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Music for All Souls
GO! SINGAPORE APRIL/MAY 2019 ED SHEERAN: MUSIC FOR ALL SOULS THE PHANTOM VISITS THE SANDS THEATRE EXPLOSIVE SKECHERS FORCES SUNDOWN OF DANCE FESTIVAL – 1 – CULTURE – ENTERTAINMENT – TO-DO – RESTAURANTS – SHOPPING – EVENTS GO!singapore.pdf 1 13/7/18 4:10 PM THE WORLD’S BEST C M TEAM-BASED VIRTUAL REALITY EXPERIENCE Y CM NOW OPEN IN CHINATOWN MY CY 99% 5-star reviews since launching CMY Experience true immersion in a realistic virtual world K Travel back to ancient Egypt or even the moon Build your team now and join the adventure singapore.virtual-room.com Penthouse / 3-Bedroom Premiere Residence From 2 to 4 players per game (ages 10+) 2017 Max 22 players at once Because most of the time, you’ll be out. Which is a bit of a shame, as our serviced THE FUTURE OF THE WORLD IS IN YOUR HANDS residences are perfect for the modern living. But as we’re located at the heart of the YOU HAVE 1 HOUR TO SAVE HUMANITY! Orchard area, you’ll have Singapore’s best restaurants, shops and entertainment, right on your doorstep. And its location gives you easy access to businesses across the Come down for a FREE demo island. So when you stay at 8 on Claymore Serviced Residences, we’d love to see you, Level B3, Lucky Chinatown, 211 New Bridge Rd but we have the feeling you’ll be out. Open 10am to 10pm daily m a naged b y 8 Claymore Hill, Singapore 229572 F +65 6737 8688 E [email protected] Royal Plaza on Scotts 25 Scotts Road Singapore 228220 www.royalplazagroup.com.sg www.royalplazagroup.com.sg Fax: (65) 6737 6646 Email: [email protected] – 2 – – 3 – [email protected] +65 6966 8060 FROM THE PRESIDENT CONTENT As it happens, Singapore and I are the same And if you want to experience the “old” age. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Edition 2017
YEAR-END EDITION 2017 HHHHH # OVERALL LABEL TOP 40 LABEL RHYTHM LABEL REPUBLIC RECORDS HHHHH 2017 2016 2015 2014 GLOBAL HEADQUARTERS REPUBLIC RECORDS 1755 BROADWAY, NEW YORK CITY 10019 REPUBLIC #1 FOR 4TH STRAIGHT YEAR Atlantic (#7 to #2), Interscope (#5 to #3), Capitol Doubles Share Republic continues its #1 run as the overall label leader in Mediabase chart share for a fourth consecutive year. The 2017 chart year is based on the time period from November 13, 2016 through November 11, 2017. In a very unique year, superstar artists began to collaborate with each other thus sharing chart spins and label share for individual songs. As a result, it brought some of 2017’s most notable hits including: • “Stay” by Zedd & Alessia Cara (Def Jam-Interscope) • “It Ain’t Me” by Kygo x Selena Gomez (Ultra/RCA-Interscope) • “Unforgettable” by French Montana f/Swae Lee (Eardrum/BB/Interscope-Epic) • “I Don’t Wanna Live Forever” by ZAYN & Taylor Swift (UStudios/BMR/RCA-Republic) • “Bad Things” by MGK x Camila Cabello (Bad Boy/Epic-Interscope) • “Let Me Love You” by DJ Snake f/Justin Bieber (Def Jam-Interscope) • “I’m The One” by DJ Khaled f/Justin Bieber, Quavo, Chance The Rapper & Lil Wayne (WTB/Def Jam-Epic) All of these songs were major hits and many crossed multiple formats in 2017. Of the 10 Mediabase formats that comprise overall rankings, Republic garnered the #1 spot at two formats: Top 40 and Rhythmic, was #2 at Hot AC, and #4 at AC. Republic had a total overall chart share of 15.6%, a 23.0% Top 40 chart share, and an 18.3% Rhythmic chart share. -
2020 C'nergy Band Song List
