Street anglais

Continue These examples may contain vulgar words related to the search These examples may contain familiar words related to the search for , then allows it to collect paint and volume. Street art allows her to combine painting and volume. The Tattoo theme displays floral patterns inspired by street art. The Tattoo theme displays floral designs inspired by street art. In recent years, the area has started tourism thanks to street art. For several years now, the area has been enjoying a tourist upgrade thanks to street art. The great value of street art is that it is very often ephemeral. The great value of street art is that it is often short-lived. Cozy and urban atmosphere, New York street art and delicious and diverse cuisine on the agenda. You will find a cozy and urban atmosphere, New York street decor and eclectic delicious dishes. My Parisian street art Is a true interactive map showing the best Parisian street art places - such as Ephemeral Point or the Gainsbourg Wall. My Paris Street Art Interactive map lists the best Parisian street art spots like Point Ephemeral or Gainsbourg Walls. Artist Akash Nihalani, after his project Optical Illusion broadcast on Fubiz, presents us with new works of street art, playing with talent on our ... Artist Akash Nihalani, about whom we have already told, presents new works of street art, playing with talent to present our perception of the creation of optical... This vision of street art in any case is similar to the modern street: globalized, open and media. This vision of street art is no different from a modern street - globalized, open and exposed to the media. Bien Urban is an event of street art and contemporary art in a public space, which has been held in June since 2011. Bien Urban is a manifestation of street art and contemporary art in a public space, which has been held in June since 2011. A young French illustrator and founder of the street art collective Jinspezial Nicolas Barrome Teague draws complex and full-fledged works... A young French illustrator and founder of the street art collective Jeanspezial Nicolas Barrome Teague paints complex works of art full of reliefs. Its surreal... 69.90 - White Man Sticker These colorful stickers are inspired by street art. 69.90 - White Man stickers This colorful sticker is inspired by street art. On the water, river shuttles and electro cruises, neo-gourmets and street art play stars. On the water, river shuttles and electro cruises, neo-foodies and street art play stars. It marked a whole generation from which emerged what would become street art culture. He marked the generation that spawned what was to become a street art culture. Un street-art 2.0 and partager sur les r'seaux sociaux 2.0 street-art to share on social media Pour Comida Mexicana, l'agence am'ricaine Lapiz mis en place une op'ration de street-art toute particuli're dans les rues enneig'es de Chicago. For Comida Mexicana, the American agency Lapiz has planned a special operation of street art on the snow-covered streets of Chicago. Un atelier sp'cifique autour du street-art destine aux enfants et aux adultes sera egalement mis en place. There will also be a studio dedicated to street art for children and adults. Depuis quand le street-art est devenu si populaire? Since when was street art so popular? Dernier news and street art photos, steam Robert Proch Pictures and news street art par ville: Honolulu on vu de initials discr'tes, de tags facade street art, de air max transforms en arc en Ciel tie and dye ... Reste et faire jouer votre imagination, y moins de leur confier carte blanche. We've seen discrete initials, street art tags, Air Max turns into a tie and rainbow dye... So just let your imagination wander if you don't give them carte blanche. Aukun resultat pour cette recherche. Freckent moths: 1-300, 301-600, 601-900, PlusExpressions courtes fr'quentes: 1-400, 401-800, 801-1200, PlusExpressions longues fr'quentes: 1-400, 401-800, 801-1200, This plus article about static visual art form. For the performing practiced outdoors, see a street performance and street theater. Street Art by Jacek Tilitsky, Lower East Side, New York (1982) Kevin Larmy Street Art, Soho, New York (1985) Street Art is an unofficial and independent visual art created in public places for public appearance. Street art is associated with the terms independent art, postgraffiti, neo- and . Street art is an art form that has been exhibited in public in surrounding buildings, on streets, trains and on other public surfaces. Many copies come in the form of guerrilla art, which is designed to make a personal statement about the society in which the artist lives. The work has moved from the beginning of graffiti and to new modes where artists work to bring messages, or simply beauty, to the audience. Some artists may use smart vandalism as a way to raise awareness of social and political issues, while other artists use urban space as an opportunity to show personal works of art. Artists can also assess the challenges and risks associated with the installation of illegal works of art in public places. A common motive is creating art in a format that uses public space allows artists who might otherwise feel disenfranchised to reach a much wider audience than other styles or galleries would allow. While traditional graffiti artists have mostly used paint to produce their work, street art can cover other media such as LED art, mosaic tiles, art, , , , wheat mint, woodcutting, , and . New media forms, such as video projections on large city buildings, are becoming an increasingly popular tool for street artists, and the availability of cheap equipment and software allows such works of art to become competitive with corporate advertising. Artists can thus create art from their personal computers for free, which competes with the profits of companies. The origin of protest slogans and political or social graffiti comments on the walls are a precursor to contemporary graffiti and street art, and continue as an aspect of the genre. Street art in the form of text or simple iconic graphics of corporate icons can become a famous, but mysterious symbol of a certain area or era. Some credit to Kilroy was here graffiti of the Second World War era as one such early example; simple linear drawing of a long-legged man, peering from behind a ledge. Author Charles Panati implicitly referred to the general appeal of street art in describing the graffiti Kilroy as outrageous not for what he said, but for where it appeared. Much of what can now be defined as contemporary street art has a well-documented provenance, starting with the graffiti boom in New York, with its infancy in the 1960s, maturation in the 1970s and the peak with the sling-painted frescoes of a 1980s subway train concentrated in the Bronx. As the 1980s progressed, there was a shift from textual works of the beginning of the decade to visually conceptual street art, such as Hambleton's shadow figures. This period coincides with Keith Haring's promotional diversions on the subway and the SAMO tags that were on scooters. What is now recognized as street art has not yet become a realistic career consideration, and offshoots such as have been in its infancy. Wheatpasted poster art is used to promote bands and clubs where they are performed turned into actual works of art or copywriter and became commonplace during the 1980s in cities around the world. During this period, the group working collectively as ANAANT, also worked in New York. The subversive ideologies of punk rock music also played an important role in the evolution of street art as an art form in the 1980s. Some of the anti-museum mentality can be attributed to the ideology of Marinetti, who in 1909 wrote the Manifesto of Futurism with a quote that reads: We will destroy all museums. Many street artists claim that we do not live in a museum, so art should be public without tickets. Early cult works of 2010 recreating Keith Haring's original 1982 ; The New York Bowery Mural Wall on Houston Street and bowery's Northwest Wall intersection on Houston