DOCSLIB.ORG

Vol. 24, No. 3 March 2020 You Can’T Buy It

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vol. 24, No. 3 March 2020 You Can’T Buy It ABSOLUTELY FREE Vol. 24, No. 3 March 2020 You Can’t Buy It The NC Museum of Art in Raleigh, NC, will present Front Burner: Highlights in Contemporary North Carolina Painting, curated by Ashlynn Browning, on view in the Museum’s East Building, Level B, Joyce W. Pope Gallery, from March 7 through July 26, 2020. Work shown by Lien Truong © 2017 is I, “Buffalo”, and is acrylic, silk, fabric paint, antique gold-leaf obi thread, black salt and smoke on linen, 96 x 72 inches. I “Buffalo” was purchased by the North Carolina Museum of Art with funds from the William R. Roberson Jr. and Frances M. Roberson Endowed Fund for North Carolina Art. Photography is by Peter Paul Geoffrion. See article on Page 34. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. DONALD Weber Page 1 - Cover - NC Museum of Art - Lien Truong Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - Linda Fantuzzo / City Gallery at Waterfront Park Page 4 - Editorial Commentary & Charleston Artist Guild Page 5 - Wells Gallery & Halsey McCallum Studio Page 5 - Ella Walton Richardson Fine Art & Robert Lange Studios “Italian Sojourn” Page 6 - Kathryn Whitaker Page 6 - Meyer Vogl Gallery & City of North Charleston Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 8 - Art League of Hilton Head Reception March 6th 5-8 pm | Painting Demonstration March 7th 2-5 pm Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Page 10 - Coastal Discovery Museum, Society of Bluffton Artists & Clemson University / Sikes Hall The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Exhibition through April 1st, 2020 Page 12 - Clemson University / Sikes Hall cont. Page 8 - Deane V. Bowers & Whimsy Joy by Roz Page 14 - USC Upstate & Arts Council of York County Page 9 - SOBA / Society of Bluffton Artists / 26th Annual Judged Show Page 15 - Arts Council of York County cont., Arts Council of York County 2 & Page 10 - Bluffton Arts District / Spring Fling Weekend USC Lancaster’s Native American Studies Center x2 Page 11 - City of Greer / Greer Center for the Arts / Juried Arts Exhibition Page 16 - USC Lancaster’s Native American Studies Center cont., Mint Museum Uptown & Page 12 - Clemson / Sikes Hall Central Piedmont Community College Page 13 - Metropolitan Arts Council / MAC ARTCARD Page 17 - Central Piedmont Community College, Union County Agricultural Center / Page 14 - Heritage Trail Pottery Tour & Sale Lily Quilt Show & Catawba Valley Pottery & Antiques Festival Florence Glow, 15” x 30”, Oil on Canvas Page 18 - Sumter County Gallery of Art Page 15 - Gallery 5 / Goode Collection Divesting Event Bring Home Firewood Cinque Terre The Cooks Break Page 19 - Sumter County Gallery of Art cont. Page 16 - CERF + The Artists’ Safety Net 14” x 11”, Oil on Canvas 20” x 24”, Oil on Canvas 24” x 20”, 0il on Canvas Page 20 - 701 Center for Contemporary Art Page 17 - Catawba Valley Pottery & Antiques Festival Page 22 - Best Mattress / Trenholm Artists Guild & Arts Center of Kershaw County Page 18 - Art League of Hilton Head / Workshops Page 23 - Arts Center of Kershaw County cont. Page 19 - City Art Gallery, Michael Story & Noelle Brault Fine Art Page 24 - Arts Center of Kershaw County cont., Asheville Art Museum & Center for Craft Page 20 - One Eared Cow Glass & Mouse House / Susan Lenz Page 25 - Asheville Gallery of Art, Haywood County Arts Council & Upstairs Artspace Page 21 - Stormwater Studios / Rites of Spring Page 26 - Western Carolina University, Caldwell Arts Council & Page 22 - Trenholm Artists Guild / 39th Spring Art Show & City Art Gallery Arts Council of Winston-Salem and Forsyth County Page 23 - Page 27 - Arts Council of Winston-Salem and Forsyth County cont. & STARworks / GlassFest Stormwater Studios / Laurie McIntosh Page 28 - Salem College, Arts Council of Winston-Salem and Forsyth County, Salem College Page 24 - The Artist Index & Artworks Gallery (W-S) Page 27 - STARworks / GlassFest & Counsins in Clay / Bulldog Pottery Page 29 - Artworks Gallery (W-S) cont. & Francis Marion University x2 Page 28 - Discover the Seagrove Potteries Page 30 - Francis Marion University cont., Hartsville Museum & NC Wesleyan College Page 29 - Seacoast Artists Guild Gallery Page 31 - NC Wesleyan College cont., Andrejev Galleries and Craven Arts Council & Gallery Page 30 - Waccamaw Arts & Crafts Guild / Art in the Park Drift Fisher, Almafi Coast Two Gondolas Vernazza Harbor Page 32 - Craven Arts Council & Gallery cont., Wilmington Art Association / 18” x 24”, 0il on Linen Panel 30 x 30”, 0il on Linen Panel 14” x 18, Oil on Canvas Page 31 - Sunset River Marketplace, Carolina Creations & Annual Juried Spring Show & Sale and Gallery C Wilmington Art Association / Annual Juried Spring Show & Sale Page 33 - Gallery C cont., Adam Cave Fine Art, NC Museum of History & Page 32 - Adrienne Watts & Janet B. Sessoms, Fine Art NC Museum of Natural Sciences Page 34 - NC Museum of Art x2 & NC State University Page 33 - Triangle Artworks Page 35 - North Carolina Central University, Hillsborough Gallery of Art & Some Exhibits That Are Still on View Don’t forget about our website: carolinaarts.com Page 36 - Some Exhibits That Are Still On View cont. & SC Institutional Galleries - Allendale - Charleston Page 37 - SC Institutional Galleries - Charleston - Columbia Area Page 38 - SC Institutional Galleries - Columbia Area - Greenwood Page 39 - SC Institutional Galleries - Greer - North Charleston Page 40 - SC Institutional Galleries - Orangeburg - Spartanburg Page 41 - SC Institutional Galleries - Spartanburg - Westminster & SC Commercial Galleries - Aiken / North Augusta - Bluffton Page 42 - SC Commercial Galleries - Bluffton - Charleston Page 43 - SC Commercial Galleries - Charleston You can find past issues all the way back to August 2004! Page 44 - SC Commercial Galleries - Charleston - Columbia Area You can find past articles all the way back to June 1999 Page 45 - SC Commercial Galleriaes - Columbia Area - Greenville Area Page 46 - SC Commercial Galleries - Greenwood - Spartanburg Also don’t forget about our two blogs: Page 47 - SC Commercial Galleries - Spartanburg - Travelers Rest & Carolina Arts Unleashed - Carolina Arts News NC Institutional Galleries - Aberdeen - Asheville Area Page 48 - NC Institutional Galleries - Asheville Area - Charlotte Area Send us your e-mail address to be added to our list to receive Page 49 - NC Institutional Galleries - Charlotte Area notice of each monthly issue. [email protected] Carolina Arts, is published monthly by Shoestring Publishing Company, a subsidiary Page 50 - NC Institutional Galleries - Charlotte Area - Elizabeth City of PSMG, Inc. Copyright© 2020 by PSMG Inc. It also publishes the blogs Carolina Page 51 - NC Institutional Galleries - Elizabeth City - Highlands Arts Unleashed and Carolina Arts News, Copyright© 2020 by PSMG, Inc. All rights Page 52 - NC Institutional Galleries - Highlands - Raleigh reserved by PSMG, Inc. or by the authors of articles. Reproduction or use without written permission is strictly prohibited. Carolina Arts is available online at Page 53 - NC Institutional Galleries - Raleigh - Seagrove Area (CarolinaArts.com). Mailing address: 511 Hildebrand Drive, Bonneau, SC 29431. Page 54 - NC Institutional Galleries - Seagrove Area - Wilmington Telephone: 843/693-1306, e-mail at ([email protected]) and on the web at (CarolinaArts.com). Page 55 - NC Institutional Galleries - Wilmington - Winston-Salem & NC Commercial Galleries - Aberdeen - Asheboro Editor/Publisher/Calendars/Distribution Page 56 - NC Commercial Galleries - Asheville Thomas J. Starland Page 57 - NC Commercial Galleries - Asheville - Brevard / Cedar Mountain Area Web Master/Advertising/Business Manager Linda Parks Starland Page 58 - NC Commercial Galleries - Brevard / Cedar Mountain Area - Charlotte Area Sienna Evening, 11” x 14”, Oil on Linen Panel Page 59 - NC Commercial Galleries - Charlotte Area - Durham Super Blog Guru & Graphics Emma