Commission List

Total Page:16

File Type:pdf, Size:1020Kb

Commission List Commission List 2009 2005 Michael Zev Gordon The Impermanence of Things William Attwood Iwwer Tiermen Dominic Muldowney Songs of the Zeitgeist Harrison Birtwistle Neruda Madrigales** James Saunders either/or BTP Unsuk Chin Cantatrix Sopranica CC John Woolrich cc Between the Hammer and the Sam Hayden Relative Autonomy CC Anvil David Lang / Peter Writing on Water L 2008 Greenaway Thomas Adès In Seven Days Piano Concerto with Moving Image ## 2004 Django Bates The Corncrake Plays the Gavin Bryars From Egil’s Saga Bagpipes SS Elliott Carter Dialogues Harrison Birtwistle The Message SS Ben Foskett Violin Concerto Mira Calix Ort-oard SS Dai Fujikura Fifth Station Philip Cashian Opening of the House KPMF Jonathan Harvey Two Interludes for an Opera Tansy Davies Hinterland ** Brian Herrington Symphonia Larry Goves Springtime Silvina Milstein Tigres Azules David Lang lend/lease SS Thomas Larcher Die Nacht der Verlorenen## 2003 Christian Mason In Time Entwined, In Space Harrison Birtwistle Theseus Game CC ** Enlaced Alexander Goehr Marching to Carcassonne ** Anna Meredith Lylat SS Stuart MacRae Interact CC Silvina Milstein surrounded by distance ACEST Peter Wiegold the great wheel Claudia Molitor Untitled 40 [desk-life] Judith Weir Tiger Under the Table Alexander Nowak Quantemporette KMA Dmitri Yanov-Yanovsky Notturno Nigel Osborne Rock Music CC Karin Rehnqvist Embrace Me 2002 SS John Woolrich Fragment Louis Andriessen La Passione ** Julian Anderson Quasi una Passacaglia L 2007 Louis Andriessen Very Sharp Trumpet Concerto L Simon Bainbridge Music Space Reflection – George Benjamin Olicantus L Manchester Elliott Carter Au Quai L Harrison Birtwistle Cortege ## Alexander Goehr Only two notes for olly (the other Richard Causton Phoenix five for later) L Heiner Goebbels Songs of Wars I Have Seen ### Detlev Glanert Dancing Landscapes L Simon Holt Sueños ## L BTP Magnus Lindberg Bubo Bubo Anna Meredith flak L CC Colin Matthews Flourish, with fireflies Anthony Payne Windows of Eternity L BMS Augusta Read Thomas Light the First Light of Evening Tazul Tajuddin Warna Yang Bernada L Mark-Anthony Turnage Snapshots Mark-Anthony Turnage About Water ## Charles Wuorinen Fifty Fifty L Ian Vine ocre oscuro (BTP) Robert Zuidam I suppose a fugue is out of the Scott Walker And Who Shall Go to the Ball ## question? L Peter Maxwell Davies Crossing Kings Reach MM 2006 Paul Clay either total Luke Bedford Or Voit Tout En Aventure (BTP) Jonathan Cole Assassin Hair Philip Cashian Piano Concerto Bryn Harrison four cycles (BTP) John Croft Siramour Kenneth Hesketh Detail from the Record ∞ Dai Fujikura Blue Sky Falling Michael Nyman/Hanif I was a Total Virgin § Detlev Glanert Secret Room Kureishi David Gorton Oblique Prayers Steve Reich Variations for Vibes, Pianos and Strings ¤ Emily Hall Sante ¥ 2001 Gerald Barry God Save the Queen # 1995 Luke Bedford Five Abstracts Simon Bainbridge Landscapes and Memory Mary Bellamy Earth and sky reflect each other Steve Reich City Life ** HK Gruber Zeitfluren** Morgan Hayes Tracery Balustrades 1994 Alfred Schnittke Fragment Thomas Adès Living Toys Joby Talbot minus 1500 Julian Anderson Khorovod Fraser