Street and Bowery in New York have been targeted by artists since the 1970s. The site, now sometimes referred to as Bowery Mural, originated as an abandoned wall that graffiti artists used freely. Keith Haring once commanded the wall for his own use in 1982. Haring was followed by a stream of famous street artists, until the wall gradually took up prestigious status. By 2008, the wall had become private and became accessible only to artists by commission or by invitation. A series of by Rene Moncada began appearing on the streets of Soho in the late 1970s, emblazoned with the words I AM THE BEST ARTIST. Renee described the mural as a thumb to the nose of the art community he felt he had helped pioneer, but with which he later felt ignored. Recognized as an early act of artistic provocation, they were a topic of conversation and debate at the time, and related legal conflicts raised a debate about intellectual property, artist rights and the First Amendment. The ubiquitous murals have also become a popular backdrop for photographs taken by tourists and art students, as well as for promotional mock-ups and Hollywood films. The IATBA frescoes were often defaced, but were repainted by Renee. Rene Moncada: I AM THE BEST ARTIST, New York (1986) Commercial crossover Some street artists have earned international attention for their work and have made a complete transition from street art to the mainstream art world – some by continuing to produce art on the streets. Keith Haring was one of the first street artists in the 1980s to do so. Traditional graffiti and street art motifs have also increasingly been incorporated into mainstream advertising, with many cases of artists contracted to work as graphic designers for corporations. Graffiti artist Haze has provided font and graphic design for musical acts such as the Beastie Boys and the public enemy. Street posters of , on which then-presidential candidate Barack Obama was redesigned by a special commission for use in the presidential campaign. A version of the work also appeared on the cover of Time magazine. It is also not uncommon for street artists to start their own merchandising lines. Street art has received artistic recognition with the high-profile status of and other artists. This has led to the fact that street art has become one of the attractions in many European cities. Some artists currently provide tours of local street art and can share their knowledge, ideas behind many works, the causes of tagging and the messages depicted in many many Work. Berlin, London, Paris, Hamburg and other cities have popular street art tours running all year round. In London alone there are supposedly ten different graffiti tours available to tourists. Many of these organizations, such as Alternative London, ParisStreetArt, pride themselves on working with local artists so that visitors can get a genuine experience rather than just a rehearsed script. Many of these guides are artists, fine art graduates and other creative professionals who have found a means of street art as a way to exhibit their work. From this commercial point of view they can let people into the world of street art and give them a better understanding of where it comes from. It is claimed that this growing popularity of street art has made it a factor of gentrification. The legality and ethics of street art can have legal problems. Participating parties may include the artist, city or municipal authorities, the intended recipient, and the owner of the structure or environment where the work was shown. One example is the 2014 case in Bristol, England, which illustrates the legal, moral and ethical issues that may arise. Banksy's mobile lover was written on plywood on a public doorway and then cut out by a citizen who in turn was going to sell the piece to raise funds for the Boys Club. The city government, in turn, confiscated the work of art and placed it in a museum. Banksy, upon hearing the riddle, then got it to the original citizen, thinking that his intentions were genuine. In this case, as in other cases, disputes about property and public property, as well as issues of illegal infiltration and vandalism, must be resolved legally. Copyright under U.S. law, street art must be able to seek copyright protection as long as they are legally established and can comply with two additional conditions; originality in the work, and that it is fixed in a material environment. It is a copyright to live a lifelong artist plus 70 years. In the case of cooperation between the two artists, both will have joint ownership in copyright. Street artists also have moral rights in their work, regardless of the economic rights arising from copyright. These include the right to immunity and the right to attribution. Lately, street art has begun to gain recognition among art historians, and some large companies have found themselves in trouble for using this art without permission for advertising purposes. In that case, the NSM, a fast-fashion retailer, used street art by Jason Revok Williams in an advertising series. However, in response to the notification The NSM filed a lawsuit alleging that because the work was a product of criminal conduct, it could not be copyrighted. This view was taken earlier in the cases of Villa vs. Education Pearson and Moschino and Jeremy Tierney. In all three cases, agreements were reached before the judge could rule on the illegality of art. These companies usually agree in out-of-court cases to avoid costly, time-consuming litigation. When it comes to the issue of the destruction of street art, the United States has applied the Visual Artists Law Act (VARA) to introduce moral rights into copyright. In English v. BFC and R East 11th Street LLC and Pollara v. Seymour, it was found that this law does not apply to works of art placed illegally. A distinction was also made between removable and non-removable works, indicating that if a work could be removed in a trivial way, it could not be destroyed, regardless of its legal status. Another important factor considered by the court in the latter case was whether the work of art was recognized by growth. In a case where a group of artists received $6.7 million, the judge ruled that the art was not done without the permission of the building's owner, and that an important factor was that the demolition was done earlier than the scheduled date, indicating a wayward thought. Street art, guerrilla art and graffiti graffiti is characteristically composed of written words that are designed to represent a group or community in a hidden way and in plain sight. Telling a fairy tale is a street art sign is that it usually includes images, illustrations or symbols that are meant to convey a message. While both works are designed to present or tell a message to viewers, one difference between the two comes in the specific viewership that it is intended for. One of the hallmarks of street art that has helped bring it to a positive light in the public eye is that the messages shown are usually made to be understandable to all. Although both of these art forms have many differences, the similarities are greater than their origins. Both graffiti and street art are works of art that are created with the same intention. Most artists, whether they work anonymously, creating a deliberately incomprehensible message or fighting for a bigger cause, work with the same ambitions of popularity, recognition and public display, or an outpouring of their personal thoughts, feelings, and/or passions. The term street art is described in different ways, one of which is the term guerrilla art. Both terms describe these community works, which are placed with meaning and intent. They can be made anonymously for works that are created to combat taboo issues that will lead to a backlash, or under the name of a famous artist. With any terminology, these works of art are created as way to express the artist's thoughts on many topics and issues. As is the case with graffiti, the defining feature or feature of street art is that it is created on the without the owner's permission. The main difference between the two takes place in the second feature of street art or guerrilla art, where it is made to represent and show purposefully imperfect action that is designed to challenge the environment. This task can be detailed, with an emphasis on issues within the community or broadly radical, addressing global issues on the public stage. Thus the term guerrilla art was associated with this type of work and behavior. The word ties back to guerrilla warfare in history, where attacks are made wildly, without control, and without any rules of engagement. This type of war was very different from the earlier formal and traditional fighting, which usually continued in wars. When used in the context of street art, the term guerrilla art is designed to give a nod to an artist's uncontrollable, unexpected, and often unnamed attack on a social structure or norm. Guerrilla sculpture Rules in the Frame is an art installation by Cohen van Rhein, placed on November 21, 2019 in the Museum Park in Rotterdam. Guerrilla sculpture is the placement of in street conditions without official permission; it evolved from street art in England in the late 20th century. In addition to the unconventional setting of works of art, there are also many different techniques used in the creation of this work of art. Artists usually work illegally and in secret to create and place these works in the dark of night, hidden in secret regarding their origins and creators. Sculptures are used to express the artist's views and to reach an audience that would otherwise not have been achieved through more traditional methods of displaying their work to the public. By performing these acts of artistic expression, they do not work to gain the recognition or love of the people they achieve, but can sometimes even anger those who view their work. An example would be the night appearance of an unauthorized sculpture of Edward Snowden on a column in Fort Greene Park in New York. In other cases, the sculptures integrate two-dimensional backgrounds with a three-dimensional component, such as Banksy's sculpture called Spy Booth (2014). The background was painted on a wall in Cheltenham, England, and featured Cold War spy characters decorated with trenches and fedoras, with spy toppings, microphones and reel ribbons. These characters appear to be auditioning in a broken phone booth. Deviation from unauthorized street sculpture is an institutionalized guerrilla sculpture that is sanctioned by civil authorities and can be commercialized. One such artist from the Netherlands is Florentin Hoffman, who in 2007 created Rubber Duck, a colossal performance of a children's Guardians of time guerrilla dOCUMENTA are social sculptures of Manfred Manfred Public recognition While street art can be ubiquitous around the world, the popularity of its artistic expression is relatively recent. Street art has undergone significant changes in public opinion to become socially accepted and respected in some public places. Even with this degree of recognition, flogging of private or public property by any and all message, whether considered an art or not, is still widely prohibited. At first, graffiti was the only form of street art that existed, and many considered it an offence of territorial marking and rude messages. Initially, there was a very clear separation between the work of a street artist and the act of tagging public or private property, but in recent years, when artists are treading a line between them, this line has become increasingly blurred. Those who truly appreciate the work of famous street artists or street art, in accepting the fact that this art would not be the same without the environment on the street. Works are subject to any changes or destruction due to the fact that they are created on public or private surfaces that do not belong to the artist or are allowed to work by the owners of the property. This recognition of the potential impermanence of works of art and the public placement of unconsonated works is what contributes to the meaning of the work and, therefore, which contributes to the growing popularity of street art. The Free Art Movement Free Art Movement is the practice of artists who leave art in public places as street art, as well as free to the public to remove and preserve. A work of art is usually labeled with a notice that it is free art, and either with the artist's name or left anonymously. The movement was activated by The British artist My Dog Sighs, coined by the term Free Art Fridays and actively involved in a movement that has since spread internationally. The keys to the location of the artwork can sometimes be left on social media to combine treasure hunting with art. The beautification movement, given the various benefits and high returns on investment that street art provides to businesses, schools, districts and cities, has also been recognized by the movement to use street art as a tool to create safer, brighter, more colorful and inspiring communities. Organizations such as Beautify Earth have pioneered cities to take advantage of these advantages to create widespread beauty where otherwise the public space of the wall would be empty or dilapidated. North America, New York, attracts artists from all over the world. In Manhattan, street The post-graffiti grew in the 1980s from largely vacant areas of Soho and the Lower East Side. The Art of Chelsea Chelsea has become another region, with the gallery area also hosting official exhibitions of the street artist's work. In Brooklyn, the Williamsburg and Dumbo neighborhoods, especially near the waterfront, are recognized as street art. Chicago has many forms of street art emerging, but some of the most popular artists that can be seen everywhere in Chicago are Sentrock, Jc Rivera (Bear Champ), and Hebru Brantley. Programs in the Pennsylvania Cities of Philadelphia and Pittsburgh provide funding to agencies that hire street artists to decorate city walls. Founded in 1984, Mural Arts helped Philadelphia gain praise for its City of Mural. The project was initiated to encourage graffiti artists to use their talents more constructively. Murals supported by the Rostock Foundation in Pittsburgh were named Best by the Pittsburgh City Paper in 2006. Street art in Manhattan, New York September 15, 2017 Mural Sanitny's Atlanta Mural Fefe Talaver's Atlanta Street Art atlanta centers on the Old Fourth Ward and Reynoldstown neighborhoods, the Krog Street Tunnel, and along the 22-mile BeltLine Rail Corridor that circles downtown. In 2011, the Graffiti Task was established in Atlanta. Although the city has selected a number of murals that will not be aimed at the task force, the selection process overlooks the street art of the popular Circle Street tunnel location. Art created in connection with the Living Walls Street Art Conference, which is held annually by Atlanta, has been spared. Some of the actions taken by the unit, including the arrests of artists considered vandals, provoked public resistance; some found the city's efforts to be wrong or futile. After a group of artists sued in 2017, the city of Atlanta agreed not to comply with a ruling requiring artists to obtain city approval for murals on private property. Images and locations of more than 200 works of street art in Atlanta can be found on the map of Atlanta Street Art. Sarasota, Florida, hosts an annual street art event, the , founded in 2007. An independent offshoot known as Going Vertical sponsors the work of street artists, but some have been removed as controversial. The Los Angeles Art District is known for its high concentration of street murals. Hollywood neighborhoods and streets such as Sunset Boulevard, La Brea, Beverly Boulevard, La Cienega and Melrose Avenue are among the other key locations. LAB ART Los Angeles, opened in 2011, dedicates its 6,500-square-foot gallery space to street art. Among them are the works of such locals as Alec Monopoly, Annie Pris, Mazc and Morley. The Mission District of San Francisco has tightly packed street art along Mission Street, and Both Clarion and . The streets of Hayes Valley, Soma, Bayview Hunters Point and Tenderloin are also also Known for street art. East Village San Diego, Little Italy, North Park, and South Park neighborhoods contain street artworks by VHILS, Shepard Fairey, Tavara zavacky aka ABOVE, Space Invader, Oss Gemeos, among others. The murals of various Mexican artists can be seen in Chicano Park in the Barrio Logan area. Montreal (Canada) With more than 80 murals and counting since the founding of the MURAL Festival in 2013, the annual Street Art Festival has contributed to the creation of Le Plateau-Mont-Royal as the epicenter for urban art. Villeray, the center of Montreal Le Sud-Ouest, Hochelaga- Maisonneuve, and several art districts also continue to expand the street art chain within the island of Montreal. (quote needed) Toronto (Canada) has a significant graffiti scene. Calgary (Canada) While historically having less street art graffiti scene, the city recently launched the Beltline Urban Mural Project (BUMP) with an artist from around the world creating large murals downtown. Richmond, Virginia, has more than 100 murals created by artists, many of whom are graduates of the Virginia Commonwealth University School of Art or current students. Some of the murals are privately commissioned by individuals and businesses, some are created by solo street artists and some are joint projects by the fundraising group. Denver's street artists have been busy illuminating (and enlightening) the urban landscape for decades, making canvases of city lanes, building exteriors, warehouses, garage doors and storefronts. The city of Denver has an entire neighborhood called the River North Art District (RiNo), which is dedicated to the work of local creative artists. Most artists in the RiNo area are commissioned by local business owners who want to give their buildings colorful images. (quote needed) Smear, Los Angeles (2006) Mexico's display of street art in Mexico began in the late 1980s in Mexico City, inside apartment buildings in the north of the city, and in the subway. Since then, urban art and graffiti have become an integral part of the cultural identity in various city halls of the metropolis. Currently, there are various associations and groups dedicated to creating and finding spaces for urban art in Mexico City and throughout the country. Even a few artists, both national and foreign or new and consolidated, have taken their art to the Latin American country. Mural de Vhils en Parque La Ruina (Hermosillo, Sonora), producido para ACC Global Series there are also media such as All City Canvas specializing in the dissemination of urban art in Mexico, Latin America and the rest of the world. Thus, it was possible to create a universal language around this artistic manifestation. Even in 2012, All City Canvas became organization that created a street art festival in Mexico Mexico sought to join international efforts and create urban art during the week in Mexico City. In recent years, they have produced several murals in collaboration with talented artists such as Vhils, It's a Living and Bier in Brood, as part of the All City Canvas Global Series in some cities in Mexico and the United States. The aim of the initiative is to create an impact on society through large-scale art. Buenos Aires because of its large-scale frescoes and works of art at many subway stations and public places. The first graffiti artists began to paint on the street in the Argentine capital in the mid-1990s after visiting other countries in Europe and South America. One of the first recognized street artists in Argentina is Alfredo Segatori, nicknamed Pelado, who began painting in 1994 and is the record holder for the largest mural in Argentina with an area of more than 2,000 square meters. The abundance of buildings planned for demolition provides empty canvases to many artists, and authorities cannot keep up with the removal of artists' exits. Population density and urban anxiety are common motifs expressed by Grafiteiros in their street art and picha'o, run black graffiti is said to convey feelings of class conflict. Influential Brazilian street artists include Claudio Ethos, Os Gemeos, Witche, Oneesto and Herbert Baglione. Bogota has many walls dedicated to street art and the powerful art movement. The tourist can appreciate several wall views around 26th Street (Avenida el Dorado), Suba Avenue and the historic district of La Candelaria. Recently, the street art of Bogota has suffered from persecution by local and municipal authorities, which erase works in several public and private walls, claiming vandalism acts, damage to private property and visual pollution. Graffiti in Lima, Peru (2014) Work by Brazilian artist Os Gemeos, in Lisbon, Portugal (2011) Europe Banksy Shop until you fall, Mayfair, London. His politically subversive street art has emerged in the UK and around the world. Edward von Lengus's socially critical work on the war on drugs in Tartu in London has become one of the most pro-graffiti cities in the world. Although officially condemned and largely violent, street art has a huge following and in many ways embraces the public, such as stick figure Stick. Dulwich Outdoor Gallery, in collaboration with Street Art London, is an open gallery of street art in Dulwich, south-east London, with works based on traditional paintings in the Dulwich Art Gallery. Bristol has a prominent street art scene, partly due to Banksy's success, with many large and colourful frescoes dominating the areas In Poland, there are artists such as Syner and Bezt, known for drawing huge frescoes on buildings and walls. Paris, France has street art scene, which is home to artists such as Space Invader, Jeff Aorosol, SP 38 and zevs. Some associate the origins of street art in France with the lettrism of the 1940s and the situationist slogans written on the walls of Paris dating back to the late 1950s. The 1960s realists, including Jak de la Vilgle, Yves Klein and Armand, interacted with public spaces, but, like pop art, maintained traditional studio and gallery relationships. The 1962 of Rideau de Fer (Iron Curtain) by Cristo and Jean-Claude is cited as an early example of unauthorized street art. In the 1970s, daniel Buren's work appeared on the Paris Metro. and the Figuration Libre movement became active in the 1980s. This includes two wonderful murals by D'Face from London: Love Won't Tear Us Apart and Turncoat. Between October 2014 and March 2015, the EDF Foundation hosted Jerome Katz's exhibition #STREET ART, L'AU INNOVATION C'UN MOUVEMENT, which featured new technologies integrated with works by artists such as Shepard Fairey, JR, seetz and Mark Jenkins. The exhibition was the second ever exhibition at EDF since it opened in 1990. The work of street artist John Hamon primarily includes projecting or inserting a poster with his photograph above his name on buildings and monuments throughout the city. Street art on the Berlin Wall was continuous at a time when Germany was divided, but street art in Berlin continued to flourish even after the reunion and is home to street artists such as Thierry Noir Tavar zavacchi, also known as ABOVE and SP 38. Post-communism, cheap rents and dilapidated buildings have spawned street art in areas such as Mitte, Prenzlauer Berg, Kreuzberg and Friedrichshain. In 2016, StreetArtNews initiated an urban artwork on behalf of Urban Nation Berlin, attended by several well-known artists. Estonia's second largest city, Tartu, has been named the capital of Estonian street art. While Tallinn was against graffiti, Tartu is known for the Stencibility Street Art Festival and for being home to a wide range of works by various artists. The street art scene in Greece has been active since the late 1980s, but has gained momentum in Athens, leading to the 2011 financial crisis, when a number of artists raised voices of resistance, creating allegorical works and social commentary in the city's historic centre and Exarchy district. published an article about the crisis in regards to street art and art in general. Street art Bleepsgr, whose works have