Ravenel Page 60 - NC Commercial Galleries - Durham - Hillsborough Contributing Writers This Month Page 61 - NC Commercial Galleries - Hillsborough - Old Fort None This Month Ella Walton Richardson Fine Art Page 62 - NC Commercial Galleries - Pinehurst / Southern Pine Area - Seagrove Area Advertising Rates Page 63 - NC Commercial Galleries - Seagrove Area Click here for advertising rates. Page 64 - NC Commercial Galleries - Seagrove Area - Siler City The deadline for the April 2020 issue is 58 Broad Street Charleston, SC 29401 | 843.722.3660 843.819.6111 Mobile Page 65 - NC Commercial Galleries - Siler City - Wilmington March 24, 2020. Page 66 - NC Commercial Galleries - Wilmington - Winston-Salem Area To advertise call 843/693-1306 or e-mail at ([email protected]). www.ellarichardson.com Page 2 - Carolina Arts, March 2020 Table of Contents Table of Contents Carolina Arts, March 2020 - Page 3 Editorial by Tom Starland, Editor and Publisher Don’t forget about our website: Ella Walton Richardson| Fine Art carolinaarts.com in Charleston, SC, Features COMMENTARY Works by Donald Weber Coming From A Small Town in SC Ella Walton Richardson| Fine Art in Charleston, SC, will present Donald We- I have noticed over the years that in SC, ber: Italian Sojourn, on view from Mar. sometimes it pays to come from a small 6 - 31, 2020. A reception will be held on town or stay in a small town. Artists living Mar. 6, from 5-8pm. A painting demon- in small towns can be a big fish in a small stration will be offered on Mar. 7, from pond. Small towns usually have an old bank 2-5pm. or school building that can be converted Donald Weber recently rediscovered into an arts center. And, sometimes being “a collection of photographs from a trip to associated with a small town can get you a historical highway marker telling people Italy, about 20 years ago,” he said, and he driving by that a famous artist once lived was inspired to ‘revisit’ them as paint- in this town. Such is the case for Dr. Leo ing subjects.
Load more

Recommended publications
  • Arts & Culture
    An Invitation to All Bowen Islanders Advancing ARTS & CULTURE on Bowen Island 2017 - 2027 Cultural Master Plan TABLE OF CONTENTS Executive Summary ................................................. 3 A. Introduction ......................................................... 13 B. Our Guiding Principles ....................................... 20 C. What is Bowen’s Culture? .................................. 21 D. Goals, Strategies and Actions............................ 27 E. Plan Evaluation & Review ................................... 58 F. BOWEN 2025: A Thriving Arts-and-Culture Driven Community ..................... 59 Appendix I Status Of 2004 Cultural Plan Recommendations Appendix II Successes And New Challenges Identified Appendix III BIAC Core Programs/Budget Appendix IV Arts & Cultural Survey Highlights Appendix V Groups Consulted in Developing This Plan Appendix VI Interview Questions Appendix VII 78 Communications & Publicity Appendix VIII List of Research Documents DRAFTAppendix IX List of Abbreviations Appendix X Links to 2004 Cultural Plan, Terms of Reference and Other Documents Appendix XI Master Plan Budget Page 2 Bowen Island Cultural Plan “Bowen is a place where people can become who they want to be.” – Andrea Verwey EXECUTIVE SUMMARY Introduction Why does Bowen Island need a Cultural “Master” Plan? Culture and art happen, planned or not. The motivation for developing a vision and goals along with a strategy to achieve those goals flows from the growing recognition and acknowledgment that arts are integral to our human existence. Culture engages minds, enriches the education of children, and supports lifelong learning. Culture helps define the character or identity of a community in which people feel a sense of belonging. It engages citizens in activities that help build a sense of community, resilience, and civic engagement. Finally, as the community grows, culture celebrates diversity and helps newcomers feel welcome.
