THE AMERICAN ASSOCIATION FOR ITALIAN STUDIES

ANNUAL2018 CONFERENCE SORRENTO,

THE AMERICAN ASSOCIATION FOR ITALIAN STUDIES

ANNUAL2018 CONFERENCE SORRENTO, ITALY

The American Association for Italian Studies

ANNUAL CONFERENCE 14-17 JUNE 2018 Sant’Anna Institute Sorrento, Italy

PLENARY SPEAKER John Foot, University of Bristol

SPECIAL GUESTS August Watters, Professor Emeritus, Berklee College of Music

CONFERENCE COMMITTEE Cristiana Panicco, Sant’Anna Institute Olga Stinga, Sant’Anna Institute Marco Marino, Sant’Anna Institute Licia Amura, Sant’Anna Institute Valeria Formicola, Sant’Anna Institute

Graduate Students Colleen Grant, Wayne State University Jessica Henderson, The Ohio State University Dan Paul, The Ohio State University Eleanor Payntor, The Ohio State University Cylia Queen, The Ohio State University

OFFICERS OF THE AAIS Valerio Ferme, Northern Arizona University, President Dana Renga, The Ohio State University, Vice-President Monica Seger, William & Mary, Secretary Elena Past, Wayne State University, Treasurer Joseph Francese, Michigan State University, Senior Editor Italian Culture

Special Thanks for Cover Design and Image: Lauren De Camilla, The Ohio State University

3 June 14, 2018

Dear Esteemed Attendee,

Welcome to Sant’Anna Institute for the annual conference of the American Association for Italian Studies (AAIS). I am confident you will find your time here both inspiring and rejuvenating. On behalf of the Sant’Anna Institute, I thank you for making the journey to this special corner of the world. In 1998, when I founded Sant’Anna my mission was clear—to create a home for dialogue and innovation in the field of global education. I also recognized an exciting opportunity to share and celebrate the unique splendor of southern Italy. Hosting the 2018 conference represents the culmination of 20 years of hard work and the actualization of a professional aspiration. Together on the historical grounds of Sant’Anna, we will create a community fostering cultural exchange and meaningful engagement. It is my honor and pleasure to share the intellectual and aesthetic richness of this land. I thank you for attending, and for bringing your expertise to the proverbial table.

Very Truly Yours,

Cristiana Panicco Founder and President Sant’Anna Institute Sorrento, Italy

4 AAIS SPECIAL EVENTS

THURSDAY JUNE 14 CONCERT, “THE ITALIAN MANDOLIN IN AMERICA” August Watters, Professor Emeritus, Berklee College of Music 6:15p.m.-7:00p.m., AULA 15, piano terra

WELCOME RECEPTION 7:00p.m.-8:30p.m., Sant’Anna Institute Courtyard

FRIDAY JUNE 15 PLENARY SPEAKER John Foot, Professor of Modern Italian History, University of Bristol, “Revolution, Reform and Nostalgia. Reflections on Italy’s 1968 Fifty Years On” This lecture will discuss the legacy and historical understanding of Italy’s “long 1968”. It will examine the ways that 1968 has been remembered, forgotten and narrated, and the connections between institutional change, “concrete utopias”, violence and extremism and national reform in the 1970s. Particular focus will be dedicated to changes in the psychiatric hospital system, prisons, schools and the family. 6:45p.m.-8:15p.m., Teatro Tasso - Piazza Sant'Antonino, 25, 80067 Sorrento

POST-PLENARY RECEPTION 8:15p.m.-9:30p.m., Teatro Tasso - Piazza Sant'Antonino, 25, 80067 Sorrento

SATURDAY JUNE 16 BANQUET 7:30p.m., Ristorante Zi’Ntonio Mare; 50,00 paid in advance

5 Schedule at a Glance

Thursday June 14th Friday June 15th Saturday June 16th Sunday June 17th 10:45a.m.-12:15p.m. 9:00a.m.-10:30a.m. 9:00a.m.-10:30a.m. 9:00a.m.-10:30a.m. Session 1 (A-J) Session 5 (A-J) Session 10 (A-J) Session 15 (A-J)

12:15p.m.-1:15p.m. 10:45a.m.-12:15p.m. 10:45a.m.-12:15p.m. 10:45a.m.-12:15p.m. Lunch Session 6 (A-J) Session 11 (A-J) Session 16 (A-J) Women’s Studies 1:15p.m.-2:45p.m. 12:15p.m.-1:15p.m. Caucus Meeting 12:30p.m.-2:00p.m. Session 2 (A-J) Lunch Session 17 (A-J) 12:15p.m.-1:15p.m. 3:00p.m.-4:30p.m. 1:15p.m.-2:45p.m. Lunch Session 3 (A-J) Session 7 (A-J) AAIS Membership Meeting 4:45p.m.-6:15p.m. 3:00p.m.-4:30p.m. Session 4 (A-J) Session 8 (A-J) 1:15p.m.-2:45p.m. Session 12 (A-J) 7:00p.m.-8:30p.m. 4:45p.m.-6:15p.m. Welcome Reception Session 9 (A-J) 3:00p.m.-4:30p.m. Session 13 (A-J) 6:45p.m.-8:15p.m. Plenary Lecture, 4:45p.m.-6:15p.m. John Foot Session 14 (A-J)

8:15p.m.-9:15p.m. 7:30p.m. Reception Banquet, Ristorante Zi’Ntonio Mare

BOOK EXHIBIT The exhibit hall will be open throughout the conference, starting half an hour before the sessions begin each day. Please visit the exhibit located in AULA 14, piano terra, where exhibitors include Babilonia, Edilingua, Taylor & Francis, and the Sant’Anna Institute.

AUDIO-VISUAL EQUIPMENT AND WIRELESS ACCESS Each room is equipped with a Smartboard and PC, as well as a Data Projector. Participants should bring their presentations on a USB flash drive. There is wireless network access throughout the school. The Network Name is SorrentoLingue and the WiFi Password is SorrentoLingue2015. Please note that the conference does not provide adapters. It is the responsibility of AV users to familiarize themselves with equipment before all sessions begin or during the lunch break.

6 THURSDAY 14 JUNE 1C: AULA 14, piano terra “TRANSNATIONALISING THE POPULAR”: AN ITALIAN SESSION 1 PERSPECTIVE I 10:45a.m.-12:15p.m. (Thursday) Organizer: Rachel Haworth, University of Hull 1A: AULA 6-7, secondo piano Chair: Simone Brioni, Stony Brook ROUNDTABLE: REFRAMING University LUCHINO VISCONTI: FILM AND ART 1. Laura Rorato, University of Hull, Organizer: Ivo Blom, Vrije Universiteit “Michelangelo Merisi da Chair: Ivo Blom, Vrije Universiteit Caravaggio: a pop(ular) icon?” 1. Ivo Blom, Vrije Universiteit 2. Rachel Haworth, University of 2. Francesco Pitassio, Università Hull, “Persistences of the Past in degli Studi di Udine the Marketing of Italian Icons: 3. Marco Pistoia, Università degli Mina, Celentano, and Le Migliori” Studi di Salerno 1D: AULA 1, secondo piano 1B: AULA 15, piano terra NO SESSION REPRESENTATIONS AND PERFORMANCES OF OTHERNESS 1E: AULA 2, secondo piano Organizer: AAIS EROTICISM IN ITALIAN CINEMA I Chair: Dan Paul, The Ohio State Organizer: Angela Fabris, Alpen-Adria- University Universität Klagenfurt 1. Marianna Griffini, Kings College Chair: Jörg Helbig, Alpen-Adria- , “The immigrant Other: Universität Klagenfurt postcolonial echoes in the Italian 1. Catherine Ramsey-Portolano, The Far Right’s discourse” American University of Rome, 2. Giulia Fabbri, Sapienza Università “The diva and the seduction of di Roma, “Nerezza in vetrina. La female sickness in early Italian rappresentazione delle donne nere cinema” nelle pubblicità italiane 2. Angela Fabris, Alpen-Adria- contemporanee” Universität Klagenfurt, “Venetian 3. Maria Pallotta-Chiarolli, Deakin Seductions in the Seventies: Aldo University, “Colonialism, Lado’s Chi l’ha vista morire? and Postcolonialism and/or Related Movies” Decolonisation: Italian Migrants and Indigenous Mobs in Australia”

7 1F: AULA 3, secondo piano 1G: AULA 4, secondo piano REVIVALS OF THE ITALIAN MIDDLE AB UNDIS AD ASTRA VENEZIANI E AGES GENOVESI NELLA PUGLIA STORICA Organizers: Brandon Essary, Elon TRA XV E XVII SECOLO: University, and Filippo Fonio, Université DINAMICHE ARTISTICHE E Grenoble Alpes STRATEGIE DI POTERE Chair: Andrea Privitera, University of Organizer: Giuseppe De Sandi, Università Western Ontario and Università di Padova degli Studi di Bari Aldo Moro 1. Chiara Piola Caselli, Università di Chair: Andrea Leonardi, Università degli Perugia, “Dante castigato. La Studi di Bari Aldo Moro Commedia e la censura nel Sette e 1. Giuseppe De Sandi, Università Ottocento” degli Studi di Bari Aldo Moro, 2. Filippo Fonio, Université Grenoble “Genova-Venezia-Terra di Bari Alpes, “La Commedia e la fan A/R: tra Paolo Veronese e fiction” Vincenzo Giustiniani, Coordinate 3. Brandon Essary, Elon University, per una nuova cultura artistica” “Dante’s Inferno, Pop Culture, and 2. Caterina Alma Iudice, Università Video Games” degli Studi di Udine, “Ludovico 4. Emanuela Nanni, Université Caucho e Bartolomeo Vivarini, Grenoble Alpes, “Delle sillogi Veneti in Puglia. Tra Indagini Moses e Antimateria di Piero archivistiche e analisi diagnostiche Bigongiari: visbile ed enigma alla non invasive” maniera medioevale” 3. Francesco Dragoni, Università degli Studi di Napoli Suor Orsola Buonincasa, “Dal Ponente Ligure alla Valle del Vulture: strategie e committenze artistiche dei principi Doria per il Castello di Melfi” 4. Nicola Montenegro, Museo Nazionale Archeologico di Gioia del Colle – NOVA APULIA, “Mare vidit et fugit: i de mari, principi di Acquaviva”

8 1H: AULA 5, secondo piano 1I: AULA 10, primo piano OER PROJECTS IN ITALIAN: PAESAGGIO IN TRANSIZIONE: INNOVATIVE APPROACHES FOR A TRASFORMAZIONE; SHARED, LOW-COST, AND RIORDINAMENTO E CONTINUITÀ CUSTOMIZABLE ITALIAN NELL’ARCHITETTURA DELLA CITTÀ CURRICULUM ITALIANA TRA LE DUE GUERRE I: Organizers: Daniela Bartalesi-Graf, CONCETTI E CONCRETIZZAZIONI Wellesley College, and Camilla Zamboni, Organizers: Carmen M. Enss, Universität Wesleyan University Bamberg, and Luigi Monzo, Universität Chair: Camilla Zamboni, Wesleyan Innsbruck University Chair: Luigi Monzo, Universität Innsbruck 1. Vera Abbate, Virginia 1. Cettina Lenza, Università della Commonwealth University, Campania, “Il concetto di “Italian Curation Project at VCU: tradizione nel dibattito teorico ed An Open Educational Resource estetico dal Ventennio al secondo Student Project at an Urban Public dopoguerra” University” 2. Angela Pecorario Martucci, 2. Daniela Bartalesi-Graf, Wellesley Università della Campania, College, “Free and Open Italian “Autarchia e tradizione Online Courses on edX: A nell’architettura del ventennio” Resource for Students, Teachers 3. Cecilia De Carli, Università and Institutions” Cattolica del Sacro Cuore Milano, 3. Camilla Zamboni, Wesleyan “Declinazione della cultura University, “Exploring Open architettonica e urbanistica Educational Resources: The nell’area milanese di S. Ambrogio TILCA Peer-reviewed Teaching fra le due guerre” Modules Online Project” 4. Scott Budzynski, Savannah College of Art and Design, “Vertical City: ’s Early Skyscrapers”

9 1J: AULA 11, primo piano 2B: AULA 15, piano terra ROUNDTABLE: THE USES OF ORAL DIGITAL LEARNING AND FOREIGN HISTORY IN ORMETE, CINERICORDI LANGUAGE TEACHING AND BIAHI Organizers: Giovanna Carloni, University Organizer: Kathleen LaPenta, Fordham of Urbino and Brian Zuccala, Monash University University Chair: Kathleen LaPenta, Fordham Chair: Anita Virga, University of the University Witwatersrand 1. Livia Cavaglieri, Università degli 1. Giovanna Carloni, University of Studi di Genova, and Donatella Urbino, “Digital learning and Orecchia, Università degli Studi di transnational pedagogy in foreign Roma (Ormete) language teaching/learning” 2. Sarah Culhane, University of 2. Margherita Bezzi, Politecnico di Bristol, Catherine O’Rawe, Milano, “La motivazione in un University of Bristol, and Daniela corso blended” Treveri Gennari, Oxford Brookes 3. Sara Lis Ventura, University University (Cinericordi) College Cork, “Literature and 3. Kathleen LaPenta, Fordham digital storytelling in teaching University (BIAHI) Italian as a Foreign Language: the impact of a blended learning LUNCH approach on students’ 12:15p.m.-1:15p.m. manifestation of expressive potential” SESSION 2 4. Ilaria Puliti, University of 1:15p.m.-2:45p.m. (Thursday) Leicester, “Digital learning and cultural awareness” 2A: AULA 6-7, secondo piano ROUNDTABLE: TEACHING DANTE OUTSIDE OF ITALY Organizer: Francesco Ciabattoni, Georgetown University Chair: Paola Ureni, Graduate Center CUNY 1. Valerio Cappozzo, University of Mississippi 2. Kevin Reynolds, Collège Universitaire Glendon and York University – Toronto 3. Nicole Pagano, Independent scholar 4. John Hoarty, St. Ignatius College Preparatory

10 2C: AULA 14, piano terra 2D: AULA 1, secondo piano “TRANSNATIONALISING THE BODIES’ INSURGENCIES: A POPULAR”: AN ITALIAN LITERARY AND CULTURAL PERSPECTIVE II HISTORY OF POSTWAR BODIES Organizer: Rachel Haworth, University of Organizer: Giuliano Migliori, University Hull of North Carolina at Chapel Hill Chair: Rachel Haworth, University of Hull Chair: Alessandra Montalbano, University 1. Simone Brioni, Stony Brook of Alabama University, and Cecilia Brioni, 1. Margherita Gherri, University of Independent Scholar, “How Race California – Berkeley, “American is Made in Italian Popular Culture: Aid, Reeducation and the The Case of Silvana Savorelli” Wounded Body in Alberto 2. Dan Paul, The Ohio State Lattuada’s Without Pity (1948)” University, “Lost Fathers Found: 2. Davide Colasanto, The Graduate Masculinity and Surrogate Center CUNY, “Malaparte’s Fatherhood in Recent Italian Teen Bodies: Accounts of Allied Film” Occupied Italy” 3. Rachel Johnson, University of 3. Stefania Porcelli, The Graduate Leeds, “Transnationalizing the Center CUNY, “Maternal and popular, popularizing art cinema: Animal Knowledge in Elsa The Italian popular art film in the Morante’s La Storia” new millennium” 4. Giuliano Migliori, University of North Carolina at Chapel Hill, “Auto-destructive bodies in the valleys: a reflection on 's war poetry”

11 2E: AULA 2, secondo piano 2G: AULA 4, secondo piano EROTICISM IN ITALIAN CINEMA II ’S “LITERATURE OF Organizer: Angela Fabris, Alpen-Adria- INVENTION” I Universität Klagenfurt Organizer: Margherita Heyer-Cáput, Chair: Angela Fabris, Alpen-Adria- University of California – Davis Universität Klagenfurt Chair: Maria Esposito Frank, University of 1. Lidia HwaSoon Anchisi, Hartford Gettysburg College, “Racializing 1. Francesca Bernardini, Università di eroticism in The Affair” Roma “La Sapienza”, “L’archivio- 2. Jörg Helbig, Alpen-Adria- laboratorio di Luigi Malerba” Universität Klagenfurt, “‘Venice 2. Margherita Heyer-Cáput, acted as pimp to our love’: University of California – Davis, Masochistic obsessions and “Luigi Malerba’s Simulacra: I intermedial strategies in Luchino Neologissimi (2013)” Visconti's Senso and Tinto Brass’ 3. Silvana Cirillo, Università di Roma Senso ’45” “La Sapiena”, “Malerba polemista: 3. Federico Zecca, Università degli dall’ambiente ai premi letterari. Studi di Bari Aldo Moro, “Sotto il Spigolature” vestito troppo. Ultracorpi erotici nel cinema italiano degli anni 2H: AULA 5, secondo piano Ottanta” NEGOTIATING ITALIAN JEWISH 4. Giovanna Maina, Università di IDENTITY Sassari, “Confessioni di una Organizer: Shira Klein, Chapman masochista ingenua a un giornalista University per bene. Il sesso femminile sulle Chair and Commentator: Kenneth Stow, pagine di «Cinesex» (1969-1974)” University of Haifa 1. Shira Klein, Chapman University, 2F: AULA 3, secondo piano “Caught in the Middle: Italian THE “OTHER” IN RENAISSANCE Jews, Indigenous Jews, and the AND ART I Colonization of Africa” Organizer: Lorenzo Filippo Bacchini, 2. Anna Koch, University of Johns Hopkins University Southampton, “‘Remaking the Chair: Lorenzo Filippo Bacchini, Johns Self’: Italian and German Jews’ Hopkins University sense of national belonging in the 1. Berthold Hub, Universität Zürich, immediate aftermath of the “The better ‘other’ from the East” Holocaust” 2. Sonia Trovato, Università di 3. Sara Airoldi, Hebrew University of , “Il diverso colore dei pezzi Jerusalem, “Nation within in una scacchiera – Dialoghi motherland: Zionism and identity intertestuali tra Orlando e in Italy 1918-1938” Rodomonte nell’Orlando Furioso” 4. Rabbi Barbara Aiello, Ner Tamid 3. Lucia Gemmani, Indiana del Sud Synagogue, “Through University, “The last knight: Study, Synagogue Participation Chivalry as Otherness” and Formal Conversion: How the Hidden Jews of Southern Italy Are Coming Home”

