Digidesign Coreaudio Driver Usage Guide
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Flip4mac 3.3 Release Notes
Flip4Mac 3.3 Release Notes Telestream® Flip4Mac Windows Media Components for QuickTime® allow you to easily play, import and export Windows Media files within most of your favorite QuickTime applications including Microsoft PowerPoint and Apple Keynote. Flip4Mac also includes Flip Player, a multi-format video player that provides high quality video playback and optional premium editing features. Flip4Mac Products Flip4Mac WMV Player ($9.99) enables you to play Windows Media files in QuickTime applications and view Windows Media content on the Internet using Safari, Firefox and Google Chrome web browsers. With Flip4Mac Player Pro ($29), you will be able to import Windows Media files for conversion to other popular formats such as: • MOV (Final Cut Pro, iMovie) • MP4 (iTunes, iPod, iPhone, iPad, Apple TV) • MPEG-2 (Video DVD) • MP3 and AAC (iTunes, iPod, iPhone, iPad) In addition to enabling additional features in Flip Player such as: • Visual Cropping • Advanced playback controls • Visual Scaling • iPhone Ringtone export • Rotating • ProRes 422 export for Final Cut Pro • Trimming Flip4Mac Studio ($49) and Flip4Mac Studio Pro HD ($179) enable you to create Windows Media files for distribution. These features are available in trial mode until you're ready to purchase an upgrade. You can purchase an upgrade directly from within the software by selecting Flip4Mac in System Preferences. Windows Media Digital Rights Management (DRM) While the Flip4Mac plug-in provides superior playback performance, it is unable to play content that has been protected using Windows Media Digital Rights Management (DRM). System Requirements • Intel-based Mac • Mac OS X 10.6.8 and later Flip4Mac 3.3 Fixes and Enhancements • Added support for Mac OS X 10.10+ • Added support for Mac OS X 10.6.8 • Added diagnostic analytics • Fixed various issues with licensing • Fixed issues with the Web plug-in and Safari. -
Copyrighted Material
02_149263 ftoc.qxp 10/25/07 9:08 PM Page ix Contents at a Glance Introduction 1 Practice 21: Editing Audio after Editing the Session 171 Part I: Planning Out a Podcast 7 Practice 22: Taking Your Audio File Practice 1: Selecting the Right Topic into the Home Stretch 177 for Your Podcast 9 Practice 23: Creating a Perfect mp3 File 180 Practice 2: Keeping Up with the Joneses 14 Practice 24: Enhanced Podcasting 185 Practice 3: Staffing Your Podcast for Success 22 Practice 4: Podcast Studio Considerations 29 Part IV: The Final Steps Before Practice 5: Stick to the Script! 36 Episode #0 203 Practice 25: Creating and Editing ID3 Tags 205 Practice 6: Transitions, Timing, and Cues 44 Practice 26: Adding a Blog to Your Podcast 213 Practice 7: Reviewing Your Podcast with a Critical Eye 49 Practice 27: Validating Your RSS Feed 225 Practice 8: T-Minus Five Episodes . 55 Practice 28: Submitting to Podcast Directories 237 Part II: Going for a Professional Sound 61 Practice 9: Upgrading Your Headphones 63 Part V: Building Your Audience 243 Practice 29: Creating a Promotional Plan 245 Practice 10: Selecting the Right Microphone 69 Practice 30: Tell Me About It: Recording Practice 11: Upgrading Your Software 79 Promos and Quickcasts 251 Practice 12: Creating a Quiet, Happy Place 89 Practice 31: Advertising to Attract Listeners 259 Practice 13: Eliminating Ambient Noise 94 Practice 32: Networking with Other Practice 14: One-Take Wonders 105 Podcasters and Bloggers 262 Practice 15: Multiplicity: Recording Practice 33: Spreading the Word Multiple Takes 110 -
APPLICATION BULLETIN AAC-ELD Based Audio Communication on Ios a Developer’S Guide V2.3 - 08.08.2012
F R A U N H O F E R I N S T I T U T E F O R I N T E G R A T E D C I R C U I T S I I S APPLICATION BULLETIN AAC-ELD based Audio Communication on iOS A Developer’s Guide V2.3 - 08.08.2012 ABSTRACT This document is a developer’s guide for accessing the AAC-ELD codec included in iOS from third party audio communication applications. It shows how developers can create their own innovative applications and services using the same high quality codec as in FaceTime. Source code examples are used to illustrate the required processing steps and Application Programming Interface calls. The complete source code is available together with this paper and comprises a working demo application, which reads audio frames from the microphone and plays them back at low delay after encoding and subsequent decoding. The discussed iOS APIs include