    [Show full text]
  • Saccharomyces Cerevisiae
    Novel strategies for engineering redox metabolism in Saccharomyces cerevisiae Víctor Gabriel Guadalupe Medina 2013 Novel strategies for engineering redox metabolism in Saccharomyces cerevisiae Proefschrift ter verkrijging van de graad van doctor aan de Technische Universiteit Delft, op gezag van de Rector Magnificus prof. ir. K.Ch.A.M. Luyben, voorzitter van het College voor Promoties, in het openbaar te verdedigen op maandag 14 oktober 2013 om 15:00 uur door Víctor Gabriel GUADALUPE MEDINA Magíster en Ciencias de la Ingeniería, Pontificia Universidad Católica de Chile, geboren te Rancagua, Chili. Dit proefschrift is goedgekeurd door de promotor: Prof. dr. J.T. Pronk Copromotor: Dr. ir. A.J.A. van Maris Samenstelling promotiecommissie: Rector Magnificus, voorzitter Prof. dr. J.T. Pronk, Technische Universiteit Delft, promotor Dr. ir. A.J.A. van Maris, Technische Universiteit Delft, copromotor Prof. dr. J.G. Kuenen, Technische Universiteit Delft Prof. dr. R.A.L. Bovenberg, Rijksuniversiteit Groningen / DSM Prof. dr. B.M. Bakker, Rijksuniversiteit Groningen Prof. dr. J. Förster, Technical University of Denmark / Novo Nordisk Foundation Center for Biosustainability Dr. R.A. Weusthuis, Wageningen University Prof. dr. M.C.M. van Loosdrecht, Technische Universiteit Delft, reservelid The studies presented in this thesis were performed at the Industrial Microbiology section, Department of Biotechnology, Delft University of Technology, The Netherlands and part of Program 1 ‘Yeast for chemicals, fuels and chemicals’ of the Kluyver Centre for Genomics of Industrial Fermentation, which is supported by the Netherlands Genomics Initiative. The cover of this thesis was designed by Manuel Toledo Otaegui (www.toledotaegui.com). The photograph was kindly provided by Michael Grab, rock balancing artist (www.gravityglue.com).
    [Show full text]
  • About Andy Evansen
    01 NIGHT OWL: PAINTING THE NOCTURNE Carl Bretzke 11 FACES OF THE SHOAH David Jon Kassan 23 AN ORCHESTRATED COMPULSION Alyssa Monks 32 GOOD, BETTER, BEST. Jay Moore 41 A QUEST FOR DYNAMIC PHOTO REFERENCE Rachel Moseley 52 COMPOSING A PAINTING Huihan Liu 60 PAINTING OUR TRUTH Noah Buchanan 75 USING VALUE STUDIES TO SIMPLIFY WATERCOLOR Andy Evansen 84 AN ARTIST’S PERSPECTIVE Kay Griffith Publication Schedule Issue 27 - January 2018 Issue 28 - March 2018 Issue 29 - May 2018 Issue 30 - July 2018 Issue 31 - September 2018 Issue 32 - November 2018 CARL BRETZKE NIGHT OWL Painting the Nocturne A “nocturne” was described by James McNeill Whistler as a painting of night, twilight or absence of direct light. A Google search will demonstrate nocturne paintings by many other well-known painters throughout history. More recently, with the improvement in plein air gear and portable lights, nocturne painting has become extremely popular. James Abbott McNeill Whistler (1834-1903), Nocturne in Black and Gold, the Falling Rocket, 1875, oil on panel, 23-3/4 x 18-3/8 inches, Detroit Institute of Fine Arts, Gift of Dexter M. Ferry, Jr. 02 I became excited about night paintings after visiting a gallery in Carmel several years ago. The gallery featured historic California artists and was showing a nocturne by Rollo Peters (1862-1928). The painting was leaning against the wall in a dark corner of the gallery, and at first glance it looked almost totally black. To my delight, when placed under the light, a mysterious and surprisingly colorful image emerged. Interestingly, Peters was known as the “poet of the night.” I still study his work for clues about color saturation in the dark.