been classified as artivism, can be found in areas such as Psiri. In Spain, Madrid and Barcelona are the most graffiti-populated cities in Valencia, Valencia, and Malaga also has a street art scene. (quote necessary) Street artist (mel) in Florence, Italy Italy has been very active in street art since the late 1990s; Some of the most famous street artists include BLU, 108, and Stan Lex. A mural with paint on the wall in Rome, Italy Street Art in Amsterdam (Netherlands) has a long history. In the mid-1960s, the countercultural movement named provo already used street as a canvas. Member Robert Jasper Grootveld wrote things like Klaas komt (English: Klaas goes!) across town. In the late 1970s, young punk artists wrote about decomposition in the city. Famous artists from this No Future Generation are Dr. Rat and Hugo Kaagman, a stencil art pioneer who made his first stencil back in 1978. Jaki Kornblit brought graffiti artists such as Blade, Dondy, 2000 and Rammellzi to Amsterdam for exhibiting in his gallery in the early 1980s. This inspired the youth, from which a new generation of style writers emerged, which was later recorded in the documentary Kroonjuwelen (2006). Names like Delta, Shoes, Jazz, Cat22, Tall, Again and Rhyme have left their mark on the city. In the early 1990s, Amsterdam became the epicenter of the graffiti movement, with a focus on its subway system, bringing writers such as Mickey, Sedz and Yalta to the Dutch capital. Figurative street art became more and more common on the streets at the turn of the century. Morky, Wayne Horse, London police en Laser 3.14 communicated through their work on the street. The city of Bergen is considered the capital of street art in Norway. British street artist Banksy visited the city in 2000 and inspired many to howly his art on the streets. Dolk is one of the local street artists in Bergen. His art can be seen all over the city. In 2009, the Bergen City Council decided to keep one of Dolk's works with protective glass. In 2011, the city council launched an action plan for street art from 2011 to 2015 to Bergen will lead the fashion for street art in both Norway and Scandinavia. Stavanger hosts the annual NuArt Festival dedicated to the promotion of street art; The festival is one of the oldest curatorial festivals of street art in the world. Nuart Plus is a related industry and academic symposium dedicated to street art. The event is held every September. Oslo, by contrast, has traditionally pursued a zero-tolerance policy against graffiti and street art, but the sanctioned NuArt RAD project is changing that. Graffiti in Bromsten, Stockholm Street, appeared in Sweden in the 1990s and has since become the most popular way to create art in public space. 2007 book Street Art stockholm, written by Benke documents street art in the nation's capital. Street art scene has been a spurt of growth since the 1980s, until in 1998 the city of Helsinki launched a decade-long zero-tolerance policy that made all forms of street art illegal, punishable with high fines, and implemented through private security contractors. The policy ended in 2008, after which legal walls and art groups were installed. Wheat and stencil graffiti art in Denmark grew rapidly after visits by Feille, Banksy, Ben Aine and Shepard Fairey between 2002 and 2004, especially in urban areas of Copenhagen such as Nurrebro and Westerbro. Copenhagen is home to TEJN, an artist credited with introducing the Lock On Street Art genre. A street art scene in Switzerland saw the artist Harald Nageli in the late 1970s. After the collapse of communism in 1989, street art began to dominate Poland during the 1990s. In the city of Lodz, a permanent city exhibition was financed in 2011 under the patronage of Mayor Hanna Sdanovsky under the title Gallery of Urban Forms. The exhibition featured works by some Polish elite street artists as well as world-renowned artists. Although mostly accepted by the public, with authorities sometimes allowing artists to license to decorate public spaces, other properties are still illegally targeted by artists. Warsaw and Gdansk are other Polish cities with a vibrant street art culture. A monument in Bulgaria depicting soldiers of the Soviet Army was targeted by anonymous street artists in June 2011. Soldiers of the monument, located in Sofia, were decorated to depict Ronald McDonald, Santa Claus, Superman and others. The monument existed in this state for several days before being cleaned. Some citizens have expressed their support for embellishments. Moscow is increasingly becoming a hub for both Russian graffiti artists and foreign visitors. The Street Kit Gallery, opened in 2008, is dedicated to street art and organizes events in galleries, pop-up spaces and on the streets of the city. The 2009 Moscow International Biennale of Young Art included a section for street art. Active artists include Make, RUS and Kiev-based Interesni Kazki (also active in Miami and Los Angeles). The British BBC network covered the works of The Moscow street artist Pavel 183 in 2012. The collapse of the Soviet Union left Georgia with a tantalizing urban space for the development of street art. Although this is a relatively new trend in Georgia, the popularity of street art is growing rapidly. Most Georgian street artists are concentrated in Tbilisi. Street art serves as a strong tool among young artists to protest many controversial issues in Georgia's public and political life and, such as receives considerable attention in society. Society. artists include Gagos, TamOonz, and Dr.Love. became a major street art centre in southeastern Europe. It hosts the Sarajevo Street Art Festival and the famous 3D Street Art Festival . The first is held in July each year and lasts three days. Each year the edition consists of numerous street performances, the creation of a new bohemian block of street art in the city, concerts, large murals and demonstrations of other creative forms of art. The latter is the only 3D street art festival in southeastern Europe and has hosted many famous street artists such as Vera Bugatti, Giovanna la Pietra, Tony Kubolyquido, Manuel Bastente and others. Street Art WATTTS in Paris Painting in the global tradition of Ces53, Dutch street artist street art in Sesimbra, Portugal Graphic Domain in Heidelberg Nicola Pragger Mural from BLU, Gaza, Prague Graffiti in Shoreditch, London Stick Of Urban Art in Katowice, Poland Street Art in the Old Town of Prizren, Kosovo Mural Painting Propaganda Geometric boundaries of time, street art in Tbilisi. The Asian South Korean city of Busan, the German artist Hendrik Beikirch created a mural more than 70 meters (230 feet) high, considered the tallest in Asia at the time of its creation in August 2012. The monochrome mural depicts a fisherman. It was organized by a public delivery. Street art in Bonifacio Global City, Philippines United Arab Emirates In the largest city of the United Arab Emirates, Dubai, several famous artists have created city murals on buildings that were initiated by StreetArtNews and named it the Dubai Street Museum. India In India, there is a huge popularity in street art. Many films, Television series,Film artists are created by the collectives/artists. Currently, digital posters are now replacing street art posters. Between 1960 and 1990s, street posters worked well and impressed the minds of the audience. In the 1990s, street art film posters were placed as flexible banners outside theaters. After 2000, the popularity of street posters began to decline, replacing them with digital photo-printed posters. Street art painting and street art drawing Sketch has completely declined in India due to the replacement of digital posters. Oceania Melbourne Home article: Street Art at Melbourne's Hosier Lane Street Art, Melbourne Melbourne is home to one of the most active and diverse street art cultures in the world and is home to pioneers in a stencil environment. Street artists such as Blek le Rat and Banksy often exhibited works on the streets of Melbourne in the 2000s. Works are supported and Key locations within the city