Hendrik Willem Mesdag
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Generaal Urquhartlaan 4 6861 GG Oosterbeek
Generaal Urquhartlaan 4 6861 GG Oosterbeek Postbus 9100 6860 HA Oosterbeek Telefoon (026) 33 48 111 Fax (026) 33 48 310 Aan de leden van de gemeenteraad van Renkum Internet www.renkum.nl IBAN NL02BNGH0285007076 KvK 09215649 Datum Onderwerp 2 maart 2021 Inventarisatie ontmoeting Beste leden van de raad, voorzitter, Aanleiding Tijdens de commissievergadering van 9 februari is door Gemeentebelangen gevraagd naar de uitkomsten van de inventarisatie wat de verbindingen zijn in de verschillende dorpen om zo de cohesie te verbeteren. Beleidsvisie In de Kadernota Sociaal Domein 2019 is opgenomen dat wij inzetten op meer nabij, preventief, dorpsgericht en integraal. Daarbij is het belangrijk dat we per dorp/kern een stevig netwerk creëren met onze partners, voldoende algemene voorzieningen organiseren voor dat wat binnen de dorpen speelt en een model ontwikkelen waarmee we ingezette zorg/hulp eenvoudig en snel op en af kunnen schalen. Deze werkwijze is de rode draad van de ondersteuning die wij onze inwoners willen geven die zij nodig hebben, tegen de kosten die we kunnen financieren. De sociale basis bestaat uit wat inwoners zelf kunnen en wat zij samen met en voor elkaar doen. Dit varieert van burenhulp tot allerlei vrijwilligersinitiatieven, zoals hulp bij het invullen van formulieren of kleine klussen in- en rondom het huis. Wanneer we spreken over de inwoner en zijn eigen netwerk, dan is dit in Renkum relatief kansrijk. Veel mensen in onze gemeente bereid zijn iets voor een ander te doen en dat schept kansen. Ook helpt een sterke sociale basis professionals om inwoners goed te verbinden aan netwerken, activiteiten en algemene voorzieningen in de buurt. -
Simonis & Buunk
2019 / 2020 Gekleurd Gekleurd Gekleurd grijs grijs SIMONIS & BUUNK SIMONIS & BUUNK EEN KEUR AAN KUNST cover Haagse School_2019_bs.indd 1 06-11-19 16:00 Gekleurd grijs Verkooptentoonstelling Haagse School zaterdag 30 november 2019 t/m zaterdag 4 januari 2020 Dinsdag t/m zaterdag van 11-17 uur en op afspraak open zondagen: 1, 15 en 29 december van 11-17 uur Een collectie schilderijen en aquarellen van de Haagse School. Voor prijzen en foto’s met lijst: simonisbuunk.nl SIMONIS & BUUNK EEN KEUR AAN KUNST 19e eeuw Notaris Fischerstraat 30 20e eeuw Notaris Fischerstraat 19 Fischerhuis Notaris Fischerstraat 27 Buiten exposities om geopend dinsdag t/m zaterdag 11-17 uur en op afspraak Notaris Fischerstraat 30, 6711 BD Ede +31 (0) 318 652888 [email protected] www.simonisbuunk.nl cover Haagse School_2019_bs.indd 2 06-11-19 16:00 Predicaat ‘meesterlijk’ Frank Buunk Als ik aan de Haagse School denk dan komt het jaar trouwe halfjaarlijkse bezoeken aan zijn goede vriend 1976 in mijn herinnering, toen ik voor het eerst over Scheen thuis kwam. de vloer kwam bij Rien Simonis als aanbidder van Kunsthandelaar Pieter Scheen, samensteller van de zijn oudste dochter Mariëtte. Al snel raakte ik ook ‘Rode Scheen’, was toen een begrip in kunstkringen. geboeid door de anekdotes uit de kunstwereld die In zijn kunsthandel aan de Zeestraat 50, recht mijn aanstaande schoonvader in geuren en kleuren tegenover het Panorama Mesdag, presenteerde hij kon vertellen. Pieter Scheen passeerde vaak de revue vanaf de jaren 50 schilderijen uit de Romantische in de sterke verhalen waarmee schoonvader na zijn School en de Haagse School. -
Operation Market Garden WWII