Trainer The Colour of Scars Anders Nordentoft City of Threads Mark-Anthony Turnage Dark Crossing ** Paul Whitty if/it/is/i/change/can/could/crowd 1993 Peter Wiegold Farewells take place in silence George Benjamin A tribute to Olivier Messiaen † Charles Wuorinen Cyclops (2000) Robert Saxton Psalm – A Song of Ascents 2000 1992 Julian Anderson Alhambra Fantasy James MacMillan Sinfonietta William Attwood Tourbillons Benedict Mason ! Jonathan Cole Ouroboros Colin Matthews Contraflow Tansy Davies Torsion Nicholas Maw Shahnama Joe Duddell Alberti Addict Dmitri Smirnov The River of Life Bryn Harrison Time and Intervention Michael Torke Monday and Tuesday Sir John Tavener In One Single Moment 1991 1999 Hans-Jürgen von Bose Scene Simon Bainbridge Towards the Bridge ** Hans Werner Henze Requiem/5 Geistliche Konzerte Richard Rodney Bennett Rondel ** Detlev Müller-Siemens Tom-a-Bedlam * Gavin Bryars When Harry met Addie ** Dmitri Smirnov Jacob's Ladder ** Gérard Grisey Quatre chants pour franchir le seuil‡ Nikki Iles A Gentle Prayer ** 1990 Harrison Birtwistle Ritual Fragment Rachel Leach Another Junk Shop Martin Butler Jazz Machines Poul Ruders Sophisticated-Caravan-Solitude ** Geoffrey King Magritte Weather Edward Rushton Cheap Drinks Magnus Lindberg Marea † Esa-Pekka Salonen Five Images after Sappho** Jonathan Lloyd Revelation * Karen Smith Within the Walls Bent Sørenson Shadowland Ian Vine Three black moons Pawel Szymanski quasi una sinfonietta Marc Yeats Tightropes of the Mind 1989 1998 Rupert Bawden Dramatic Cantata Oscar Bettison Hang Louche (Legend of Apollo & Daphne) Rachel Leach The Concrete Explosion Elena Firsova Chamber Concerto No.4 Peter Lieberson Free and Easy Wanderer ** John Lunn Violin Concerto 1988 Stuart MacRae Into Light Hans Abrahamsen Lied in the Fall Joseph Phibbs Cayuga Harrison Birtwistle Four Songs of Autumn Toshiro Saruya Flair of the Seeds Robin Holloway Double Concerto Huw Watkins Finale Simon Holt Ballad of the Black Sorrow Thomas Adès Concerto Conciso ** Jo Kondo Res Sonorae Django Bates Some More Upsets Nigel Osborne Stone Garden Alexander Goehr Idées Fixes Toru Takemitsu Tree Line Fraser Trainer Motion Pictures Iannis Xenakis Waarg 1997 1986 David Sawer Tiroirs ** Richard Rodney Bennett Dream Dancing Fraser Trainer True to Life James Dillon Überschreiten Iannis Xenakis O-Mega ** Dominic Muldowney Sinfonietta Nigel Osborne Hell's Angels ** 1996 Michael Rosensweig Sinfonietta John Adams Gnarly Buttons ** Robert Saxton The Circles of Light Harrison Birtwistle Bach Measures Mark-Anthony Turnage On all fours Harrison Birtwistle Slow Frieze Magnus Lindberg Engine 1985 1977 Hans Abrahamsen Märchenbilder Harrison Birtwistle Silbury Air Simon Bainbridge A Cappella * Peter Maxwell Davies A Mirror of Whitening Light Peter Maxwell Davies First Ferry to Hoy Anthony Gilbert Crow Cry Steve Martland American Invention Dominic Muldowney Three-part Motet Colin Matthews Suns Dance Paul Patterson Cracowian Counterparts Nigel Osborne Zansa Poul Ruders Four Dances in One Movement 1976 Iannis Xenakis Thallein Alexander Goehr Lyric Pieces Iain Hamilton The Alexandrian Sequence 1984 Robin Holloway Concertino No.3 Harrison Birtwistle Secret Theatre (Homage to