12 2I: AULA 10, primo piano 2J: AULA 11, primo piano PAESAGGIO IN TRANSIZIONE: ROUNDTABLE: COLLABORATIVE TRASFORMAZIONE; RESEARCH, DECOLONIZING RIORDINAMENTO E CONTINUITÀ INTERACTIONS: TRANSNATIONAL NELL’ARCHITETTURA DELLA CITTÀ AND LOCAL ARCHIVES, METHODS ITALIANA TRA LE DUE GUERRE II: AND SUBJECTS I PANORAMI URBANI Organizers: Nicoletta Marini-Maio, Organizers: Carmen M. Enss, Universität Dickinson College, and Ellen Nerenberg, Bamberg, and Luigi Monzo, Universität Wesleyan University Innsbruck Chair: Filippo Trentin, University of Chair: Carmen M. Enss, Universität Pennsylvania Bamberg 1. Áine O’Healy, Loyola Marymount 1. Giulia Favaretto and Chiara University Mariotti, Università di Bologna, 2. Anna Santucci, Brown University “Progettare il medioevo. Rimini e 3. Giancarlo Lombardi, CUNY, and Forlì negli anni Venti: il volto Ruth Glynn, University of Bristol ridisegnato di due piazze della 4. Elena Past, Wayne State University Romagna” 2. Elena Pozzi, Politecnico di Milano; SESSION 3 Marco Pretelli and Leila Signorelli, 3:00p.m.-4:30p.m. (Thursday) Università di Bologna, “Progettare il medioevo. Giulio Ulisse Arata in 3A: AULA 6-7, secondo piano Emilia Romagna” READING ITALIAN LANDSCAPE 3. Alberto Coppo, Sapienza ECOLOGY I Università di Roma, “Conservare Organizer: Damiano Benvegnù, l’antico per costruire il moderno. Dartmouth College Visioni di una alternativa Chair: Damiano Benvegnù, Dartmouth nel progetto di Pietro Aschieri College (1927)” 1. Paolo Palmieri, University of 4. Sandro Scarrocchia, Accademia di Pittsburgh, “Il Bel Paese: Antonio Belle Arti di Brera, “Bergamo Stoppani’s Invention of Italian come case study” Vistas” 2. Serenella Iovino, University of Torino, “ and the Landscapes of the Anthropocene: A Narrative Stratigraphy” 3. Abele Longo, Middlesex University, “Slums outside the Cathedral, Repression and Persistence. An Ecocritical Reading of Palermo’s Cortile Cascino”

3B: AULA 15, piano terra NO SESSION

13 3C: AULA 14, piano terra 3E: AULA 2, secondo piano A RESCUE MISSION? INNOVATION NARRATRICI DEL SUD I THROUGH OUTREACH, Organizers: Claudia Karagoz, Saint Louis ENGAGEMENT AND CURRICULAR University, and Giovanna Summerfield, MODIFICATIONS Auburn University Organizer: Janice M. Aski, The Ohio State Chairs: Claudia Karagoz, Saint Louis University University, and Giovanna Summerfield, Chair: Janice M. Aski, The Ohio State Auburn University University 1. Giovanna Summerfield, Auburn 1. Janice M. Aski, The Ohio State University, “When Eros and University, “Reinvigorating Thanatos Meet in the Kitchen: language instruction: outreach, Giuseppina Torregrossa and Her engagement and curriculum” Recipes” 2. Chiara Fabbian, University of 2. Robin Pickering-Iazzi, University Illinois at Chicago, “On campus of Wisconsin – Milwaukee, and beyond. Building the identity “Narrating Feminicide and the of an Italian program” Stories of Stefania Noce and the 3. Enza Antenos, Montclair State Nation in Quello che resta” University, “Connecting university learning to the real world: 3F: AULA 3, secondo piano Language, Business & Culture” THE “OTHER” IN RENAISSANCE ITALIAN LITERATURE AND ART II 3D: AULA 1, secondo piano Organizer: Lorenzo Filippo Bacchini, WSC SPONSORED PANEL: Johns Hopkins University MONETIZATION OR Chair: Matteo Cantarello, Johns Hopkins COMMODIFICATION OF FEMALE University FRIENDSHIP: SCREEN, STAGE, PAGE, 1. Amélie Ferrigno, Centre d’Etudes AND RAGE I Supérieures de la Renaissance, Organizer: Ellen Nerenberg, Wesleyan “Visual and literary representations University of the America in 16th-century Chair: Ruth Glynn, University of Bristol Italian editions” 1. Katharine Mitchell, University of 2. Alessio Panichi, Johns Hopkins Strathclyde, “Celebrated Celebrity University, “La questione Female Friendships in Late dell’alterità nella letteratura Nineteenth-Century Italy” utopistica” 2. Elisa Gambaro, Università di 3. Karen T. Raizen, Bard College, Milano, “La narrazione “The Pulcinellate of Carlo dell’amicizia femminile e i suoi Sigismondo Capece” non detti. Da a Elena Ferrante” 3. Beatrice Collina, Università di Bologna, “L’amicizia geniale alle origini di un successo. Da Louisa May Alcott a Elena Ferrante”

14 3G: AULA 4, secondo piano 3H: AULA 5, secondo piano WSC SPONSORED PANEL: MODELLI UN’ITALIANITÀ DA ESPORTAZIONE. EDUCATIVI NELLA LETTERATURA LA CIRCOLAZIONE PER LE BAMBINE I INTERNAZIONALE DI LUCA Organizer: Cosetta Seno, University of GUADAGNINO Colorado Organizer: Massimo Scaglioni, Università Chair: Roberto Risso, Clemson University Cattolica di Milano 1. Angela Articoni, Università degli Chair: Catherine O' Rawe, University of studi di Foggia, “‘Bambola sono e Bristol bambola resto’. La contessa Lara e 1. Marco Cucco, Università della le pupattole simbolo del doppio” Svizzera Italiana, and Massimo 2. Alba Coppola, Università di Scaglioni, Università Cattolica di Salerno, “Modelli femminili nelle Milano, “Strategie di produzione Novelle della nonna di Emma ed esportabilità internazionale del Perodi. Con una nota cinema di Luca Guadagnino” toponomastica” 2. Luca Barra, Università di Bologna, 3. Anna Maria De Majo, Università di and Paolo Noto, Università di Roma, “Educatrici e modelli Bologna, “Distribuzione e educativI in Giana Anguissola. Da circolazione internazionale del Il diario di Giulietta a Violetta la cinema di Luca Guadagnino: timida” strategie e modelli” 3. Damiano Garofalo, Università Cattolica di Milano, and Dom Holdaway, Università di Bologna, “Cinefilia, esotismo, italianità. La ricezione critica statunitense dei film di Luca Guadagnino”

3I: AULA 10, primo piano ROUNDTABLE: TEACHING ITALIAN WITH (VIDEO) GAMES Organizers: Simone Bregni, Saint Louis University, and Brandon K. Essary, Elon University Chair: Andrea Privitera, University of Western Ontario and Università di Padova 1. Simone Bregni, Saunt Louis University 2. Brandon K. Essary, Elon University 3. Filippo Fonio, Université Grenoble Alpes

15 3J: AULA 11, primo piano 4B: AULA 15, piano terra IL RITORNO DELLA CRITICA REREADING LOVE STORIES TEMATICA: LA FAMIGLIA NEL Organizer: Marja Härmänmaa, University ROMANZO CONTEMPORANEO I of Turku Organizer: Stefania Lucamante, The Chair: Francesco Ciabattoni, Georgetown Catholic University of America University Chair: Stefania Lucamante, The Catholic 1. Victoria Fanti, Johns Hopkins University of America University, “La Semiramis Redux: 1. Raffaello Palumbo Mosca, Genoa Rereading and Rewriting the Many School of Humanities, “Tra farsa e Loves of a New Tragic Queen in tragedia, note su Di questa vita Sixteenth-Century Italy” menzognera di Giuseppe 2. Marja Härmänmaa, University of Montesano,” Nuovi argomenti Turku, “Fogazzaro and the 2. Andrea Malaguti, University of ‘decadent’ love” Massachusetts-Amherst, “Lo sa il 3. Barbara Meazzi, Centre de la nonno: lo sguardo scettico in Non Méditerranée Moderne et tutti i bastardi sono di Vienna Contemporaine – Université Côte (2010) di Andrea Molesini” d’Azur, “Corrispondenze amorose 3. Stefania Lucamante, The Catholic e amori futuristi” University of America, “Il corpo di Clara: Note sulla Ferocia di Nicola 4C: AULA 14, piano terra Lagioia” ROUNDTABLE: PROGRAM BUILDING THROUGH COMMUNITY SESSION 4 ENGAGEMENT 4:45p.m.-6:15p.m. (Thursday) Organizer: Janice M. Aski, The Ohio State University 4A: AULA 6-7, secondo piano Chair: Janice M. Aski, The Ohio State READING ITALIAN LANDSCAPE University ECOLOGY II 1. Janice M. Aski, The Ohio State Organizer: Damiano Benvegnù, University Dartmouth College 2. Chiara Fabbian, University of Chair: Serenella Iovino, University of Illinois at Chicago Torino 3. Enza Antenos, Montclair State 1. Monica Seger, William & Mary, University “Il Ponte della Memoria: Reading and Walking in Seveso” 4D: AULA 1, secondo piano 2. Enrico Cesaretti, University of NO SESSION Virginia, “A Plunge into the betoniera del Nord-Est: Reading Concretely EXPO 2015” 3. Luca Bugnone, University of , “Ascending Underground: An Ecocritical Way through the Susa Valley” 4. Massimo Lollini, University of Oregon, “Le Dolomiti tra paesaggio e storia”

16 4E: AULA 2, secondo piano 4F: AULA 3, secondo piano NARRATRICI DEL SUD II SITES OF TRANSIT IN ITALY FROM Organizers: Claudia Karagoz, Saint Louis WW2 TO THE PRESENT: HISTORY, University, and Giovanna Summerfield, POLITICS, TOPOGRAPHY Auburn University Organizers: Matteo Cassani Simonetti, Chairs: Claudia Karagoz, Saint Louis Roberta Mira, and Daniele Salerno, University, and Giovanna Summerfield, Fossoli Foundation – University of Auburn University Bologna 1. Claudia Karagoz, Saint Louis Chair: Daniele Salerno, Fossoli University, “No Returns Accepted: Foundation Maternal Absence in Donatella Di 1. Roberta Mira, University of Pietrantonio’s L’Arminuta” Bologna, “Fossoli Concentration 2. Tiziana de Rogatis, Università per and Transit Camps under Fascist Stranieri di Siena, “Le ragioni del and Nazi Rule (1943-1944)” successo internazionale di Elena 2. Annalisa Cegna, Historical Ferrante” Institute of Macerata, “The Route 3. Adalgisa Giorgio, University of of Women and Children from Bath, “Tra Sud e bassa Padania: Internment to Deportation” ricette materne, piaceri culinari, 3. Chiara Renzo, Ca’ Foscari amori femminili e scrittura ne La University of Venice, “The Jewish fame delle donne (2012) di Displaced Persons in Salento Marosia Castaldi” (1943-47): A Case Study” 4. Andrea Luccaroni, University of Bologna, “Site of Transit, Site of Transitions. Architectural and topographical Transformations of the Fossoli former Concentration Camp (1942-1989)”

17 4G: AULA 4, secondo piano 4H: AULA 5, secondo piano WSC SPONSORED PANEL: MODELLI ON THE MODERNITY OF POSTWAR EDUCATIVI NELLA LETTERATURA ITALIAN FILM CULTURE (1945-1955) PER LE BAMBINE II Organizers: Sergio Rigoletto, University Organizer: Cosetta Seno, University of of Oregon, and Filippo Trentin, University Colorado of Pennsylvania Chair: Angela Articoni, Università degli Chair: Sergio Rigoletto, University of Studi di Foggia Oregon 1. Silvia Palandri, Associazione 1. Massimiliano L. Delfino, Toponomastica Femminile, Columbia University, “The “L’educazione femminile Modern Violence of the Gaze: nell’opera letteraria della marchesa Roberto Rossellini’s La macchina Colombi” ammazzacattivi” 2. Roberto Risso, University of 2. Filippo Trentin, University of Clemson, “‘Quell’essere ora Pennsylvania, “Un-performable: degnato di tante lodi.’ A proposito Peirce, Bazin and the Neorealist di alcuni ‘pensieri’ di varie donne Index” ottocentesche sull’educazione della 3. Russell J.A. Kilbourn, Wilfrid donna” Laurier University, “‘The 3. Loredana Magazzeni, Università di Consciousness of Clichés’: Bologna, “Dai Profili femminili di Neorealism, Memory, and the Còrdula (Irene della Rocca di Time-Image” Castiglione) a Storie della buonanotte per bambine ribelli: i 4I: AULA 10, primo piano plutarchi femminili NO SESSION nell’educazione delle ragazze. Evoluzione di un genere”

18 4J: AULA 11, primo piano FRIDAY 15 JUNE IL RITORNO DELLA CRITICA TEMATICA: LA FAMIGLIA NEL ROMANZO CONTEMPORANEO II SESSION 5 Organizer: Stefania Lucamante, The 9:00a.m.-10:30a.m. (Friday) Catholic University of America Chair: Andrea Malaguti, University of 5A: AULA 6-7, secondo piano Massachusetts-Amherst ITALIAN JEWISH IDENTITIES AND 1. Pietro Bocchia, University of Notre EMANCIPATION Dame, “Teorema 50 anni dopo Organizer: Valeria Rainoldi, University of (1968-2018): il familismo e il sacro Trento secondo Pasolini” Chair: Gabriella Romani, Seton Hall 2. Alessio Baldini, University of University Leeds, “Reimagining the nation: 1. Alessandro Grazi, University of family sagas in contemporary Amsterdam, “Trapped between Italian fiction” tradition and modernity: Isacco 3. Maria Grazia Scrimieri, Centre de Samuele Reggio’s Jewish and la Méditerranée Moderne et Italian identity on the road to Contemporaine – Université Côte emancipation” d’Azur, “Il gioco dei regni: la 2. Emanuele D’Antonio, University famiglia Sereni nella dicotomia fra of Udine, “‘Essi procedettero memoria privata e memoria sempre loro pari.’ Cesare collettiva” Lombroso, l’idioma culturale ariano e l’apologia scientifica CONCERT: “THE ITALIAN dell’ebraismo 1867-1874” MANDOLIN IN AMERICA” 3. Daniel Leisawitz, Muhlenberg August Watters, Berklee College of Music College, “Identità linguistica degli 6:15p.m.-7:00p.m. ebrei italiani nel periodo 1848- AULA 15, piano terra 1948”

WELCOME RECEPTION 7:00p.m.-8:30p.m. Sant’Anna Institute Courtyard

19 5B: AULA 15, piano terra 5D: AULA 1, secondo piano LAW AND ITALIAN CULTURE FROM FARM TO FABLE?: POLITICS Organizer: Maria Letizia Bellocchio, OF TASTE, AUTHENTICITY, AND University of Arizona SUSTAINABILITY I Chair: Maria Letizia Bellocchio, Organizer: Patrizia La Trecchia, University of Arizona University of South Florida 1. Laura Nieddu, Université Lumière Chair: Patrizia La Trecchia, University of Lyon 2, “Processo all’immagine di South Florida un Fiore forense” 1. Francesca Calamita, University of 2. Elena Bellina, University of Virginia, “Louise DeSalvo’s Rochester, “The Long Way Home: Vertigo (1996): Anorexia, The 1946 Italian POWs Return to Corporeal Self-harm and A New Democracy” Empowerment” 3. Maria Letizia Bellocchio, 2. Stefano Luconi, University of University of Arizona, Genoa, “Food as an Ethnic “L’asincronia tra le famiglie e il Identifier: The Construction of diritto di famiglia nel cinema Italianness in the Narratives about italiano” Italian-American Cuisines” 3. Julian Vitullo, Arizona State 5C: AULA 14, piano terra University, “Don Pasta’s Politics DANTEAN PATTERNS: MUSIC, of the Palate” MEDICINE, MATTER, ETHICS Organizer: Paola Ureni, CUNY – The Graduate Center Chair: David Bowe, Somerville College Oxford 1. Francesco Ciabattoni, Georgetown University, “Musical Medicine in Dante’s Purgatorio” 2. Luca Marcozzi, Università degli Studi Roma Tre, “Metafore del ferimento nella Commedia” 3. Juan Varela-Portas de Orduña, Universidad Complutense de Madrid, “Il materialismo di Dante nelle 'petrose' invernali” 4. Paola Ureni, CUNY – The Graduate Center, “Ethical Balance and Complexio in Dante’s Poetry”