full-duplex audio Input/Output using the Remote I/O AudioUnit and AAC-ELD encoding/decoding using the AudioConverter API. The initialization of components and underlying concepts, such as the usage of callback functions and object properties are discussed. The scope of the example application is limited for simplicity and does not cover transmission over IP or other advanced features such as error concealment or jitter buffer management. The integration of all these components into a complete Voice over Internet Protocol application is a challenging task but can be simplified through the Fraunhofer Audio Communication Engine, which is described briefly at the end of the document. -
Us-122Mkii/144Mkii/200 /600/1800/2000/1641
US-122MKII/144MKII/200 /600/1800/2000/1641 About this Driver(OS X Mavericks Beta) The following drivers for OS X Mavericks (10.9) are being released. Versions OS Driver Firmware Updater US-122MKII/144MKII OS X Mavericks (10.9) 3.00d8 2.03 [Not updated] US-200 ↑ ↑ 1.01 [Not updated] US-600 ↑ ↑ 1.00 [No updater] US-1800 ↑ ↑ 1.00 [No updater] US-2000 ↑ ↑ 1.01 [Not updated] US-1641 ↑ ↑ 1.02 [Not updated] Please use these drivers with the specified firmware version only. Confirmation of Driver Version and Firmware Version The driver and firmware versions you are currently using should be checked to determine if updates are required. If the driver is being installed for the first time, please check the firmware version after installing the driver. After your interface has been properly connected to your computer, open the unit’s Control Panel to observe the current “Driver Version” and “Firmware Version”. [US-144MKII Control Panel] Caution for driver installation Prior to installing a new driver, please make sure to delete any previous driver files first. Note that once the old driver is uninstalled, it cannot be reinstalled to OS X Mavericks (10.9). If you wish to retain the old driver installation, be sure to use Time Machine or another backup mechanism that allows you to revert to a point prior to this uninstallation. TASCAM US-122MKII/144MKII,200,600,1800,2000,1641 D01223620B 1 OS X Mavericks Driver : 3.00d8(beta) US-122MKII/144MKII/200 /600/1800/2000/1641 Notes Digital Input (US-144MKII, US-600, US-1800, US-2000, US-1641) This driver is a beta (preliminary) release to support operation of TASCAM audio interfaces with OS X Mavericks (10.9). -
Pro Tools | Quartet Your Personal Professional Music Studio
Pro Tools | Quartet Your personal professional music studio For musicians, engineers, producers, sound designers, and audio post professionals who demand a complete audio/MIDI creative solution, Pro Tools® | Quartet enables you to turn your Mac or PC into a high-performance yet portable music and audio production studio. Featuring industry-standard Pro Tools software and the best-in-class Quartet by Apogee 12x8 audio interface, Pro Tools | Quartet provides everything you need to create professional- level productions that will help you stand out from the crowd—from first note to final mix. And now it’s more affordable and an even better value than ever—bundle the interface with a full Pro Tools license and get a free year of upgrades included at no additional charge, or choose a lower cost 1-year Pro Tools subscription and get all upgrades included throughout your subscription. Plus, both options come with your choice of two additional premium Avid plug-ins at no extra charge. Top Rear Create with industry-standard Pro Tools Sound Amazing® with Quartet • Work with the award-winning toolset trusted by audio pros worldwide • Record performances in 24-bit/192 kHz resolution • Write, play, practice, record, edit, mix, and master music faster • Connect mics, instruments, and more to high-quality I/O: • Get seamless integration with Quartet by Apogee for optimized control o Four combination mic/instrument/line inputs • Create large, richly detailed sessions easily with 64-bit performance o Eight channels of ADAT/SMUX input via Toslink • Track -
User Guide ______Audio Interface | Discrete 4 Synergy Core
