The Molloy Student Literary Magazine Volume 13
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The Molloy Student Literary Magazine Volume 9
Molloy College DigitalCommons@Molloy The oM lloy Student Literary Magazine English Spring 2013 The olM loy Student Literary Magazine Volume 9 Damian Hey Ph.D. Molloy College, [email protected] Stephen DiGiorgio Suzy Domanico Peter Davis Amanda DeVivo See next page for additional authors Follow this and additional works at: https://digitalcommons.molloy.edu/eng_litmag Part of the Fiction Commons, Nonfiction Commons, and the Poetry Commons DigitalCommons@Molloy Feedback Recommended Citation Hey, Damian Ph.D.; DiGiorgio, Stephen; Domanico, Suzy; Davis, Peter; DeVivo, Amanda; Drennan, Alexis; Elliot, John; Oliva, Christine; Smith, Roger; and Williams, Travis G., "The oM lloy Student Literary Magazine Volume 9" (2013). The Molloy Student Literary Magazine. 1. https://digitalcommons.molloy.edu/eng_litmag/1 This Book is brought to you for free and open access by the English at DigitalCommons@Molloy. It has been accepted for inclusion in The oM lloy Student Literary Magazine by an authorized administrator of DigitalCommons@Molloy. For more information, please contact [email protected],[email protected]. Authors Damian Hey Ph.D., Stephen DiGiorgio, Suzy Domanico, Peter Davis, Amanda DeVivo, Alexis Drennan, John Elliot, Christine Oliva, Roger Smith, and Travis G. Williams This book is available at DigitalCommons@Molloy: https://digitalcommons.molloy.edu/eng_litmag/1 The Molloy Student Literary Magazine Volume 9 (Spring 2013) Managing Editor Damian Ward Hey, Ph.D. English Department; [email protected] ____________________________________ Student Executive and Editorial Board Travis G. Williams, President Bobby Edjamian, Vice-President Maham Khan, Treasurer Elizabeth Horun, Secretary Given sufficient content, The Molloy Student Literary Magazine is published twice a year in Spring and Fall. -
Good Samaritan Hospital Medical Center
Good Samaritan Hospital Medical Center Community Health Needs Assessment and Improvement Plan 2019-2021 Approved by the Board of Directors December 18, 2019 1000 Montauk Highway West Islip, NY 11795 • (631) 376-4444 www.good-samaritan-hospital.org Good Samaritan Hospital Medical Center Suffolk County Community Health Needs Assessment and Improvement Plan 2019-2021 Suffolk County Department of Health Services James L. Tomarken, MD, MPH, MBA, MSW, Commissioner of Health 3500 Sunrise Highway, Suite 124 P.O. Box 9006 Great River, New York 11739-9006 (631) 854-0100 Catholic Health Services of Long Island Good Samaritan Hospital Medical Center 1000 Montauk Hwy., West Islip, NY 11795 St. Catherine of Siena Medical Center 50 NY-25A, Smithtown, NY 11787 St. Charles Hospital 200 Belle Terre Rd, Port Jefferson, NY 11777 Northwell Health System Huntington Hospital 270 Park Ave., Huntington, NY 11743 Mather Hospital 75 N. Country Rd., Port Jefferson, NY 11777 Peconic Bay Medical Center 1300 Roanoke Ave. Riverhead, NY 11901 Southside Hospital 301 E. Main Street, Bay Shore, NY 11706 Stony Brook Medicine Stony Brook Southampton Hospitals 240 Meeting House Ln, Southampton, NY 11968 Stony Brook University Hospital 101 Nicolls Rd, Stony Brook, NY 11794 Eastern Long Island Hospital 201 Manor Pl, Greenport, NY 11944 Long Island Community Hospital 101 Hospital Road, Patchogue, NY 11772 Stony Brook University Hospital 101 Nicolls Rd, Stony Brook, NY 11794 Veterans Affairs Medical Center 79 Middleville Rd, Northport, NY 11768 Coalition: The Long Island Health Collaborative (LIHC) LIHC is a coalition funded by the New York State Department of Health through the Population Health Improvement Program grant. -
|||GET||| Three Novels Molloy, Malone Dies, the Unnamable 1St Edition
THREE NOVELS MOLLOY, MALONE DIES, THE UNNAMABLE 1ST EDITION DOWNLOAD FREE Samuel Beckett | 9780802144478 | | | | | Molloy, Malone Dies, The Unnamable About this Item: Paris, Les Editions de minuit, Like all of us, at that final moment, we will have unfinished acts. May 13, Dan rated it it was amazing. What does it MEAN? This book is bigger than me. Samuel Barclay Beckett was an Irish avant-garde novelist, playwright, theatre director, and poet, who lived in France for most of his adult life. And I am perhaps confusing several different occasions, and different times, deep down, and deep down is my dwelling, oh not deepest down somewhere between the mud and the scum. Seller Inventory mon So, I might as well add it as a read book and add a point in my Goodreads' Reading Challenge. Trivia About Molloy, Malone Di Three the Unnamable 1st edition. In his later years he suffered from cataracts and emphysema. In fact, language along, of course, with technology, but some c Language is a real son of a bitch. Thus, Moran forsakes reality, beginning to descend into the command of this "voice" which may in fact mark the true creation of Molloy. By the ending, Macmann is taken with other patients on a charity trip set up by a rich patron. I think this is his greatest achievement, and I'm a huge fan of the plays and the other w actually, i'm not reading it, but re-reading it This trilogy is really the heart of Malone Dies writing. About the Unnamable 1st edition Item: Grove Press, Sometimes, being left to one's own thoughts can be a frightening experience. -