20 5E: AULA 2, secondo piano 5F: AULA 3, secondo piano LETTERATURA E ARTI FIGURATIVE DISOBEDIENT OBJECTS: ART AND DAL CINQUE ALL’OTTOCENTO: POLITICAL SUBVERSION IN EARLY LIRICA, BIOGRAFIA, MODERN ITALY DRAMMATURGIA E SCRITTURA Organizer: Daniel M. Zolli, Pennsylvania ODEPORICA I State University Organizer: Vincenzo Caputo, Università Chair: Daniel M. Zolli, Pennsylvania State degli Studi di Napoli Federico II University Chair: Patrizia Landi, SSML Istituto di 1. Roland Betancourt, University of Alti Studi per Mediatori linguistici Carlo California – Irvine, “The Color of Bo di Milano Skin: Subverting Racial and 1. Federico Della Corte, Università Political Identity in the Mosaics of eCampus – Novedrate, and Stefan San Marco in Venice” :\V]\ĔVNL9DUVDYLD8QLYHUVLWj 2. Christopher Brown, Harvard Cardinale, “Michelangelo poeta e University, “Speaking Statues, Vittoria Colonna” Fallen Idols: How The Poet 2. Vincenzo Caputo, Università degli Petrarch Toppled Sculpture” Studi di Napoli Federico II, “‘La 3. Daniel M. Zolli, Pennsylvania contentezza che io sento in me’. State University, “Donatello’s Note sulla raccolta biografica di Martelli Stemma: The Patron Dis- Giorgio Vasari” Armed” 3. Emanuela Bufacchi, Università degli Studi Suor Orsola Benincasa 5G: AULA 4, secondo piano – Napoli, “L’eloquente silenzio FROM PROFESSOR TO PRESIDE: della visività delle immagini nel DOES A PH.D. IN ITALIANISTICA teatro barocco” PREPARE GRADUATES TO LEAD U.S. 4. =RUDQD.RYDþHYLü8QLYHUVLWjGL SATELLITE CAMPUSES IN ITALY? Banja Luka, “Le arti figurative Organizer: Hilary Link, Temple University nell’odeporica serba sull’Italia tra Rome Ottocento e Novecento” Chair: Hilary Link, Temple University Rome 1. Jason Houston, Gonzaga in 2. Fulvio Orsitto, Villa le Balze – Georgetown 3. Francesco Burzacca, Umbra Institute

21 5H: AULA 5, secondo piano 5J: AULA 11, primo piano NO SESSION FEMMINICIDIO IN ITALY AND ITS FICTIONS: LITERATURE, FILM, 5I: AULA 10, primo piano MEDIA I ITALIAN HOLIDAYS: LA VACANZA Organizer: Robin Pickering-Iazzi, ITALIANA TRA CINEMA, University of Wisconsin – Milwaukee TELEVISIONE E CULTURA VISUALE Chair: Robin Pickering-Iazzi, University I of Wisconsin – Milwaukee Organizer: Christian Uva, Università degli 1. Barbara Pezzotti, Monash Studi Roma Tre University, “Femminicidio in Chair: Vito Zagarrio, Università Roma Tre Italian Crime Fiction: Maraini’s 1. Stefania Parigi, Università Roma Voci and Beyond” Tre, “La ricostruzione delle 2. Matteo Cantarello, Johns Hopkins vacanze. Le spiagge nel cinema University, “Femicide as an Act of italiano dei primi anni cinquanta” Criminal Self-Construction: The 2. Gius Gargiulo, MoDyCo – Figure of Giorgio Pellegrini” Université de Nanterre, “Era 3. Karen E. Graves, New York d’estate. La spiaggia tra utopia University, “Martyrs, Monsters, della vacanza, nostalgia e and Mistaken Identities: Violence inquietudini nel cinema italiano del against Women in the Italian dopoguerra” Gothic and Giallo Cinema of the 3. Christian Uva, Università degli 1960s and 1970s” Studi Roma Tre, “Antiepica e vitellonismo nel cinema balneare italiano: Leoni al sole (1961) di Vittorio Caprioli” 4. Ornella Cirillo, Università della Campania, “Vacanze in Italia: la scoperta di luoghi d’arte, paesaggi e borghi nelle immagini fotografiche delle riviste di moda del secondo dopoguerra”͒

22 SESSION 6 6B: AULA 15, piano terra 10:45a.m.-12:15p.m. (Friday) LOCAL FLAVOUR VS GLOBAL AUDIENCES: MULTINGUALISM 6A: AULA 6-7, secondo piano ACROSS CULTURAL BOUNDARIES CORPI ESTRANEI: ANTI-NORMATIVE Organizers: Elisa Segnini, University of BODIES IN ITALIAN CINEMA FROM Glasgow and University of British THE ECONOMIC MIRACLE TO Columbia and Gigliola Sulis, University of BERLUSCONI Leeds Organizers: Claudia Bernardi and Sally Chair: Gigliola Sulis, University of Leeds Hill, Victoria University of Wellington 1. Elisa Segnini, University of Chair: Danielle Hipkins, University of Glasgow and University of British Exeter Columbia, “Best-Sellers in 1. Sally Hill, Victoria University of Translation: Elena Ferrante and Wellington, “Laughing Matters: ” Disability in the commedia 2. Gigliola Sulis, University of Leeds, all’italiana” “‘The Ragazzi’ to ‘The Street 2. Claudia Bernardi, Victoria Kids’. On two translations of University of Wellington, Pasolini's ‘Ragazzi di vita’” “Fantozzi’s Ugly Women: Female 3. Cinzia Sartini Blum, University of Bodies and Male Anxiety in the Iowa, “Italian Lessons: Translating Italian Comedy of the 1970s” Polyphony in Laila Wadia’s 3. Lauren De Camilla, The Ohio State Amiche per la pelle” University, “Queering the Final Girl in New Italian Horror 6C: AULA 14, piano terra Cinema” BOCCACCIO I 4. Giuliana Minghelli, McGill Organizer: Jason Houston, Gonzaga University, “Dropping-out in University and American Boccaccio Eleonora Danco's N-Capace” Association Chair: Jason Houston, Gonzaga University 1. Maddalena Signorini, Università di Roma- Tor Vergata, “Decoration in Boccaccio’s Books” 2. Elsa Filosa, Vanderbilt University, “Il Duca d’Atene a Firenze: una rivisitazione” 3. Justin Steinberg, University of Chicago, “The sovereign and the widow: Decameron 8.7”

23 6D: AULA 1, secondo piano 6E: AULA 2, secondo piano FROM FARM TO FABLE?: POLITICS LETTERATURA E ARTI FIGURATIVE OF TASTE, AUTHENTICITY, AND NEL NOVECENTO TRA ROMANZI E SUSTAINABILITY II DIARI II Organizer: Patrizia La Trecchia, Organizer: Vincenzo Caputo, Università University of South Florida degli Studi di Napoli Federico II Chair: Francesca Calamita, University of Chair: Vincenzo Caputo, Università degli Virginia Studi di Napoli Federico II 1. Elisa Ascione, Umbra Institute, 1. Sara Murgia, Università di Zurigo, “Heritage Food, Authenticity and “‘Artemisia’ di Anna Banti: la the Rediscovery of Tradition. pittura come percorso esistenziale, Exploring Sagre in Umbria, Italy” storico-letterario e di 2. Alessandra Coccopalmeri, rivendicazione dell’identità Independent Researcher, “How to femminile” Eat (not exactly!) Like the 2. 0DáJRU]DWDĝODU]\ĔVND8QLYHUVLWj Do: The Italian Sounding GL&DUGLQDO6WHIDQ:\V]\ĔVNLGL Phenomenon in the USA” Varsavia e di Letteratura Polacca 3. Patrizia La Trecchia, University of presso l’Università di Varsavia, South Florida, “Food Practices and “‘Opera doppia’ tra le due culture. Ideologies of Sustainability: Poema a fumetti di in Talking the Talk and Walking the traduzione polacca” Walk?” 3. Sara Laudiero, Università degli Studi di Napoli Federico II, “‘Arti e artisti a Napoli’ di Paolo Ricci” 4. Matteo Martelli, Università di Strasburgo, “: la scrittura diaristica verso la fotografia”

6F: AULA 3, secondo piano INTERDISCIPLINARY ITALY: INTERART/INTERMEDIA Organizer: Giuliana Pieri, Royal Holloway, University of London Chair: Giuliana Pieri, Royal Holloway, University of London 1. Florian Mussgnug, University College London, “Fatal entanglement: Radical architecture, Interartistic Creativity and Risk” 2. Giuliana Pieri, Royal Holloway, University of London, “Milan 1963: Through the Looking Glass” 3. Emanuela Patti, Royal Holloway, University of London, “The Italian Digital Avantgarde”

24 6G: AULA 4, secondo piano 6I: AULA 10, primo piano ORAL CREATIVITY IN THE ITALIAN ITALIAN HOLIDAYS: LA VACANZA LANGUAGE CLASSROOM I ITALIANA TRA CINEMA, Organizers: Michela Ronzani, University TELEVISIONE E CULTURA VISUALE of North Carolina School of the Arts, and II Anna Santucci, Brown University Organizer: Christian Uva, Università degli Chair: Michela Ronzani, University of Studi Roma Tre North Carolina School of the Arts Chair: Christian Uva, Università degli 1. Elena Emma Sottilotta, University Studi Roma Tre of St. Thomas, “Storytelling as a 1. Andrea Minuz, Sapienza Learning Strategy: How to Use Università di Roma, “Vacanze e Folk and Fairy Tales to Develop lotta di classe: Ferie d’agosto e il L2 Cultural Competence and Oral cinepanettone middlebrow” Creativity” 2. Vito Zagarrio, Università Roma 2. Ciro Annunziata and Fabiola Tre, “Grotesque Holiday. La Tiberi, Accademia Italiana Salerno, vacanza iperreale” “Fare Lingua in Modo Creativo: 3. Giacomo Ravesi, Università Roma Proposte Didattiche per lo Tre, “Linee d’ombra. Vacanze e Sviluppo della Produzione Orale in racconti di formazione nel cinema Classi di Italiano L2” del reale italiano di oggi” 3. Brian O'Connor, Boston College, "Meeting the Other" 4. Daniela Curioso and Registilla Aloisi Masella, Temple University Rome, “Italiano in Città”

6H: AULA 5, secondo piano MICHELSTAEDTER E LA STORIA I Organizers: Valerio Cappozzo, University of Mississippi, and Mimmo Cangiano, The Hebrew University of Jerusalem Chair: Mimmo Cangiano, The Hebrew University of Jerusalem 1. Achille Castaldo, Duke University, “Retorica e persuasione di se stessi” 2. Gabriella Putignano, Università degli studi di Bari Aldo Moro, “L’etica divina della persuasione attraverso la lettura di Aldo Capitini” 3. Roberta Visone, Università degli Studi di Napoli Federico II, “La ‘rettorica’ nella storia. Michelstaedter e i falsi pessimisti”

25 6J: AULA 11, primo piano SESSION 7 FEMMINICIDIO IN ITALY AND ITS 1:15p.m.-2:45p.m. (Friday) FICTIONS: LITERATURE, FILM, MEDIA II 7A: AULA 6-7, secondo piano Organizer: Robin Pickering-Iazzi, QUEER REPRESENTATION IN University of Wisconsin – Milwaukee ITALIAN MEDIA AND CULTURE Chair: Robin Pickering-Iazzi, University Organizer: AAIS Queer Studies Caucus of Wisconsin – Milwaukee Chair: Sole Anatrone, Wesleyan 1. Simonetta Milli Konewko, University University of Wisconsin – 1. Antonio Pizzo, University of Turin, Milwaukee, “A National Tragedy: “Queer Naples” The Fear of Being Abandoned in 2. Alessio Ponzio, University of Cinzia Tani’s Mia per sempre” Michigan, “Epistemologies of the 2. Alessandra Marfoglia, Sapienza Italian Closet” Università di Roma, “Femminicidio e privazione del sé. 7B: AULA 15, piano terra La costruzione della sudditanza POSTHUMAN NEW MATERIALISMS femminile nella letteratura di Organizers: Enrico Cesaretti, University of Clarice Gouzy Tartufari” Virginia, and Matteo Gilebbi, Dartmouth 3. Nicoletta Mandolini, University College College Cork, “Revising the Chairs: Enrico Cesaretti, University of feminist practice of ‘partire da sé’: Virginia, and Matteo Gilebbi, Dartmouth male-centered autofiction and College feminicide in ’s 1. Damiano Benvegnù, Dartmouth La scuola cattolica” College, “Beyond Immunity. 4. Marina Bettaglio, University of Reading Through Victoria, “Contro il silenzio e la Esposito’s Biopolitical Theory” vittimizazzione: Ferite a morte di 2. Chiara Cecchelli, University of Serena Dandini” California – Berkeley, “’s Copernican LUNCH Revolution” 12:15p.m.-1:15p.m. 3. Patrizio Ceccagnoli, The University of Kansas, “Dog, Man, Dog…: Two Instances of Anthropomorphism and Post- Anthropocentrism in Italian Literature”

26 7C: AULA 14, piano terra 7E: AULA 2, secondo piano BOCCACCIO II: LATINO REPRESENTATIONS OF NAPLES IN Organizer: Jason Houston, Gonzaga ITALIAN LITERATURE AND CINEMA University and American Boccaccio I Association Organizer: Nicola Di Nino, University of Chair: Dino Cervigni, Emeritus, The Kansas University of North Carolina at Chapel Chair: Nicola Di Nino, University of Hill Kansas 1. Simona Lorenzini, Yale 1. Simone Testa, International Studies University, “Infanda Silva or Institute – Firenze, “Reason of Misera Silva? The Neapolitan state in the Kingdom of Naples. Kingdom in the Aftermath of Historical and Literary use of a Robert of Anjou’s Death and Venetian Ambassador’s relazione” Boccaccio’s Minor Works” 2. Raffaele Furno, Arcadia 2. Teresa Caligiure, University of University, “Napoli and her long- Hamburg, “Ut huic epistole, lost innocence: Three theatrical Boccaccio a Petrarca. Stratagemmi hypotheses” retorici e accuse di avarizia” 3. Giuliana Muscio, Università di 3. Francisco José Rodríguez Mesa, Padova, “O Sole Mio and the Università di Cordova, “Tisbe filmic representation of Naples” Come Eroina Boccaccesca (DMC, 4. Lisa Sarti, Borough of Manhattan XIII)” Community College, “‘Anatema a te!’– Totò e il tragicomico ne La 7D: AULA 1, secondo piano patente di Pirandello” NATION AND TRANSLATION I: THE BIRTH OF A NATION 7F: AULA 3, secondo piano Organizers: Valerio Ferme, Northern MEDITERRANEAN INFLUENCES ON Arizona University, and Norma Bouchard, ITALIAN LITERATURE San Diego State University Organizer: Joseph Francese, Michigan Chair: Norma Bouchard, San Diego State State University University Chair: Joseph Francese, Michigan State 1. Irene Zanini-Cordi, Florida State University University, “Venetian Women alla 1. Laura Benedetti, Georgetown riscossa: Poetics and Politics of University, “Dalla Canea a Tripoli: Translation in the 18th and 19th le note di viaggio di Emilia Centuries” Rosmini De Sanctis” 2. Daniela Bombara, Università di 2. Margherita Ganeri, University of Messina, “La traduzione come Calabria, “Orientalismo e strategia identitaria: il caso di Mediterraneismo nel Gattopardo” Tommaso Cannizzaro, intellettuale 3. Joseph Francese, Michigan State siciliano, italiano, europeo” University, “Sciascia, Calvino, 3. Evelyn Ferraro, Santa Clara and Giufà” University, “Translating Sicily for the Italian Nation (G. Pitrè)”