Weill) Harrison Birtwistle Songs by Myself † Thea Musgrave Space Play Jonathan Lloyd Mass for Six Voices * Iannis Xenakis Phlegra Dominic Muldowney Saxophone Concerto 1975 1983 Gilbert Amy Seven Sites Simon Bainbridge Concertante in moto perpetuo Luciano Berio Chemins IV Martin Butler Concertino Michael Finnissy World Simon Holt Kites Robin Holloway Sea Surface Full of Clouds Witold Lutoslawski Chain I † Mark-Anthony Turnage After Dark Wolfgang Rihm Silence to be Beaten 1974 Martin Dalby El Ramanso del Pitido 1982 Hans Werner Henze Voices † George Benjamin At First Light Elliott Carter In Sleep, In Thunder 1973 Brian Ferneyhough Carceri d'Invenzione I Earle Brown Centering Michael Finnissy Kelir * Alexander Goehr Behold the Sun 1972 Hans Werner Henze Le Miracle de la Rose Elisabeth Lutyens The Tears of Night Nigel Osborne Choralis I, II, III * John Tavener Canciones Españolas Toru Takemitsu Rain Coming 1971 1981 Harrison Birtwistle Meridian Jonathan Lloyd Waiting for Gozo Harrison Birtwistle Prologue ** Detlev Müller-Siemens Under Neon Light Justin Connolly Obbligati III Iain Hamilton Voyage 1980 Henri Lazarof Textures Satie arr. Birtwistle Mercure – Poses plastiques Hugh Wood Chamber Concerto Neely Bruce Perfumes & Meanings* Brian Chapple Venus Fly Trap 1970 Michael Finnissy alongside Don Banks Meeting Place Robin Holloway Aria Richard Rodney Bennett Jazz Pastoral 1979 1969 Oliver Knussen Coursing Harrison Birtwistle Verses for Ensembles Nigel Osborne In Camera Roger Smalley Pulses for 4 x 5 players Aribert Reimann Invenzioni for 12 players John Tavener A Celtic Requiem 1978 1968 Harrison Birtwistle Carmen Arcadiae David Bedford Pentomino Mechanicae Perpetuum Hans-Jürgen von Bose Travesties in a Sad Landscape Martin Dalby Aleph John Tavener Kyklike Kinesis Key CC With the support of the London ‡ Commissioned for the # Commissioned by the Sinfonietta Commissioning Circle London Sinfonietta by Royal Festival Hall as part BBC Sounding the Century. of its 50th birthday celebrations. * London Sinfonietta Voices Commission L London Sinfonietta/Royal MM Commissioned by Arup Festival Hall co-commissions: to mark the completion of the ** Joint commission gifts to Oliver Knussen on the London Millennium Bridge. occasion of his 50th birthday. † Gift from the composer ¤ Commissioned by ECHO for the ∞ Commissioned by the Michael London Sinfonietta BTP Commissioned through the Vyner Trust for the London Sinfonietta London Sinfonietta’s Blue Touch § Commissioned for the London Paper scheme. ¥ Commissioned by the Genesis Opera Sinfonietta by FuseLeeds 2006 Project for the London Sinfonietta and Aldeburgh Productions Ltd BMS Commissioned by the British ## Commissioned by Southbank Centre ### Commissioned by Southbank Malaysian Society to be premiered by for the London Sinfonietta Centre for the London Sinfonietta the London Sinfonietta and the OAE ACEST Commissioned by ACE Study L Creative collaboration with Lloyd’s SS ‘Sinfonietta Shorts’ Tours to be premiered by the London Commissioned for London Sinfonietta Sinfonietta 40th Anniversary KMA Commissioned for the London Sinfonietta by Krakow Music Academy KPMF Co-commission between Kings Place Music Foundation and the London Sinfonietta .