Molloy and Beckett's Estranged Relationship with Ireland
Colby Quarterly Volume 36 Issue 3 September Article 5 September 2000 "A Country That Called Itself His": Molloy and Beckett's Estranged Relationship with Ireland Jude R. Meche Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 36, no.3, September 2000, p.226-241 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Meche: "A Country That Called Itself His": Molloy and Beckett's Estrange "A Country That Called ItselfHis": Molloy and Beckett's Estranged Relationship with Ireland by JUDE R. MECHE The device common to the poets of the Revival and after, in the use of which even beyond the jewels of language they are at one, is that of flight from self awareness.... At the centre there is no theme. Why not? Because the centre is simply not that kind of girl, and no more about it. ... The [Revival] poem of poems would embrace the sense of confinement, the getaway, the vicissitudes of the road, the wan bliss of the rim. Samuel Beckett, "Recent Irish Poetry" (71) HROUGHOUT MOST of his critical reception, scholars and critics have asso Tciated Samuel Beckett with continental Europe and with an international, cosmopolitan art. 1 Indeed, his subject matter-encompassing attempted escapes from self-awareness, suggestions of confinement (both physical and intellectual), and the ever-present desire for escape and freedom (even from the necessity of living)-has historically led critics to an understanding of Beckett as an Existentialist writer or as a member of Martin Esslin's transna tional Theatre of the Absurd. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Stella Van Meersbergen Thesis Final Version
!1 Contesting stereotypes and norms in African-American popular culture Representations of race, (homo)sexuality and fluidity within Baldwin’s Tell Me How Long the Train’s Been Gone (1968), Barry Jenkins’ Moonlight (2016) and Frank Ocean’s “Pyramids” and “Nikes”. MA Thesis in Literary Studies: Literature, Culture and Society Graduate School for Humanities Universiteit van Amsterdam By: Stella van Meersbergen 10355987 Supervisor: dr. H.H. (Hanneke) Stuit Second reader: dr. S. (Suze) van der Poll June, 2018 !2 Table of contents 1. Introduction…………………………………………………………………………….. 3 - 9 2. Fluidity of Identity in James Baldwin’s Tell Me How Long the Train’s Been Gone (1968)…………………………………………………………………………………….10-20 2.1. The general consensus……………………………………………………………10-13 2.2. Meeting the norm: Leo and Barbara……………………………………………..13-14 2.3. Double oppression: Sexuality and race………………………………………….14-16 2.4. Heteronormative desire: Leo and Madeleine……………………………………16 2.5. Contesting the norm: Leo and Christopher…………………………………….. 17-18 2.6. Fluidity as a defense and power mechanism……………………………………18-19 3. Appropriation and mimicry within Moonlight (2016)……………………………..21-32 3.1. Imposed identity…………………………………………………………………….23-26 3.2. Changing identity……………………………………………………………………26-27 3.3. Black and Blue: Mimicking identity………………………………………………..27-31 4. Contesting the genre: Fluidity in Frank Ocean’s lyrics and videos…………….33-45 4.1. Affirming stereotypes in “Pyramids”……………..………………………………..35-38 4.2. Contesting stereotypes in “Nikes”……………..………………………………….38-40 5. Conclusion………………………………………………………………………………..42-45 Bibliography !3 Introduction In the last five years, African-American literature has been more visible than before, and these narratives are being portrayed in different media. This might be a response to the political issues regarding racial injustice and inequality in the USA which are being high- lighted through news outlets as well as popular culture. -
Krapp, the Wearish Post-Modern Man: Beckett's Archetypal Figure of the Theater of the Absurd
IRWLE VOL. 6 No. II July 2010 1 Krapp , the Wearish Post-Modern Man: Beckett’s Archetypal Figure of The Theater of the Absurd - Farideh Pourgiv and Marjan Shokouhi Krapp’s Last Tape , Beckett’s dramatic work of the 1958 is still performed and analyzed today. The last major production of it was performed by Harold Pinter at Royal Court Theater in October 2006. The reason behind its success as a still-performing play besides other major productions of the century is not its having anything new to discuss. In fact, the theme and characterization as well as staging and dialogue are quite Beckettian, that is to say typical. And it also shares affinities with the other major productions of the Theater of the Absurd. Yet, the reason for its dominance over half a century is the same typical qualities which are however highlighted in this play perhaps more significantly than the others, the same qualities which make Krapp the archetypal figure of Beckett’s version of the Theater of the Absurd. An archetypal figure, Krapp serves as a pattern for all major Beckettian characters. “A wearish old man”, we read in the first paragraph of the play, “very near-sighted” and “hard of hearing” ( Krapp , 1989: 55). Therefore he has some physical defects like other characters in Beckett’s drama. He also has problem with his constipation as his name implies. Didi has problem with his kidneys and Gogo with his boots. Hamm is blind; Pozzo also becomes blind in a scene. Lucky is numb. Nag and Nell are legless and kept in dustbins. -