27 7G: AULA 4, secondo piano 7J: AULA 11, primo piano ORAL CREATIVITY IN THE ITALIAN CONTEMPORARY ITALIAN WOMEN LANGUAGE CLASSROOM II WRITERS IN A GLOBAL CONTEXT I Organizers: Michela Ronzani, University Organizers: Katrin Wehling-Giorgi, of North Carolina School of the Arts, and Durham University, Tiziana De Rogatis, Anna Santucci, Brown University Università per Stranieri di Siena, and Chair: Anna Santucci, Brown University Stiliana Milkova, Oberlin College 1. Michela Baraldi, Cornell Chair: Stiliana Milkova, Oberlin College University, “Idee per la valutazione 1. Francesco Barbieri, ISEAS – dell’orale nelle classi di italiano Kyoto, Japan, “‘A book should intermedio: dalle presentazioni con push the reader to confront himself role-play ai progetti video finali” and the world’: Elena Ferrante and 2. Nicola Lucchi, Dickinson College, Murakami Haruki: defining the “There’s qualcosa in the Air: Radio global novel” as a Teaching Tool in the Italian 2. Victor Xavier Zarour Zarzar, Language Classroom” CUNY, “L’amica geniale: A 3. Enrico Cecconi, University of Revisitation of the Bildungsroman” Bath, “Exploring current cultural 3. Maria Grazia Lolla, Harvard issues in the Italian oral class University, “Partners in Thought: through theatre techniques and oral Elisabetta Bucciarelli’s Dritto al improvisation activities” cuore (2013) and Posthuman Feminist Theory” 7H: AULA 5, secondo piano MICHELSTAEDTER E LA STORIA II SESSION 8 Organizers: Valerio Cappozzo, University 3:00p.m.-4:30p.m. (Friday) of Mississippi, and Mimmo Cangiano, The Hebrew University of Jerusalem 8A: AULA 6-7, secondo piano Chair: Guido Mattia Gallerani, Università ROUNDTABLE: QUEER ITALIA di Bologna NETWORK I 1. Daniela Bini, University of Texas Organizers: Julia Heim, Seton Hall at Austin, “Michelstaedter’s University, Charlotte Ross, University of Foresight” Birmingham, and SA Smythe, University 2. Mimmo Cangiano, The Hebrew of California – Irvine University of Jerusalem, “È solo Chair: SA Smythe, University of una questione di calcolo. Carlo California – Irvine Michelstaedter e Storia e coscienza 1. Michela Baldo, University of Hull di classe” 2. Lorenzo Bernini, University of 3. Valerio Cappozzo, University of Verona Mississippi, “Lettere inedite di 3. Alberica Bazzoni, University of Vladimiro Arangio-Ruiz a Enrico Warwick Falqui per l’edizione Garzanti delle 4. Carlotta Cossutta, Università del poesie di Carlo Michelstaedter Piemonte Orientale (1948)” 5. Julia Heim, Seton Hall University

7I: AULA 10, primo piano NO SESSION

28 8B: AULA 15, piano terra 8D: AULA 1, secondo piano IL FUMETTO ITALIANO E LA NATION AND TRANSLATION II: MODERNITÀ: MODALITÀ POETICS OF TRANSLATION UNDER NARRATIVE, SPERIMENTAZIONI FASCISM STILISTICHE E Organizers: Valerio Ferme, Northern STANDARDIZZAZIONI CULTURALI Arizona University, and Norma Bouchard, Organizer: Sara Dallavalle, Indiana San Diego State University University Chair: Valerio Ferme, Northern Arizona Chair: Sara Dallavalle, Indiana University University 1. Simone Castaldi, Hofstra 1. Filippo Naitana, Qunnipiac University, “Strategie del grottesco University, “Stein in italiano: nel fumetto italiano; dal Corrierino Between Poetics and the Politics of a Frigidaire” Translation” 2. Vincenzo Salvatore, University of 2. Daniel Raffini, Università di Roma Michigan – Ann Arbor, “La linea La Sapienza, “La poesia straniera del tempo. Gianni De Luca e la nell’Italia fascista” rappresentazione della realtà negli Anni di Piombo” 8E: AULA 2, secondo piano 3. Sara Dallavalle, Indiana REPRESENTATIONS OF NAPLES IN University, “L’era delle riviste: la ITALIAN LITERATURE AND CINEMA maturità del fumetto tra II innovazione e ripetizione” Organizer: Nicola Di Nino, University of Kansas 8C: AULA 14, piano terra Chair: Giuliana Muscio, Università di BOCCACCIO III: VERNACOLARE Padova Organizer: Jason Houston, Gonzaga 1. Meriel Tulante, Thomas Jefferson University and American Boccaccio University, “Naples and the Association Nation: ’s Io, Chair: Francisco José Rodríguez Mesa, Partenope” Università di Cordova 2. Nicola Di Nino, University of 1. Teresa Nocita, Università degli Kansas, “Representation of Naples Studi dell’Aquila, “Madonna in Gomorrah (the book, the movie, Oretta (I 5). A new reading and the TV series)” according to the handwritten 3. Antonella Valoroso, The Umbra manuscript of (Ms. Institute, “Commissariato con Hamilton 90)” vista: ritratti della Napoli 2. Dino S. Cervigni, Emeritus, The contemporanea (o post-moderna?) University of North Carolina at nella narrativa di Maurizio De Chapel Hill, “The Decameron Giovanni” Unknown to Boccaccio’s Scholars: The Evening Lyrical Ballads” 3. Carmen F. Blanco Valdés, Università di Cordova, “Vita di Dante /vs/ Trattatello in laude di Dante: Biografia o laudatio?”

29 8F: AULA 3, secondo piano 8H: AULA 5, secondo piano MACHIAVELLI TODAY: TABUCCHI IN THE PRESENT TENSE CONTEMPORARY Organizer: Veronica Frigeni, University of REPRESENTATIONS OF THE MOST Kent UNSETTLING ASPECTS OF POWER Chair: Veronica Frigeni, University of Organizer: Andrea Polegato, University of Kent North Texas 1. Veronica Frigeni, University of Chair: Andrea Polegato, University of Kent, “Postumo, postmoderno, North Texas contemporaneo Tabucchi” 1. Andrea Perrone, Università degli 2. Moonjung Park, Hankuk Studi di Roma “Tor Vergata”, University of Foreign Studies of “Niccolò Machiavelli moderno Seoul, “Tabucchi con, attraverso, precursore della geografia politica contro Pasolini” e delle relazioni internazionali” 3. Liz Wren-Owens, Cardiff 2. Guido Cappelli, Università degli University, “A Writer in the Studi di Napoli L’Orientale, “Il Present Tense Beyond Italy? capitolo IX del Principe e la teoria Tabucchi in Korean and English” populista” 3. Kishor Dere, Indian Society of 8I: AULA 10, primo piano International Law, “21st Century ROUNDTABLE: COLLABORATIVE Machiavellian Princes (and RESEARCH, DECOLONIZING Princesses)” INTERACTIONS: TRANSNATIONAL AND LOCAL ARCHIVES, METHODS 8G: AULA 4, secondo piano AND SUBJECTS II ROUNDTABLE: L’INSEGNAMENTO E Organizers: Nicoletta Marini-Maio, LO STUDIO DELL’OTTOCENTO: Dickinson College, and Ellen Nerenberg ESPERIENZE DELL’ITALIANISTICA Wesleyan University NEL MONDO A CONFRONTO” Chair: Ellen Nerenberg, Wesleyan Organizers: Morena Corradi, Queens University College – CUNY, and Gabriella Romani, 1. Luca Barra, Università di Bologna Seton Hall University 2. Paola Bonifazio, University of Chair: Katharine Mitchell, University of Texas at Austin Strathclyde 3. Nicoletta Marini-Maio, Dickinson 1. Adriana Chemello, Università di College, and Ellen Nerenberg, Padova Wesleyan University 2. Morena Corradi, Queens College – 4. Victor Xavier Zarour Zarzar, The CUNY Graduate Center, CUNY 3. Katharine Mitchell, University of Strathclyde 4. Gabriella Romani, Seton Hall University 5. Silvia Valisa, Florida State University

30 8J: AULA 11, primo piano 9B: AULA 15, piano terra CONTEMPORARY ITALIAN WOMEN INTERMEDIA ZAVATTINI: PROJECTS WRITERS IN A GLOBAL CONTEXT II IN VISUAL AND PRINT CULTURE, Organizers: Katrin Wehling-Giorgi, 1930-1960 Durham University, Tiziana De Rogatis, Organizer: Giorgio Bertellini, University Università per Stranieri di Siena, and of Michigan Stiliana Milkova, Oberlin College Chair: Giorgio Bertellini, University of Chair: Katrin Wehling-Giorgi, Durham Michigan University 1. Lia Turtas, Cornell University, 1. Jennifer Burns, University of “Ipocrita, or the Esoteric Side of Warwick, “‘Vedo, tocco, annuso, Zavattini’s Neorealism” assaggio e ascolto’: ethnographic 2. Antonia La Torre, Università degli presence in narratives of Studi di Napoli L'Orientale, “‘An transnational female citizenship in Epiphany of Our Existence.’ contemporary Italy” Zavattini's Fiction and Screen 2. Ottavio Sellitti, Photographer & Writing between Surrealism and Independent Scholar, “Where is Referentiality” Elena Ferrante?” 3. Fabio Andreazza, Università degli 3. Stiliana Milkova, Oberlin College, Studi G. d’Annunzio Chieti – “Walking in the City: Remapping Pescara, “Multiple Positions: Urban Space in Elena Ferrante” Zavattini in the Interwar Cultural Field” SESSION 9 4:45p.m.-6:15p.m. (Friday) 9C: AULA 14, piano terra CELEBRITY, STARDOM, AND ANTI- 9A: AULA 6-7, secondo piano STARDOM IN ITALIAN MEDIA ROUNDTABLE: QUEER ITALIA CULTURE NETWORK II Organizer: Catherine O’Rawe, University Organizers: Julia Heim, Seton Hall of Bristol University, Charlotte Ross, University of Chair: Áine O'Healy, Loyola Marymount Birmingham, and SA Smythe, University University of California – Irvine 1. Danielle Hipkins, University of Chair: Charlotte Ross, University of Exeter, “Surviving Berlusconi from Birmingham the Margins: Scandalous Girls 1. Sole Anatrone, Wesleyan Becoming Women in the Italian University Media” 2. Clarissa Clò, San Diego State 2. Catherine O’Rawe, University of University Bristol, “Girls, Stardom, and the 3. Sergio Rigoletto, University of Danger of Film Acting in Post-war Oregon Italy” 4. SA Smythe, University of 3. Dana Renga, The Ohio State California – Irvine University, “‘Imprisoned by Beauty’ – Mediaset’s Middlebrow Antiheroes”

31 9D: AULA 1, secondo piano 9F: AULA 3, secondo piano NATION AND TRANSLATION III: FEMALE ELOQUENCE IN EARLY CONTEMPORARY ISSUES OF MODERN ITALY TRANSLATION AND Organizer: Eugenio Refini, Johns Hopkins “NATIONALITY” University Organizers: Valerio Ferme, Northern Chair: Paola Nasti, University of Reading Arizona University, and Norma Bouchard, 1. Chiara Girardi, Johns Hopkins San Diego State University University, “Satire and Female Chair: Evelyn Ferraro, Santa Clara Eloquence in Leon Battista University Alberti’s Sofrona” 1. Valerio Ferme, Northern Arizona 2. Garrett Waters, Emory University, University, “Gëzim Hajdari’s “Rhetorical Self-Fashioning: The linguaggio d’infanzia: The Politics of Rhetoric in Trissino’s Subversion of Nationhood in the Sofonisba” Poetry of the fanciullino” 3. Beatrice Variolo, Johns Hopkins 2. Paola Sica, Connecticut College, University, “Betussi, Speroni and “Translating Cultural Identity the portrayal of Beatrice Pia degli While Questioning the Nation: Obizzi” Juhmpa Lahiri” 3. Norma Bouchard, San Diego State University, “Imagining the Trans- Nation in Contemporary Bi-lingual Translation”

9E: AULA 2, secondo piano REPRESENTATIONS OF NAPLES IN ITALIAN LITERATURE AND CINEMA III Organizer: Nicola Di Nino, University of Kansas Chair: Meriel Tulante, Thomas Jefferson University 1. Anna Iacovella, Yale University, “Gomorrah: Phenomenal nuances in adaptation” 2. Angela Albanese, Università di Modena e Reggio Emilia, “Gatta Cenerentola in salsa Gomorra” 3. Anna Botta, Smith College, and Jim Hicks, University of Massechusetts Amherst, “Naples as a YA Chronotope: Ferrente and Piperno’s Le cose belle”

32 9G: AULA 4, secondo piano 9H: AULA 5, secondo piano L’USO DEL TESTO LETTERARIO COLLECTIVE WRITING PROJECTS NELL’INSEGNAMENTO AND IMPEGNO BETWEEN DELL’ITALIANO L2/LS COMMUNITY CREATION AND Organizers: Fabiola Tiberi, Licia SOCIAL ACTIVISM Scarpellino, and Ciro Annunziata, Organizers: Melina Masterson, University Accademia Italiana Salerno of Massachusetts Amherst, Paolo Saporito, Chair: Fabiola Tiberi, Accademia Italiana McGill University Salerno Chair: Emanuela Patti, University of 1. Lucinda Spera, Università per Birmingham Stranieri di Siena, “La letteratura 1. Juliet Guzzetta, Michigan State nella didattica dell’italiano agli University, “Laboratorio Teatro stranieri” Settimo: Collective Theater 2. Carmela Pesca, Central Practices as a Form of Impegno” Connecticut State University, 2. Stefania Placenti, University of “Comprendere l’imperfetto e le Bristol, “Re-shaping space, re- imperfezioni del tempo narrativo making history: the case of Teatro mediante l’analisi linguistica di Valle Occupato between collective alcuni testi di Ortese, Morante, cultural production and activism” Ferrante e Lahiri” 3. David Ward, Wellesley College, 3. Licia Scarpellino, Accademia “Kai Zen: the politics and the Italiana Salerno, “Proposte poetics of narration” didattiche per lo sfruttamento del 4. Paolo Saporito, McGill University, testo letterario nelle classi di “‘Te lo si conta noi, com’è che Italiano L2 livello A2- B1” andò:’ convergences and divergences in Wu Ming’s countercultural project and L’armata dei sonnambuli”

33 9I: AULA 10, primo piano PLENARY SESSION LECTURAE BOCCACCII 6:45p.m.-8:15p.m. Sponsored by the American Boccaccio Teatro Tasso - Piazza Sant'Antonino, 25, Association 80067 Sorrento Organizer: Elsa Filosa, Vanderbilt John Foot, University of Bristol, University “Revolution, Reform and Nostalgia. Chair: Elsa Filosa, Vanderbilt University Reflections on Italy’s 1968 Fifty Years 1. Elisa Curti, Università di Bologna, On” “La novella di Arriguccio e monna Sismonda (Dec. VII.8): il velo POST-PLENARY RECEPTION della finzione” 8:15p.m.-9:30p.m. 2. Brenda Deen Schildgen, University Teatro Tasso - Piazza Sant'Antonino, 25, of California – Davis, “Women 80067 Sorrento triumph over men: Decameron VII.9 and its sources and SATURDAY 16 JUNE analogues” 3. Elisabetta Menetti, Università di Modena e Reggio Emilia, “Le SESSION 10 fantastiche avventure di messer 9:00a.m.-10:30a.m. (Saturday) Torello (Dec. X.9)” 10A: AULA 6-7, secondo piano 9J: AULA 11, primo piano SULLA SOPRAVVIVENZA CONTEMPORARY ITALIAN WOMEN Organizer: Maria Anna Mariani, WRITERS IN A GLOBAL CONTEXT III University of Chicago Organizers: Katrin Wehling-Giorgi, Chair: Robert A. Rushing, University of Durham University, Tiziana De Rogatis, Illinois, Urbana – Champaign Università per Stranieri di Siena, and 1. Franco Baldasso, Bard College, Stiliana Milkova, Oberlin College “Working through the Fascist Past: Chair: Tiziana de Rogatis, Università per Berto, Brancati, Malaparte” Stranieri di Siena 2. Sergio Parussa, Wellesley College, 1. Mariella Muscariello, Università “La voce rauca della vita. Quadri degli Studi di Napoli Federico II, di sopravvivenza dell’umano da “Per una geografia e una storia Primo Levi a Elias Canetti” della violenza patriarcale” 3. Maria Anna Mariani, University of 2. Camilla Chams, University of Chicago, “Poesia come deterrente: Oslo, “Telling the Abuse: Elena La bambina di Pompei di Primo Ferrante’s Troubling Love in light Levi” of #MeToo” 4. Robert A. Rushing, University of 3. Katrin Wehling-Giorgi, Durham Illinois, Urbana – Champaign, University, “‘Automi di donna “Jeeg Robot: Animacy, Biopolitics fabbricati dai maschi’: Rethinking and Survival” Contemporary Constructs of Femininity in Sebold and Ferrante”

34 10B: AULA 15, piano terra 10D: AULA 1, secondo piano THE ART OF THE WORD AND “DIRITTO DI PAROLA, DIRITTO ARTISTIC CREATION IN MEDIEVAL ALLE PAROLE: LA LETTERATURA E ITALIAN LITERATURE L'IMPEGNO CIVILE” I Organizers: Giulia Cardillo, James Organizer: Marco Marino and Domenico Madison University, and Eleonora Palumbo, Sant’Anna Institute Buonocore, University of Calgary Chair: Domenico Palumbo, Sant’Anna Chair: Simona Lorenzini, Yale University Institute 1. Giulia Cardillo, James Madison 1. Simona Miceli, Università degli University, “The Power of Brevity Studi di Napoli L’Orientale, in Decameron 6,2” “Scrivere in emigrazione. Una 2. Eleonora Buonocore, University of pratica di cittadinanza culturale” Calgary, “Francesco and Simone. 2. Claudia Romanelli, University of The Rhetoric of Love in Petrarch’s Alabama, “‘Viva la vita randagia e Canzoniere and Simone Martini’s contagiosa delle parole!’ Stabat Madonna dell’Umiltà” Mater di ed i fatti 3. Millicent Marcus, Yale University, che contano” “Boccaccio, Giotto, Pasolini: 3. Domenico Palumbo, Sant’Anna Realism and the Surface of the Institute, “Pasolini e la lotta al World in Dec. 6,5” Potere che corrompe l’anima”

