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Gretsch Jim Dandy Flat Top 2-Color Sunburst Acoustic Guitar
Please Click The Product Title Link Below To See The Product If You Would Like To Purchase. Gretsch Jim Dandy Flat Top 2-Color Sunburst Acoustic Guitar Crackerjack quality for a steal! Faithful to the Gretsch® “Rex” parlor guitars of the 1930s, ’40s and ’50s, the G9500 Jim Dandy™ Flat Top parlor-style model embodies everything that was great about everyone’s first guitar. Everything and then some that is, because the G9500 is crafted with select guitar woods and is fully lined and braced for warm and pleasing tone, with a 24″ scale for endless hours of playing comfort. Perfect for both picked and fingerstyle playing, the Jim Dandy features a non-cutaway basswood body with X-bracing for a powerful and resonant voice, and a top-load walnut bridge with compensated synthetic bone saddle for even intonation along the length of the neck. Joining the body at the 12th fret, the “C”-shape nato neck hosts a comfortable, smooth-playing walnut fingerboard with vintage-style frets and pearloid dot inlays. Wrapped in a classic Two-Tone Sunburst finish, the G9500 also has 1950s-style vintage open-gear die-cast tuning machines, nickel hardware and single-ply white pickguard featuring a “G” graphic. Ideal for songwriting, practice or even as a travel guitar, this little wonder is great for beginners or seasoned pros alike. Comfortable to play, and full of woody vintage tone with full-sounding bass, the Jim Dandy will inspire hours of playing joy. Model Name: G9500 Jim Dandy™ 24″ Scale Flat Top Guitar, 2-Color Sunburst Model #: 2704000503 Series: Roots -
2019 Breeze Show Choir Catalog
Previously Arranged Titles (updated 3/6/19) Specific details about each arrangement (including audio samples) are available at https://breezetunes.com . The cost for each is $300 ($200 if using rhythm section only). The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** To place an order, please e-mail [email protected] . Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Voice parts can also be reduced or simplified for smaller ensembles. • Adjustments often need to be made if you want to use a previously arranged title in a different show function than it was originally intended. This is especially true of arrangements written as a costume change or a transition number. I am more than happy to consult and make sure a previously arranged title fits with your show design. • Please communicate with me if your band instrumentation changes dramatically during the season, especially when it comes to horn players. -
MUSICAL INSTRUMENT? 623 So
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org MAY 29, 1926 The Music Trade Review 115 square feet of floor space. The products include ness is Henry C. Lamb, who is also secretary of violins, banjos, banjo-mafldolins, banjo-ukuleles, the Musical Merchandise Manufacturers' Associ- New Styles of Ukuleles tenor-banjos, mandolins, guitars, ukuleles, harps ation, Eastern district. and zithers, and sold under well-known trade- by the J. R. Stewart Go. marks Stella, Sovereign and LaScala. The firm Chicago Concern Has Recently Added Several is also a large importer of all kinds of musical New Violin Case Is Attractive New Models to Its Present Exten- merchandise and accessories and manufacturers' sive Line trimmings, machine heads, tailpieces, etc. Offi- Made of Shark Skin cials of the firm include Oscar Schmidt, Walter Geib & Schaefer Co., Chicago, Introduces In- CHICAGO, III., May 22.—The J. R. Stewart Co., Schmidt, Charles Dehn and G. F. Usbeck. The teresting Novelty to the Trade—Is Described Inc., 4147 Ogden avenue, has recently added a plant is reached by Hudson Tubes to Hoboken in Special Folder Sent to the Trade number of attractive new styles of ukuleles and and Jackson trolley to Ravine station. banjo-ukes to the large line of ukuleles that the The Henry Stadlmair Co., Inc. CHICAGO, III,, May 22.—The Geib & Schaefer company is manufacturing. The Henry Stadlmair Co., Inc., was founded Co., manufacturer of musical instrument cases, The new styles are appropriately named and several years ago to represent foreign and with headquarters at 1751-57 N. -
Ibanez Market Strategy
Ibanez Market Strategy Billy Heany, Jason Li, Hyun Park, Alena Noson Strategic Marketing Table of Contents Executive Summary ....................................................................................................................................... 3 Firm Analysis.................................................................................................................................................... 4 Key Information about the Firm ........................................................................................................... 4 Current Goals and Objectives ................................................................................................................ 5 Current Performance ................................................................................................................................. 6 SWOT ............................................................................................................................................................. 7 Current Life Cycle Stage for the Product .......................................................................................... 8 Current Branding Strategy ...................................................................................................................... 9 Industry Analysis .......................................................................................................................................... 10 Market Review ........................................................................................................................................ -
Blue Book of Electric Guitars Sixth Edition
Blue Book of Electric Guitars Sixth Edition Gibson Electric Guitars and Basses Edited by S.P. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 1999 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. Please note: At the request of Blue Book Publications, Inc., all pricing information has been omitted. For detailed pricing information, please either contact Blue Book Publications for ordering information, or visit their web site at www.bluebookinc.com Table of Contents Gibson Background History ----------------------------------------- 3 Identifying Features --------------------------------------------------- 4 Gibson Electric Guitars ---------------------------------- 5 B.B. King Series -------------------------------------------------------- 5 Barney Kessel Series --------------------------------------------------- 6 Byrdland Model --------------------------------------------------------- -
Presidential Student Businesses Candidate to Close in Protest Visit Campus Ua Steakley
Opinion: Smith & Wesson Takes the Safe Route—Page 4 Scene: Tacos and SoCal in The City—Page 7 °s: San Francisco FOGHORTHE UNIVERSITY OF SAN FR A N cN I s c o MARCH 30, 2000 VOLUME 96, ISSUE l6 Presidential Student Businesses Candidate to Close in Protest Ua Steakley EXECUTIVE EDITOR Students trying to get their daily Visit Campus caffeine from Crossroads, Cross Leah Hltchlngs roads Too, and AS Express were met NEWS EDITOR School of Theology, and Gonzaga with locked doors on March 23 and The search for the next president University, receiving degrees in 24. In front ofthe doors were stacks of the University of San Francisco, catechetics and religious education, of letters from a newly-formed to replace Rev. John P. Schlegel, S.J., modem European history, and phi group called the "United Student is in its final stages. losophy. Forum." What ignited the letter was In a statement from the Office of Among Privett's noteworthy ac the resignation ofthe ASUSF busi the President issued March 27th, the complishments is his role in establish ness manager, Julie Ardell, the tenth Provost and Vice President of Santa ing the Eastside Project at Santa Clara. resignation in two years in the Di Clara University, Stephen A. Privett, The Eastside program "received na vision of Student Affairs. S.J., was termed "an excellent final tional recognition as a model com "It's something that has been candidate" for the position of presi munity-based learning program," brewing for a long time in terms of dent. said the President's Office. -
Gibson Declares Bankruptcy
Gibson Declares Bankruptcy David Diaz, CEO,Davenport Laroche Another timeless rock and roll icon is headed to “rehab”. This time, though, it’s not a performer. It’s the brand that tied together some of rock’s biggest names, from Elvis Presley to Keith Richards, Jerry Garcia, Slash, Ace Frehley and Jimmy Page. Each of these icons played Gibson. Slash, in fact, was an official brand ambassador for the guitar brand he proudly played on stage during a meteoric six-year run with Guns ‘n Roses. Seeing one of the new breed of guitar gods ripping through sets on his Gibson inspired a new generation of shredders to grab their Les Paul or Standard, jam and dream. Now, though, Gibson has hit a major roadblock, filing for bankruptcy protection as the company struggles to mitigate half a billion dollars in debt. As a result of the bankruptcy filing, the press is reporting that creditors will “take control” of the company, that was founded way back in 1902 and helped defined American music for more than a century. Because Gibson guitars were so popular for so many years, many are wondering why, exactly, the company is in such dire straits. There are several reasons, though many are blaming the relatively recent acquisition of Philips’ consumer audio division a few years back. That, in fact, is the first thing Gibson’s new ownership plans to let go in an attempt to get the business back in the black. The company will divest itself of the line of headphones, loudspeakers and turntables that have proven to be a drag on profitability. -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
