Adam Mickiewicz - Poems
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The Young Narcyza Żmichowska's Reception of Western Cultural
Rocznik Komparatystyczny – Comparative Yearbook – Komparatistisches Jahrbuch 7 (2016) DOI: 10.18276/rk.2016.7-16 Ursula Phillips UCL School of Slavonic and East European Studies (SSEES) With Open Eyes: The Young Narcyza Żmichowska’s Reception of Western Cultural Influences Narcyza Żmichowska (1819–1876) is not a name instantly recognizable outside Poland. In the English-speaking world, however, she is not unknown thanks to research on women’s history, where she is usually discussed in connection with the group of women with whom she was associated in the 1840s known as the Enthu- siasts (Fraisse and Perrot, 1993: 485). It is thanks to the appearance of Grażyna Borkowska’s book in English (2001) that her achievements as a literary author have become better known among Slavists and women’s literature researchers outside Poland. An English translation of Żmichowska’s best known novel Poganka (The Heathen) appeared in 2012 with a substantial introduction placing the work in both its Polish and European contemporary contexts (Żmichowska, 2012). Recently, this novel has featured alongside works by Charlotte Brontë, Daphne du Maurier and others, in a PhD dissertation inspired by psychoanalytic theories of femininity and mirroring, thereby proving her potential for comparative analysis (Naszkowska, 2012). The aim of the current article is to discuss this non-Polish context, and how foreign inspirations made their way into Żmichowska’s work and thinking. Like many other Polish cultural figures, Żmichowska maintained a close con- nection with France, although she never became an émigrée. Her literary activity is a testament nonetheless to how, despite spending more or less her whole life in the partitioned Polish lands, mostly in the Russian partition but also in the 1840s in the Poznań region of the Prussian, she was able to keep abreast of philosophical, political and literary developments in France and Germany and, in the latter part of her life, in Britain, North America, Italy and Scandinavia. -
Lithuanian Synagogues: from the First Descriptions to Systematic Research
arts Article Lithuanian Synagogues: From the First Descriptions to Systematic Research Vilma Gradinskaite Independent scholar, 05224 Vilnius, Lithuania; [email protected] Received: 4 March 2020; Accepted: 15 May 2020; Published: 21 May 2020 Abstract: The article presents an analysis of the development stages of synagogue research methodology in Lithuania during the four major historical periods of the country—Lithuania in the Russian Empire (1795–1918), Vilnius Region in the interwar period and the independent Republic of Lithuania (1918–1940), the Soviet period (1940–1990), and the independent Republic of Lithuania restored in 1990. Each chapter of the article deals with the issues of synagogue research, heritage conservation and management, while the part about the restored independent Republic of Lithuania and modern days includes topical issues related to synagogue restoration, commemoration and putting them into operation. The study uses two different sources: archival materials and publications. Written sources and publications are reviewed in chronological order and start from the end of the 18th century. The study employs several research methods—the historical descriptive method, the comparative method and the analysis method. Keywords: Lithuania; synagogues; conservation; restoration; renovation; rebuilding; management; commemoration 1. Introduction The article presents several fields of study: (1) a review of the first descriptions of synagogues in Lithuania; (2) an analysis of the development stages of synagogue research methodology in Lithuania; and (3) a brief reference to synagogue restoration, renovation, rebuilding, commemoration and putting into operation—topics which are currently particularly live in Lithuania today. It is not possible to understand the existing trends in synagogue research in Lithuania without considering the country’s past—the times of the Russian Empire, the interwar period and the Soviet period. -
