The Ensemble User's Guide
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Flip4mac 3.3 Release Notes
Flip4Mac 3.3 Release Notes Telestream® Flip4Mac Windows Media Components for QuickTime® allow you to easily play, import and export Windows Media files within most of your favorite QuickTime applications including Microsoft PowerPoint and Apple Keynote. Flip4Mac also includes Flip Player, a multi-format video player that provides high quality video playback and optional premium editing features. Flip4Mac Products Flip4Mac WMV Player ($9.99) enables you to play Windows Media files in QuickTime applications and view Windows Media content on the Internet using Safari, Firefox and Google Chrome web browsers. With Flip4Mac Player Pro ($29), you will be able to import Windows Media files for conversion to other popular formats such as: • MOV (Final Cut Pro, iMovie) • MP4 (iTunes, iPod, iPhone, iPad, Apple TV) • MPEG-2 (Video DVD) • MP3 and AAC (iTunes, iPod, iPhone, iPad) In addition to enabling additional features in Flip Player such as: • Visual Cropping • Advanced playback controls • Visual Scaling • iPhone Ringtone export • Rotating • ProRes 422 export for Final Cut Pro • Trimming Flip4Mac Studio ($49) and Flip4Mac Studio Pro HD ($179) enable you to create Windows Media files for distribution. These features are available in trial mode until you're ready to purchase an upgrade. You can purchase an upgrade directly from within the software by selecting Flip4Mac in System Preferences. Windows Media Digital Rights Management (DRM) While the Flip4Mac plug-in provides superior playback performance, it is unable to play content that has been protected using Windows Media Digital Rights Management (DRM). System Requirements • Intel-based Mac • Mac OS X 10.6.8 and later Flip4Mac 3.3 Fixes and Enhancements • Added support for Mac OS X 10.10+ • Added support for Mac OS X 10.6.8 • Added diagnostic analytics • Fixed various issues with licensing • Fixed issues with the Web plug-in and Safari. -
Products of Interest
Products of Interest Universal Audio Apollo Audio from the company’s 2192 interface The front panel of the interface is used here and can be viewed features two combination balanced Interface 1 at almost any angle. The Apollo XLR/jack inputs; two 4 -in. Hi-Z, The Apollo, from Universal Audio, interface supports Core Audio and instrument/line, balanced inputs; is a high-resolution 18 × 24 digital ASIO drivers, and is compatible with and a stereo headphone output. A audio interface designed to deliver all well-known DAWs on Macintosh further four channels of analog inputs the sound of analog recordings (see and Windows operating systems. A and six outputs, all on balanced TRS Figure 1). The interface is available Console application and Console jack ports, are located on the rear with two or four processors, which al- Recall plug-in allow the user to panel. The microphone pre-amplifiers low the audio to be recorded through control and recall the settings for the are taken from the UFX interface UAD-2 powered plug-ins with less interface and plug-in for individual and offer 64 dB gain and overload than 2 msec latency. The user can also sessions. The Apollo has a 19-in., 1U protection. The convertors have a low mix and master using these proces- rack space chassis. latency design, with 14- and 7- sample sors, without drawing from the host The Apollo DUO Core model is latency reported for the A-D and computer processor. The microphone listed for US$ 1,999 and the QUAD D-A convertors respectively. -
Digital Performer Plug-Ins Guide
Title page Digital Performer ® 10 Plug-in Guide 1280 Massachusetts Avenue Cambridge, MA 02138 Business voice: (617) 576-2760 Business fax: (617) 576-3609 Technical support: (617) 576-3066 Tech support web: www.motu.com/support Web site: www.motu.com ABOUT THE MARK OF THE UNICORN LICENSE AGREEMENT receipt. If failure of the disk has resulted from accident, abuse or misapplication of the AND LIMITED WARRANTY ON SOFTWARE product, then MOTU shall have no responsibility to replace the disk(s) under this TO PERSONS WHO PURCHASE OR USE THIS PRODUCT: carefully read all the terms and Limited Warranty. conditions of the “click-wrap” license agreement presented to you when you install THIS LIMITED WARRANTY AND RIGHT OF REPLACEMENT IS IN LIEU OF, AND YOU the software. Using the software or this documentation indicates your acceptance of HEREBY WAIVE, ANY AND ALL OTHER WARRANTIES, BOTH EXPRESS AND IMPLIED, the terms and conditions of that license agreement. INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY AND FITNESS Mark of the Unicorn, Inc. (“MOTU”) owns both this program and its documentation. FOR A PARTICULAR PURPOSE. THE LIABILITY OF MOTU PURSUANT TO THIS LIMITED Both the program and the documentation are protected under applicable copyright, WARRANTY SHALL BE LIMITED TO THE REPLACEMENT OF THE DEFECTIVE DISK(S), AND trademark, and trade-secret laws. Your right to use the program and the IN NO EVENT SHALL MOTU OR ITS SUPPLIERS, LICENSORS, OR AFFILIATES BE LIABLE documentation are limited to the terms and conditions described in the license FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES, INCLUDING BUT NOT LIMITED TO agreement. -
