Jazzweek with Airplay Data Powered by Jazzweek.Com • August 9, 2010 Volume 6, Number 36 • $7.95
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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
2019 Breeze Show Choir Catalog
Previously Arranged Titles (updated 3/6/19) Specific details about each arrangement (including audio samples) are available at https://breezetunes.com . The cost for each is $300 ($200 if using rhythm section only). The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** To place an order, please e-mail [email protected] . Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Voice parts can also be reduced or simplified for smaller ensembles. • Adjustments often need to be made if you want to use a previously arranged title in a different show function than it was originally intended. This is especially true of arrangements written as a costume change or a transition number. I am more than happy to consult and make sure a previously arranged title fits with your show design. • Please communicate with me if your band instrumentation changes dramatically during the season, especially when it comes to horn players. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
Musical Worship As a Pentecostal Sacrament: Toward a Soteriological Liturgy Richard I
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 Musical Worship as a Pentecostal Sacrament: Toward a Soteriological Liturgy Richard I. Griggs Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, and the Music Commons Recommended Citation Griggs, Richard I., "Musical Worship as a Pentecostal Sacrament: Toward a Soteriological Liturgy" (2017). Selected Honors Theses. 64. http://firescholars.seu.edu/honors/64 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. MUSICAL WORSHIP AS A PENTECOSTAL SACRAMENT: TOWARD A SOTERIOLOGICAL LITURGY by Richard Isaac Griggs Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 Griggs – Musical Worship as a Pentecostal Sacrament © Copyright by Richard Griggs 2017 All Rights Reserved 2 Griggs – Musical Worship as a Pentecostal Sacrament Dedication This thesis is dedicated to the incredible faculty of the College of Christian Ministries and Religion. Without your support and encouragement, I would never have been able to accomplish a work like this. Thank you for challenging me. Thank you for sticking with me through my hard questions, my doubts, and my disappointments. Thank you for seeing the call of God in each of your students and for drawing the best out of us. The world is better because of your determination and dedication to the truth. You have helped me to build and to rebuild. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 Pm
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 10/13/2010 12:42 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 10/06/2010 to 10/12/2010 Last Period (TP) = 09/29/2010 to 10/05/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 24 Tom Rizzo Imaginary Numbers Origin 2010 11 4 7 2 1 The Marsalis Family Music Redeems Marsalis 2010 10 12 -2 2 288 The Clayton Brothers The New Song And Dance ArtistShare 2010 10 0 10 4 4 Freddy Cole Freddy Cole Sings Mr.B HighNote 2010 8 8 0 4 4 Conrad Herwig The Latin Side Of Herbie Half Note 2010 8 8 0 Hancock 4 10 Jim Rotondi 1000 Rainbows Posi-Tone 2010 8 7 1 4 10 James Moody Moody 4B IPO 2010 8 7 1 4 24 Mauricio De Souza Here. There... Pulsa 2010 8 4 4 4 288 Bobby Watson The Gates BBQ Suite Lafiya 2010 8 0 8 10 3 Tomas Janzon Experiences Changes 2010 7 9 -2 10 13 Stephen Anderson Nation Degeneration Summit 2010 7 6 1 10 24 Steve Turre Delicious & Delightful HighNote 2010 7 4 3 10 288 Mary Stallings Dream HighNote 2010 7 0 7 14 4 Larry Coryell Prime Picks HighNote 2010 6 8 -2 14 30 Chicago Afro Latin Jazz Blueprints Chicago Sessions 2010 6 3 3 Ensemble 16 4 Nobuki Takamen Live: At The Iridium Summit 2010 5 8 -3 16 13 Royce Campbell Trio What Is This Thing Called? Philology 2010 5 6 -1 16 13 Regina Carter Reverse Thread E1 2010 5 6 -1 16 17 Chris Massey Vibrainium Self-Released 2010 5 5 0 20 2 Kenny Burrell Be Yourself HighNote 2010 4 11 -7 20 4 Danilo Perez Providencia Mack Avenue 2010 4 8 -4 20 4 Curtis -
Jazzweek World Music Albums Nov