    [Show full text]
  • Just Above Midtown, Where David Hammons, Fred Wilson, and Others Exhibited, Received Slightly More Press Than Kenkeleba
    The Black and White Show LORRAINE O’GRADY OUTSIDE, EAST SECOND STREET between Avenues B and C only by telegram. Give that boy another chance! But after in 1983 was Manhattan’s biggest open-air drug supermarket. promising two new canvases for the show, Basquiat pulled It was always deathly quiet except for the continual cries of out. Obligations to Bruno Bischofberger came fi rst. Walking vendors hawking competing brands of heroin: “3-5-7, 3-5-7” down East Second Street was like passing stacks of dreams in and “Toilet, Toilet.” From the steps of Kenkeleba, looking mounds. I asked muralist John Fekner to connect the inside across at the shooting galleries, you saw unrefl ecting win- with the outside. Downtown had a multitude of talents and dows and bricked-up facades, like doorless entrances to trends, some being bypassed by the stampede to cash in. The Hades. How did the junkies get inside? There was almost no show ended with twenty-eight artists, many still worried that traffi c. Behind the two columns fl anking Kenkeleba’s door- cadmium red cost thirty-two dollars a quart wholesale. Each way unexpectedly was a former Polish wedding palace in ele- day as I approached the block, I wondered, “Where is my gant decay owned by a black bohemian couple, Corrine mural?” On the day before the opening, it was there. John Jennings and Joe Overstreet. had done it at 4 am, when even junkies sleep. The gallery, invisible from the street, had fi ve rooms— Inside the gallery, it pleased me that, even across so many one, a cavern—plus a corridor, and dared you to use the styles, the images gave off language.
    [Show full text]
  • The Latest Research in Optical Engineering and Applications, Nanotechnology, Sustainable Energy, Organic Photonics, and Astronomical Instrumentation
    OPTICS + PHOTONICS• The latest research in optical engineering and applications, nanotechnology, sustainable energy, organic photonics, and astronomical instrumentation ADVANCE THIS PROGRAM IS CURRENT AS OF TECHNICAL APRIL 2015. SEE UPDATES ONLINE: PROGRAM WWW.SPIE.ORG/OP15PROGRAM Conferences & Courses San Diego Convention Center 9–13 August 2015 San Diego, California, USA Exhibition 11–13 August 2015 CoNFERENCES EXHIBITION AND CoURSES: 11–13 AUGust 2015 9–13 AUGust 2015 San Diego Convention Center San Diego, California, USA Hear the latest research on optical engineering and applications, sustainable energy, nanotechnology, organic photonics, and astronomical instrumentation. ATTEND 4,500 Attendees Network with the leading minds SPIE OPTICS + in your discipline. PHOTONICS The largest international, multidisciplinary optical science 3,350 Papers and technology meeting in North Hear presentations America. on the latest research. 38 Courses & Workshops You can’t afford to stop learning. 180-Company Exhibition See optical devices, components, materials, and technologies. Contents Metamaterials, plasmonics, CNTs, Events Schedule . 2 graphene, thin films, spintronics, nanoengineering, optical trapping, SOCIAL, TECHNICAL, AND nanophotonic materials, nanomedicine, NETWORKING EVENTS Low-D and 2D materials - Technical ............................. 3-4 - Industry................................ 5 - Social Networking....................... 6 - Student .............................. 6-7 - Professional Development ............... 7 Thin films, concentrators,
    [Show full text]
  • ALL IS POSSIBLE VR Tour Script
    All Is Possible – Mary Ann Scherr’s Legacy in Metal February 20-September 6, 2020 Thomas J. Cabaniss Historic Residence Mary Ann Scherr (1921-2016) was a pioneer in industrial design, commercial illustration, and many other design fields, but early in her career she turned to teaching metalsmithing and making jewelry as a pursuit that offered endless possibilities for learning, experimentation, and innovation. By 1989, when she moved from New York City to Raleigh, she was already an internationally renowned metal designer who had chaired the Crafts Department at Parsons School of Design in Manhattan, innovated new metal techniques, and pushed the boundaries of new materials such as stainless steel, aluminum, and titanium. From the moment she arrived, Scherr enriched the arts and life of her new home state of North Carolina. Scherr taught metals at the Penland School of Crafts, north of Asheville, for