include Brunswick, Carlton, Fitzroy, Northcote, and the city centre, including the famous Hosier Lane. Perth Perth also has a small street art scene. Sydney's (quote) Sydney street art includes Newtown area graffiti and street art. The New zealand Mural on the wall of Dunedin's Southern Cross Hotel Dunedin is the first official street art in New York with more than sixty bus shelters given unique murals by artist John Noakes during the 1980s, many of them featuring local scenes or scenes inspired by the names of their seats. Dunedin City Council has since ordered a series of similar designs to decorate electric boxes throughout the city. Street murals have also become a popular addition to Dunedin, with more than 30 works by both local and foreign artists being added to the central city - especially around the Warehouse precinct and exchange areas - since an international street art festival was held there in the early 2000s. Christchurch was devastated by two earthquakes in 2010 and 2011, leaving 8,000 homes and 80 percent of the central city condemned. It wasn't until two and a half years later that the city was able to host its first major cultural event (quoting necessary) - the Rise Street Art Festival, held at the Canterbury Museum of Australian Street Art organiser Oi YOU!. The event attracted more than 248,000 visitors (the most visited show in the history of the museum) and saw 15 murals painted throughout the ruined central city. The murals have become community icons for the re-emergence and restoration of Christchurch. (quote needed) Two more Oi YOU! Festivals like Spectre have featured major indoor exhibitions, and add to the city's stock of murals. More than 40 murals have been produced in the city centre since the rise, and Lonely Planet's global street art guide has shown Christchurch as one of the best cities in the world to experience art. In 2009, Oakland Street Art decorated the city with intricate graphic images. The Oakland City Council allowed the use of electric boxes as canvases for street art. Local street art group TMD (The Most Dedicated) won the international Write for Gold competition in Germany for two years in a row. The surplus deal is another local collective. In 2019, in Oakland, the city's cultural heritage building was painted without the permission of ares Artifex owners. Africa Calligraphfi in Djerbaudti, Tunisia Although street art in southern Africa is not as ubiquitous as in European cities, the central district of Newtown in Johannesburg is the center of street art in the city. The city hosted the International Urban Art Festival City of Gold Civic and Student District in April 2012. The New York Times reported on Cairo's emergence as the region's street art hub in 2011. Slogans calling for the overthrow of Mubarak's regime have become such and politically provocative motives. Street art from Egypt, Tunisia, Yemen and Libya gained notoriety after the Arab Spring, including a 2012 exhibition in Casa Arab in Madrid. Exhibitions, festivals and conferences In 1981, the Washington Art Project held an exhibition called Street Works, which included pioneers of urban art such as Fab Five Freddy and Lee Kignones, working directly on the streets. The Sarasota Chalk Festival was founded in 2007, sponsoring street art by artists originally invited from all over the United States and soon lengthening it internationally. In 2011, the festival presented a program of frescoes Going Vertical and the Project Cellograph to accompany street drawings, which are also created by famous artists from around the world. Many international films have also been produced about artists who participated in the programs, their murals and street drawings, as well as special events at the festival. Istanbul Street Art Festival is the first annual festival of street art and postgraffiti in Turkey. The festival was founded by Perth artist and graphic designer Emre Tastaban in 2007. Amanda Harris of Southern California at the 2019 Minneapolis Street is an annual street art conference founded in 2009. In 2010 it was organized in Atlanta and in 2011 together in Atlanta and Albany, New York. Living Walls has also actively promoted street art at Art Basel Miami Beach 2011. The RVA Street Art Festival in Richmond, Virginia, began in 2012. The event was organized by Edward Trask and John Baliles. In 2012, the festival was held along the Walk Canal; In 2013, it was held on an abandoned GRTC lot on Carey Street. The Pasadena Cretaceous Festival, which is held annually in Pasadena, California, is the largest street art festival in the world, according to the Guinness Book of Records. The 2010 edition was attended by about six hundred artists of all ages and skills, which attracted more than 100,000 visitors. In April 2018, UMA - Universal Art Museum (138) launched a comprehensive exhibition of street art Walk to Street Art. This virtual reality exhibition features works by Banksy, JR, Jeff A'rosol, Vhils, Shepard Fairey, Keith Haring, etc. Eureka Street Art Festival, an annual public art event in Humboldt County, California. Artists from all over California and around the world to paint murals and create street art during the week-long festival. At the 2018 Festival 24 created 22 works of public art in the Old Town area, focusing on the Opera Alley. The 2019 festival takes place in the city centre. City. Films Rush (2005), a feature-length documentary Mutin media exploring the cultural value of Australian street art and graffiti Bomb It (2008), a documentary about graffiti and street art around the world outlet through a gift shop (2010), a documentary, created by artist Banksy about Thierry Guetta Style Wars (1983), a PBS documentary about graffiti artists in New York, Dez and DONDI Obey Giant (2017), a documentary about the life and career of street artist, illustrator, graphic designer, activist and founder of OBEY OBEY COMPANY CLOTHING Shepard Fae. See also The Art Portal Father Pat Noise Graffiti Graffiti in Russia Graffiti in the U.S. Graffiti terminology Graphopoli guerrilla art and hacking art (category) List of street artists Lock On street art School Public Art Rock balancing screen print Spray paint art Stencil Street installation Yarn Bombing Links Aerosol Art ...... in favor of catchall 'Independent public art'). - Filippo Minelli Silence/ Forms. Antonova, Maria. 2014. Street art. Russian Life 57(5): 17 - Student Art Project - It's Vandalism for its own reason. The Herald Times. Archive from the original on March 20, 2012. Received on April 4, 2011. To develop style in an aerosol-painted environment, as well as exploring the political, cultural and social commentary of its artists, see the anthropological history of New York subway graffiti art, Rising: Subway Graffiti in New York, Craig Castleman, student Margaret Mead, MIT Press, Cambridge, Massachusetts, 1982. - Geek Graffiti: Research in Computing, Gestures and Graffiti Analysis - b Smith, Howard (December 21, 1982). The apple of temptation. A village voice. Manhattan, New York, USA. page 38. Zotti, Ed (August 4, 2000). What was Kilroy's origins here? Direct doping; report by the Advisory Council on Science. San Times Media Llc. Received on October 29, 2016. Robinson, David (1990) Soho Walls - Beyond Graffiti, Thames and Hudson, NY, ISBN 978-0-500-27602-0 - Drasher, Katherine (June 30, 1983). Avant on the street. A villager. 31-32. Received on August 29, 2009. a b zox-weaver, Annalisa (June 1, 2015). Institutional Guerrilla Art Open Access: Public Sculpture by Florentin Hoffman. Sculpture review. 3 (p. 22-26). Tierney, John (November 6, 1990). Wall in Soho; Enter 2 artists, Feud . The New York Times. Manhattan, New York, USA: Arthur Ochs Sulzberger Jr. ISSN 0362-4331. OCLC 1645522. Received on May 4, 2012. a b Straussbo, John (April 5-11, 1995). The Renaissance man. The New York Press. 