Recommended publications
  • Julia Wolfe Magnus Lindberg Phill Niblock Frederic
    FESTIVALIO KOMPOZITORIAI JULIA WOLFE COMPOSERS IN FOCUS: MAGNUS LINDBERG PHILL NIBLOCK FREDERIC RZEWSKI BERND ALOIS ZIMMERMANN Festivalyje skambės daugiau nei 100 skirtingų žanrų kūrinių, dauguma jų – premjeros Lietuvoje Festivalio programoje – 7 lietuvių kompozitorių kūriniai ir 8 pasaulinės premjeros Festivalio puošmena – pasaulinio garso solistai, ansambliai ir geriausių Lietuvos atlikėjų pajėgos The festival shall present over 100 pieces of different genres, most of them never before performed in Lithuania The programme of the festival includes 7 pieces by Lithuanian composers and 8 world-premieres World-famous soloists, ensembles and best Lithuanian performers will take part in the festival PB 1 PROGRAMA | TURINYS In Focus: Festivalio dėmesys taip pat: 6 JULIA WOLFE 18 FREDERIC RZEWSKI 10 MAGNUS LINDBERG 22 BERND ALOIS ZIMMERMANN 14 PHILL NIBLOCK 24 Spalio 20 d., šeštadienis, 20 val. 50 Spalio 26 d., penktadienis, 19 val. Vilniaus kongresų rūmai Šiuolaikinio meno centras LAURIE ANDERSON (JAV) SYNAESTHESIS THE LANGUAGE OF THE FUTURE IN FAHRENHEIT Florent Ghys. An Open Cage (2012) 28 Spalio 21 d., sekmadienis, 20 val. Frederic Rzewski. Les Moutons MO muziejus de Panurge (1969) SYNAESTHESIS Meredith Monk. Double Fiesta (1986) IN CELSIUS Julia Wolfe. Stronghold (2008) Panayiotis Kokoras. Conscious Sound (2014) Julia Wolfe. Reeling (2012) Alexander Schubert. Sugar, Maths and Whips Julia Wolfe. Big Beautiful Dark and (2011) Scary (2002) Tomas Kutavičius. Ritus rhythmus (2018, premjera)* 56 Spalio 27 d., šeštadienis, 19 val. Louis Andriessen. Workers Union (1975) Lietuvos nacionalinė filharmonija LIETUVOS NACIONALINIS 36 Spalio 24 d., trečiadienis, 19 val. SIMFONINIS ORKESTRAS Šiuolaikinio meno centras RŪTA RIKTERĖ ir ZBIGNEVAS Styginių kvartetas CHORDOS IBELHAUPTAS (fortepijoninis duetas) Dalyvauja DAUMANTAS KIRILAUSKAS COLIN CURRIE (kūno perkusija, (fortepijonas) Didžioji Britanija) Laurie Anderson.
    [Show full text]
  • Delius Monument Dedicatedat the 23Rd Annual Festival by Thomas Hilton Gunn
    The Delius SocieQ JOUrnAtT7 Summer/Autumn1992, Number 109 The Delius Sociefy Full Membershipand Institutionsf 15per year USA and CanadaUS$31 per year Africa,Australasia and Far East€18 President Eric FenbyOBE, Hon D Mus.Hon D Litt. Hon RAM. FRCM,Hon FTCL VicePresidents FelixAprahamian Hon RCO Roland Gibson MSc, PhD (FounderMember) MeredithDavies CBE, MA. B Mus. FRCM, Hon RAM Norman Del Mar CBE. Hon D Mus VernonHandley MA, FRCM, D Univ (Surrey) Sir CharlesMackerras CBE Chairman R B Meadows 5 WestbourneHouse. Mount ParkRoad. Harrow. Middlesex HAI 3JT Ti,easurer [to whom membershipenquiries should be directed] DerekCox Mercers,6 Mount Pleasant,Blockley, Glos. GL56 9BU Tel:(0386) 700175 Secretary@cting) JonathanMaddox 6 Town Farm,Wheathampstead, Herts AL4 8QL Tel: (058-283)3668 Editor StephenLloyd 85aFarley Hill. Luton. BedfordshireLul 5EG Iel: Luton (0582)20075 CONTENTS 'The others are just harpers . .': an afternoon with Sidonie Goossens by StephenLloyd.... Frederick Delius: Air and Dance.An historical note by Robert Threlfall.. BeatriceHarrison and Delius'sCello Music by Julian Lloyd Webber.... l0 The Delius Monument dedicatedat the 23rd Annual Festival by Thomas Hilton Gunn........ t4 Fennimoreancl Gerda:the New York premidre............ l1 -Opera A Village Romeo anrl Juliet: BBC2 Season' by Henry Gi1es......... .............18 Record Reviews Paris eIc.(BSO. Hickox) ......................2l Sea Drift etc. (WNOO. Mackerras),.......... ...........2l Violin Concerto etc.(Little. WNOOO. Mackerras)................................22 Violin Concerto etc.(Pougnet. RPO. Beecham) ................23 Hassan,Sea Drift etc. (RPO. Beecham) . .-................25 THE HARRISON SISTERS Works by Delius and others..............26 A Mu.s:;r1/'Li.fe at the Brighton Festival ..............27 South-WestBranch Meetinss.. ........30 MicllanclsBranch Dinner..... ............3l Obittrary:Sir Charles Groves .........32 News Round-Up ...............33 Correspondence.......