APPLICATION BULLETIN AAC-ELD Based Audio Communication on Ios a Developer’S Guide V2.3 - 08.08.2012
F R A U N H O F E R I N S T I T U T E F O R I N T E G R A T E D C I R C U I T S I I S APPLICATION BULLETIN AAC-ELD based Audio Communication on iOS A Developer’s Guide V2.3 - 08.08.2012 ABSTRACT This document is a developer’s guide for accessing the AAC-ELD codec included in iOS from third party audio communication applications. It shows how developers can create their own innovative applications and services using the same high quality codec as in FaceTime. Source code examples are used to illustrate the required processing steps and Application Programming Interface calls. The complete source code is available together with this paper and comprises a working demo application, which reads audio frames from the microphone and plays them back at low delay after encoding and subsequent decoding. The discussed iOS APIs include full-duplex audio Input/Output using the Remote I/O AudioUnit and AAC-ELD encoding/decoding using the AudioConverter API. The initialization of components and underlying concepts, such as the usage of callback functions and object properties are discussed. The scope of the example application is limited for simplicity and does not cover transmission over IP or other advanced features such as error concealment or jitter buffer management. The integration of all these components into a complete Voice over Internet Protocol application is a challenging task but can be simplified through the Fraunhofer Audio Communication Engine, which is described briefly at the end of the document. -
Digidesign Coreaudio Driver Usage Guide
Digidesign CoreAudio Driver Usage Guide Version 7.0 for Pro Tools|HD® and Pro Tools LE™ Systems on Mac OS X 10.4 (“Tiger”) Only Introduction This document covers two versions of the CoreAudio Driver, as follows: Digidesign CoreAudio Driver The Digidesign CoreAudio Driver works with Pro Tools|HD, Digi 002®, Digi 002 Rack™, and original Mbox™ systems only. See “Digidesign CoreAudio Driver” on page 1. Mbox 2™ CoreAudio Driver The Mbox 2 CoreAudio Driver works with Mbox 2 systems only. See “Mbox 2 CoreAudio Driver” on page 8. Digidesign CoreAudio Driver The Digidesign CoreAudio Driver is a multi-client, multichannel sound driver that allows CoreAudio-compatible applica- tions to record and play back through the following Digidesign hardware: • Pro Tools|HD audio interfaces • Digi 002 • Digi 002 Rack • Mbox Full-duplex recording and playback of 24-bit audio is supported at sample rates up to 96 kHz, depending on your Digidesign hardware and CoreAudio client application. The Digidesign CoreAudio Driver will provide up to 18 channels of input and output, depending on your Pro Tools system: • Up to 8 channels of I/O with Pro Tools|HD systems • Up to 18 channels of I/O with Digi 002 and Digi 002 Rack systems • Up to 2 channels of I/O with Mbox systems For Pro Tools|HD systems with more than one card and multiple I/Os, only the primary I/O connected to the first (core) card can be used with CoreAudio. Check the Digidesign Web site (www.digidesign.com) for the latest third-party drivers for Pro Tools hardware, as well as current known issues. -
Us-122Mkii/144Mkii/200 /600/1800/2000/1641
US-122MKII/144MKII/200 /600/1800/2000/1641 About this Driver(OS X Mavericks Beta) The following drivers for OS X Mavericks (10.9) are being released. Versions OS Driver Firmware Updater US-122MKII/144MKII OS X Mavericks (10.9) 3.00d8 2.03 [Not updated] US-200 ↑ ↑ 1.01 [Not updated] US-600 ↑ ↑ 1.00 [No updater] US-1800 ↑ ↑ 1.00 [No updater] US-2000 ↑ ↑ 1.01 [Not updated] US-1641 ↑ ↑ 1.02 [Not updated] Please use these drivers with the specified firmware version only. Confirmation of Driver Version and Firmware Version The driver and firmware versions you are currently using should be checked to determine if updates are required. If the driver is being installed for the first time, please check the firmware version after installing the driver. After your interface has been properly connected to your computer, open the unit’s Control Panel to observe the current “Driver Version” and “Firmware Version”. [US-144MKII Control Panel] Caution for driver installation Prior to installing a new driver, please make sure to delete any previous driver files first. Note that once the old driver is uninstalled, it cannot be reinstalled to OS X Mavericks (10.9). If you wish to retain the old driver installation, be sure to use Time Machine or another backup mechanism that allows you to revert to a point prior to this uninstallation. TASCAM US-122MKII/144MKII,200,600,1800,2000,1641 D01223620B 1 OS X Mavericks Driver : 3.00d8(beta) US-122MKII/144MKII/200 /600/1800/2000/1641 Notes Digital Input (US-144MKII, US-600, US-1800, US-2000, US-1641) This driver is a beta (preliminary) release to support operation of TASCAM audio interfaces with OS X Mavericks (10.9). -