over forty summers. In the Triangle, she taught at Duke, Meredith College, and at NC State’s Crafts Center, while continuing to experiment with metals well into her nineties. “I enjoy teaching,” she said, “because I enjoy the effort, and what happens with people when they discover the possibilities.” Her passion for metals, Zest for life, and dedicated mentorship are best communicated in the exhibition title, All is Possible — a message that appears on two of the silver cuffs on display. Scherr gifted one to a mentee and former studio assistant, and made the other for a fellow artist who needed encouragement to continue making her art. Scherr believed that jewelry was not only personal adornment but an art form in itself, imbued with power and meaning.
    [Show full text]
  • Acknowledgments from the Authors
    Makers: A History of American Studio Craft, by Janet Koplos and Bruce Metcalf, published by University of North Carolina Press. Please note that this document provides a complete list of acknowledgments by the authors. The textbook itself contains a somewhat shortened list to accommodate design and space constraints. Acknowledgments from the Authors The Craft-Camarata Frederick Hürten Rhead established a pottery in Santa Barbara in 1914 that was formally named Rhead Pottery but was known as the Pottery of the Camarata (“friends” in Italian). It was probably connected with the Gift Shop of the Craft-Camarata located in Santa Barbara at that time. Like his pottery, this book is not an individual achievement. It required the contributions of friends of the field, some personally known to the authors, but many not, who contributed time, information and funds to the cause. Our funders: Windgate Charitable Foundation / The National Endowment for the Arts / Rotasa Foundation / Edward C. Johnson Fund, Fidelity Foundation / Furthermore: a program of the J. M. Kaplan Fund / The Greenberg Foundation / The Karma Foundation / Grainer Family Foundation / American Craft Council / Collectors of Wood Art / Friends of Fiber Art International / Society of North American Goldsmiths / The Wood Turning Center / John and Robyn Horn / Dorothy and George Saxe / Terri F. Moritz / David and Ruth Waterbury / Sue Bass, Andora Gallery / Ken and JoAnn Edwards / Dewey Garrett / and Jacques Vesery. The people at the Center for Craft, Creativity and Design in Hendersonville, N.C., administrators of the book project: Dian Magie, Executive Director / Stoney Lamar / Katie Lee / Terri Gibson / Constance Humphries. Also Kristen Watts, who managed the images, and Chuck Grench of the University of North Carolina Press.
    [Show full text]
  • Fiscal Year 2007 Annual Report (PDF)
    Penland School of Crafts Annual Report Fiscal Year 2006 – 2007 Penland’s Mission The mission of Penland School of Crafts is to support individual and artistic growth through craft. The Penland Vision Penland’s programs engage the human spirit which is expressed throughout the world in craft. Penland enriches lives by teaching skills, ideas, and the value of the handmade. Penland welcomes everyone—from vocational and avocational craft practitioners to interested visitors. Penland is a stimulating, transformative, egalitarian place where people love to work, feel free to experiment, and often exceed their own expectations. Penland’s beautiful location and historic campus inform every aspect of its work. Penland’s Educational Philosophy Penland’s educational philosophy is based on these core ideas: • Total immersion workshop education is a uniquely effective way of learning. • Close interaction with others promotes the exchange of information and ideas between individuals and disciplines. • Generosity enhances education—Penland encourages instructors, students, and staff to freely share their knowledge and experience. • Craft is kept vital by preserving its traditions and constantly expanding its boundaries. Cover Information Front cover: this pot was built by David Steumpfle during his summer workshop. It was glazed and fired by Cynthia Bringle in and sold in the Penland benefit auction for a record price. It is shown in Cynthia’s kiln at her studio at Penland. Inside front cover: chalkboard in the Pines dining room, drawing by instructor Arthur González. Inside back cover: throwing a pot in the clay studio during a workshop taught by Jason Walker. Title page: Instructors Meg Peterson and Mark Angus playing accordion duets during an outdoor Empty Bowls dinner.