8 (14). Manhattan, New York, USA: Arthur Ochs Sulzberger Jr. Cover, 15, 16. ISSN 0362-4331. OCLC 1645522. Moncada vs. Rubin Spangle Gallery, Inc. - November 4, 1993 Leagle.com. November 4, 1993. Year. April 29, 2012. William M. Landes; Posner, Richard A. (2003). The Economic Structure of the Intellectual Property Act (illustrated by Cambridge, Massachusetts, USA: Harvard University Publishing House. p. 285. ISBN 978-0-674-01204-2. OCLC 52208762. Received on May 4, 2012. Ginsburg, Victor; Throsby, C. D. (November 13, 2006). Handbook on the Economics of Art and Culture (illustrated, reissued Amsterdam, Netherlands: Elsevier. page 231. ISBN 978-0-444-50870-6. OCLC 774660408. Received on May 4, 2012. Ralph E. Lerner; Bresler, Judith (2005). Art law: a guide for collectors, investors, dealers and artists (3rd place). New York, New York, USA: Institute of Law Practice. ISBN 978-1-4024-0650-8. OCLC 62207673. Received on May 4, 2012. Kostemanets, Richard (2003). Soho; The rise and fall of the artist's colony (1st place). New York, NY: Routledge. 102-104. ISBN 978-0-415-96572-9. Received on October 29, 2016. Kahn, Steve (1999). Soho, New York. New York, NY: Rizzoli International Publications, Inc. p.65. ISBN 978-0-8478-2156-3. - I AM THE BEST ARTIST Rene mural (1987). The secret of my success (comedy film). USA: Universal Studios. Glassman, Carl (1985). Soho; Portrait of a painting. New York, NY: Books of the Universe. 978-0-87663-566-7. Incredible tours of street art. Received on February 26, 2015. So, Gary. Alternative Guidebooks of London Street Art. alternativeldn.com. Received on 26 February 2015. The Paris Metro. undergroundparis.org. Received on 26 February 2015. Alternative Berlin. alternativeberlin.com. received on February 26, 2015. Bross, F. (2017): Beer prices correlate with the quality of illegal urban art. Mimeo. - Salib, Peter (autumn 2015). Banksy's Law: Who owns street art? University of Chicago Law Review. 82 (4): 293. SSRN 2711789. 17 U.S.C. No. 102 and 17 U.S. Code No. 302 and 17 U.S. Code No. 201 - Moral, adj.. OED Online. September 2011. Oxford University Press. October 25, 2011. - A lawsuit against a street artist can change the copyright law. (2018). Received April 28, 2019, from Villa, 2003 WL 22922178 - Graffiti cannot be copyrighted, argues Moschino, Jeremy Scott. The Fashion Act. Received April 29, 2019, from No. 17 U.S.C. No. 106A - Uncharted Territory: Securing the Rights of the Artist in Street Art (en) HHR Art of Law. (2017). HHR Art Law. Received on April 29, 2019, from Finn, R. (2014). The 5Pointz Arts Center, and its graffiti, is on borrowed time. Received on April 29, 2019, from I'd like to have a flea, Stefano. 2015. Street art, public city: law, crime and urban imagination. Urbaniki (Sage Publications, Ltd.) 52 (13):2500-2503. Campos, Ricardo. 2015. Youth, graffiti and the aesthetics of transgression. Social analysis 59(3):17-40. b c d e f Bacharach, Sondra. Street art and harmony. British Journal of Aesthetics 55(4):481-495 - b c d e Sisko (summer 2015). Guerrilla sculpture: free speech and dissent. Sculpture review. 64 (2): 26–35. - Johnathen Duran, Free Art Friday: Global Art Movement, which everyone can appreciate mic.com, March 21, 2013 (restored December 3, 2016) - Holly Roberts, month-long hunt for scavengers, Free Movement for the Arts, comes to Classic City, TheRed'Black, April 7, 2016 (received December 3, 2016) World Ours: The Nonprofit Expansion of Opportunities for Artists for Urban Areas (PDF). To quote the magazine requires magazine (help) Crouch, Angie. How art affects communities. NBC. NBC Los Angeles. Rojo, Jaime; Harrington, Stephen. (2010). Street Art New York. Prestel Pub. ISBN 978-3-7913-4428-7. Seth Kugel (March 9, 2008) For trained eyes, museum exhibits are hidden everywhere, The New York Times Mural Art Program. Muralarts.org. Received on July 7, 2012. Hoff, Al (December 14, 2006). Best Public Art: Sprout Murals Foundation. Pittsburgh City Newspaper. Wheatley, Thomas (May 5, 2011). The Atlanta Graffiti Task Force is launching an investigation, removing vandalism and viewings of Atlanta's creative loafing. Clatl.com. Received on July 7, 2012. Mike Morris (October 4, 2011). Warrants have been issued for serial graffiti of vandals. ajc.com. Archive from the original on January 7, 2012. Received on July 7, 2012. The City of Atlanta is suing street artists. Received on February 11, 2018. A new website provides a map of street art on murals across Atlanta. accessatlanta. Received on January 5, 2018. Smith, Jesse, Get ringside place: MTO not pulling any punches in his latest mural, This Week in Sarasota, 20 December 2012 - Rojo, Jamie and Harrington, Stephen, Unpremeditated Film from Street Artist MTO is Knock Out, Huffington Post, 20 March 2013 Photo-tour: Graffiti steals the show in the growing arts district of Los Angeles. USA today. Received on December 4, 2019. Nicole Larson (May 13, 2011). PHOTOS: The largest street art collection debuts at LAB ART LA. The Huffington Post. - San Francisco Bay Guardian, January 18-24, 2012, page 22 - Weltman, Chloe (May 8, 2010) Street art moves to some new streets, The New York Times - Toronto Graffiti :: urban artists for hire. Received on July 29, 2015. - Unknown, Underrated Street Art of Richmond, Virginia (Photo Essay). Packages of Light. January 19, 2016. April 11, 2017. Best Denver Street Art www.denver.org. Received april 21 Colorful mural may be the world's longest Reuters.com. mobile.reuters.com. received on November 4, 2015. Romero, Simon (January 29, 2012) At war with the creation of Sao Paulo, Black Paint in Hand, The New York Times - Scott, Gabe (July 17, 2009). Claudio Ethos. Exclusive feature. High-speed Products, Inc. was received on October 29, 2016. Lopez, A. (August 17, 2017) Adios los fresco de La Candelaria?, Cartel Urbano - Banksy Paradox: 7 parties in the world's most infamous street artist, 19 July 2007 - Walk with The Styck. Dulwich OnView, United Kingdom. June 12, 2012. Received on June 17, 2012. - Beazley, Ingrid (2015). Street art, fine art. London: Heni Publishing. ISBN 978-0-9568738-5-9. Banksy hit Primrose Hill? BBC News. June 11, 2010. Huge frescoes on buildings created by artist duo ETAM CRU. NetDost. January 16, 2014. Archive from the original on January 20, 2014. 10 stenfaret artists are changing the way we look at the city. My Modern Met. May 22, 2017. Received on July 10, 2018. Street art in the 13th arrondissement. Paris Digest. 2018. Received On 22 October 2018. HUGE SUCCES POUR L'EXPOSITION AVEC 113 228 VISITEURS! Great success of the exhibition with 113,228 visitors! (PDF) No, no, no. (Press release) (French). Paris: EDF Foundation. March 2, 2015. Received on December 30, 2018. Barba Court, Cala (May 18, 2018). John Hamon: the mysterious, enduring mystery of Paris. A simple magazine. Archive from the original on May 20, 2019. Received on May 20, 2019. Lepore, Domingos (September 13, 2017). The Berlin Museum of Street Art is the city's national contemporary urban art museum. STUNNING BERLIN. Received on January 15, 2020. Carsten Kaminsky. Tavakunst Tartus: Rohkem kui ainult kunst Postimees Kultuur, April 26, 2015 (In Estonian) - Marika Agu and Sirla. Street Art in Tartu, Estonia Vandal, July 8, 2014 - Donadio, Rachel (October 14, 2011). In Athens, art is flourishing amid the debt crisis. The New York Times. Received on October 14, 2011. Jessica Stewart (January 1, 2013). Roma's street art stories. Mondo Bizzarro. page 128. ISBN 978-8896850152. 15 Dutch street artists you should know, Street Art Today - Dr. Rat, Godfather van de Nederlands graffiti. Lebowski. Received on April 5, 2014. Malt, Frank (2014). 