MEDICAL UNIVERSITIES in POLAND 1 POLAND Facts and FIGURES MEDICAL UNIVERSITIES in POLAND
MEDICAL UNIVERSITIES IN POLAND 1 POLAND faCTS AND FIGURES MEDICAL UNIVERSITIES IN POLAND OFFICIAL NAME LOCATION TIME ZONE Republic of Poland (short form: Poland is situated in Central CET (UTC+1) PAGE 2 PAGE 5 PAGE 7 Poland, in Polish: Polska) Europe and borders Germany, CALLING CODE the Czech Republic, Slovakia, POPULATION (2019) +48 Ukraine, Belarus, Lithuania and WHY HIGHER POLISH 38 million Russia INTERNET DOMAIN POLAND? EDUCATION CONTRIBUTION OFFICIAL LANGUAGE .pl ENTERED THE EU Polish 2004 STUDENTS (2017/18) IN POLAND TO MEDICAL CAPITAL 1.29 million CURRENCY (MAY 2019) SCIENCES Warsaw (Warszawa) 1 zloty (PLN) MEDICAL STUDENTS (2017/18) GOVERNMENT 1 PLN = 0.23 € 1 PLN = 0.26 $ 64 thousand parliamentary republic PAGE 12 PAGE 14 PAGE 44 MEDICAL DEGREE ACCREDITATION UNIVERSITIES PROGRAMMES & QUALITY Warsaw ● MINIGUIDE IN ENGLISH ASSURANCE 2 3 WHY POLAND? Top countries of origin among Are you interested in studying medicine abroad? Good, then you have the right brochure in front of foreign medical you! This publication explains briefly what the Polish higher education system is like, introduces Polish students in medical universities and lists the degree programmes that are taught in English. Poland If you are looking for high-quality medical education provided by experienced and inspired teachers – Polish medical universities are some of the best options. We present ten of the many good reasons for Polish medical international students to choose Poland. universities have attracted the interest of students from a wide ACADEMIC TRADITION other types of official documentation for all variety of backgrounds completed courses. If you complete a full degree from all around the Poland’s traditions of academic education go or a diploma programme, you will receive a globe. -
Econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Jajuga, Krzysztof; Walesiak, Marek Article The XXIV Conference “Classification and Data Analysis – Theory and Applications” 14-16 September 2015, Gdańsk, Poland Statistics in Transition New Series Provided in Cooperation with: Polish Statistical Association Suggested Citation: Jajuga, Krzysztof; Walesiak, Marek (2016) : The XXIV Conference “Classification and Data Analysis – Theory and Applications” 14-16 September 2015, Gdańsk, Poland, Statistics in Transition New Series, ISSN 2450-0291, Exeley, New York, NY, Vol. 17, Iss. 2, pp. 353-354, http://dx.doi.org/10.21307/stattrans-2016-025 This Version is available at: http://hdl.handle.net/10419/207818 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. https://creativecommons.org/licenses/by/4.0/ www.econstor.eu STATISTICS IN TRANSITION new series, June 2016 353 STATISTICS IN TRANSITION new series, June 2016 Vol. -
Pan Tadeusz by Adam Mickiewicz
The Project Gutenberg EBook of Pan Tadeusz by Adam Mickiewicz This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Pan Tadeusz Author: Adam Mickiewicz Release Date: [Ebook 28240] Language: English ***START OF THE PROJECT GUTENBERG EBOOK PAN TADEUSZ*** PAN TADEUSZ OR THE LAST FORAY IN LITHUANIA All rights reserved PAN TADEUSZ OR THE LAST FORAY IN LITHUANIA A STORY OF LIFE AMONG POLISH GENTLEFOLK IN THE YEARS 1811 AND 1812 IN TWELVE BOOKS BY ADAM MICKIEWICZ TRANSLATED FROM THE POLISH BY GEORGE RAPALL NOYES 1917 LONDON AND TORONTO J. M. DENT & SONS LTD. PARIS: J. M. DENT ET FILS NEW YORK: E. P. DUTTON & CO. Contents PREFACE . 1 INTRODUCTION . 3 LIST OF THE PRINCIPAL CHARACTERS IN “PAN TADEUSZ” WITH NOTES ON POLISH PRONUN- CIATION . 14 BOOK I.—THE FARM . 17 BOOK II.—THE CASTLE . 45 BOOK III.—FLIRTATION . 69 BOOK IV—DIPLOMACY AND THE CHASE . 91 BOOK V.—THE BRAWL . 120 BOOK VI.—THE HAMLET . 146 BOOK VII.—THE CONSULTATION . 164 BOOK VIII.—THE FORAY . 181 BOOK IX.—THE BATTLE . 204 BOOK X—THE EMIGRATION. JACEK . 226 BOOK XI.—THE YEAR 1812 . 253 BOOK XII.—LET US LOVE ONE ANOTHER! . 273 NOTES . 299 [v] PREFACE THE present translation of Pan Tadeusz is based on the editions of Biegeleisen (Lemberg, 1893) and Kallenbach (Brody, 1911). I have had constantly by me the German translation by Lipiner (ed. -