Pro Tools | Quartet Your Personal Professional Music Studio
Pro Tools | Quartet Your personal professional music studio For musicians, engineers, producers, sound designers, and audio post professionals who demand a complete audio/MIDI creative solution, Pro Tools® | Quartet enables you to turn your Mac or PC into a high-performance yet portable music and audio production studio. Featuring industry-standard Pro Tools software and the best-in-class Quartet by Apogee 12x8 audio interface, Pro Tools | Quartet provides everything you need to create professional- level productions that will help you stand out from the crowd—from first note to final mix. And now it’s more affordable and an even better value than ever—bundle the interface with a full Pro Tools license and get a free year of upgrades included at no additional charge, or choose a lower cost 1-year Pro Tools subscription and get all upgrades included throughout your subscription. Plus, both options come with your choice of two additional premium Avid plug-ins at no extra charge. Top Rear Create with industry-standard Pro Tools Sound Amazing® with Quartet • Work with the award-winning toolset trusted by audio pros worldwide • Record performances in 24-bit/192 kHz resolution • Write, play, practice, record, edit, mix, and master music faster • Connect mics, instruments, and more to high-quality I/O: • Get seamless integration with Quartet by Apogee for optimized control o Four combination mic/instrument/line inputs • Create large, richly detailed sessions easily with 64-bit performance o Eight channels of ADAT/SMUX input via Toslink • Track -
Multi–Channel, 24Bit/192Khz Audio Interface for the Macintosh User's
Multi–Channel, 24bit/192kHz Audio Interface for the Macintosh User’s Guide v1.1 – October 2006 User’s Guide Table of Contents Owners Record ............................................................................................................. 2 Introduction................................................................................................................... 3 Getting Started Quickly.......................................................................................... 4–7 1. Installing software ............................................................................................ 4 2. Hardware connections....................................................................................... 4 3. OS X configuration ............................................................................................ 5 4. iTunes playback................................................................................................. 5 5. DAW configuration ............................................................................................ 6 6. Recording .......................................................................................................... 7 General Operation................................................................................................... 8–11 Making Settings with Software Control Panels ...................................................... 8 Making Settings with Ensemble’s Front Panel Encoder Knobs ............................... 8 Setting Sample Rate ............................................................................................. -
Pro Audio for Print Layout 1 9/14/11 12:04 AM Page 356
356-443 Pro Audio for Print_Layout 1 9/14/11 12:04 AM Page 356 PRO AUDIO 356 Large Diaphragm Microphones www.BandH.com C414 XLS C214 C414 XLII Accurate, beautifully detailed pickup of any acoustic Cost-effective alternative to the dual-diaphragm Unrivaled up-front sound is well-known for classic instrument. Nine pickup patterns. Controls can be C414, delivers the pristine sound reproduction of music recording or drum ambience miking. Nine disabled for trouble-free use in live-sound applications the classic condenser mic, in a single-pattern pickup patterns enable the perfect setting for every and permanent installations. Three switchable cardioid design. Features low-cut filter switch, application. Three switchable bass cut filters and different bass cut filters and three pre-attenuation 20dB pad switch and dynamic range of 152 dB. three pre-attenuation levels. All controls can be levels. Peak Hold LED displays even shortest overload Includes case, pop filter, windscreen, and easily disabled, Dynamic range of 152 dB. Includes peaks. Dynamic range of 152 dB. Includes case, pop shockmount. case, pop filter, windscreen, and shockmount. filter, windscreen, and shockmount. #AKC214 ..................................................399.00 #AKC414XLII .............................................999.00 #AKC414XLS..................................................949.99 #AKC214MP (Matched Stereo Pair)...............899.00 #AKC414XLIIST (Matched Stereo Pair).........2099.00 Perception Series C2000B AT2020 High quality recording mic with elegantly styled True condenser mics, they deliver clear sound with Effectively isolates source signals while providing die-cast metal housing and silver-gray finish, the accurate sonic detail. Switchable 20dB and switchable a fast transient response and high 144dB SPL C2000B has an almost ruler-flat response that bass cut filter. -