Song List Song Title Artist 1999 Prince 6:A.M. J Balvin 24k Magic Bruno Mars 70's Medley/ I Will Survive Gloria 70's Medley/Bad Girls Donna Summers 70's Medley/Celebration Kool And The Gang 70's Medley/Give It To Me Baby Rick James A A Song For You Michael Bublé A Thousands Years Christina Perri Ft Steve Kazee Adventures Of Lifetime Coldplay Ain't It Fun Paramore Ain't No Mountain High Enough Michael McDonald (Version) Ain't Nobody Chaka Khan Ain't Too Proud To Beg The Temptations All About That Bass Meghan Trainor All Night Long Lionel Richie All Of Me John Legend American Boy Estelle and Kanye Applause Lady Gaga Ascension Maxwell At Last Ella Fitzgerald Attention Charlie Puth B Banana Pancakes Jack Johnson Best Part Daniel Caesar (Feat. H.E.R) Bettet Together Jack Johnson Beyond Leon Bridges Black Or White Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey Break Free Ariana Grande Brick House The Commodores Brown Eyed Girl Van Morisson Butterfly Kisses Bob Carisle C Cake By The Ocean DNCE California Gurl Katie Perry Call Me Maybe Carly Rae Jespen Can't Feel My Face The Weekend Can't Help Falling In Love Haley Reinhart Version Can't Hold Us (ft. Ray Dalton) Macklemore & Ryan Lewis Can't Stop The Feeling Justin Timberlake Can't Get Enough of You Love Babe Barry White Coming Home Leon Bridges Con Calma Daddy Yankee Closer (feat. Halsey) The Chainsmokers Chicken Fried Zac Brown Band Cool Kids Echosmith Could You Be Loved Bob Marley Counting Stars One Republic Country Girl Shake It For Me Girl Luke Bryan Crazy in Love Beyoncé Crazy Love Van Morisson D Daddy's Angel T Carter Music Dancing In The Street Martha Reeves And The Vandellas Dancing Queen ABBA Danza Kuduro Don Omar Dark Horse Katy Perry Despasito Luis Fonsi Feat. -
ATO Serves Hokies the Area Tonight with Temperatures Quickly Tumbling Into the Low 20S
111th YEAR, ISSUE 80 collegiatetimes.com February 25, 2014 COLLEGIATETIMES An independent, student-run newspaper serving the Virginia Tech community since 1903 KAITE BRITT on what partners predetermine. sex columnist Many BDSM partners meet through communities specific to their interests. Jane Doe is bound to mahogany Like every other community there bed posts with steel handcuffs. John are events, from kinky play parties Doe sits between her legs and wraps a to simple dinners at the local Olive blindfold over her eyes. He kisses her, Garden. BDSM communities provide then smacks her cheek, leaving the support and are resources to members, faint glow of a red handprint on her not only strengthening the community skin. Jane Doe smiles when she hears and giving confidence to members, but the wooden nightstand drawer open. also providing a safe space away from John Doe drags the tip of a black whip judgment. across Jane Doe’s neck. The communities are tight-knit Numerous BDSM novels begin and watch for red flags that could be with a line like this, in the bedroom considered abuse. Although there are with a couple about to test their limits instances of abusive partners found in sexually, physically and mentally, BDSM communities, abusive partners Submissive Top Dominant which begs the question: what is BDSM are also found in the “vanilla,” non- “Sadist” “Sadist” really? kinky community as well. GIVES T he textbook def i n ition spl its BDSM “BDSM is different because those (“SADIST”) Likes to give Likes to give sen- Likes to be in into three parts: bondage and disci- whom are involved consent to being sensation as sations to partner control and give pline, dominant and submissive, and involved,” said Christina Masterson, a instructed - but no “power sensation sadist and masochist. -
Todd Cowart Song List
Todd Cowart 2017 Song List 311 Bad Company With A Little Help From My Amber Shooting Star Friends Yellow Submarine ABBA The Band Yesterday Dancing Queen The Weight You’ve Got to Hide Your Love Will The Circle Be Unbroken Away Aerosmith Dream On Bare Naked Ladies Beck 7-8-9 Loser Alabama It's All Been Done Dixieland Delight Ninjas Ben Folds Five Brick Dave Barnes Allman Brothers Greyhound Justin Bieber Sweet Melissa Baby Ramblin’ Man Beach Boys Don’t Worry Baby Big Head Todd America God Only Knows Bittersweet Horse With No Name Kokomo It’s Alright Sister Golden Hair Sloop John B Tomorrow Never Comes Surfer Girl Louis Armstrong The Warmth of the Sun Steven Bishop What a Wonderful World On and On The Beastie Boys The Animals Fight For Your Right Black Crows Don’t Let Me Be She Talks to Angels Misunderstood The Beatles House of the Rising Sun Across The Universe Black Eyed Peas All My Loving Let’s Get it Started Marc Anthony All You Need Is Love I Need To Know Blackbird Norman Blake Drive My Car You Are My Sunshine Atlanta Rhythm Sect. Eleanor Rigby Spooky Girl Blues Traveler Help Run Around Aqualung Here Comes the Sun Brighter Than Sunshine Hey Jude James Blunt Imagine (Lenon) You’re Beautiful B-O-B Lucy In the Sky Nothin On You Michelle Bon Jovi Norwegian Wood Dead or Alive Burt Bacharach Obla-Di Obla-Da Always Something There to Rocky Raccoon David Bowie Remind Me Something in the Way She Space Oddity Close To You Moves The Man Who Sold the World Raindrops Keep Fallin On My Strawberry Fields Forever Head When I’m Sixty-Four Bread While -
John Bovay CV
John Bovay Department of Agricultural & Applied Economics Virginia Tech Cell: +1-530-574-6042 [email protected] Current position 2019– Assistant Professor, Dept. of Agricultural & Applied Economics, Virginia Tech 2020– Affiliate Faculty, Center of Advanced Innovation in Agriculture, Virginia Tech Previous appointments held 2016–2019 Assistant Professor, Dept. of Agricultural & Resource Economics, University of Connecticut Affiliate, Institute for Collaboration on Health, Intervention, and Policy, University of Connecticut 2014–2016 Research Agricultural Economist, Food Economics Division, USDA Economic Research Service, Washington, D.C. 2010–2014 Graduate Student Researcher, Dept. of Agricultural & Resource Economics and Agricultural Issues Center, University of California, Davis 2009–2010 Teaching Assistant, Dept. of Agricultural & Resource Economics, University of California, Davis 2007–2009 Research Associate, Environment & Resources Division, Abt Associates, Inc., Bethesda, Maryland Education 2014 Ph.D. in Agricultural & Resource Economics, University of California, Davis 2007 B.A. magna cum laude in Mathematics and Politics, Washington & Lee University, Lexington, Vir- ginia Honors & awards 2021 Southern Agricultural Economics Association, Emerging Scholar Award 2018 Agricultural and Applied Economics Association, Specialty Crop Economics Section: Honorable Mention, Outstanding Research Paper (with D.A. Sumner) University of Connecticut College of Agriculture, Health, and Natural Resources: David and Nancy Bull Extension Innovation Award (with UConn CAHNR GMO Team) 2017 Washington and Lee University: Distinguished Young Alumnus Award 2016 Journal of Agricultural and Resource Economics: Outstanding Journal Article (with J.M. Alston) 2015–2016 USDA Economic Research Service: Cash Awards for Extra Effort (one in 2015, four in 2016) 2015 USDA Economic Research Service: Quality Step Increase 2014–2015 Food Distribution Research Society: Richardson-Applebaum Award for Best Ph.D. -
The Guardian's Coverage of the Virginia Tech Massacre
Through "Foreign" Eyes: The Guardian's Coverage of the Virginia Tech Massacre A thesis presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Master of Science Jared D. Hargis June 2009 © 2009 Jared D. Hargis. All Rights Reserved This thesis titled Through "Foreign" Eyes: The Guardian's Coverage of the Virginia Tech Massacre by JARED D. HARGIS has been approved for the E. W. Scripps School of Journalism and the Scripps College of Communication by Bill Reader Assistant Professor of Journalism Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT HARGIS, JARED D., M.S., June 2009, Journalism Through "Foreign" Eyes: The Guardian's Coverage of the Virginia Tech Massacre (125 pp.) Director of Thesis: Bill Reader This thesis presents a textual analysis and a descriptive content analysis of how the British newspaper The Guardian covered the Virginia Tech school shootings that took place on 16 April 2007. Analysis of the first eight days of coverage, totaling 61 articles, added to the existing research on media coverage of school shootings by understanding how the media lens of an influential British newspaper viewed the “gun culture” of the United States. The results of this study indicate that The Guardian’s coverage suggests that the “gun culture” of the United States may be directly responsible for the Virginia Tech school shootings, and that the newspaper and its readers (via their feedback) have constructed a collective argument that such events are inevitable when guns are so readily accessible as they are in the United States. -