Adam Mickiewicz's
Readings - a journal for scholars and readers Volume 1 (2015), Issue 2 Adam Mickiewicz’s “Crimean Sonnets” – a clash of two cultures and a poetic journey into the Romantic self Olga Lenczewska, University of Oxford The paper analyses Adam Mickiewicz’s poetic cycle ‘Crimean Sonnets’ (1826) as one of the most prominent examples of early Romanticism in Poland, setting it across the background of Poland’s troubled history and Mickiewicz’s exile to Russia. I argue that the context in which Mickiewicz created the cycle as well as the final product itself influenced the way in which Polish Romanticism developed and matured. The sonnets show an internal evolution of the subject who learns of his Romantic nature and his artistic vocation through an exploration of a foreign land, therefore accompanying his physical journey with a spiritual one that gradually becomes the main theme of the ‘Crimean Sonnets’. In the first part of the paper I present the philosophy of the European Romanticism, situate it in the Polish historical context, and describe the formal structure of the Crimean cycle. In the second part of the paper I analyse five selected sonnets from the cycle in order to demonstrate the poetic journey of the subject-artist, centred around the epistemological difference between the Classical concept of ‘knowing’ and the Romantic act of ‘exploring’. Introduction The purpose of this essay is to present Adam Mickiewicz's “Crimean Sonnets” cycle – a piece very representative of early Polish Romanticism – in the light of the social and historical events that were crucial for the rise of Romantic literature in Poland, with Mickiewicz as a prize example. -
Nineteenth-Century French Challenges to the Liberal Image of Russia
Ezequiel Adamovsky Russia as a Space of Hope: Nineteenth-century French Challenges to the Liberal Image of Russia Introduction Beginning with Montesquieu’s De l’esprit des lois, a particular perception of Russia emerged in France. To the traditional nega- tive image of Russia as a space of brutality and backwardness, Montesquieu now added a new insight into her ‘sociological’ otherness. In De l’esprit des lois Russia was characterized as a space marked by an absence. The missing element in Russian society was the independent intermediate corps that in other parts of Europe were the guardians of freedom. Thus, Russia’s back- wardness was explained by the lack of the very element that made Western Europe’s superiority. A similar conceptual frame was to become predominant in the French liberal tradition’s perception of Russia. After the disillusion in the progressive role of enlight- ened despotism — one must remember here Voltaire and the myth of Peter the Great and Catherine II — the French liberals went back to ‘sociological’ explanations of Russia’s backward- ness. However, for later liberals such as Diderot, Volney, Mably, Levesque or Louis-Philippe de Ségur the missing element was not so much the intermediate corps as the ‘third estate’.1 In the turn of liberalism from noble to bourgeois, the third estate — and later the ‘middle class’ — was thought to be the ‘yeast of freedom’ and the origin of progress and civilization. In the nineteenth century this liberal-bourgeois dichotomy of barbarian Russia (lacking a middle class) vs civilized Western Europe (the home of the middle class) became hegemonic in the mental map of French thought.2 European History Quarterly Copyright © 2003 SAGE Publications, London, Thousand Oaks, CA and New Delhi, Vol. -