Christie's to Offer Les Paul's Personal “Number One” ~ the Guitar That
PRESS RELEASE | NEW YORK I FOR IMMEDIATE RELEASE : 18 A U G U S T 2021 CHRISTIE’S TO OFFER LES PAUL’S PERSONAL “NUMBER ONE” ~ THE GUITAR THAT STARTED IT ALL THE FIRST GIBSON LES PAUL GUITAR OWNED & APPROVED BY THE FATHER OF THE SOLID-BODY ELECTRIC GUITAR ~ OFFERED AT CHRISTIE’S ‘EXCEPTIONAL SALE’ ON OCTOBER 13 IN NEW YORK Gibson Incorporated, Kalamazoo, Michigan, Circa 1951-52 The solid-Body Electric Guitar, Known as Les Paul’s “Number One” Les Paul Model Artist's Prototype Estimate: $100,000-150,000 Les Paul “is part of a homespun tradition of scientific wizards that includes Benjamin Franklin and Thomas Edison.” ~The Rock & Roll Hall of Fame New York— Christie’s announces Les Paul’s own personal ‘Number One,’ the very earliest approved production model of the famed Gibson Les Paul electric guitar which monumentally changed the development of Rock’n’Roll in the 20th Century will be featured in The Exceptional Sale on October 13 in New York. Along with Mr. Paul, Gibson Incorporated developed this innovative solid body electric guitar circa 1951-1952 to meet the demanding standards of guitar virtuoso and inventor, Les Paul, who designated this his Number One; the first solid electrified guitar that met with his approval, and was the culmination of his lifelong dream. Kerry Keane, Christie’s consultant and Musical Instruments Specialist, remarks, “In any creation narrative there are always multiple protagonists, but the name Les Paul ranks at the pinnacle when discussing the electric guitar. His development of multi-track recording, and audio effects like delay, echo, and reverb all profoundly influenced how music is reproduced and heard. -
Guitar Cross Reference Updated 02/22/08 Includes: Acoustic, Bass, Classical, and Electric Guitars
Gator Cases Guitar Cross Reference Updated 02/22/08 Includes: Acoustic, Bass, Classical, and Electric Guitars Use Ctrl-F to search by Manufacturer or Model Number Manufacturer Model Type Fits (1) Fits (2) Fits (3) Fits (4) Fits (5) Alvarez AC60S Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez Artist Series AD60K Dao Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD60S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD70S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD80SSB Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez CYM95 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez MC90 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez RC10 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez RD20S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez RD8 Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez RD9 Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Aria PE-STD Series Electric Guitar GL-LPS GC-LPS GPE-LPS G-Tour LPS GW-LPS Cordoba 32E Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Cordoba 32EF Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Cordoba 45FM Classical Guitar GL-Classic GC-Classic GPE-Classic -
Yorkville Month 2017
Avantone Apex Microphones Orion ORFX100 Apex microphones deliver incredible features and tone. Cerwin Vega CVE Series October is YORKVILLE Month Starball FREE GUITAR MixCubes Apex550 (330905) Reg. $170 1000w Powered Speakers ■ Multi-colour wide field LED effect ■ Mini reference monitors that Low Profile FET Condenser Mic Ideal for small-to-medium size venues where portability is paramount, or a lightweight, integrated Easy plug and play operation SETUP DAY ■ allow you to hear what your $ audio solution is essential. The simple yet effective control panel allows for quick, efficient setup – Integrated microphone mixes will sound like on bass- Sale 99 FINANCING (431296) Reg. $4775 SATURDAY, OCTOBER 14, 2017 even by non-professionals – to match various acoustical environments. 0% challenged real-world systems $ 99 .*%)..%),+,-).'%(%#'% at all L&M locations. such as computers, televisions, Apex515 (319545) Reg. 99 CVE-10 CVE-15 $ 99 Multi-Pattern Hand Held *%. *+ '"",.&(%$(#)$+,!.*+. Sale 39 Buy 2 sets of any Gibson, Rotosound, Ernie Ball or car stereos and iPod docking 10” 2-Way Full Range with Bluetooth 15” 2-Way Full Range with Bluetooth Dean Markley Strings and get a free guitar setup. stations. In Cream or Black. Condenser Mic !'-)+'$),!. +*!$#)-. $+#(-,!. $ 99 $ $ '%.),.&*%).*. #)*,+ Orion ORFX103 Offer limited to one guitar per customer. $ Sale 79 (497057) 469 (497062) 679 Ultra Cyclops (506569/571) 699/pair ■ Apex880 (59013) Reg. $4250 CVE-12 CVE-18S Multi-colour LED DJ Light Effect ■ Supercardioid Hand Held Vocal Mic 12” 2-Way Full Range with Bluetooth 18” Subwoofer with Bluetooth Multiple control modes with Cable $ $ ■ Integrated microphone Avantone CV-12 $ 1/2 PRICE $ 99 (497061) 569 (497063) 949 Meet the new élite (431300) Reg. -
FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age.