    [Show full text]
  • The Beauty of Nature Sometimes Brings Deadly Outcomes. Stay Safe! Publisher’S Note: Due to the Covid-19 Outbreak Many of These Art Spaces Are Currently Closed
    ABSOLUTELY FREE Vol. 24, No. 4 April 2020 You Can’t Buy It The beauty of nature sometimes brings deadly outcomes. Stay Safe! Publisher’s Note: Due to the Covid-19 outbreak many of these art spaces are currently closed. We’re including the info we received, but strongly suggest that you call any venue you are thinking of visiting - some are trying to stay open, some have closed their doors, but are still working with customers, some open by appointment only. And, some are operating on the Internet. Don’t forget about these people, there are many ways you can support them during these troubling times. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. The Arts in North Carolina and COVID-19 Page 1 - Cover - COVID-19 Stay Safe Page 3 - Art Support: NC Arts Council, SC Arts Council, CERF & Even though participation in the arts has been greatly Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site National Endowment for the Arts disrupted by the coronavirus pandemic, and artists and Page 4 - Editorial Commentary arts organizations severely impacted, our network across Page 4 - Halsey McCallum Studio North Carolina is responding in a myriad of creative ways Page 5 - City of Charleston / City Gallery at Waterfront Park Page 5 - Whimsy Joy by Roz, Deane V. Bowers & Wells Gallery that demonstrate the power of the arts to connect, Page 6 - Charleston Artist Guild & Carnes Crossroads Artist Cooperative cope, and heal.
    [Show full text]
  • Darco Progress Talks Agribusiness Future the Palmetto Agribusiness Development
    CIVIL WAR EXHIBIT 1B 2A OPINION 4A OBITUARIES 7A SPORTS 2B PUZZLES 4B BOOKINGS 7B CLASSIFIEDS QUOTE ‘All that is necessary for the triumph of evil is that good men do nothing.’ EDMUND BURKE Vol. 142, No. 39 NTWO SECTIONS e• 16 PAGwES s&PreESTAs BLISHsED 1874 75¢ OCTOBER 5, 2016 Darlington, S.C. WWW.NEWSANDPRESS.NET DarCo Progress talks agribusiness future the Palmetto AgriBusiness development. stant market demand for food By Samantha Lyles Staff Writer Council spoke to Progress mem - Shuler said that agribusiness and the prohibitive cost of ship - [email protected] bers about the need for east represents a $42 billion a year ping food from other countries The potential role of food coast food processing plants and industry in South Carolina, with or even from the west coast of processing took center stage last the potential financial gains $18 billion from forestry and the United States. Shuler noted week as Darlington County Darlington County could reap $24 billion from agriculture. that it costs on average about Progress, the private business by focusing on this industry. Breaking it down further, he $6,000 to transport a container arm of the public / private eco - “Darlington County is just added that 48-percent of that of food grown in California to nomic development partnership right for agribusiness,” said $24 billion comes from the the east coast, and said that between Darlington County and Shuler, noting the county's rich poultry industry alone. costs would be notably lower if local business and industry, history with farming and agri - Food processing plants could farming states like South held its 2016 annual meeting culture, and encouraging all provide a stable financial Carolina had more food pro - September 29 at the SiMT con - present to keep “top of the mind anchor for Darlington County, cessing and packaging plants.