MARCS Music & Audio Recording Studio ___________________ User Guide _________________ Audio Interface | Discrete 4 Synergy Core 1. Log into the iMac computer using your Emory credentials. 2. The Antelope Launcher should start automatically (give it a few seconds). Otherwise, launch it from the Dock. 3. Once the Antelope Launcher opens, it should automatically launch the Discrete 4 Synergy Core audio interface (AI) control panel (it may take a few seconds). If it does not, click the Discrete 4 Synergy Core image in the top left area of the window: Note1: Do not click on the image multiple times, as each click will open a separate control panel window. Note 2: If you don’t see the Discrete 4 image, check the back panel of the AI under the iMac and make sure it is powered up (its power cable is connected) and it is connected to the iMac with the USB cable. The Discrete4 Synergy Core control panel allows adjusting microphone preamps, headphone and monitor volume controls, as well as mixing, FX, and more. 4. Microphone/Instrument Inputs. The PREAMPS section controls mics/instruments preamps. The four gain buttons correspond to inputs 1 and 2 on the front of the AI console and inputs 3 and 4 on the back. Make sure that the microphone/instrument icon in the relevant input section is set correctly. Thus, use the microphone icon when using a microphone, the guitar icon when connecting an electric guitar, and the line-in icon when connecting synthesizers keyboards, samplers, players, amplifiers, etc.: The two microphones (Shure SM7B) mounted on two arms by default are connected to input 3 and input 4 on the back of the console. -
Peak 3.0 User's Guide
Software User’s Guide Version 3.0 Berkley Integrated Audio Software, Inc. 1370 Industrial Ave., Suite A Petaluma, CA 94952 707.782.1866 http://www.bias-inc.com BIAS Technical Support 707.782.1865 Monday-Friday 9AM–5PM PST or [email protected] BY INSTALLING AND USING THE PROVIDED terms of this License. Subject to these restrictions, SOFTWARE, YOU ARE AGREEING TO BECOME and if the SOFTWARE is not copy-protected, you may BOUND BY THE TERMS OF THIS AGREEMENT, make one (1) copy of the SOFTWARE solely for WHICH INCLUDES THE SOFTWARE LICENSE AND backup purposes. You must reproduce and include THE SOFTWARE DISCLAIMER OF WARRANTY the copyright notice on the backup copy. (collectively the "Agreement"). CLICK "QUIT" ON 4. USE RESTRICTIONS. As the LICENSEE, you may THE FOLLOWING DIALOG IF YOU DO NOT AGREE physically transfer the SOFTWARE from one computer WITH THIS AGREEMENT. THIS AGREEMENT to another provided that the SOFTWARE is used on CONSTITUTES THE COMPLETE AGREEMENT only one computer at a time. You may not electroni- BETWEEN YOU AND BIAS, INC. IF YOU DO NOT cally transfer the SOFTWARE from one computer to AGREE TO THE TERMS OF THIS AGREEMENT, DO another over a network. You may not distribute NOT USE THE SOFTWARE ON THE DISKS INCLUDED copies of the SOFTWARE or accompanying written IN THIS PACKAGE AND PROMPTLY RETURN THE materials to others. You may not modify, adapt, UNOPENED PACKAGE AND THE OTHER MATERIALS translate, reverse engineer, decompile, disassemble, or (INCLUDING WRITTEN MATERIALS, BINDERS OR create derivative works based on the SOFTWARE. You OTHER CONTAINERS) THAT ARE PART OF THIS may not modify, adapt, translate, or create derivative PRODUCT TO THE PLACE WHERE YOU OBTAINED works based on the written materials without the prior THEM FOR A FULL REFUND. -
Soundbooth CS3 User Guide
ADOBE®SOUNDBOOTH™ CS3 USER GUIDE ©Copyright 2007 Adobe Systems Incorporated. All rights reserved. Adobe® Soundbooth™ CS3 User Guide for Windows® and Mac OS. If this guide is distributed with software that includes an end user agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or trans- mitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated.Pleasenotethatthe content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. Thecontentofthisguideisfurnishedforinformationaluseonly,issubjecttochangewithoutnotice,andshouldnotbeconstruedasacommitmentbyAdobe Systems Incorpo- rated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law. The unauthorized incorporation of such material into your new work could be a violation of the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner. Any references to company names in sample templates are for demonstration purposes only and are not intended to refer to any actual organization. Adobe, the Adobe logo, Adobe Premiere, After Effects, Creative Suite, Encore, Flash, Photoshop, Soundbooth, and Version Cue are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. -
Expert Podcasting Practices for Dummies (ISBN