10C: AULA 14, piano terra 10E: AULA 2, secondo piano URBAN GEOGRAPHIES LA PRIMAVERA DEL MEDIOEVO. IL Organizers: AAIS RISVEGLIO DELLA METODOLOGIA Chair: Anne Schiller, George Mason CRITICA I University Organizer: Valerio Cappozzo, University 1. Anne Schiller, George Mason of Mississippi University, “How Do You Solve a Chair: Valerio Cappozzo, University of Problem Like Saint Orsola? Place, Mississippi Space, and Requalification in a 1. Roberto Pesce, University of Florentine Neighborhood” Oklahoma, “‘lo parlare di sé’: 2. Paola Moscarelli, Loyola teoria letteraria e questione Marymount, “Una storia di autobiografica nel Convivio” ecomafia in Calabria tra letteratura 2. Stefano Selenu, Syracuse e cinema” University, “Tra lingua, politica e 3. Francesco Chianese, Independent poesia: rileggere il De vulgari Scholar, “Mob and the City: The eloquentia dopo Gramsci e Metaphor of Organized Crime in Agamben” the Representation of Naples as 3. Tommaso De Robertis, University Provided by Gomorrah – The of Pennsylvania, “A new source for Series” Boccaccio’s concept of fortune: the pseudo-Aristotelian Liber de bona fortuna”

35 10F: AULA 3, secondo piano 10G: AULA 4, secondo piano FIGURE FEMMINILI E CIRCOLI FIGURE E TEMI DEL GIORNALISMO LETTERARI NELLA NAPOLI DEL ITALIANO NELL’OTTOCENTO I RINASCIMENTO (1500-1650) Organizers: Morena Corradi, Queens Organizer: Gennaro Tallini, Università di College – CUNY, and Silvia Valisa, Verona Florida State University Chair: Antonello Fabio Caterino, Chair: Silvia Valisa, Florida State Università di Napoli “Vanvitelli” University 1. Antonello Fabio Caterino, 1. Patrizia Landi, SSML Istituto di Università di Napoli “Vanvitelli”, Alti Studi per Mediatori linguistici “Una moglie per Domina e Puella: Carlo Bo di Milano, “Per imparare l’amore coniugale come approdo e per sorridere. Periodici femminili poetico in Bernardino Rota” e umoristico-letterari a Milano 2. Liberato De Vita, Università di prima dell’Unità” Napoli l’Orientale, “Docet 2. Loredana Palma, Università degli Philosophus: l’educazione de vera Studi di Napoli L’Orientale, “Il vivendi libertate: Vittoria Colonna multiforme ingegno di un nel pensiero di Agostino di Nifo giornalista dimenticato: Vincenzo (Opuscula, 1535)” Torelli” 3. Marjorie Och, University of Mary 3. Massimo Castellozzi, Università di Washington, “Creating a Bergamo, “Camillo Cima e Community of Women” L’uomo di pietra nella Milano post-unitaria” 4. Alessandra Palidda, Cardiff University School of Music, “Music and hypocrisy: the ‘evolution’ of Don Basilio in nineteenth-century Italy”

36 10H: AULA 5, secondo piano SESSION 11 FALLING STARS, RISING 10:45a.m.-12:15p.m. (Saturday) CELEBRITIES: POST-WAR ITALIAN STARDOM, 1945-1954 11A: AULA 6-7, secondo piano Organizer: Francesco Pitassio, Università ROUNDTABLE: REMEMBERING degli Studi di Udine PETER BONDANELLA (SPONSORED Chair: Sergio Rigoletto, University of BY THE ITALIANIST, FILM ISSUE) Oregon Organizers: Charles Leavitt, University of 1. Emiliano Morreale, Università “La Reading, Catherine O’Rawe, University of Sapienza”, “È caduta una donna? Bristol, and Dana Renga, The Ohio State Isa Miranda between Hollywood University and Neorealism” Chair: Dana Renga, The Ohio State 2. Mariapaola Pierini, Università University degli Studi di Torino, “Partire o 1. Torunn Haaland, Gonzaga no? Italian Post-war Stardom and University the Hollywood Lure” 2. Millicent Marcus, Yale University 3. Francesco Pitassio, Università 3. Federico Pacchioni, Chapman degli Studi di Udine, “Dead Ends University and Detours. Professional 4. Christian Uva, Università degli Mobility, Transnational Stardom, Studi Roma Tre and Identities: Alida Valli in the Post-war Era” 11B: AULA 15, piano terra 4. Respondent: Sergio Rigoletto, ITALIAN GREEN SCREENS: THE University of Oregon NATURAL WORLD FROM GRAVEN TO MOVING IMAGES 10I: AULA 10, primo piano Organizer: Pasquale Verdicchio, ITALIAN YOUTH AND University of California San Diego SUBCULTURES I Chair: Monica Seger, William & Mary Organizer: Enrico Zammarchi, The Ohio 1. Simona Bondavalli, Vassar State University College, “Broadcasting Chair: Enrico Zammarchi, The Ohio State Environmental Change: Eco- University inchieste and Early Environmental 1. Alessia Masini, University of Consciousness on Italian TV” Macerata, “Punk Rock and 2. Laura Di Bianco, Johns Hopkins Riflusso. Youth Cultures and University, “Toward an Italian Politics in Italy between 1977- Eco-cinema: Ethics and Aesthetics 1984” of the Environmental Crisis” 2. Clarissa Clò, San Diego State 3. Anna Paparcone, Bucknell University, “Provincializing Italy: University, “From Taranto to The Case of Music Subcultures in Catania: How cinema takes a stand Emilia-Romagna” on Environmental Issues” 4. Pasquale Verdicchio, University of 10J: AULA 11, primo piano California San Diego, “Ecocinema NO SESSION as the Practice of Impermanence”

37 11C: AULA 11, primo piano 11E: AULA 2, secondo piano LOOK AT THE ‘70S: PHOTOGRAPHY, LA PRIMAVERA DEL MEDIOEVO. IL MASS MEDIA, AND AUDIENCES RISVEGLIO DELLA METODOLOGIA Organizers: Alessandra Montalbano, CRITICA II University of Alabama, and Paola Organizer: Valerio Cappozzo, University Bonifazio, University of Texas at Austin of Mississippi Chair: Paola Bonifazio, University of Chair: Roberto Pesce, University of Texas at Austin Oklahoma 1. Paola Bonifazio, University of 1. Mia Gaia Trentin, University of Texas at Austin, “‘Mi Piacevano Illinois, Urbana – Champaign, Anzitutto le Foto:’ Gli anni settanta “The formation and development (ri)visti dai lettori di fotoromanzi” of Medieval visual culture: a 2. Alessandra Montalbano, University possible methodology for the study of Alabama, “The Hostage of graffiti” Exposed: Photography and 2. Luisa Nardini, University of Texas Kidnapping in 1970s Media” at Austin, and Bibiana Vergine, 3. Jonathan Mullins, The Ohio State Princeton University, “In the Quest University, “Photography as of the Lost Neapolitan Sacred Apparatus? Televisual and Print Song: The Hymnal Naples, VI G Remediation of Leftist Protest and 29” Violence in 1977-78” 3. Pantalea Mazzitello, Indiana University Bloomington, “‘Libro 11D: AULA 1, secondo piano del Passaggio di Terra Santa’: an “DIRITTO DI PAROLA, DIRITTO Italian vulgarization from French ALLE PAROLE: LA LETTERATURA E of the chronicle of Crusades and L'IMPEGNO CIVILE” II Holy Land's descriptions” Organizer: Marco Marino and Domenico Palumbo, Sant’Anna Institute Chair: Marco Marino, Sant’Anna Institute 1. Joseph Falvo, University of Maryland, “Civic Humanism and the Politics of Liberty in Fifteenth- Century Florence” 2. Ugo Perolino, Università degli Studi G. d’Annunzio Chieti – Pescara, “Nicola Chiaromonte, Tempo presente e i paradossi della storia” 3. Giovanna Bellesia, Smith College, “The Mazzini Society: a Tradition of Political Engagement. Italian Scholars Fighting Fascist Propaganda from American Campuses”

38 11F: AULA 3, secondo piano 11G: AULA 4, secondo piano ITALIAN HEROES AND ANTI- FIGURE E TEMI DEL GIORNALISMO HEROES ACROSS THE MEDIA (XV- ITALIANO NELL’OTTOCENTO II XXI CENTURIES) I Organizers: Morena Corradi, Queens Organizers: Paola D’Amora, University of College – CUNY, and Silvia Valisa, Mississippi, and Pasquale Palmieri, Florida State University Università degli Studi di Napoli Federico Chair: Morena Corradi, Queens College – II CUNY Chair: Paola D’Amora, University of 1. Morena Corradi, Queens College – Mississippi CUNY, “Journalism in newly 1. Luca Ferraro, Università degli unified Italy: paradigms and Studi di Napoli Federico II, “I challenges of a new profession” paladini di Francia dal Furioso ai 2. Silvia Valisa, Florida State Cinque Canti” University, “Towards Modernity: 2. Nicoletta Leonardi, Accademia The First Years of Il secolo (1865- Albertina di Belle Arti di Torino, 1875)” “A War Fought in the Media and 3. Maurizio Punzo, Università degli on the Battleground: Women and studi di Milano, “Per una politica Politics in Photographs, Travel delle cose. La ‘Critica sociale’ di Literature, Journalism, and Filippo Turati nei suoi primi anni Criminal Anthropology in Late (1891-1898)” Risorgimento Italy” 4. Sara Boezio, University of 3. Virginia di Martino, Università Warwick, “Debates on the degli Studi di Napoli Federico II, century’s turn in the late “Morte e rinascita dell’eroe nella nineteenth-century Italian poesia di . Da La periodical press” storia di frate Puccio all’Incendiario”

39 11H: AULA 5, secondo piano 11J: AULA 14, piano terra LA GITA A CHIASSO: TRENT’ANNI WSC BUSINESS MEETING DI SCONFINAMENTI CULTURALI TRA SVIZZERA E ITALIA (1935-1965) LUNCH Organizer: Tatiana Crivelli, University of 12:15p.m.-1:15p.m. Zurich AAIS Membership Meeting, AULA 15, Chair: Tatiana Crivelli, University of piano terra Zurich 1. Alessandro Bosco, University of SESSION 12 Zurich, “La via svizzera 1:15p.m.-2:45p.m. (Saturday) all’‘italianità’. L’‘elvetismo europeo’ come antidoto alla 12A: AULA 6-7, secondo piano retorica fascista nella ricezione e REMADE IN ITALY: MODERNITY, divulgazione della cultura italiana NOSTALGIA, AND THE CIRCULAR in Svizzera (1938-1945)” ECONOMY 2. Stefano Bragato, University of Organizers: Danila Cannamela, University Zurich, “Prove di collaborazione of St. Thomas, and Rebecca Falkoff, New transculturale: il Centro Studi per York University la Svizzera italiana” Chair: Danila Cannamela, University of 3. Felicity Brunner, University of St. Thomas Zurich, “Fra libri e politica: due 1. Metello Mugnai, West Chester canoni letterari del primo University, “New, Recyclable, and Novecento italiano a Zurigo” Disposable: Discard Narratives in Crialese’s Terraferma” 11I: AULA 10, primo piano 2. Rebecca Falkoff, New York ITALIAN YOUTH AND University, “Junk Time: The SUBCULTURES II Decisive Moment and ‘El moment Organizer: Enrico Zammarchi, The Ohio bon’” State University 3. Anna Chiafele, Auburn University, Chair: Clarissa Clò, San Diego State “Riuso, conoscenza e empatia” University 1. Enrico Zammarchi, The Ohio State University, “Giovani Jovanotti: Lorenzo Cherubini’s Journey from Rap to Cantautorato” 2. Emilio G. Berrocal, Independent Researcher – Centro Culturale Casolare del Pensare, “Mature Rap in Italy: Hypotheses and Perspectives” 3. Paola Attolino, University of Salerno, “‘Non pago affitto’: Bello FiGo and Italy between swag and trolling”

40 12B: AULA 15, piano terra 12D: AULA 1, secondo piano THE POLITICAL LANGUAGE IN CHI L’HA SCRITTO? QUESTIONI MEDIEVAL AND RENAISSANCE D’AUTRICE NELLA LETTERATURA ITALY I CONTEMPORANEA ITALIANA Organizer: Andrea Polegato, University of Organizer: Barbara Alfano, Bennington North Texas College Chair: Andrea Polegato, University of Chair: Barbara Alfano, Bennington North Texas College 1. Joseph Grossi, University of 1. Barbara Alfano, Bennington Victoria, “Paese as regnum: The College, “Ritratto d’autore: Elena Malaspina Dominions in Ferrante presenta Elena Ferrante” Purgatorio VIII” 2. Torunn Haaland, Gonzaga 2. Luciano Piffanelli, Institut University, “Liminality and Catholique de Toulouse, “Libertas Dialogism in the Authorial utilior ceteris est. Political Speech Construction of Self: The Case of and Linguistic Framework in Late Anna Banti” Medieval Florence: The Uses of 3. Erin K. Larkin, Southern libertas” Connecticut State University, 3. Michele Mongelli, Università degli “Who’s Avant-Garde Was It, Studi di Bari Aldo Moro, Anyway? Enif Robert’s Un ventre “Maiestas, iustitia e nobilitas nel di donna” pensiero politico di Elisio Calenzio” 12E: AULA 2, secondo piano EMOTIONS AND ITALIAN CULTURE 12C: AULA 14, piano terra Organizer: Simonetta Milli Konewko, ITALIAN TELEVISION STUDIES: University of Wisconsin – Milwaukee DRAMA AND BEYOND Chair: Simonetta Milli Konewko, Organizer: Giancarlo Lombardi, College University of Wisconsin – Milwaukee of Staten Island and Graduate Center – 1. Giacomo Striuli, Providence CUNY College, “The Pursuit of Chair: Tania Convertini, Dartmouth Unhappiness in ” College 2. Adriana De Angelis, Università 1. Alessandro Carpin, Brown degli Studi Roma Tre, “Emotions: University, “Learning the Right Vincenzo Gemito and his vision of Tools for the Job: Training Writers Art” for Italian Television” 3. Elisa Russian, University of 2. Marta Boni, Université de California – Berkeley, “Desiring Montréal, “Some Notes on Editing Others’ Desire: Autofiction, in Contemporary Italian Television Recognition, and Negative Drama” Emotions in Walter Siti’s Scuola di 3. Giancarlo Lombardi, College of nudo” Staten Island and Graduate Center – CUNY, “Thirty-six and Counting: Narrative Shifts in the Third Season of Gomorra La Serie” 4. Tania Convertini, Dartmouth College, “Alberto Manzi and Non è mai troppo tardi, from Reality to Fiction”

41 12F: AULA 3, secondo piano 12G: AULA 4, secondo piano ITALIAN HEROES AND ANTI- I COLORI DI NAPOLI TRA RUE E HEROES ACROSS THE MEDIA (XV- RIONI. FORME E IMMAGINI DELLA XXI CENTURIES) II CAPITALE PARTENOPEA Organizers: Paola D’Amora, University of Organizers: Rossella Di Rosa, University Mississippi, and Pasquale Palmieri, of Georgia, and Lucia Vedovi, University Università degli Studi di Napoli Federico of Alabama II Chairs: Rossella Di Rosa, University of Chair: Pasquale Palmieri, Università degli Georgia, and Lucia Vedovi, University of Studi di Napoli Federico II Alabama 1. Sabrina Righi, University of 1. Francesca Golia, Sapienza Michigan “The Deconstruction of Università di Roma, “Napoli the Heroes: Conflicting ‘vulcanica’ e futurista: Representations of Partisan contraddizioni e vitalità di uno Fighters in Beppe Fenoglio’s stereotipo” Works” 2. Cinzia Gallo, Università di 2. Amanda Bush, The University of Catania, “Buio e luce nella Napoli Texas at Austin, “From Mafioso to neorealista: dalla Scala a San Celebrity Hero: Media Portrayals Potito ai bassi di via Toledo” of Tommaso Buscetta, il super 3. Alessandra Morelli, Scuola pentito” Superiore Bodoni Paravia, Torino, 3. Paola D’Amora, University of “In viaggio verso Lucrezia” Mississippi, “Ragionier Ugo 4. Monika Cervenkova, Università Fantozzi: Chronicles of a Loser. Carlo IV – Praga, “Napoli dei Media Representations of femminielli nelle opere di Annibale Antiheroes from the Inetto to the Ruccello ed Enzo Moscato” Sfigato”

42 12H: AULA 5, secondo piano 12J: AULA 11, primo piano NEW APPROACHES IN CAPUANA ITALIAN INDUSTRIAL CULTURE(S) STUDIES I (ART AND SCIENCE) ACROSS MEDIA I: REPRESENTING Organizers: Anita Virga, University of the INDUSTRIAL ITALY Witwatersrand, and Brian Zuccala, Organizers: Jim Carter, University of Monash University Michigan, and Daniele Forlino, Southern Chair: Brian Zuccala, Monash University Methodist University 1. Rosario Castelli, Università di Chair: Jim Carter, University of Michigan Catania, “Dinamiche della 1. Irene Cacopardi, Université Paul- repressione e del senso di colpa Valéry Montpellier 3, nella narrativa breve di Luigi “Meccanoscritto: letteratura e Capuana” industria tra memoria e futuro” 2. Debora Bellinzani, University of 2. Bianca Rita Cataldi, University Wisconsin – Madison, “Capuana College Dublin, “Adriano Olivetti: teorico dell’immateriale: la The ‘human city’ and its workers” riflessione sulla scienza in tre 3. Daniele Forlino, Southern novelle” Methodist University, “La fabbrica 3. Antonio Casamento-Tumeo, in ‘questa nostra rivista’. La Université de Savoie, “Giacinta rappresentazione della fabbrica nella ‘clinica dell’amore’ del dottor nella rivista «Pirelli» dal Capuana” dopoguerra al 1963” 4. Stefano Tomassini, Università 12I: AULA 10, primo piano IUAV di Venezia, NO SESSION “L’emancipazione del suono: la Fabbrica illuminata di Luigi Nono e Giuliano Scabia (1964)”