    [Show full text]
  • Book and Poster Project an Act of Resistance
    BOOK AND POSTER PROJECT IGOR LANGSHTEYN “Secret Formulas” SEYOUNG PARK “Hard Hat” CAROLINA CAICEDO “Shell” AN ACT OF RESISTANCE FRANCESCA TODISCO “Up in Flames” CURTIS BROWN “Not in my Fracking City” WOW JUN CHOI POSTERS “Cracking” SAM VAN DEN TILLAAR JENNIFER CHEN “Fracktured Lives” “Dripping” ANDREW CASTRUCCI LINA FORSETH “Diagram: Rude Algae of Time” “Water Faucet” ALEXANDRA ROJAS NICHOLAS PRINCIPE WRITERS AND ILLUSTRATORS “Protect Your Mother” “Money” SARAH FERGUSON HYE OK ROW ANDREW CASTRUCCI ANN-SARGENT WOOSTER “Water Life Blood” “F-Bomb” KATHARINE DAWSON ANDREW CASTRUCCI MICHAEL HAFFELY MIKE BERNHARD “Empire State” “Liberty” YOKO ONO CAMILO TENSI JUN YOUNG LEE SEAN LENNON “Pipes” “No Fracking Way” AKIRA OHISO IGOR LANGSHTEYN MORGAN SOBEL “7 Deadly Sins” CRAIG STEVENS “Scull and Bones” EDITOR & ART DIRECTOR MARIANNE SOISALO KAREN CANALES MALDONADO JAYPON CHUNG “Bottled Water” Andrew Castrucci TONY PINOTTI “Life Fracktured” CARLO MCCORMICK MARIO NEGRINI GABRIELLE LARRORY DESIGN “This Land is Ours” “Drops” CAROL FRENCH Igor Langshteyn, TERESA WINCHESTER ANDREW LEE CHRISTOPHER FOXX Andrew Castrucci, Daniel Velle, “Drill Bit” “The Thinker” Daniel Giovanniello GERRI KANE TOM MCGLYNN TOM MCGLYNN KHI JOHNSON CONTRIBUTING EDITORS “Red Earth” “Government Warning” JEREMY WEIR ALDERSON Daniel Velle, Tom McGlynn, SANDRA STEINGRABER TOM MCGLYNN DANIEL GIOVANNIELLO Walter Sipser, Dennis Crawford, “Mob” “Make Sure to Put One On” ANTON VAN DALEN Jim Wu, Ann-Sargent Wooster, SOFIA NEGRINI ALEXANDRA ROJAS DAVID SANDLIN Robert Flemming “No” “Frackicide”
    [Show full text]
  • California State University, Northridge Shepard Fairey
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE SHEPARD FAIREY AND STREET ART AS POLITICAL PROPAGANDA A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Art, Art History by Andrea Newell August 2016 Copyright by Andrea Newell 2016 ii The thesis of Andrea Newell is approved: _______________________________________________ ____________ Meiqin Wang, Ph.D. Date _______________________________________________ ____________ Owen Doonan, Ph.D. Date _______________________________________________ ____________ Mario Ontiveros, Ph.D., Chair Date California State University, Northridge iii Acknowledgements I would first like to thank my thesis advisor Dr. Mario Ontiveros of the Art Department at California State University, Northridge. He always challenged me in a way that brought out my best work. Our countless conversations pushed me to develop a deeper and more comprehensive understanding of my research and writing as well as my knowledge of theory, art practices and the complexities of the art world. He consistently allowed this paper to be my own work, but guided me whenever he thought I needed it, my sincerest thanks. My deepest gratitude also goes out to my committee, Dr. Meiqin Wang and Dr. Owen Doonan, whose thoughtful comments, kind words, and assurances helped this research project come to fruition. Without their passionate participation and input, this thesis could not have been successfully completed. I would also like to acknowledge Dr. Peri Klemm for her constant support beyond this thesis and her eagerness to provide growth opportunities in my career as an art historian and educator. I am gratefully indebted to my co-worker Jessica O’Dowd for our numerous conversations and her input as both a friend and colleague.
    [Show full text]