Stanislaw Brzozowski and the Migration of Ideas
Jens Herlth, Edward M. Świderski (eds.) Stanisław Brzozowski and the Migration of Ideas Lettre Jens Herlth, Edward M. Świderski (eds.) with assistance by Dorota Kozicka Stanisław Brzozowski and the Migration of Ideas Transnational Perspectives on the Intellectual Field in Twentieth-Century Poland and Beyond This volume is one of the outcomes of the research project »Standing in the Light of His Thought: Stanisław Brzozowski and Polish Intellectual Life in the 20th and 21st Centuries« funded by the Swiss National Science Foundation (project no. 146687). The publication of this book was made possible thanks to the generous support of the »Institut Littéraire Kultura«. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for com- mercial use, further permission is required and can be obtained by contacting [email protected] Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. The obligation to research and clear permission lies solely with the party re-using the material. -
Iwan Łobojko W Historii I Historiografii. Aneks
http://rcin.org.pl II. m a t e r I a ł Y I N o t a t k I Pamiętnik Literacki CIV, 2013, z. 2 PL ISSN 0031-0514 reG Da rIŠkaItĖ (Lietuvos istorijos institutas, Vilnius) IwaN łobojko w hIStorII I hIStorIoGrafII* Pewna książka, opublikowana zaledwie rok temu [tj. w r. 2008 – m. D.] w Miń- sku, w wydawnictwie „Limarius” 1, na pierwszy rzut oka niepozorna (mam na myśli zarówno jej szatę graficzną, jak też objętość), nie mogła jednak zostać nie- zauważona przez badaczy zajmujących się XIX wiekiem, a także przez miłośników literatury historycznej, zwłaszcza litewskich. wystarczy chociażby wspomnieć, że w tytule książki zawarta jest nazwa: wilno („Wilna”), okładkę zaś zdobią obrazy z Album de Wilna jana kazimierza wilczyńskiego. Przede wszystkim zaintereso- wanie budzą jednak dwaj główni bohaterowie książki. Są to osoby, które odgrywa- ły ważną rolę również w naszej [tj. litewskiej – m. D.] historii kultury, nauki oraz polityki, dwaj profesorowie Cesarskiego Uniwersytetu wileńskiego (dalej: Uniwer- sytetu wileńskiego), joachim Lelewel (1786–1861) oraz Iwan łobojko 2 (1786– 1861). Ich wspomnienia, opublikowane w przedstawianej tu pracy, pisane były w różnym czasie, ale dotyczą w zasadzie tego samego problemu: znanej sprawy filomatów i filaretów, a zatem też – po części – sprawy likwidacji Uniwersytetu wileńskiego. książka wydana została za granicą i, jak mówi jej redaktor, aleksandr fieduta (Odin iz uzłow naszej obszczej istorii, s. 5), skierowana jest przede wszyst- kim do rosyjskiego, a w szerszym sensie – „rosyjskojęzycznego” czytelnika, któ- rego wiedza o tych wydarzeniach nie wydaje się zbyt duża. Niemniej jednak pozy- cja ta ważna może być również dla nas. ważna nie tylko z powodu wybitnie litew- skiej, wciąż aktualnej tzw. -
Oda Do Młodości” (Gençliğe Od)”, International Reference Social Sciences Studies Journal, (E-ISSN:2587-1587) Vol:6, Issue: 54; Pp:129-137
International e-ISSN:2587-1587 SOCIAL SCIENCES STUDIES JOURNAL Open Access Refereed E-Journal & Indexed & Puplishing Article Arrival : 08/11/2019 Research Article Related Date : 12/01/2020 Published : 12.01.2020 Doi Number http://dx.doi.org/10.26449/sssj.2082 Körpe Kemer, S. (2020). “Polonya Edebiyatında Bir Romantik Manifesto Olarak “Oda Do Młodości” (Gençliğe Od)”, International Reference Social Sciences Studies Journal, (e-ISSN:2587-1587) Vol:6, Issue: 54; pp:129-137. POLONYA EDEBİYATINDA BİR ROMANTİK MANİFESTO OLARAK “ODA DO MŁODOŚCİ” (GENÇLİĞE OD) "Ode to Youth" As A Romantic Manifesto In Polish Literature Dr. Öğr. Üyesi Seyyal KÖRPE KEMER İstanbul Üniversitesi, Edebiyat Fakültesi, Slav Dilleri ve Edebiyatları Bölümü, İstanbul/TÜRKİYE ÖZET ABSTRACT Polonya romantizmi, ülkenin 18.yy sonunda Rusya, Prusya Polish romanticism has a special significance, hence it was ve Avusturya devletleri tarafından işgal edilmek suretiyle born at the end of the 18th century when Poland was Avrupa haritasından tamamen silinmiş olduğu bir dönemde completely was erased from the European map beeing doğmuş olması bakımından özel bir öneme sahiptir. occupied by Russia, Prussia and Austria. In addition to the Polonya romantizmi, Aydınlanma düşüncesinin temelini its goal of advancing on the path of reason and science, oluşturan akıl ve bilim yolunda ilerleme hedefinin yanı which forms the basis of the Enlightenment thought, Polish sıra, zihinsel sınırların ötesine geçerek varlığın ruhsal romanticism going beyond the mental boundaries, focusing boyutuna odaklanmak, böylelikle Tanrısal yaratım on the spiritual dimension of being, thus reaching the point noktasına ulaşmak suretiyle halkı mevcut rasyonel of Divine creation, undertaked the mission of convincing the koşullarda olanaksız görünen bağımsızlık mücadelesine public to the the struggle for independence that seemed ikna etme görevini üstlenmiştir. -
Krasiński, Zygmunt
467 Koresh, David 468 View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository Krasin´ski, Zygmunt Napoleon Stanisław Adam Feliks Zygmunt Krasiń- ski, more commonly known as Zygmunt Krasiński (1812–1859), was one of the Three Bards of Poland, the nation’s greatest national poets or wieszczowie (poet-prophets) of the Romantic period – the other two being Adam Mickiewicz and Juliusz Słowacki. Some speak of Poland’s Four Bards, adding Cyprian Norwid to the list; notably, all four were Roman Catholics. The Bible exerted a profound influence upon his literary art throughout his career as a writer. Krasiński was born and died in Paris. His father, Wincenty Krasiński (1782–1858), was a general in Napoleon’s army, and his mother, Maria Urszula Radziwiłł (Radziwiłłówna), was a Polish princess. Zygmunt Krasiński, in addition to being a poet, was an aristocrat, philosopher, dramatist, novelist, pro- lific epistolist, and the first Ordinate in the largest land estate in Opinogóra, near Ciechanów. He debuted as a writer in 1828, publishing ma- cabre gothic novels. He showed in this work the constant, characteristic elements of his writing, so his obsessions over the suffering and massacre of Encyclopedia of the Bible and Its Reception vol. 15 Bereitgestellt von | De Gruyter / TCS © Walter de Gruyter, Berlin/Boston, 2017 Angemeldet Heruntergeladen am | 01.09.17 09:18 469 Krasin´ski, Zygmunt 470 Polish civilians (e.g., by the Russian army at the presents as a sin, from a NT, Christian, ethical view- time of Kościuszko’s Insurrection), the interior tur- point, the vengeance taken by the main hero on the moil of the Romantic national struggle for Poland’s enemy (ancient Rome). -
"National Composer": Chopin and Polish Exiles in Paris, 1831-49 Author(S): Jolanta T
Deconstructing a "National Composer": Chopin and Polish Exiles in Paris, 1831-49 Author(s): Jolanta T. Pekacz Source: 19th-Century Music, Vol. 24, No. 2, Special Issue: Nineteenth-Century Pianism (Autumn, 2000), pp. 161-172 Published by: University of California Press Stable URL: http://www.jstor.org/stable/746840 Accessed: 08-08-2016 14:21 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/746840?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to 19th-Century Music This content downloaded from 129.173.74.49 on Mon, 08 Aug 2016 14:21:42 UTC All use subject to http://about.jstor.org/terms Deconstructing a "National Composer": Chopin and Polish Exiles in Paris, 1831-49 JOLANTA T. PEKACZ If a biography of an artist is supposed to inform practices have coexisted in works on Chopin criticism and analysis of his output, the lack of since his death. In view of the recent prolifera- a thoroughly researched biography of Fr6d6ric tion of analytical approaches.