Improving Mobile IP Handover Latency on End-To-End TCP in UMTS/WCDMA Networks
Improving Mobile IP Handover Latency on End-to-End TCP in UMTS/WCDMA Networks Chee Kong LAU A thesis submitted in fulfilment of the requirements for the degree of Master of Engineering (Research) in Electrical Engineering School of Electrical Engineering and Telecommunications The University of New South Wales March, 2006 CERTIFICATE OF ORIGINALITY I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, nor material which to a substantial extent has been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged. (Signed)_________________________________ i Dedication To: My girl-friend (Jeslyn) for her love and caring, my parents for their endurance, and to my friends and colleagues for their understanding; because while doing this thesis project I did not manage to accompany them. And Lord Buddha for His great wisdom and compassion, and showing me the actual path to liberation. For this, I take refuge in the Buddha, the Dharma, and the Sangha. ii Acknowledgement There are too many people for their dedications and contributions to make this thesis work a reality; without whom some of the contents of this thesis would not have been realised. -
OEM Cobranet Module Design Guide
CDK-8 OEM CobraNet Module Design Guide Date 8/29/2008 Revision 1.1 © Attero Tech, LLC 1315 Directors Row, Suite 107, Ft Wayne, IN 46808 Phone 260-496-9668 • Fax 260-496-9879 620-00001-01 CDK-8 Design Guide Contents 1 – Overview .....................................................................................................................................................................................................................................2 1.1 – Notes on Modules .................................................................................................................................................... 2 2 – Digital Audio Interface Connectivity...........................................................................................................................................................................3 2.1 – Pin Descriptions ....................................................................................................................................................... 3 2.1.1 - Audio clocks ..................................................................................................................................................... 3 2.1.2 – Digital audio..................................................................................................................................................... 3 2.1.3 – Serial bridge ..................................................................................................................................................... 4 2.1.4 – Control............................................................................................................................................................ -
Public Address System Network Design Considerations
AtlasIED APPLICATION NOTE Public Address System Network Design Considerations Background AtlasIED provides network based Public Address Systems (PAS) that are deployed on a wide variety of networks at end user facilities worldwide. As such, a primary factor, directly impacting the reliability of the PAS, is a properly configured, reliable, well-performing network on which the PAS resides/functions. AtlasIED relies solely upon the end user’s network owner/manager for the design, provision, configuration and maintenance of the network, in a manner that enables proper PAS functionability/functionality. Should the network on which the PAS resides be improperly designed, configured, maintained, malfunctions or undergoes changes or modifications, impacts to the reliability, functionality or stability of the PAS can be expected, resulting in system anomalies that are outside the control of AtlasIED. In such instances, AtlasIED can be a resource to, and support the end user’s network owner/manager in diagnosing the problems and restoring the PAS to a fully functioning and reliable state. However, for network related issues, AtlasIED would look to the end user to recover the costs associated with such activities. While AtlasIED should not be expected to actually design a facility’s network, nor make formal recommendations on specific network equipment to use, this application note provides factors to consider – best practices – when designing a network for public address equipment, along with some wisdom and possible pitfalls that have been gleaned from past experiences in deploying large scale systems. This application note is divided into the following sections: n Local Network – The network that typically hosts one announcement controller and its peripherals.