    [Show full text]
  • University Profile
    PROPOSAL PIANO RECITAL, WORKSHOP and/or LECTURE CLARE HAMMOND, piano SAMPLE PROGRAMME 1 SAMPLE PROGRAMME 2 DEBUSSY COUPERIN Estampes (12’) Selection from Pièces de Clavecin, 6e ordre (8’) MENDELSSOHN WOOLRICH Andante and Rondo Capriccioso (6’) Pianobook IX (10’) BEETHOVEN RAVEL Sonata No. 8 in C minor, Op. 13 ‘Pathétique’ (22’) Le Tombeau de Couperin (25’) INTERVAL INTERVAL LYAPUNOV Three Études d’Exécution Transcendante (16’) RAVEL Sonatine (12’) CHOPIN Selection from Études, Op. 25 (18’) SIMAKU Hommage à Kurtag (6’) KAPUSTIN Three Studies in Different Intervals (9’) RACHMANINOV Variations on a Corelli Theme, Op. 42 (20’) Listen to audio demos of Lyapunov and Kapustin at: www.clarehammond.com/etude.html SAMPLE WORKSHOPS ACADEMIC LECTURE as an example of practice-based research Performance classes with instrumentalists (Includes demonstrations at the piano) and vocalists Creative responses to disability and the Individual coaching for pianists performer's prerogative in Benjamin Britten's Diversions, op. 21 Composition workshops on writing for the piano, with undergraduate and postgraduate The pianist Paul Wittgenstein lost his right arm during the students First World War and subsequently commissioned a large number of piano works, solo, chamber and concerto, for Chamber coaching for ensembles the left hand. In 1940 he asked Benjamin Britten to compose a left-hand piano concerto, Diversions, op. 21. Individual academic supervisions with Britten was initially enthusiastic but the genesis of the students working within Performance work was marred by disagreements between composer Studies, on nineteenth- and twentieth- and performer concerning scoring and structure. century pianism, on virtuosity, or on the Wittgenstein's score of Diversions is littered with relationship between performer and embellishments, modifications and recomposed passages composer.
    [Show full text]
  • Debut Concert
    PERFORMERS Timothy Steeves, violin Dian Zhang, violin Jarita Ng, viola Jakob Nierenz, cello Austin Lewellen, double bass Christina Hughes, flute and piccolo DEBUT CONCERT Katie Hart, oboe and english horn Thomas Frey, clarinet and bass clarinet Ben Roidl-Ward, bassoon and contrabassoon Michael Chen, trumpet (Mazzoli only) Daniel Egan, trumpet Daniel Hawkins, horn Tanner Antonetti, trombone Craig Hauschildt, percussion (Norman and Cerrone) Brandon Bell, percussion (Norman and Adès) Yvonne Chen,! piano Tuesday, December 6, 2016 Led by conductor, Jerry Hou 7:30pm ! SPECIAL THANKS TO Gallery at MATCH Ally Smither, Loop38 singer and staff Ling Ling Huang, Loop38 violinist and staff 3400 Main Street Fran Schmidt, recording Brian Hodge, Anthony Brandt, and Chloe Jolly, Musiqa Houston, TX 77002 Scuffed Shoe ! Lynn Lane Photography ! ! MORE INFO AT ! WWW.LOOP38.ORG new music in the heart of Houston www.loop38.org /Loop38 /instaloop38 /Loop38music PROGRAM Living Toys (1993) Thomas Adès (b.1971) