Sachs Goldman, Sachs & Co. Goldman, Sachs & Co. International Japan Co., Ltd. Goldman Sachs does and seeks to do business with companies covered in its research reports. As a result, investors should be aware that the firm may have a conflict of interest that could affect the objectivity of this report. Investors should consider this report as only a single factor in making their investment decision. For Reg AC certification and other important disclosures, see the Disclosure Appendix, or go to www.gs.com/research/hedge.html.
    [Show full text]