airplay data JazzWeek World Music Albums Nov. 9, 2009 powered by TW LW 2W Peak Artist Title Label TW LW +/- Weeks Reports Adds 1 1 3 1 Rodrigo Y Gabriela 11:11 ATO 136 166 -30 7 47 1 2 2 1 1 The Wayne Wallace Latin Jazz Quintet Bien Bien Patois 109 154 -45 6 54 3 3 5 5 2 Matisyahu Light JDub/Epic 67 70 -3 22 16 0 4 4 5 4 Mark Levine And The Latin Tinge Off & On Left Coast Clave 66 84 -18 9 32 1 4 7 4 1 Baaba Maal Television Palm Pictures 66 61 5 9 34 0 6 12 11 6 Babatunde Lea Umbo Weti: A Tribute To Leon Thomas Motema 61 48 13 6 28 9 Tuff Gong/Universal/The 7 14 12 1 Bob Marley B Is For Bob Island Def Jam 58 46 12 22 35 0 8 6 8 6 Sean Paul Imperial Blaze VP/Atlantic 56 62 -6 32 15 1 9 20 27 1 CeU Vagarosa Six Degrees 52 35 17 18 40 6 10 12 24 1 Playing For Change Songs Around The World Timeless/Hear 51 48 3 27 23 2 11 11 14 2 The Waitiki 7 Adventures In Paradise Pass Out 48 52 -4 11 21 1 12 18 18 12 Fahir Atakoglu Faces & Places Far & Here 45 41 4 4 17 4 13 31 – 13 Anouar Brahem The Astounding Eyes Of Rita ECM 43 24 19 3 35 23 14 23 17 5 Tarrus Riley Contagious VP 42 33 9 19 28 0 15 16 20 2 Queen Ifrica Montego Bay VP 41 45 -4 22 27 1 16 9 13 9 Vijay Iyer Trio Historicity Act Company 39 56 -17 5 22 7 17 18 15 14 Bebel Gilberto All In One Verve Forecast 37 41 -4 7 22 2 18 47 – 1 NOMO Invisible Cities Ubiquity 36 14 22 26 21 3 19 30 30 2 K’Naan Troubadour Octone/A&M 34 25 9 38 21 0 20 14 10 9 Forro In The Dark Light A Candle Nublu 32 46 -14 7 16 0 21 10 23 10 Various Artists The Biggest Reggae One-Drop Anthems Greensleeves/VP 29 53 -24 -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
Sean Paul and His New Music 24 the KING of BLING the Joe Rodeo Is the King of Bling
Summer 2012 Sharp & DJOE ReODtEaO MiAlSeTEdR COLLECTION NEW EDITION Fashion Quick Look A Visionary Summer to Fall Transition Motorcycle Maker “Copper Mike” creates a functioning work of art How is Dr. Shaquille O’Neal doing? Put it on and light up the surrounding. Broadway Collection Mens Diamond Watch 5ctw Diamond Weight Fine Swiss Quartz Movement Stainless-Steel Case Deployment-Buckle Clasp Black Rubber Band Summer 2012 CONTENTS Joe Rodeo magazine tries to create a culture FOR MORE INFO VISIT OUR WEBSITE is hot www.joerodeo.com inWhat this issue JOE RODEO Joe Rodeo, sophistication Copper Mike Sharp & Detailed “Copper Mike” builds and passion The eye catching jewelry and 5 motorcycles from scratch 10 The story of success Put your ear to watches has been custom by finding old antiques the new designed for Hip-Hop artists. With and then through hand The Art of Copper and Speed Keep your windows open on this Joe Rodeo released several carving, hammering Mike Cole the Long Island chopper those steamy days coming lines of exclusive and magnificent 10 copper, and blowing who makes beauty up here in Long Island. Don’t collection of Diamond Watches. glass into them, he be surprised to hear Slippaz, The Style ranges from Classic creates a functioning Felion, Fenom or Nitty one and sophisticated all the way to Dr. Shaquille O’Neal work of art. day in the car next to you. One year later after retirement 7 hip and modern. Each design is 36 unique and hand crafted to your taste. Urban Safari Summer/Fall 2012 quick look 9 Sean Paul and his new music 24 THE KING OF BLING The Joe Rodeo is the king of bling. -
Bass Clarinets
Cinematic Tension FX 2 User Manual Bass Clarinets Cinematic Tension FX 2: Bass Clarinets is our second offering of a unique new woodwind library that offers original composed and orchestrated runs up, spills down, crescendo pushes, hits, textures and ambiences, phrase gestures and ostinatos of 8 bass clarinets. In the future we are planning on offering more of these in the same layout with woodwinds such as the piccolo, flute, contrabass flute, clarinet, contrabass clarinet, alto and tenor saxophones, bari and bass saxophones, ethnic winds and more. Included with the library is a pdf score of all the composed samples in case you would like to augment these sounds with a live woodwind section. Notes from Frank Macchia: One of the main things I wanted to accomplish with CTFX2 was the ability to tempo sync the various phrases and textures to the DAW's tempos, and we have accomplished that with this volume. This means that when you trigger a sample phrase that will do a one bar effect, whether the tempo is mm= 76, mm= 123 or mm= 276 the phrase will play at that tempo for one bar. I feel this is a big deal for composers who want a flurry upward, a crescendo push or a spill downward to not have to spend time trying to "fly in" one of those effects and randomly have to keep adjusting it until it fits correctly. Now you can just start your sequence one bar before the hit point and perfectly play in your phrase. I have also included reverse samples of the sounds which get triggered by using the mod wheel, to give even more sound possibilities with this library. -
Brian Simpson Again Tops Album and Singles Charts