Keyshia Cole Where This Love Could End up Free Mp3 Download
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Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Pdf, 639.57 KB
00:00:00 Music Music “Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton. A jaunty, upbeat instrumental. 00:00:09 Ross Host Hello! And welcome to Oh No Ross and Carrie—the show where Blocher we don’t just report on fringe science, spirituality, and claims of the paranormal, but we take part ourselves! 00:00:17 Carrie Host Yep! When they make the claims, we show up, so you don’t have Poppy to. I’m Ross Blocher. 00:00:21 Ross Host And I’m… Carrie Poppy. 00:00:23 Carrie Host [Laughs.] Begrudgingly. 00:00:25 Ross Host Well, now I’m gonna get it. 00:00:26 Crosstalk Crosstalk Ross: You know, “You are not Carrie Poppy!” Carrie: From that one little girl. [They laugh.] 00:00:29 Ross Host You know, I think—I think it happened once before camp, and she just resumed right where she left off. 00:00:34 Carrie Host [Laughing.] Ooh, okay. 00:00:36 Ross Host “You are not Carrie Poppy!” 00:00:37 Carrie Host I’ll be honest, this is not the episode for that little girl, anyway. 00:00:40 Ross Host A fair point. Well, actually—that’s a—that’s a good transition. So, we’re—in this episode, we’re very excited. [Carrie agrees.] We’ve got an interview guest that we hinted at that we might have. Isis Aquarian. 00:00:52 Carrie Host Isis was the archivist and historian and a ranking member of the Source family. 00:00:57 Ross Host You may have listened to our episode on the Source family reunion dinner, held at Gratitude in Beverly Hills. -
Hartnett Dissertation
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Recorded Objects: Time-Based Technologically Reproducible Art, 1954-1964 A Dissertation Presented by Gerald Hartnett to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Art History and Criticism Stony Brook University August 2017 Stony Brook University 2017 Copyright by Gerald Hartnett 2017 Stony Brook University The Graduate School Gerald Hartnett We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Andrew V. Uroskie – Dissertation Advisor Associate Professor, Department of Art Jacob Gaboury – Chairperson of Defense Assistant Professor, Department of Art Brooke Belisle – Third Reader Assistant Professor, Department of Art Noam M. Elcott, Outside Reader Associate Professor, Department of Art History, Columbia University This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation Recorded Objects: Time-Based, Technologically Reproducible Art, 1954-1964 by Gerald Hartnett Doctor of Philosophy in Art History and Criticism Stony Brook University 2017 Illuminating experimental, time-based, and technologically reproducible art objects produced between 1954 and 1964 to represent “the real,” this dissertation considers theories of mediation, ascertains vectors of influence between art and the cybernetic and computational sciences, and argues that the key practitioners responded to technological reproducibility in three ways. First of all, writers Guy Debord and William Burroughs reinvented appropriation art practice as a means of critiquing retrograde mass media entertainments and reportage. -
NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
January 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on The Music Business Looks Forward: 5 Social Media Predictions For 2012 The President’s Corner By Shore Fire Media via Hypebot.com Happy New Year everyone! In the last year, the music industry shifted from cautiously Those of you who attended our annual CCC Holiday Party at Café experimenting with social media, to recognizing it as a necessary part of Cordiale were treated to great food, great conversation and rousing every marketing strategy, from the smallest bands to the biggest brands. entertainment courtesy of Chris Saranec and his accordion. I’d like to It’s an exciting time. The tools and strategies we use daily shift at thank all of you who came and supported the CCC’s scholarship fund by bidding at our silent auction. Thanks to you, we were able to fund lightning speed. As a PR firm Shore Fire Media is focused on tracking our scholarship program for another year. Special thanks to those of this constant evolution. In the spirit of this inquiry, we asked music you who provided items for the auction and to our party planner industry insiders and social media experts what they see for the future of extraordinaire Teri Nelson Carpenter for organizing the event. social media. From a focus on mobile, to social listening, to the demise social media as we know it, here are predictions that will help guide us Tonight’s panel takes our usual film & TV panel and turns it on its through 2012.