SESSION 13 3:00p.m.-4:30p.m. (Saturday)

13A: AULA 6-7, secondo piano “ONE POEM: FRONT AND CANTER” Organizer: Maria Esposito Frank, University of Hartford Chair: Maria Esposito Frank, University of Hartford 1. Alice Loda, University of Technology Sydney, “‘A voice for the darkness’: A semantic -stylistic analysis of Fabio Pusterla's Bocksten” 2. Gianluca Rizzo, Colby College, “‘Le stesse parole al posto delle stesse parole:’ Ricorrendo il fiume di Corredo Costa” 3. Maria Di Maro, Università di Bari Aldo Moro, “Il ‘Compromesso tra eloquenza e lirismo’: la produzione poetica di ”

43 13B: AULA 15, piano terra 13D: AULA 1, secondo piano THE POLITICAL LANGUAGE IN GLOBAL APPROACHES TO ITALIAN MEDIEVAL AND RENAISSANCE STUDIES I: THE MEDITERRANEAN ITALY II AND EAST AFRICA Organizer: Andrea Polegato, University of Organizers: Valerie McGuire, University North Texas of California – Berkeley and Cabot Chair: Andrea Polegato, University of College, and Gaoheng Zhang, University North Texas of British Columbia 1. Corinne Manchio, Université Paris Chairs: Aria Zan Cabot, Southern 8, “Il lessico dello spazio nella Methodist University corrispondenza ufficiale 1. Valerie McGuire, University of machiavelliana” California – Berkeley and Cabot 2. Ferenc Hörcher, Pázmány Péter College, “Italians in Tunisia: Catholic University and Hungarian italianità in the Mediterranean” Academy of Science, 2. Paolo Miccoli, Università degli “Guicciardini’s conservative studi di Napoli L'Orientale, interpretation of prudence” “Colonial place-names in Italian 3. Marco Calafati, Università di East Africa” Firenze and Université Paris – 3. Jacopo Colombini, University of Sorbonne EPHE, “The Political St. Andrews, “Lampedusa as a site Language in Florence under the of Dark Tourism” duke Cosimo I de’ Medici: architecture and emblems of 13E: AULA 2, secondo piano Palazzo Grifoni” WSC SPONSORED PANEL: MONETIZATION OR 13C: AULA 14, piano terra COMMODIFICATION OF FEMALE AROUND AND BEHIND FRIENDSHIP: SCREEN, STAGE, PAGE, CONTEMPORARY ITALIAN AND RAGE II TELEVISION Organizer: Nicoletta Marini-Maio, Organizers: Luca Barra, Università di Dickinson College Bologna, and Dana Renga, The Ohio State Chair: Nicoletta Marini-Maio, Dickinson University College Chair: Luca Barra, Università di Bologna 1. Ellen Nerenberg, Wesleyan 1. Maria Bonaria Urban, Università di University, “Winxology: Amsterdam, and Monica Jansen, Grooming the Future Female Università di Utrecht, “The Young Consumers. Part I” Pope: da quale pubblico? 2. Nicoletta Marini-Maio, Dickinson Narrazioni seriali e ricezione College, “Winxology: Grooming transnazionale del cattolicesimo the Future Female Consumers. Part postmoderno” II” 2. Antonio Coiro, Università di Pisa, 3. Elisa Cuter, Freie Universität “Antropologia di ‘homo Berlin, “‘Unleashed.’ televisivus’: Troppi paradisi di Phenomenology of Female Groups Walter Siti” in Branded Web Series” 3. Elgin K. Eckert, Umbra Institute, “Das Land wo die Zitronen blühen: Mafia and Nostalgia on Italian TV”

44 13F: AULA 3, secondo piano 13H: AULA 5, secondo piano ROUNDTABLE: DIGITAL NEW APPROACHES IN CAPUANA HUMANITIES METHODOLOGIES IN STUDIES II (ART AND SOCIETY) EARLY MODERN ITALIAN STUDIES: Organizers: Anita Virga, University of the A ROUNDTABLE DISCUSSION OF Witwatersrand, and Brian Zuccala, CURRENT PROJECTS AND Monash University PRACTICES I Chair: Edwige Comoy-Fusaro, Université Organizer: Allison Cooper, Bowdoin Nice Sophia Antipolis College 1. Valeria Gravina, Università degli Chair: Daniel Leisawitz, Muhlenberg Studi di Napoli Federico II / College Université Nice Sophia Antipolis, 1. Daniel Leisawitz, Muhlenberg “Medici ascoltatori / narratori. I College casi di Giacinta e Profumo di 2. Massimo Lollini, University of Capuana” Oregon 2. Lara Michelacci, University of 3. Tiziana Mancinelli, University of Bologna, “Rewriting the Italian Cologne Risorgimento. Luigi Capuana and 4. Antonio Montefusco, Università Garibaldi” Ca’ Foscari 3. Brian Zuccala, Monash University, “Spazio, testo, potere e personaggi 13G: AULA 4, secondo piano minori. (Re)reading Capuana WSC SPONSORED PANEL: ANNA through Woloch” MARIA ORTESE I Organizer: Cosetta Seno, University of 13I: AULA 10, primo piano Colorado THE ALLIED OCCUPATION OF Chair: Cosetta Seno, University of ITALY: HISTORY AND CULTURAL Colorado MEMORY I 1. Andrea Baldi, Rutgers University, Organizers: Marisa Escolar, University of “Modernity and Its Discontent. North Carolina, and Charles Leavitt, Anna Maria Ortese’s Neapolitan University of Reading Memories” Chair: Daniela La Penna, University of 2. Angela Bubba, Università di Reading Roma, “Anna Maria Ortese e la 1. Mireno Berrettini, Università cultura degli Indiani d’America” Cattolica del Sacro Cuore, “Tra 3. Alessandra Cenni, Università di stabilizzazione politica e Genova – Università di Salonicco, transizione democratica: la politica “‘Le terre naufraghe’ di Anna dello Special Operations Executive Maria Ortese. Tracce britannico in Italia” autobiografiche da Toledo a 2. Fabio Simonetti, University of Rapallo” Reading, “An Occupation of a 4. Vilma De Gasperin, University of Different Kind: Soldier Tourism Oxford, “Il viaggio e l’incontro” and the Allied Presence in Italy” 3. Guido Bartolini, Royal Holloway University of London, “An Inevitable Defeat: The Allied Landing on Southern Italy through the Eyes of the Italian Occupiers in the Literature of the Axis War”

45 13J: AULA 11, primo piano 14B: AULA 15, piano terra ITALIAN INDUSTRIAL CULTURE(S) “PRIMO LEVI’S LITERARY ACROSS MEDIA II: TECHNOLOGIES ALCHEMY” OF CULTURE IN MODERN ITALY Organizer: Nancy Harrowitz, Boston Organizers: Jim Carter, University of University Michigan, and Daniele Forlino, Southern Chair: Carol Lazzaro-Weis, University of Methodist University Missouri/Independent Scholar Chair: Daniele Forlino, Southern 1. Sharon Portnoff, Connecticut Methodist University College, “Primo Levi and 1. Jim Carter, University of Holocaust Witnessing Across Michigan, “Reading archive Historical Borders” against archive: from Ivrea to New 2. Nancy Harrowitz, Boston York” University, “Levi’s Periodic Table: 2. Simona Frasca, Independent From Shame to Shemà” Scholar, “Electrifying ‘O Sole 3. Jonathan Druker, Illinois State Mio': music industry in the early University, “Holocaust Trauma in 20th century” Primo Levi’s Dystopian Science 3. Eugenia Paulicelli, Queens College Fiction” and The Graduate Center – The City University of New York, 14C: AULA 14, piano terra “Fashion and Cultural Heritage: CONTEMPORARY NEAPOLITAN Industry and Culture in CINEMA Contemporary Italy” Organizer: Giovanna De Luca, College of Charleston SESSION 14 Chair: Giancarlo Lombardi, CUNY 4:45p.m.-6:15p.m. (Saturday) Graduate Center 1. Ruth Glynn, University of Bristol, 14A: AULA 6-7, secondo piano “Screening Naples in ROUNDTABLE: ITALIAN STUDIES Contemporary Film: The City and AND THE ENVIRONMENTAL the Gaze” HUMANITIES 2. Giovanna De Luca, College of Organizer: Elena Past, Wayne State Charleston, “Naples Remix: In University Ammore e malavita Manetti Chair: Serenella Iovino, University of Brothers Reimagine Genre” Torino 3. Roberto D’Avascio, Istituto 1. Marco Armiero, KTH Royal Universitario Orientale di Napoli, Institute of Technology “Oltre Gomorra: produzioni 2. Stefania Barca, Centre for Social periferiche e il cinema di genere” Studies of the University of Coimbra 3. Damiano Benvegnù, Dartmouth College 4. Patrizia La Trecchia, University of South Florida 5. Monica Seger, William & Mary 6. Pasquale Verdicchio, University of California – San Diego

46 14D: AULA 1, secondo piano 14F: AULA 3, secondo piano GLOBAL APPROACHES TO ITALIAN ROUNDTABLE: DIGITAL STUDIES II: ARTS, OBJECTS, HUMANITIES METHODOLOGIES IN EXHIBITIONS MODERN AND CONTEMPORARY Organizers: Valerie McGuire, University ITALIAN STUDIES: A ROUNDTABLE of California – Berkeley and Cabot DISCUSSION OF CURRENT College, and Gaoheng Zhang, University PROJECTS AND PRACTICES II of British Columbia Organizer: Allison Cooper, Bowdoin Chairs: Valerie McGuire, University of College California – Berkeley and Cabot College Chair: Allison Cooper, Bowdoin College 1. Angelo Silvestri, Cardiff 1. Allison Cooper, Bowdoin College University, “Resisting to time, 2. Serena Ferrando, Colby College changes, destructions and even 3. Arianna Fognani, Franklin & interpretations: artistic analysis and Marshall College investigation of the medieval 4. Frédéric Spagnoli, Université de Round Church of St Lawrence in Franche-Comté Mantova, X-XIV centuries” 2. Derek Duncan, University of St. 14G: AULA 4, secondo piano Andrews, “Uncurated objects and WSC SPONSORED PANEL: ANNA global narratives” MARIA ORTESE II 3. Emma Bond, University of St. Organizer: Cosetta Seno, University of Andrews, “Discourses of Italian Colorado Colonialism on the Global Stage: Chair: Andrea Baldi, Rutgers University The Collections of the Wolfsonian- 1. Cosetta Seno, University of FIU” Colorado, “Anna Maria Ortese e 4. Mariana Aguirre, Instituto de ‘La coscienza profonda’. Investigaciones Estéticas UNAM, Riflessioni su natura e latteratura” “Concealing the Exotic: Italian 2. Nunzia Soglia, Università di Primitivism and the Rise of Salerno, “Una donna al Giro Fascism” d’Italia” 3. Martina Volpe, Sapienza 14E: AULA 2, secondo piano Università di Roma, “Anna Maria PERFORMING GENDER AND Ortese e gli intellettuali di Segrate: SEXUALITY dall’archivio Mondadori la storia di Organizers: AAIS un lungo rapport editoriale” Chair: Rebecca Bauman, Fahion Institute of Technology – SUNY 1. Caterina Romeo, Sapienza Università di Roma, “Performing Gender in Elvira Dones’s Vergine giurata” 2. Áine O’Healy, Loyola Marymount University, “Shooting the Sworn Virgin” 3. Luigi Gussago, Monash University, “‘A supernatural creature’: Female Tricksters and the Post-Human Turn in the Picaresque Novels of and Angela Carter”

47 14H: AULA 5, secondo piano 14J: AULA 11, primo piano NEW APPROACHES IN CAPUANA OPPOSIZIONE, SCRITTURA E FORME STUDIES III (ART AND THEORY) DEL DISSENSO LETTERARIO NEL Organizer: Anita Virga, University of the RINASCIMENTO Witwatersrand, and Brian Zuccala, Organizers: Paola Baseotto, Università Monash University degli Studi dell'Insubria, and Omar Khalaf, Chair: Lara Michelacci, University of Università degli Studi dell’Insubria Bologna Chair: Lorenzo Mari, Università degli 1. Christina Petraglia, Gettysburg Studi di Bologna College, “Notes 2 Selves in Luigi 1. Angela Andreani, University of Capuana’s Un melodramma inedito Milan, “Forme del dissenso and Il sogno d’un musicista” religioso nell’Inghilterra 2. Edwige Comoy-Fusaro, Université elisabettiana: l’esperienza dei Nice Sophia Antipolis, “Capuana fuoriusciti Italiani a confronto con i critico (di Dossi)” gesuiti inglesi” 3. Gabriele Scalessa, Université de 2. Omar Khalaf, Università degli Sfax, “Tarchetti, Capuana e la Studi dell'Insubria, “Il talamo e morte come apoteosi dell’arte” l’altare. William Forrest e la critica a Enrico VIII nella Historie of 14I: AULA 10, primo piano Grisilde the Seconde” THE ALLIED OCCUPATION OF 3. Gennaro Tallini, Università di ITALY: HISTORY AND CULTURAL Verona, “‘Chiari raggi d’amor’, MEMORY II ‘fiammelle’, ‘spirti’. Giovanni Organizers: Marisa Escolar, University of Andrea Gesualdo e il North Carolina, and Charles Leavitt, valdesianesimo in area aurunca tra University of Reading basso Lazio e Campania (1530- Chair: Franco Baldasso, Bard College 1541)” 1. Marisa Escolar, University of North Carolina, “Melodramatically BANQUET Ever After: Remembering the 7:30p.m. Holocaust in Luciana Peverelli’s (50 paid in advance) Novels of Occupied Rome” Ristorante Zi’Ntonio Mare 2. Stephanie De Paola, Fordham University, “Women’s War Stories: Changing Personal Memories of the Allied Occupation of Italy” 3. Charles Leavitt, University of Reading, “A Criminal History: On the Return to Tombolo in Film and Fiction”

48 SUNDAY 17 JUNE 15C: AULA 14, piano terra ITALY ELSEWHERE: REVISITING NATIONAL CINEMA SESSION 15 Organizers: Luca Peretti, Yale University, 9:00a.m.-10:30a.m. (Sunday) and Giuseppe Fidotta, Concordia University 15A: AULA 6-7, secondo piano Chair: Millicent Marcus, Yale University NO SESSION 1. Giuseppe Fidotta, Concordia University, “Bringing Cinema to 15B: AULA 15, piano terra the Upper Level: Fascism’s ALTERING CONSCIOUSNESS: Imperial Documentary” ADDICTIONS IN ITALIAN CINEMA 2. Luca Peretti, Yale University, Organizer: Annachiara Mariani, The “Italian Industrial cinema University of Tennessee elsewhere: the case of ENI” Chair: Annachiara Mariani, The 3. Respondent: Jennifer Burns, University of Tennessee University of Warwick 1. Moira Di Mauro-Jackson, Texas State University, “Il Ricordarsi: 15D: AULA 1, secondo piano Gabriele Muccino’s “NAPLES AND THE ANGLOPHONE: Transformation of the Myth of VOICES AND VISIONS” I Addiction in his Movie Remember Organizers: Marco Marino and Tehezeeb me, my Love” Moitra, Sant’Anna Institute 2. Andrea Bini, The American Chair: Marco Marino, Sant’Anna Institute University of Rome, “Masculinity 1. Anna Makolkin, Independent come addiction: la sessuomania del Scholar, “Transplanting Naples and maschio nel cinema italiano” Italy to the Black Sea?” 3. Lydia Tuan, Université de 2. Cecilia Ascoli, St. Andrews Montpellier 3, “Formal Excess as University, “Henry Wardsworth Style in the Films of Paolo Longfellow and Vincenzo Baffi: a Sorrentino” Neapolitan friendship” 3. Tehezeeb Moitra, Sant’Anna Institute, “Traversing the Tetralogy: Fluid Spaces and Imagined Realities in the Neapolitan Novels”