Fall Semester Starts with a Bang at Kickoff Concert
111th YEAR, ISSUE 118 collegiatetimes.com Tuesday, September 1, 2015 COLLEGIATETIMES AnAn independent,independent, sstudent-runtudent-runu nenewspaperwspaper sservingerving tthehe VVirginiairginia TTechech ccommunityommunity ssinceince 11903903 Cosplay and community Virginia Tech SciFi and Fantasy Club hosts International Cosplay Day celebration in the Hahn Horticulture Garden for second consecutive year SAMANTHA SMITH Anamary Leal, a human-computer inter- ZACK WAJSGRAS / lifestyles staff writer action doctoral candidate who was an integral COLLEGIATE TIMES part of the arrangement of the event, stated that (L to R) Nathan On Saturday, Aug. 29, Virginia Tech’s the event planning began in May of this year. Stowe, dressed as VT named fi ttest SciFi and Fantasy club hosted an event to cele- “It’s a collaboration between multiple clubs, Vladamir Arytsar brate International Cosplay Day in the Hahn and even last year we had representatives from Strauss III; Yuchen college in nation Horticulture Garden from 12:30 p.m. to 5:00 different clubs hang out with us,” Leal said. Dou, dressed as Zelda; p.m. This was the event’s second year in a row “It’s kind of like a showcase of not just clubs but RICHARD CHUMNEY overall health and wellness. in conjunction with craftysorceress.com and organizations around here.” Gina Nam, dressed news editor They specifically mention the Anime Club, currently an unofficial group For Alicia Pape, vice president of the SciFi as Kaneki Ken; Peg the quality of our dining of enthusiasts that plans to gain university club and Fantasy Club and a doctoral candidate for Fisher, dressed as For the second time in services.” recognition by the spring. -
Faculty Handbook 2020 - 2021
Faculty Handbook 2020 - 2021 Produced by the Office of the Executive Vice President and Provost Approved by the Virginia Tech Board of Visitors August 25, 2020 This document is subject to change. Please refer to the provost’s website for the most recent Faculty Handbook information. University policies are available online, as are many important procedures maintained by the Procurement Department, Human Resources, and the Controller’s Office websites are updated as policies and procedures change. Please refer to them for issues not addressed in the Faculty Handbook. Virginia Tech does not discriminate against employees, students, or applicants on the basis of age, color, disability, sex (including pregnancy), gender, gender identity, gender expression, genetic information, national origin, political affiliation, race, religion, sexual orientation, or veteran status; or otherwise discriminate against employees or applicants who inquire about, discuss, or disclose their compensation or the compensation of other employees or applicants; or any other basis protected by law. Faculty have the responsibility to be fully acquainted with and to comply with this handbook and the relevant policies of Virginia Tech. Faculty Handbook 2020-21 BOV Approved August 25, 2020 Faculty Handbook 2020-21 TABLE OF CONTENTS CHAPTER ONE 1.0 Mission and Governance of the University 1.1 Governance of the University 1.1.1 Governance 1.1.2 Board of Visitors 1.1.3 Governance by Shared Responsibility 1.1.4 University Advisory Council on Strategic Budgeting and Planning -
Corrective Action Permit Radford Army Ammunition Plant in Radford
COMMONWEALTH of VIRGINIA DEPARTMENT OF ENVIRONMENTAL QUALITY Street address: 629 East Main Street, Richmond, Virginia 23219 Molly Joseph Ward Mailing address: P.O. Box 1105, Richmond, Virginia 23218 David K. Paylor Secretary of Natural Resources www.deq.virginia.gov Director (804) 698-4000 1-800-592-5482 April 1, 2016 VIA ELECTRONIC MAIL Mr. Jay Stewart Environmental Manager Radford Army Ammunition Plant 4050 Pepper’s Ferry Road Radford, Virginia 24141 Re: Approval of Reissuance of Hazardous Waste Management Corrective Action Permit Radford Army Ammunition Plant, Radford, VA EPA ID No.VA1210020730 Dear Mr. Stewart, Enclosed is the Final Hazardous Waste Management Corrective Action Permit for the Radford Army Ammunition Plant facility, Radford, Virginia. The Final Permit issuance has been approved and is scheduled to become effective on May 1, 2016. This final permit decision is in accordance with the Virginia Hazardous Waste Management Regulations (VHWMR), 9 VAC 20-60, 9 VAC-20-60-124, which incorporates 40 CFR Part 124 by reference, and in accordance with 40 CFR § 124.13, Obligation to Raise Issues and Provide Information During the Public Comment Period, which specifies: All persons, including applicants, who believe any condition of a draft permit is inappropriate or that the Director’s tentative decision to deny an application, terminate a permit, or prepare a draft permit is inappropriate, shall raise all reasonably ascertainable issues and submit all reasonably available arguments and factual grounds supporting their position, including all supporting material, by the close of public comment period (including any public hearing) under §124.10). Any supporting materials which are submitted shall be incorporated in full and may not be incorporated by reference, unless they are already part of the administrative record in the same proceeding, or consist of Commonwealth or federal statutes and regulations, documents of general applicability, or other generally available reference materials. -
A Case Study Utilizing Music
THE EVOLVING SELF: A CASE STUDY UTILIZING MUSIC LYRICS TO STUDY EGO IDENTITY by KENT STEWART MICHAEL STEVE THOMA, COMMITTEE CHAIR DEBORAH CASPER SARA TOMEK JAMES JACKSON RICK HOUSER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Studies in Psychology, Research Methodology, and Counseling in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2019 Copyright Kent Stewart Michael 2019 ALL RIGHTS RESERVED ABSTRACT Musicians have written about developmental transitions and the associated struggles for as long as language has been acquired and they have had the means by which to document their lyrics. Modern lyricists have ached about childhood and yearned for home as they enter young adulthood, while others have been preoccupied with romantic interests gained and lost during adolescence and beyond. Some musicians have even delved into questioning social issues, theological paradigms, decisions made by governments, and moral dilemmas in lyrics. Regardless of the developmental crisis being discussed, lyrics have been a medium in which musicians have publicly wrestled with their existential existence. Unfortunately, there is lack of representation in analyzing musical lyrics and other forms of pop culture for personality development in psychological research. This study illustrates a procedure for coding manifestations of three psychosocial stages in music lyrics from an artist’s first album to the most recent album. More specifically, identity, intimacy, and generativity themes were analyzed in John Mayer’s lyrics written during his adolescence, young adulthood, and emerging middle adulthood. Erik Erikson’s psychosocial stage theory is utilized to explain Mayer’s personality at the time each album was released and the development of personality over time.