01_149263 ffirs.qxp 10/25/07 9:07 PM Page iii Expert Podcasting Practices FOR DUMmIES‰ by Tee Morris, Evo Terra, and Ryan Williams 01_149263 ffirs.qxp 10/25/07 9:07 PM Page ii 01_149263 ffirs.qxp 10/25/07 9:07 PM Page i Expert Podcasting Practices FOR DUMmIES‰ 01_149263 ffirs.qxp 10/25/07 9:07 PM Page ii 01_149263 ffirs.qxp 10/25/07 9:07 PM Page iii Expert Podcasting Practices FOR DUMmIES‰ by Tee Morris, Evo Terra, and Ryan Williams 01_149263 ffirs.qxp 10/25/07 9:07 PM Page iv Expert Podcasting Practices For Dummies® Published by Wiley Publishing, Inc. 111 River Street Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2008 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trade- marks or registered trademarks of John Wiley & Sons, Inc. -
Session 216 Cortis Clark Software Engineer
Bringing Your iOS Apps to OS X Session 216 Cortis Clark Software Engineer These are confidential sessions—please refrain from streaming, blogging, or taking pictures At a Glance At a Glance 1. Rethink your design At a Glance 1. Rethink your design 2. Restructure your code At a Glance 1. Rethink your design 2. Restructure your code 3. Get started Rethink Your Design Embrace the Platform Rethink your app for OS X • Displays and windows iOS OS X Embrace the Platform Rethink your app for OS X • Input devices 44 x 44 Much More Precise Embrace the Platform Rethink your app for OS X Embrace the Platform Rethink your app for OS X • Menus and keyboard shortcuts Embrace the Platform Rethink your app for OS X • Menus and keyboard shortcuts • Undo and redo Embrace the Platform Rethink your app for OS X • Menus and keyboard shortcuts • Undo and redo • Drag and drop Embrace the Platform Rethink your app for OS X • Menus and keyboard shortcuts • Undo and redo • Drag and drop • Quick Look Embrace the Platform Rethink your app for OS X • Menus and keyboard shortcuts • Undo and redo • Drag and drop • Quick Look • Spotlight Restructure Your Code Leverage Existing Knowledge Leverage Existing Knowledge • Design patterns Leverage Existing Knowledge • Design patterns • Xcode Leverage Existing Knowledge • Design patterns • Xcode • Languages and frameworks Leverage Existing Knowledge • Design patterns • Xcode • Languages and frameworks • Resources Leverage Existing Knowledge • Design patterns • Xcode • Languages and frameworks • Resources • Localizations Technology -
US-122)"/US-144)" Release Notes
US-122 )" /US-144 )" Release Notes Contents Updates ................................................................................................1 For Windows Driver ...................................................................3 Owner’s Manual Addendum ........................................................2 For Mac OS X Driver ..................................................................3 Owner’s Manual Correction ...................................................2 Notes .....................................................................................................4 New functions ...................................................................................2 Notice about the use of digital inputs (US-144MKII For Windows Driver ...................................................................2 only) ................................................................................................4 For Mac OS X Driver ..................................................................2 Windows 7 64-bit edition .......................................................4 Maintenance Items ..........................................................................3 Windows Vista and Windows 7 32-bit/64-bit editions 4 For Firmware................................................................................3 How to install drivers and firmware ..........................................4 For Windows Driver ...................................................................3 Windows .......................................................................................4 -
Learning Core Audio: a Hands-On Guide to Audio Programming For
Learning Core Audio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earning Core Audio A Hands-On Guide to Audio Programming for Mac and iOS Chris Adamson Kevin Avila Upper Saddle River, NJ • Boston • Indianapolis • San Francisco New York • Toronto • Montreal • London • Munich • Paris • Madrid Cape Town • Sydney • Tokyo • Singapore • Mexico City Many of the designations used by manufacturers and sellers to distinguish their products Editor-in-Chief are claimed as trademarks. Where those designations appear in this book, and the publish- Mark Taub er was aware of a trademark claim, the designations have been printed with initial capital Senior Acquisitions letters or in all capitals. Editor The authors and publisher have taken care in the preparation of this book, but make no Trina MacDonald expressed or implied warranty