Operation Market Garden WWII Operation Market Garden (17–25 September 1944) was an Allied military operation, fought in the Netherlands and Germany in the Second World War. It was the largest airborne operation up to that time. The operation plan's strategic context required the seizure of bridges across the Maas (Meuse River) and two arms of the Rhine (the Waal and the Lower Rhine) as well as several smaller canals and tributaries. Crossing the Lower Rhine would allow the Allies to outflank the Siegfried Line and encircle the Ruhr, Germany's industrial heartland. It made large-scale use of airborne forces, whose tactical objectives were to secure a series of bridges over the main rivers of the German- occupied Netherlands and allow a rapid advance by armored units into Northern Germany. Initially, the operation was marginally successful and several bridges between Eindhoven and Nijmegen were captured. However, Gen. Horrocks XXX Corps ground force's advance was delayed by the demolition of a bridge over the Wilhelmina Canal, as well as an extremely overstretched supply line, at Son, delaying the capture of the main road bridge over the Meuse until 20 September. At Arnhem, the British 1st Airborne Division encountered far stronger resistance than anticipated. In the ensuing battle, only a small force managed to hold one end of the Arnhem road bridge and after the ground forces failed to relieve them, they were overrun on 21 September. The rest of the division, trapped in a small pocket west of the bridge, had to be evacuated on 25 September. The Allies had failed to cross the Rhine in sufficient force and the river remained a barrier to their advance until the offensives at Remagen, Oppenheim, Rees and Wesel in March 1945. -
BARTHOLOMEUS JOHANNES VAN HOVE (The Hague 1790 – the Hague 1880)
BARTHOLOMEUS JOHANNES VAN HOVE (The Hague 1790 – The Hague 1880) De Grote Houtpoort, Haarlem signed on the boat in the lower right B. VAN HOVE oil on panel 1 19 /8 x 26 inches (48.6 x 66 cm.) PROVENANCE Lady V. Braithwaite Lady V. Braithwaite, Eighteenth and Nineteenth Century Paintings and Drawings, Sotheby’s, London, May 17, 1967, lot 90, where bought by M. Newman, Ltd., London Frost & Reed Ltd., London Vixseboxse Art Galleries, Inc., Cleveland Heights, Ohio Private Collection, Ohio, until 2015 LITERATURE The Connoisseur, volume 166, September 1967, p. XLIV, in an advertisement for M. Newman, Ltd., London, reproduced E. Bénézit, “Bartholomeus-Johannes van Hove” in Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, volume 5, Libraire Gründ, Paris, 1976, p. 634 In a large panel, under radiant skies, the old fortifications of Haarlem abut the Spaarne River. The Grote Houtpoort rises majestically in the foreground, dominating the scene with its weathervane reaching to the composition’s edge. The Kalistoren Tower, used for the storage of gunpowder, is in the middle with the Kleine Houtpoort visible in the distance. Built in 1570, the Grote Houtpoort was at the end of the Grote Houtstraat, one of the main roads from the Grote Markt that led outside the city walls. Beyond the gate lay the wooded area, called the Haarlemmerwoud. The temperature is mild, over the arched bridge of the Grote Houtpoort, residents contentedly stroll, conversed or stop to admire the view. Below boatmen propel their craft across glass-like waters with shimmering reflections and floating swans. The sense of well-being pervades this orderly view of the city’s great landmarks that dominate its skyline. -
Newsletter 35
IPC Executive Board: Sara Velas, President (USA-Los Angeles) [email protected] Dr. Guy Thewes, Vice-President (LU - Luxembourg) Patrick Deicher M.A., Treasurer (CH – Lucerne) Dr. Mimi Colligan (AU-Melbourne) Dominique Hanson (BE-Brussels) Mathias Thiel (GE - Berlin) Newsletter no. 35, June 2015 Ryszard Wójtowicz M.A. (PL- Rogoż) Content Register for the 24 th IPC conference Register for the 24 th IPC conference ............. 1 The Grand Moving Mirror of California Travels to Seoul, Korea ................................. 2 We hope that you all received the official invitation for the 24 th IPC conference. If not .............. 3 Re-Opening of the Asisi panorama please inform the secretariat and check the Gettysburg Cyclorama Original Unveiled to invitation here instead: Public .............................................................. 3 http://panoramacouncil.org/downloads/Of Opening exhibition J’aime les panoramas .. 4 fical_invitation_International_Panorama_Conf erence_2015.pdf Sevastopol panorama celebrates ................. 5 Crankies at the American Folk Art Museum . 5 Are you excited to come? Please use this link to register: Crankies in the press ..................................... 6 http://panoramacouncil.org/what_we_do/i Free wheeling ................................................ 6 nternational_panorama_conferences/upcomi 2015 Mesdag Year in The Hague with ng_conference/registration/ reopened Panorama Mesdag ....................... 6 ........................................................................ 7 New publications -