100 European graffiti artists. Anglen, PA, Schiffer Publisching Ltd. and Edegard, Ann Christine (March 24, 2010). Gatekunstens hovedstad (in Norwegian). Ba.no. received on March 24, 2010. Torkildsen, Joakim (March 10, 2008). Banksy-bilder som takk for overnatting (in Norwegian). Dagbladet.no. - Derfor valgte ikke DOLK Bergen (in Norwegian). Ba.no September 8, 2011. Received on September 18, 2011. Bergesen, Bergesen, H. Potuler Dolk Selger sa det suzer (in Norwegian). Bt.no. received on September 21, 2011. Forsvarer verning av graffiti (in Norwegian). Ba.no on June 26, 2009. Received on June 26, 2009. Bergenkommune.no - Graffiti og gatekunst i kulturbyen Bergen - Utredning og handlingsplan for the period 2011-2015 (PDF) (in Norwegian). Bergen.kommune.no. received on May 10, 2011. - Karlsson, Benke (2007). Street art in Stockholm. Stockholm: Strom. ISBN 9789171260765. - Gallery housing mentioned street artists Archive 20 November 2013 on Wayback Machines and Billeter, F. (1984). Graffiti : Wandkunst und wilde Bilder. Basel: Birkheuser. ISBN 978-3-7643-1617-4. Ata Bozachi. Wide walls. Eugene (September 29, 2011). The Polish city embraces street art - my modern Metropolis. Mymodernmet.com. Received on July 7, 2012. Poland - street art and graffiti. Fat. Received on July 7, 2012. Alice Pfeiffer, Graffiti Art earns new respect in Moscow, New York Times, October 13, 2010 - Street artist Russia's Response to Bansky. Bbc. 8 February 2012. Received on June 21, 2012. - Ketevan Vasagashvili's documentary about street art in Tbilisi. Gallery on the Street, May 17, 2015 - November 12, 2015 - Caucasian Business Week www.cbw.ge Of Georgia Street Art, March 9, 2015 - November 9, 2015 - Georgia Today. Nina Ioseliani. www.georgiatoday.ge Street Art in Georgia, August 20, 2015 August 27, 2015 - Beton Fest zini Sarajevo 3D prijestlonicom svijeta. N1 Television. 3D street art about peace in Sarajevo. verabugatti.it. - Cijelo Sarajevo pozvano na Beton Fest. klix.ba. - 3D festival in Sarajevo. cuboliquido.com. Sarajevo: Josh is Dana's pet doing Setvrtog Beton Festa. Radio Sarajevo. The tallest mural of Asia in Korea is Hendrik Beikirch - Asia's tallest mural is Hendrik Beikirch. September 5, 2012. Received on July 29, 2015. Winks, Mathias (December 14, 2016). Curiosity - New mural by street artist Seth Glober in Dubai / UAE. MC Winkels weBlog (in German). Received on January 15, 2020. MacFarlane, N. Nyri (November 29, 2016). Satwa is now turning into a huge gallery of street art. What's next. Received on January 15, 2020. A tribute to the bus shelter artist unveiled, otago Daily Times, April 17, 2012. Received on December 1, 2018. Works, dunedinstreetart.co December 1, 2018. It was the tallest street mural in New York before the creation of a nine-storey mural in Invercargill in 2019. Rise street art Christchurch (en) Oh YOU!. Spectre Street Art Christchurch 2015 Oy YOU!. Allen, Linley. (November 9, 2009) Linley Allen, Street Smart Oakland Art Bandits, The New York Times. Tmagazine.blogs.nytimes.com. received on April 2, 2013. ^ Report graffiti hotspots, City of Johannesburg site, 28 June 2012 Archive 11 July 2012 at Wayback Machine - South Africa: Hotel, Graffiti Crew Partner to host Arts Festival, AllAfrica.com, April 16, 2012. Allafrica.com (April 16, 2012). Received on April 2, 2013. Josh Wood (July 27, 2011) The Maturation of Street Art in Cairo, The New York Times. The best of Egyptian political street art. Received on July 4, 2013. Duggan, Grace. (February 2, 2012) Arab Spring street art, on view in Madrid, The New York Times. Lewison, Cedar (2008) Street Art: Graffiti Revolution, Tate Gallery, London, England, ISBN 978-1-85437-767-8. - The Festival of Chalk, a forty-page guide to the Sarasota chalk festival 2012, Sarasota Observer, from October 28 to November 6, 2012 Go Turkey Tourism . In In Istanbul, artists take to the streets, July 18, 2011, October 5, 2011 - Amanda Lee Harris. Street art festival in downtown Minneapolis. Received on August 17, 2019. Gousner, Sonia (August 22, 2011). The living walls speaks through street art. Emory Wheel. Archive from the original on July 29, 2012. Received on January 9, 2012. Living walls. Archive from the original july 10, 2012. Received on July 29, 2015. 2013 RVA Street Art Festival to revitalize GRTC property. CBS6. March 20, 2013. Received on May 22, 2013. Day, Brian (June 20, 2015). The world's largest music festival attracts crowds in Pasadena. Pasadena Star News. Received on August 22, 2016. Day, Brian (June 20, 2010). The Cretaceous Festival in Pasadena has been named the world's largest street art festival. Los Angeles Daily News. Received on August 22, 2016. UMA - Universal Art Museum. Archive from the original on May 6, 2013. Received on June 6, 2018. A walk in street art. Archive from the original on June 12, 2018. Received on June 6, 2018. Katsos, Jennifer. Past festivals. Eureka Street Art Festival. Read Avramidis, Konstantinos, tsilimpounidi, Myrto (eds.), (2017), Graffiti and Street Art: Reading, Writing and Presenting City, Routledge, ISBN 978-1472473332 Bearman, Joshuah (October 1, 2008). Street Cred: Why would Barack Obama invite a graffiti artist with a long rap sheet to launch a guerrilla marketing campaign on his behalf?. Contemporary artists. Received on October 1, 2008. Le Bijoutier (2008), It Means Nothing, Powerhouse Books, ISBN 978-1-57687-417-2 Boo, Louis (2006), NYC BCN: Street Art Revolution, HarperCollins, ISBN 978-0-06-121004-4 Bou, Louis (2005), Street Art: Graffiti, , stickers and logos, Mons de ediciones Institute, S.A., ISBN 978-84-96429-11-6 Chaffee, Lyman (1993). Political protest and street art: popular tools for Hispanics. Westport, CT: Greenwood Press. Press. Комбс, Дэйв и Холли (2008), PEEL: Искусство наклейки, Марк Бэтти Издатель, ISBN 0-9795546-0-8 Danysz, Магда (2009) От стиля письма к искусству, антология уличного искусства, Dokument Press, ISBN 978-8-888-49352-7 Fairey, Шепард (2008), : E Pluribus Obey: Искусство Шепард Fairey, Gingko Press, ISBN 978-1-58423-295-7 Fairey, Шепард (2009), Obey: Поставка и спрос, Искусство Шепард Фейри, Gingko Пресс, ISBN 978-1-58423-349-7 Гэвин, Франческа (2007), Улица Renegades: Новое подземное искусство, Лоуренс Кинг Издатели, ISBN 978-1-85669- 529-9 Гольдштейн, Джерри (2008), Афины стрит-арт, Афины: Афины Новости, ISBN 978-960-89200-6-4 Харрингтон, Стивен. и Рохо, Хайме (2008), Бруклин-стрит арт, Preтель, ISBN 978-3-7913-3963-4 Харрингтон, Стивен. и Рохо, Хайме (2010), стрит-арт Нью-йорк, Престель, ISBN 978-3- 7913-4428-7 Hundertmark, Кристиан (2005), Искусство восстания : The World Of Street Art, Gingko Press, ISBN 978-1-58423-157-8 Hundertmark, Christian (2006), The Art Of Rebellion 2: World of Urban Art , Gingko Press, ISBN 978-3-9809909-4-3 Jakob, Kai (2009), Street Art in Berlin, Jaron, ISBN 978-3-89773-596-5 Longhi, Samantha (2007), Stencil History X, Association C215, ISBN 978-2-9525682-2-7 Manco, Tristan (2002), Stencil Graffiti, Thames and Hudson, ISBN 0-500-28342-7 Manco, Tristan (2004), Street Logos, Thames and Hudson, ISBN 0-500-28469-5 Marziani, Gianluca (2009), Scala Mercalli: The Creative Earthquake of Italian Street Art, Drago Publishing, ISBN 978-88-88493-42-8 Palmer, Rod (2008), Street Art Chile, Eight Books, ISBN 978-0-9554322-1-7 Rasch, Carsten (2014), Street Art: From around the World – stencil graffiti – wheatpasted poster art – sticker art – Volume I , Hamburg, ISBN 978-3-73860-931-8 Riggle, Nicholas Alden (2010), Street Art: The Transfiguration of the Commonplaces , журнал эстетики и художественной критики, Том 68, выпуск 3 (248-257). Робинсон, Дэвид (1990) Сохо Стены - Помимо граффити, Темзы и Хадсон, Ny, ISBN 978-0-500-27602-0 Росс, Джеффри Ян (эд.), (2016), Routledge Справочник граффити и уличного искусства, Routledge, ISBN 978-1138792937 Шварцман, Аллан (1985), стрит-арт, Dial Press, ISBN 978-0-385-19950-6 Забастовка, Кристиан и Роуз, Аарон (август 2005), Красивые неудачники: Современное искусство и уличная культура, Распределенные издатели искусства, ISBN 1-933045-30-2 Walde, Клаудия (2007), Sticker City: Бумага Граффити искусства (Уличная графика / Street Art Series), Темза и Хадсон, ISBN 978-0-500-28668-5 Вальде, Клаудия (2011), Уличные шрифты - граффити алфавиты со всего мира, Темза и Хадсон, ISBN 978-0-500-51559-4 Уильямс, Сара Джей, ed. (2008), Философия повиновения (Obey Giant): Формативные годы (1989-2008), Нервные книги Великобритании. Внешние ссылки СМИ, связанные с уличным искусством на Wikimedia Commons Street Art на Curlie Street искусства и граффити онлайн-журнал - streetart360 from street art anglais 3eme. vocabulaire street art anglais. sequence street art anglais. séquence street art anglais collège. artiste street art anglais. définition street art anglais. exposé street art anglais. séquence street art anglais 3èmes

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