49 15E: AULA 2, secondo piano 15G: AULA 4, secondo piano ROUNDTABLE: MAXIMIZING STUDY “DOVRAI FARE IL SERVIZIO ABROAD PROGRAMS IN ITALY I MILITARE, TU?” I Organizer: Nicoletta Pazzaglia, Miami Organizer: Mattia Roveri, New York University University – CUNY Chair: Annalisa Sacca, St. John’s Chair: Mattia Roveri, New York University University – CUNY 1. Cristina Caracchini, Western 1. Simona Berhe, Università degli University Studi di Milano, “Soldati 2. Roberta Waldbaum, University of d’Oltremare: l’arruolamento dei Denver sudditi coloniali in Libia 3. Rocco Mesiti, Western New occidentale” England University 2. Marco Mondini, ISIG-FBK & 4. Cristiana Panicco, Sant’Anna Università di Padova, “La fucina Institute dei veri uomini. Servizio militare e 5. Hilary Link, Temple University virilità nell’Italia del Novecento” Rome 3. Sciltian Gastaldi, Università e Ricerca MIUR – Roma, “Queering 15F: AULA 3, secondo piano the Military: Pier Vittorio DANTE’S READERS: A MATERIAL Tondelli’s Homosexualized Draft APPROACH in Pao Pao” Organizers: Natale Vacalebre, University 4. Fatima Farina, Università di of Pennsylvania, and Lorenzo Dell’Oso, Urbino Carlo Bo, “Coscrizione e University of Notre Dame doppio standard di cittadinanza di Chairs: Natale Vacalebre, University of genere dentro e fuori le forze Pennsylvania, and Lorenzo Dell’Oso, armate. Il caso italiano” University of Notre Dame 1. Alberto Forni, Independent 15H: AULA 5, secondo piano scholar, “The spiritual Franciscans TORQUATO TASSO and Dante’s Commedia: a lost Organizer: Irene Marchegiani, State readership” University of New York – Stony Brook 2. Natale Vacalebre, University of Chair: Irene Marchegiani, State University Pennsylvania, “‘Il libro e chi lo of New York – Stony Brook scrisse.’ Reading Practices and 1. Cecilia Gibellini, Università del Material Reception of Dante’s Piemonte Orientale, “Forme e Commedia in the European modelli dell’autoritratto tassiano” Renaissance” 2. Kate Driscoll, University of 3. Lorenzo Dell’Oso, University of California – Berkeley, “‘Fui nobil Notre Dame, “Dantisti americani: servo ed compagno’: Female la collezione di stampe dantesche Patronage and the Poet’s del XV e XVI secolo Liberation in Torquato Tasso’s Alle dell'Università di Notre Dame e i Signore Principesse di Ferrara” loro lettori” 3. Andrea Matucci, Università di 4. Silvia Argurio and Valentina Siena, “Onore agli sconfitti. Gli Rovere, Università degli Studi Islamici nella Gerusalemme Roma Tre, “Il Dante del Grifo: Liberata” l’incunabolo della Commedia fra miniature e glosse”

50 15I: AULA 10, primo piano 15J: AULA 11, primo piano GLOBAL APPROACHES TO ITALIAN COMIZI D’AMORE. IL CINEMA E LA STUDIES III: TRAVEL AND QUESTIONE SESSUALE IN ITALIA MOBILITIES BETWEEN ITALY AND (1948-1978) CHINA Organizer: Dalila Missero, University of Organizers: Valerie McGuire, University Milan of California – Berkeley and Cabot Chair: Federico Zecca, Università degli College, Gaoheng Zhang, University of Studi di Bari Aldo Moro British Columbia 1. Tomaso Subini and Dalila Missero, Chairs: Angelo Silvestri, Cardiff University of Milan, “Le sfumature University ‘rosa’ del femminile cattolico: 1. Federica Casalin, University of Così, il cinema e la moralizzazione Rome, “From Imported della cultura popolare (1955- Stereotypes to Self-Constructed 1966)” Representations: How Was Italy 2. Valentina Re and Elisa Mandelli, depicted in 19th Century China?” Università degli Studi Link 2. Miriam Castorina, Università degli Campus University, “Cinema, Studi di Firenze, “In the garden of identità di genere e cultura the world”: Italy to a young 19th comunista nell’Italia del secondo century Chinese traveler” dopoguerra. Il caso di Cinema 3. Gaoheng Zhang, University of nuovo” British Columbia, “China Looked 3. Laura Busetta and Federico Vitella, up to Italy: Early 20th-century Università di Messina, “Divismo e Chinese Nationalist-Reformers’ sessualità nella stampa illustrata Views of the Italian Nation-state del dopoguerra. La questione della through Mobilities” maternità” 4. Francesco Di Chiara and Gabriele Rigola, Università Telematica eCampus, “La star come fenomeno della produzione: sessualità e strategie di rappresentazione del divismo ne Il giornale dello spettacolo tra gli anni Cinquanta e i Sessanta”

51 SESSION 16 16D: AULA 1, secondo piano 10:45a.m.-12:15p.m. (Sunday) “NAPLES AND THE ANGLOPHONE: VOICES AND VISIONS” II 16A: AULA 6-7, secondo piano Organizers: Marco Marino and Tehezeeb SEEING (WITH) DANTE I Moitra, Sant’Anna Institute Organizers: David Bowe, University of Chair: Marco Marino, Sant’Anna Institute Oxford, and Federica Coluzzi, University 1. Audrey Fastuca, John Hopkins of Manchester University, “The Performativity of Chair: Federica Coluzzi, University of Napoletanità” Manchester 2. Lorenzo Mari, Università degli 1. Michael Biasin, University of Studi di Bologna, “Naples ‘44. A Reading, “Seeing Dante’s Political and Cultural Crucible?” Commedia as an Eikóna” 3. Roberta Trapè, University of 2. Leyla M. G. Livraghi, Università di Melbourne, “Seeing Naples: Pisa, “Dante visualizable and Michelle de Kretser’s Questions of visualized: the case of the Travel” metamorphoses of thieves (Inf. 25)” 16E: AULA 2, secondo piano 3. Shachar Livne, Hebrew University ROUNDTABLE: MAXIMIZING STUDY of Jerusalem, “In and Out, Up and ABROAD PROGRAMS IN ITALY II Down: Seeing and Interpreting in Organizer: Nicoletta Pazzaglia, Miami Purgatory X” University 4. Jennifer Haraguchi, Brigham Chair: Cristiana Panicco, Sant’Anna Young University, “La memoria e Institute la meditazione nella Divina 1. Silvia Giovanardi Byer, Park Commedia: strumenti per una University contemplazione divina” 2. Rebecca Bauman, Fashion Institute of Technology – SUNY 16B: AULA 15, piano terra 3. Patrizia Fama’ Stahle, College of INTERSECTIONAL ARTS Coastal Georgia Organizers: AAIS 4. Annalisa Sacca, St. John’s Chair: Luca Peretti, Yale University University 1. Rossana Fenu Barbera, Loyola Blakefield, “Dante’s tears in Vita Nuova” 2. Angeline Young, Arizona State University, “Performative Italy: A Dancer’s Kinesthetic Approach to Investigating the Chinese Diaspora in Italy” 3. Visnja Bandalo, “L’elemento artistico visivo nella produzione letteraria di Cristina Campo / Visual Artistic Element in Cristina Campo’s Literary Writings”

16C: AULA 14, piano terra NO SESSION

52 16F: AULA 3, secondo piano 16H: AULA 5, secondo piano TRAUMA IN THE ITALIAN GLOBAL APPROACHES TO ITALIAN EXPERIENCE I STUDIES IV: ANTI-GLOBALISM AND Organizer: Rosario Pollicino, Western THE PROVINCIAL University Organizers: Valerie McGuire, University Chair: Cristina Caracchini, Western of California – Berkeley and Cabot University College, and Gaoheng Zhang, University 1. Maurizio Masi, University of of British Columbia Florence, “A male case of paranoia Chairs: Kathleen LaPenta, Fordham in ’s Memoriale” University 2. Ilario Quirino, Independent 1. Federica Di Blasio, University of scholar, “Dove l’acqua del Tevere California – Los Angeles, “Pavese s’insala. Analisi sul sacrificio di and the No-Global Unconscious” ” 2. Anita Virga, University of the 3. Rosario Pollicino, Western Witwatersrand, “Da Vita dei campi University, “Vacanze di Guerra: a Novelle rusticane: can we talk about Collective una lettura postcoloniale delle Trauma?” novelle di Verga” 3. Andrea Ciribuco, NUI Galway, 16G: AULA 4, secondo piano “Migration, translation and the “DOVRAI FARE IL SERVIZIO territory: a look at the provincial” MILITARE, TU?” II Organizer: Mattia Roveri, New York 16I: AULA 10, primo piano University – CUNY IL CINEMA DELLE DONNE Chair: Simona Berhe, Università degli Organizer: Anna Paparcone, Bucknell Studi di Milano University 1. Fiona Stewart, Pepperdine Chair: Anna Paparcone, Bucknell University, “Contadini in divisa: University The Impact of Conscription on 1. Elisabetta Sanino D’Amanda, Rural Piedmont’s Contadini, In Rochester Institute of Technology, Their Own Words” “Darsi a La pazza gioia (2016) o 2. Agostino Bistarelli, Giunta centrale della solidarietà e jouissance come per gli studi storici, “Soldato percorsi di liberazione dalla italiano o italiano soldato? La ‘realtà’” storia come strumento di 2. Carlo Annelli, Truman State formazione” University, “Placement Tests: 3. Mattia Roveri, New York Teaching in the South in Lina University – CUNY, “Postwar Wertmüller’s Io speriamo che me Stardom: Conscription in Popular la cavo and Giorgia Cecere’s Il Culture” primo incarico” 3. Stefania Benini, Saint Joseph’s University, “Rintracciare il futuro nel passato: un esempio di genealogia femminista in Alina Marazzi’s Anna Piaggi. Una visionaria della moda”

53 16J: AULA 11, primo piano SESSION 17 COSTELLAZIONI DI PAROLE 12:30p.m.-2:00p.m. (Sunday) LUCENTI. SCRITTRICI ITALIANE E CINEMA I 17A: AULA 6-7, secondo piano Organizer: Chiara Tognolotti, Università SEEING (WITH) DANTE II di Firenze Organizers: David Bowe, University of Chair: Mariapia Comand, Università di Oxford, and Federica Coluzzi, University Udine of Manchester 1. Mariapia Comand, Università di Chair: Leyla Livraghi, Università di Pisa Udine, “I memoriali di Elsa De 1. Sandro-Angelo de Thomasis, Yale Giorgi” University, “The Optical Effect of 2. Elena Porciani, Università della Verticality in Medieval Campania Luigi Vanvitelli, “Il Representations of Texts and cinema nella scrittura di Elsa Images: From the ‘Bel San Morante” Giovanni’ to Dante’s ‘Poema 3. Maria Rizzarelli, Università di Sacro’” Catania, “‘Il linguaggio muto delle 2. Giovanni Braico, New York immagini.’ e il University, “Remembering, cinema” Connecting, and Learning through Demons: The Predica Dipinta of Chantilly MS 597” 3. Federica Coluzzi, University of Manchester, “Gendering Dante: Women as Visual illustrators and Textual Mediators of the Vita Nuova for the Twentieth Century” 4. David Bowe, University of Oxford, “(Im)mediation: The pilgrim, the guide, and the annotated body in Rachel Owen’s Inferno Illustrations”

54 17B: AULA 15, piano terra 17D: AULA 1, secondo piano RITUAL AND ORNAMENT AMERICAN REMAKES OF ITALIAN Organizer: Eleanor D’Aponte, Norwich FILMS University Organizer: Cosetta Gaudenzi, University Chair: Eleanor D’Aponte, Norwich of Memphis University Chair: Lucy Mazdon, University of 1. Eleanor D’Aponte, Norwich Southampton University, “The Tapestry of 1. Cosetta Gaudenzi, University of Concrete Ornament” Memphis, “Remaking Italian 2. Tim Parker, Norwich University, Drama and Comedy: Martin “Ornament as Sacrament: Material Brest’s Scent of a Woman and Mediation in Modern Religious Anthony and Joe Russo’s Welcome Architecture” to Collinwood” 3. Ashley B. Offill, Kress Foundation 2. Drago Momcilovic, University of Department of Art History, “The Wisconsin – Milwaukee, “‘Italians Creation of a Saint: St. Andrea Do It Better’: Adapting the Italian Corsini’s Canonization Art Cinema for the Madonna Celebrations in Florence” Phenomenon” 3. Aria Zan Cabot, Southern 17C: AULA 14, piano terra Methodist University, “Incipit vita WSC SPONSORED PANEL: LA nova: The new life of De Sica’s NARRATIVA DI PAOLA MASINO Bicycle Thief in American cinema Organizers: Marinella Mascia Galateria, and television, from Amexicano to Sapienza Università di Roma, and Tristana A Better Life and Master of None” Rorandelli, Sarah Lawrence College Chair: Marinella Mascia Galateria, 17E: AULA 2, secondo piano Sapienza Università di Roma (COMBATING) SEXISM IN ITALIAN 1. Marinella Mascia Galateria, LITERATURE Sapienza Università di Roma, Organizer: M. Marina Melita, Marist “Album di vestiti. Il guardaroba College delle memorie di Paola Masino” Chair: M. Marina Melita, Marist College 2. Maria Vittoria Vittori, Independent 1. Benedetta Lamanna, University of Scholar, “La dimensione del gioco Toronto, “‘To Make Oneself Prey nella narrativa di Paola Masino” to So Many’: Gender Violence in 3. Tristana Rorandelli, Sarah Veronica Franco’s Letter 22” Lawrence College, “Paola 2. Ina Macina, Independent Scholar, Masino’s short story A modo loro: “Testimonianza e ribellione alla a critique of the effects of violenza di genere in Sibilla fascism’s gender policies and the Aleramo e ” demographic campaign on Italian 3. M. Marina Melita, Marist College, women” “Sex, Gender Roles, and Symbolic 4. Arianna Ceschin, Università Ca’ Matricide in the Dramatic Works Foscari, “Epifanie familiari nella of Amelia Pincherle Rosselli” finzione letteraria: il caso di 4. Anne Urbancic, Victoria College, Anniversario, un racconto di Paola “Vernon Lee and Sibilla Aleramo: Masino” Two Women, Una Donna”

55 17F: AULA 3, secondo piano 17H: AULA 5, secondo piano TRAUMA IN THE ITALIAN GLOBAL APPROACHES TO ITALIAN EXPERIENCE II STUDIES V: GLOBAL ITALIAN Organizer: Rosario Pollicino, Western IDENTITIES University Organizers: Valerie McGuire, University Chair: Rosario Pollicino, Western of California – Berkeley, and Gaoheng University Zhang, University of Brithis Columbia 1. Alberto Baracco, University of Chairs: Andrea Ciribuco, NUI Galway Torino, “Ecological Catastrophes 1. John Champagne, Penn State Erie in Italian Cinema: The – The Behrend College, (Im)possible Representation of “Transnationally Queer, Globally Trauma” Italian: Italian Queer Culture of the 2. Isabella Bertoletti, Fashion Ventennio” Institute of Technology, “Speaking 2. Kathleen LaPenta, Fordham the Unspeakable: The Voice of the University, “Umanità Nuova: Exile Survivor” and transnational education” 3. Annachiara Mariani, Univeristy of 3. Bettina Mottura, University of Tennesee, “Refraction of Trauma Milan, “Italian Culture for Chinese in Paolo Sorrentino’s The Young Students in the context of the Pope” Marco Polo Programme”

17G: AULA 4, secondo piano 17I: AULA 10, primo piano IL CUORE ANTICO SENZA FUTURO: LUIGI MALERBA’S “LITERATURE OF L’ITALIA TRA GLI ANNI ‘50 E ‘60 INVENTION” II Organizer: Giuseppe Episcopo, University Organizer: Margherita Heyer-Cáput, of Edinburgh University of California – Davis Chair: Giuseppe Episcopo, University of Chair: Margherita Heyer-Cáput, Edinburgh University of California – Davis 1. Angela Ida De Benedictis, Paul 1. Laura Lenci, Boston University, Sacher Stiftung, “La Radio italiana “Odi et amo: la donna malerbiana davanti agli anni ‘50: il Prix Italia” tra televisione e letteratura” 2. Giancarlo Alfano, Università degli 2. Valentina Di Cesare, Independent Studi di Napoli Federico II, “‘50: Scholar, “Un non saggio assai la poesia davanti al Boom” saggio: Che vergogna scrivere” 3. Giuseppe Episcopo, University of 3. Gino Ruozzi, Università di Edinburgh, “La scoperta dell’Italia: Bologna, “Malerba moralista il viaggio oltre il dopoguerra e inquieto e fulminante” dentro gli anni ‘50”

56 17J: AULA 11, primo piano COSTELLAZIONI DI PAROLE LUCENTI. SCRITTRICI ITALIANE E CINEMA II Organizer: Chiara Tognolotti, Università di Firenze Chair: Chiara Tognolotti, Università di Firenze 1. Lucia Cardone, Università di Sassari, “Oriana Fallaci. Scritture mordaci sul cinema italiano” 2. Chiara Tognolotti, Università di Firenze, “La voce schietta di fatti e volti. La scrittura sul cinema di Anna Banti” 3. Stefania Rimini, Università di Catania, “‘Un misterioso tempo d’estasi e incubo.’ Il cinema secondo Goliarda Sapienza”