Girl with a Flute
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Dutch Paintings of the Seventeenth Century Attributed to Johannes Vermeer Johannes Vermeer Dutch, 1632 - 1675 Girl with a Flute probably 1665/1675 oil on panel painted surface: 20 x 17.8 cm (7 7/8 x 7 in.) framed: 39.7 x 37.5 x 5.1 cm (15 5/8 x 14 3/4 x 2 in.) Widener Collection 1942.9.98 ENTRY In 1906 Abraham Bredius, director of the Mauritshuis in The Hague, traveled to Brussels to examine a collection of drawings owned by the family of Jonkheer Jan de Grez. [1] There he discovered, hanging high on a wall, a small picture that he surmised might be by Vermeer of Delft. Bredius asked for permission to take down the painting, which he exclaimed to be “very beautiful.” He then asked if the painting could be exhibited at the Mauritshuis, which occurred during the summer of 1907. Bredius’ discovery was received with great acclaim. In 1911, after the death of Jonkheer Jan de Grez, the family sold the painting, and it soon entered the distinguished collection of August Janssen in Amsterdam. After this collector’s death in 1918, the painting was acquired by the Amsterdam art dealer Jacques Goudstikker, and then by M. Knoedler & Co., New York, which subsequently sold it to Joseph E. Widener. On March 1, 1923, the Paris art dealer René Gimpel recorded the transaction in his diary, commenting: “It’s truly one of the master’s most beautiful works.” [2] Despite the enthusiastic reception that this painting received after its discovery in the first decade of the twentieth century, the attribution of this work has frequently Girl with a Flute 1 © National Gallery of Art, Washington National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Dutch Paintings of the Seventeenth Century been brought into question by later scholars. -
Concept Omgevingsvisie Renkum PROJECT
Concept omgevingsvisie Renkum PROJECT Omgevingsvisie Renkum Projectnummer: SR200358 INITIATIEFNEMER Gemeente Renkum Generaal Urquhartlaan 4 6861 GG Oosterbeek OPSTELLER Gemeente Renkum, Buro SRO, Over Morgen Contactpersoon gemeente Renkum: Martijn Kok Contactpersoon Buro SRO: Krijn Lodewijks | John van de Zand Contactpersoon Over Morgen: Tjakko Dijk DATUM & STATUS CONCEPT | 31 mei 2021 2 Inhoud Hoofdstuk 1 | Inleiding 5 1.1 Wat doen we? 5 1.2 Waarom een omgevingsvisie? 5 1.3 Samenhang met andere overheden 7 1.4 Proces - in samenspraak 8 Hoofdstuk 2 | Renkum in 2021 9 2.1 Historische ontwikkeling 9 2.2 Regionale context & profilering 9 2.3 Kenmerken en kwaliteiten – gemeentebreed 9 2.4 Uitgelicht: Het landschap van Renkum 11 2.5 Uitgelicht: De dorpen van Renkum 12 Hoofdstuk 3 | Huidige ontwikkelingen 15 3.1 Renkum Samen 15 3.2 Renkum Gezond en Leefbaar 15 3.3 Renkum Toekomstbestendig 16 3.4 Renkum Dynamisch 17 Hoofdstuk 4 | Renkum in 2040 19 4.1 Regionale positionering 19 4.2 Renkum Samen 20 4.3 Renkum Gezond en Leefbaar 21 4.4 Renkum Toekomstbestendig 25 4.5 Renkum dynamisch 28 4.6 Uitgelicht: Het landschap van Renkum 29 4.7 Uitgelicht: De dorpen van Renkum 34 Hoofstuk 5 | De visie samen waarmaken 49 5.1 Inleiding 49 5.2 Beleidscyclus 49 5.3 Strategische uitvoeringsagenda - mogelijke programma’s voor uitvoering 50 5.4 Een flexibele en adaptieve omgevingsvisie 50 5.5 Participatie bij de uitvoering van de omgevingsvisie 51 5.6 Toetsingskader voor de initiatieven vanuit de samenleving 52 BIJLAGE 1 | Renkum anno 2021 56 3 4 Hoofdstuk 1 | Inleiding een visie voor de gemeente Renkum in 2040 1.1 Wat doen we? kijk nodig is. -
In Goed Gezelschap Van Talent Tot Meester Van Atelier Tot Amsterdams Kunstacademie Impressionisme
In goed gezelschap Van talent tot meester Van Atelier tot Amsterdams Kunstacademie impressionisme Stel: je wilt kunstenaar worden. Amsterdam prijst zich gelukkig. Met Vroeg 1800. Als het in de familie zit, August Allebé, docent en directeur zoals bij de Koekkoeks, bof je. Dan aan de Rijksacademie. Een kanjer. krijg je les van opa, papa, broer of Maar ook met vrije, spontane oom. Anders kun je elders in de leer. schilders als Breitner, Willem Witsen Schilderateliers. Kunstacademies en Isaac Israels. Ondertussen wordt zijn er nog maar mondjesmaat. Wel Arti behoudend. Sint Lucas frist de tekenscholen zonder schilderlessen. boel weer op. Lees meer op pag. 4 Lees meer op pag. 66 Romantiek Rotterdamse Den Haag Academie Den Haag is er al vroeg bij. Met de Hierdoor tot Hooger. Rotterdam oudste Teekenacademie van ons land meldt zich. Van Mastenbroek boert (1682). Typisch hofstad: de grote goed, Van Voorden wordt chroni- ateliers, Bart van Hove, Andreas queur, Willem Hussem en Klaas Schelfhout, Hendrikus van de Sande Gubbels geven les, de Academie Bakhuyzen, Pulchri, samen aan het wordt vernoemd naar Willem de werk, samen op reis. Kooning. Toch wordt de stad nog geen sprankelende kunstenstad. Lees meer op pag. 24 Lees meer op pag. 80 Romantiek Academie Amsterdam Minerva Amsterdam is Den Haag niet. Het is Daar is het Hoge Noorden. er veel losser. En de romantiek ligt er Groningen. Met Minerva, Pictura, de op straat, voor wie haar maar vinden broertjes Mesdag, Eerelman en later wil. Springer, Eversen, Greive en Rust het kleurrijke eigen expressionisme blinken uit, Fodor verzamelt, Arti van De Ploeg: Wiegers, Altink, Van et Amicitiae verbroedert. -
Personal Details Short Bio Education Work Experience Skills
Curriculum Vitae: Rob Bothof personal details name: Rob Bothof email: [email protected] website: www.robbothof.com short bio Rob Bothof (1977) works as a creative coder, artist, inventor, engineer, educator and all round technical problem solver, covering an exciting blend of commercial, technical, artistic and non profit projects. His artistic work emerges in the crossfire between art and science, is primarily focused on technology and encompasses a broad range of interests, such as machine interaction, instrument building, autonomous systems, video games, sound design, improvisation, animation and procedural generation. Rob enjoys working together with a broad variety of companies, institutions, designers, visual-artists, architects and musicians. work experience 2005 – now Freelance / independent (creative coding, art and audiovisual productions) 2001 – 2003 Untouchable Graphics, The Hague, the Netherlands (interaction design) 1998 – 2000 DPI Animation House, The Hague, the Netherlands (3d-modeling, 3d-animation, video-montage) 1998 Delftnet, Delft, the Netherlands (graphic design, web design) education 2007 ArtScience Master, Royal Academy of Art The Hague (discontinued) 2000 – 2005 Communication Design, Willem de Kooning Academy (Interactive media, Animation, Audiovisual design) (diploma attained in 2005 in the discipline of Interactive Media) 1996 – 1998 Computer Science, Technical University Delft (discontinued) 1989 – 1996 Stedelijk Gymnasium, Schiedam (graduated) 1 skills language Proficient in Dutch and English overall Multi -
OPERATION MARKET- GARDEN 1944 (1) the American Airborne Missions
OPERATION MARKET- GARDEN 1944 (1) The American Airborne Missions STEVEN J. ZALOGA ILLUSTRATED BY STEVE NOON © Osprey Publishing • www.ospreypublishing.com CAMPAIGN 270 OPERATION MARKET- GARDEN 1944 (1) The American Airborne Missions STEVEN J ZALOGA ILLUSTRATED BY STEVE NOON Series editor Marcus Cowper © Osprey Publishing • www.ospreypublishing.com CONTENTS INTRODUCTION 5 The strategic setting CHRONOLOGY 8 OPPOSING COMMANDERS 9 German commandersAllied commanders OPPOSING FORCES 14 German forcesAllied forces OPPOSING PLANS 24 German plansAllied plans THE CAMPAIGN 32 The southern sector: 101st Airborne Division landingOperation