JazzWeek with airplay data powered by jazzweek.com • Jan. 23, 2006 Volume 2, Number 9 • $7.95 In This Issue: J@LC, Radio Salute Pittsburgh. 4 Botti In PBS Spring Pledge Special . 5 MakeMusic Offers IAJE Special on SmartMusic . 6 Passings: Bob Weinstock, Phil Elwood . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz IAJE 2006 Radio. 25 WRAPUP Radio page 11 Panels. 24, 29 News. 4 Charts: #1 Jazz Album – Houston Person #1 Smooth Album –Brian Simpson #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger othing does more to charge my jets than to attend IAJE each MUSIC EDITOR year. While I’m usually exhausted by the end of the conference, Tad Hendrickson Nit’s energizing to catch up with friends and colleagues, to meet CONTRIBUTING EDITORS people face-to-face for the first time, to pick up new ideas, and to be Keith Zimmerman immersed in great music. Getting to spend time at a couple NYC clubs Kent Zimmerman is a big bonus. CONTRIBUTING WRITER/ The most thrilling thing, though, is to see the reactions of young PHOTOGRAPHER Tom Mallison students. The unbridled enthusiasm the young crowd displayed at the PHOTOGRAPHY Stefon Harris and Javon Jackson (with show-stealer Dr. Lonnie Smith) Barry Solof sets was contagious. And it gives me great hope for the vitality and fu- ture health of jazz. Founding Publisher: Tony Gasparre ••• ADVERTISING: Devon Murphy On the subject of young people, I’m watching with great interest the Call (866) 453-6401 ext. 3 or efforts to attract a younger audience at night on WEMU and KUVO. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • June 14, 2010 Volume 6, Number 29 • $7.95
JazzWeek with airplay data powered by jazzweek.com • June 14, 2010 Volume 6, Number 29 • $7.95 Jazz Album No. 1: Joe Chambers, Horace To Smooth Album No. 1s: Bernie Williams, Max (Savant) Moving Forward (Reform/Rock Ridge); Sade, Soldier of Love (Sony) World Music No. 1: Hot Club of Detroit, It’s Smooth Single No. 1: Bernie Williams, About That Time (Mack Avenue) “Ritmo De Otono” (w/ Dave Koz) (Artistry/ Mack Avenue) JazzWeek Summit 2010: Register now at http://summit.jazzweek.com/ Jazz Album Chart .................... 3 Jazz Add Dates ...................... 7 Smooth Jazz Album Chart ............. 4 Jazz Radio Currents .................. 8 Smooth Singles Chart ................. 5 Jazz Radio Panel ................... 11 World Music Album Chart.............. 6 Smooth Jazz Current Tracks........... 13 Smooth Jazz Station Panel............ 14 Jazz Birthdays June 14 June 25 July 7 Lucky Thompson (1924) Joe Chambers (1942) Tiny Grimes (1916) June 15 June 26 Doc Severinsen (1927) Erroll Garner (1921) Dave Grusin (1934) Hank Mobley (1930) Jaki Byard (1922) Reggie Workman (1937) Joe Zawinul (1932) Tony Oxley (1938) Joey Baron (1955) July 8 June 16 June 27 Louis Jordan (1908) Joe Thomas (1933) Elmo Hope (1923) Billy Eckstine (1914) Albert Dailey (1938) June 28 July 9 Tom Harrell (1946) Jimmy Mundy (1907) Frank Wright (1935) Javon Jackson (1965) June 29 July 10 June 17 Julian Priester (1935) Noble Sissle (1899) Tony Scott (1921) Ivie Anderson (1905) June 30 Joe Thomas (1933) Cootie Williams (1911) Lena Horne (1917) Chuck Rainey (1940) Milt Buckner -
Sean Paul Encabeza La Lista Del Festival Rototom Sunsplash
martes 29 de abril de 2014 | Periódico Todo Benicàssim Sean Paul encabeza la lista del festival Rototom Sunsplash El artista, ganador de un Grammy, actuará por primera vez en el festival de reggae, que se celebra del 16 al 23 de agosto en Benicàssim R. D. // BENICÀSSIM El Rototom Sunsplash se abre de nuevo este año para recibir a Sean Paul, uno de los artistas dancehall más importantes de la historia, que actuará por primera vez en el festival reggae, que este año se celebra en Benicàssim del 16 al 23 de agosto, el miércoles día 20. Con más de seis millones de copias vendidas en todo el mundo de su disco ‘Dutty Rock’, editado en 2002 y ganador del Grammy al Mejor Álbum de Reggae en 2004, Sean Paul ha contribuido de forma determinante a abrir nuevos mercados para la música jamaicana. Un triunfo que ha sido posible gracias a superhits como ‘Get Busy’, ‘Gimme the Light ‘y ‘I’m still in love with you’, temas que todavía hoy en día se bailan en las pistas de todo el mundo. Nacido en 1973 en una familia de campeones de deportes acuáticos, Sean Paul ha continuado con éxito su carrera a través de álbumes como ‘The Trinity’ (2005) e ‘Imperial Blaze’ (2009), haciendo duetos con estrellas de la música negra americana como Beyoncé, Blu Cantrell, Akon, Bustha Rhymes o Snoop Dogg y añadiendo a su palmarés una cantidad sorprendente de premios y nominaciones. Mucho ha llovido desde que en 2003 Sean Paul fuera reconocido como Mejor Nuevo Artista del Año en los MTV Video Music Awards.