57 INDEX

Abbate, Vera 1H Benini, Stefania 16I Busetta, Laura 15J Aguirre, Mariana 14D Benvegnù, Damiano 3A, Bush, Amanda 12F Aiello, Rabbi Barbara 2H 7B, 14A Cacopardi, Irene 12J Airoldi, Sara 2H Berhe, Simona 15G, 16G Calafati, Marco 13B Albanese, Angela 9E Bernardi, Claudia 6A Calamita, Francesca 5D, Alfano, Barbara 12D Bernardini, Francesca 2G 6D Alfano, Giancarlo 17G Bernini, Lorenzo 8A Caligiure, Teresa 7C Aloisi Masella, Registilla Berrettini, Mireno 13I Cangiano, Mimmo 6H, 6G Berrocal, Emilio G. 11I 7H Anatrone, Sole 7A Bertellini, Giorgio 9B Cannamela, Danila 12A Andreani, Angela 14J Bertoletti, Isabella 17F Cantarello, Matteo 3F, 5J Andreazza, Fabio 9B Betancourt, Roland 5F Cappelli, Guido 8F Annelli, Carlo 16I Bettaglio, Marina 6J Cappozzo, Valerio 2A, Annunziata, Ciro 6G Bezzi, Margherita 2B 7H, 10E Antenos, Enza 3C, 4C Biasin, Michael 16A Caputo, Vincenzo 5E, 6E Argurio, Silvia 15F Bini, Andrea 15B Caracchini, Cristina 15E, Armiero, Marco 14A Bini, Daniela 7H 16F Articoni, Angela 3G, 4G Bistarelli, Agostino 16G Cardillo, Giulia 10B Ascione, Elisa 6D Blanco Valdés, Carmen F. Cardone, Lucia 17J Ascoli, Cecilia 15D 8C Carloni, Giovanna 2B Aski, Janice M. 3C, 4C Blom, Ivo 1A Carpin, Alessandro 12C Attolino, Paola 11I Bocchia, Pietro 4J Carter, Jim 12J, 13J Bacchini, Lorenzo Filippo Boezio, Sara 11G Casalin, Federica 15I 2F Bombara, Daniela 7D Casamento-Tumeo, Baldasso, Franco 10A, Bond, Emma 14D Antonio 12H 14I Bondavalli, Simona 11B Caselli, Chiara Piola 1F Baldi, Andrea 13G, 14G Boni, Marta 12C Castaldi, Simone 8B Baldini, Alessio 4J Bonifazio, Paola 8I, 11C Castaldo, Achille 6H Baldo, Michela 8A Bosco, Alessandro 11H Castelli, Rosario 12H Bandalo, Visnja 16B Botta, Anna 9E Castellozzi, Massimo 10G Baracco, Alberto 17F Bouchard, Norma 7D, 9D Castorina, Miriam 15I Baraldi, Michela 7G Bowe, David 5C, 17A Cataldi, Bianca Rita 12J Barbieri, Francesco 7J Bragato, Stefano 11H Caterino, Antonello Fabio Barca, Stefania 14A Braico, Giovanni 17A 10F Barra, Luca 3H, 8I, 13C Bregni, Simone 3I Cavaglieri, Livia 1J Bartalesi-Graf, Daniela Brioni, Cecilia 2C Ceccagnoli, Patrizio 7B 1H Brioni, Simone 1C, 2C Cecchelli, Chiara 7B Bartolini, Guido 13I Brown, Christopher 5F Cecconi, Enrico 7G Bauman, Rebecca 14E, Brunner, Felicity 11H Cegna, Annalisa 4F 16E Bubba, Angela 13G Cenni, Alessandra 13G Bazzoni, Alberica 8A Budzynski, Scott 1I Cervenkova, Monika 12G Bellesia, Giovanna 11D Bufacchi, Emanuela 5E Cervigni, Dino 7C, 8C Bellina, Elena 5B Bugnone, Luca 4A Cesaretti, Enrico 4A, 7B Bellinzani, Debora 12H Buonocore, Eleonora 10B Ceschin, Arianna 17C Bellocchio, Maria Letizia Burns, Jennifer 8J, 15C Champagne, John 17H 5B Burzacca, Francesco 5G Chams, Camilla 9J Benedetti, Laura 7F Chemello, Adriana 8G

58 Chiafele, Anna 12A De Sandi, Giuseppe 1G Fidotta, Giuseppe 15C Chianese, Francesco 10C de Thomasis, Sandro- Filosa, Elsa 6C, 9I Ciabattoni, Francesco 4B, Angelo 17A Fognani, Arianna 14F 5C De Vita, Liberato 10F Fonio, Filippo 1F, 3I Ciribuco, Andrea 16H, Deen Schildgen, Brenda Forlino, Daniele 12J, 13J 17H 9I Forni, Alberto 15F Cirillo, Ornella 5I Delfino, Massimiliano L. Francese, Joseph 7F Cirillo, Silvana 2G 4H Frasca, Simona 13J Clò, Clarissa 9A, 10I, 11I Dell’Oso, Lorenzo 15F Frigeni, Veronica 8H Coccopalmeri, Alessandra Della Corte, Federico 5E Furno, Raffaele 7E 6D Dere, Kishor 8F Gaia Trentin, Mia 11E Coiro, Antonio 13C Di Bianco, Laura 11B Gallerani, Guido Mattia Colasanto, Davide 2D Di Blasio, Federica 16H 7H Collina, Beatrice 3D Di Cesare, Valentina 17I Gallo, Cinzia 12G Colombini, Jacopo 13D Di Chiara, Francesco 15J Gambaro, Elisa 3D Coluzzi, Federica 16A, Di Maro, Maria 13A Ganeri, Margherita 7F 17A di Martino, Virginia 11F Gargiulo, Gius 5I Comand, Mariapia 16J Di Mauro-Jackson, Moira Garofalo, Damiano 3H Comoy-Fusaro, Edwige 15B Gastaldi, Sciltian 15G 13H, 14H Di Nino, Nicola 7E, 8E Gaudenzi, Cosetta 17D Convertini, Tania 12C Di Rosa, Rossella 12G Gemmani, Lucia 2F Cooper, Allison 14F Dragoni, Francesco 1G Gherri, Margherita 2D Coppo, Alberto 2I Driscoll, Kate 15H Gibellini, Cecilia 15H Coppola, Alba 3G Druker, Jonathan 14B Gilebbi, Matteo 7B Corradi, Morena 8G, 11G Duncan, Derek 14D Giorgio, Adalgisa 4E Cossutta, Carlotta 8A Eckert, Elgin K. 13C Giovanardi Byer, Silvia Crivelli, Tatiana, 11H Enss, Carmen M. 2I 16E Cucco, Marco 3H Episcopo, Giuseppe 17G Girardi, Chiara 9F Culhane, Sarah 1J Escolar, Marisa 14I Glynn, Ruth 2J, 3D, 14C Curioso, Daniela 6G Esposito Frank, Maria Golia, Francesca 12G Curti, Elisa 9I 2G, 13A Graves, Karen E. 5J Cuter, Elisa 13E Essary, Brandon 1F, 3I Gravina, Valeria 13H D’Amora, Paola 11F, 12F Fabbian, Chiara 3C, 4C Grazi, Alessandro 5A D’Antonio, Emanuele 5A Fabbri, Giulia 1B Griffini, Marianna 1B D’Aponte, Eleanor 17B Fabris, Angela 1E, 2E Grossi, Joseph 12B D’Avascio, Roberto 14C Falkoff, Rebecca 12A Gussago, Luigi 14E Dallavalle, Sara 8B Falvo, Joseph 11D Guzzetta, Juliet 9H De Angelis, Adriana 12E Fanti, Victoria 4B Haaland, Torunn 11A, De Benedictis, Angela Ida Farina, Fatima 15G 12D 17G Fastuca, Audrey 16D Haraguchi, Jennifer 16A De Camilla, Lauren 6A Favaretto, Giulia 2I Härmänmaa, Marja 4B De Carli, Cecilia 1I Fenu Barbera, Rossana Harrowitz, Nancy 14B De Gasperin, Vilma 13G 16B Haworth, Rachel 1C, 2C De Luca, Giovanna 14C Ferme, Valerio 8D, 9D Heim, Julia 8A De Majo, Anna Maria 3G Ferrando, Serena 14F Helbig, Jörg 1E, 2E De Paola, Stephanie 14I Ferraro, Evelyn 7D, 9D Heyer-Cáput, Margherita De Robertis, Tommaso Ferraro, Luca 11F 2G, 17I 10E Ferrigno, Amélie 3F Hicks, Jim 9E de Rogatis, Tiziana 4E, 9J

59 Hill, Sally 6A 10B Simonetta 6J, 12E Hipkins, Danielle 6A, 9C Lucamante, Stefania 3J Minghelli, Giuliana 6A Hoarty, John 2A Luccaroni, Andrea 4F Minuz, Andrea 6I Holdaway, Dom 3H Lucchi, Nicola 7G Mira, Roberta 4F Hörcher, Ferenc 13B Luconi, Stefano 5D Missero, Dalila 15J Houston, Jason 5G, 6C Macina, Ina 17E Mitchell, Katharine 3D, Hub, Berthold 2F Magazzeni, Loredana 4G 8G HwaSoon Anchisi, Lidia Maina, Giovanna 2E Moitra, Tehezeeb 15D 2E Makolkin, Anna 15D Momcilovic, Drago 17D Iacovella, Anna 9E Malaguti, Andrea 3J, 4J Mondini, Marco 15G Iovino, Serenella 3A, 4A, Manchio, Corinne 13B Mongelli, Michele 12B 14A Mancinelli, Tiziana 13F Montalbano, Alessandra Iudice, Caterina Alma 1G Mandelli, Elisa 15J 2D, 11C Jansen, Monica 13C Mandolini, Nicoletta 6J Montefusco, Antonio 13F Johnson, Rachel 2C Marchegiani, Irene 15H Montenegro, Nicola 1G Karagoz, Claudia 3E, 4E Marcozzi, Luca 5C Monzo, Luigi 1I Khalaf, Omar 14J Marcus, Millicent 10B, Morelli, Alessandra 12G Kilbourn, Russell J.A. 4H 11A, 15C Morreale, Emiliano 10H Klein, Shira 2H Marfoglia, Alessandra 6J Moscarelli, Paola 10C Koch, Anna 2H Mari, Lorenzo 14J, 16D Mottura, Bettina 17H .RYDþHYLü, Zorana 5E Mariani, Annachiara 15B, Mugnai, Metello 12A La Penna, Daniela 13I 17F Mullins, Jonathan 11C La Torre, Antonia 9B Mariani, Maria Anna 10A Murgia, Sara 6E La Trecchia, Patrizia 5D, Marini-Maio, Nicoletta Muscariello, Mariella 9J 6D, 14A 8I, 13E Muscio, Giuliana 7E, 8E Lamanna, Benedetta 17E Marino, Marco 11D, 15D, Mussgnug, Florian 6F Landi, Patrizia 5E, 10G 16D Naitana, Filippo 8D LaPenta, Kathleen 1J, Mariotti, Chiara 2I Nanni, Emanuela 1F 16H, 17H Martelli, Matteo 6E Nardini, Luisa 11E Larkin, Erin K. 12D Mascia Galateria, Nasti, Paola 9F Laudiero, Sara 6E Marinella 17C Nerenberg, Ellen 8I, 13E Lazzaro-Weis, Carol 14B Masi, Maurizio 16F Nieddu, Laura 5B Leavitt, Charles 14I Masini, Alessia 10I Nocita, Teresa 8C Leisawitz, Daniel 5A, 13F Matucci, Andrea 15H Noto, Paolo 3H Lenci, Laura 17I Mazdon, Lucy 17D O’Connor, Brian 6G Lenza, Cettina 1I Mazzitello, Pantalea 11E O’Healy, Áine 2J, 9C, Leonardi, Andrea 1G McGuire, Valerie 13D, 14E Leonardi, Nicoletta 11F 14D O’Rawe, Catherine 1J, 9C Link, Hilary 5G, 15E Meazzi, Barbara 4B Och, Marjorie 10F Livne, Shachar 16A Melita, M. Marina 17E Offill, Ashley B. 17B Livraghi, Leyla 16A, 17A Menetti, Elisabetta 9I Orecchia, Donatella 1J Loda, Alice 13A Mesiti, Rocco 15E Orsitto, Fulvio 5G Lolla, Maria Grazia 7J Miccoli, Paolo 13D Pacchioni, Federico 11A Lollini, Massimo 4A, 13F Miceli, Simona 10D Pagano, Nicole 2A Lombardi, Giancarlo 2J, Michelacci, Lara 13H, Palandri, Silvia 4G 12C, 14C 14H Palidda, Alessandra 10G Longo, Abele 3A Migliori, Giuliano 2D Pallotta-Chiarolli, Maria Lorenzini, Simona 7C, Milkova, Stiliana 7J, 8J 1B Milli Konewko,

60 Palma, Loredana 10G Puliti, Ilaria 2B Schiller, Anne 10C Palmieri, Paolo 3A Punzo, Maurizio 11G Scrimieri, Maria Grazia Palmieri, Pasquale 11F, Putignano, Gabriella 6H 4J 12F Quirino, Ilario 16F Seger, Monica 4A, 11B, Palumbo Mosca, Raffini, Daniel 8D 14A Raffaello 3J Raizen, Karen T. 3F Segnini, Elisa 6B Palumbo, Domenico 10D Ramsey-Portolano, Selenu, Stefano 10E Panicco, Cristiana 15E, Catherine 1E Sellitti, Ottavio 8J 16E Ravesi, Giacomo 6I Seno, Cosetta 13G, 14G Panichi, Alessio 3F Re, Valentina 15J Sica, Paola 9D Paparcone, Anna 11B, 16I Renga, Dana 9C, 11A Signorelli, Leila 2I Parigi, Stefania 5I Renzo, Chiara 4F Signorini, Maddalena 6C Park, Moonjung 8H Reynolds, Kevin 2A Silvestri, Angelo 14D, 15I Parker, Tim 17B Righi, Sabrina 12F Simonetti, Fabio 13I Parussa, Sergio 10A Rigola, Gabriele 15J ĝODU]\ĔVND, 0DáJRU]DWD Past, Elena 2J Rigoletto, Sergio 4H, 9A, 6E Patti, Emanuela 6F, 9H 10H Smythe, SA 8A, 9A Paul, Dan 1B, 2C Rimini, Stefania 17J Soglia, Nunzia 14G Paulicelli, Eugenia 13J Risso, Roberto 3G, 4G Sottilotta, Elena Emma Pecorario Martucci, Rizzarelli, Maria 16J 6G Angela 1I Rizzo, Gianluca 13A Spagnoli, Frédéric 14F Peretti, Luca 15C, 16B Rodríguez Mesa, Spera, Lucinda 9G Perolino, Ugo 11D Francisco José 7C, 8C Stahle, Patrizia Fama’ Perrone, Andrea 8F Romanelli, Claudia 10D 16E Pesca, Carmela 9G Romani, Gabriella 5A, 8G Steinberg, Justin 6C Pesce, Roberto 10E, 11E Romeo, Caterina 14E Stewart, Fiona 16G Petraglia, Christina 14H Ronzani, Michela 6G Stow, Kenneth 2H Pezzotti, Barbara 5J Rorandelli, Tristana 17C Striuli, Giacomo 12E Pickering-Iazzi, Robin Rorato, Laura 1C Subini, Tomaso 15J 3E, 5J, 6J Ross, Charlotte 9A Sulis, Gigliola 6B Pieri, Giuliana 6F Rovere, Valentina 15F Summerfield, Giovanna Pierini, Mariapaola 10H Roveri, Mattia 15G, 16G 3E, 4E Piffanelli, Luciano 12B Ruozzi, Gino 17I Tallini, Gennaro 14J Pistoia, Marco 1A Rushing, Robert A. 10A Testa, Simone 7E Pitassio, Francesco 1A, Russian, Elisa 12E Tiberi, Fabiola 6G, 9G 10H Sacca, Annalisa 15E, 16E Tognolotti, Chiara 17J Pizzo, Antonio 7A Salerno, Daniele 4F Tomassini, Stefano 12J Placenti, Stefania 9H Salvatore, Vincenzo 8B Trapè, Roberta 16D Polegato, Andrea 8F, Sanino D’Amanda, Trentin, Filippo 2J, 4H 12B, 13B Elisabetta 16I Treveri Gennari, Daniela Pollicino, Rosario 16F, Santucci, Anna 2J, 7G 1J 17F Saporito, Paolo 9H Trovato, Sonia 2F Ponzio, Alessio 7A Sarti, Lisa 7E Tuan, Lydia 15B Porcelli, Stefania 2D Sartini Blum, Cinzia 6B Tulante, Meriel 8E, 9E Porciani, Elena 16J Scaglioni, Massimo 3H Turtas, Lia 9B Portnoff, Sharon 14B Scalessa, Gabriele 14H Urban, Maria Bonaria Pozzi, Elena 2I Scarpellino, Licia 9G 13C Pretelli, Marco 2I Scarrocchia, Sandro 2I Urbancic, Anne 17E Privitera, Andrea 1F Ureni, Paola 2A, 5C

61 Uva, Christian 5I, 6I, 11A Visone, Roberta 6H Zamboni, Camilla 1H Vacalebre, Natale 15F Vitella, Federico 15J Zammarchi, Enrico 10I, Valisa, Silvia 8G, 10G, Vittori, Maria Vittoria 11I 11G 17C Zan Cabot, Aria 13D, Valoroso, Antonella 8E Vitullo, Julian 5D 17D Varela-Portas de Orduña, Volpe, Martina 14G Zanini-Cordi, Irene 7D Juan 5C Waldbaum, Roberta 15E Zarour Zarzar, Victor Variolo, Beatrice 9F Ward, David 9H Xavier 7J, 8I Vedovi, Lucia 12G Waters, Garrett 9F Zecca, Federico 2E, 15J Ventura, Sara Lis 2B Wehling-Giorgi, Katrin Zhang, Gaoheng 15I Verdicchio, Pasquale 8J, 9J Zolli, Daniel M. 5F 11B, 14A Wren-Owens, Liz 8H Zuccala, Brian 12H, 13H Vergine, Bibiana 11E Young, Angeline 16B Virga, Anita 2B, 16H Zagarrio, Vito 5I, 6I

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