Garden: XXX Corps The Nijmegen sector: 82nd Airborne DivisionGerman reactionsNijmegen Bridge: the first attemptThe demolition of the Nijmegen bridgesGroesbeek attack by Korps FeldtCutting Hell’s HighwayReinforcing the Nijmegen Bridge defenses: September 18Battle for the Nijmegen bridges: September 19Battle for the Nijmegen Railroad Bridge: September 20Battle for the Nijmegen Highway Bridge: September 20Defending the Groesbeek Perimeter: September 20 On to Arnhem?Black Friday: cutting Hell’s HighwayGerman re-assessmentRelieving the 1st Airborne DivisionHitler’s counteroffensive: September 28–October 2 AFTERMATH 87 THE BATTLEFIELD TODAY 91 FURTHER READING 92 INDEX 95 © Osprey Publishing • www.ospreypublishing.com The Void: pursuit to the German frontier, August 26 to September 11, 1944 26toSeptember11, August pursuittotheGermanfrontier, Void: The Allied front line, date indicated Armed Forces Nijmegen Netherlands Wesel N German front line, evening XXXX enth Ar ifte my First Fsch September 11, 1944 F XXXX XXX Westwall LXVII 1. Fsch XXX XXXX LXXXVIII 0 50 miles XXX 15 LXXXIX XXX Turnhout 0 50km LXXXVI Dusseldorf Ostend Brugge Antwerp Dunkirk XXX XXX Calais II Ghent XII XXX Cdn Br XXX Cologne GERMANY Br Maastricht First Fsch Brussels XXXX Seventh Bonn Boulognes BELGIUM XXX XXXX 21 Aachen LXXXI 7 XXXX First XXXXX Lille 12 September 4 Liège Cdn XIX XXX XXX XXX North Sea XXXX VII Namur VII LXXIV Second US B Koblenz Br St. -
Mesdag-Van Houten, Sientje
Sientje Mesdag-van Houten, Foral Still Life Saint-Josse-ten-Noode 1847 – 1943 Brussels oil on panel 16 ¾ by 14 ¾ inches (43 by 37.5 cm.) signed lower right: ‘S M.vH’ provenance: Brabantse KunstJaleriJ, Oirshot, The Netherlands; Private collection, The Netherlands note: SientJe van Houten married Hendrik Willem Mesdag in April 1856 and seven years later in 1863 their only child, Klaas was born. In 1864, her father died and left her a substantial inheritance. This change in her financial situation allowed Hendrik to leave his father’s bank where he had been working for siXteen years and concentrate on his painting and eventually become a professional artist. SientJe accompanied her husband when he went to Brussels to study under Willem Roelofs. Their house in Rue Van de Weyer was often the focal point for Dutch and Belgian painters, and it could well have been the conversations on art at these soirées that stimulated SientJe’s mind and enhanced her artistic talent. She, like her husband, not only received instruction from Roelofs but also from Hendrik’s cousin the professional artist, Lawrence Alma-Tadema. SientJe van Houten accompanied her husband when he spent the summer of 1866 at the Oosterbeek artist colony and again in the summer of 1868 on the island of Nordeney where she, like Hendrik, spent time painting and sketching seascapes. The couple moved to The Hague in 1869, where they lived in a house on Anna Paulownastraat and later in a house on Laan van Meerdervoort. Her husband, who wanted to concentrate on seascapes, later hired a studio room facing the sea at the Villa Elba in Scheveningen where he and Sientje would spend hours painting and sketching. -
An Examination of the Intelligence Preparation for Operation MARKET-GARDEN, September, 1944 Steven D
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1997 An Examination of the Intelligence Preparation for Operation MARKET-GARDEN, September, 1944 Steven D. Rosson Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Rosson, Steven D., "An Examination of the Intelligence Preparation for Operation MARKET-GARDEN, September, 1944" (1997). Masters Theses. 1824. https://thekeep.eiu.edu/theses/1824 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is rece1v1ng a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. 30 APR/99'7- Date I respectfully request Booth Library of Eastern Illinois University not allow my thesis to be reproduced because: Author Date An Examination of the Intelligence Preparation For Operation MARKET-GARDEN, September, 1944 (TITLE) BY Captain Steven D.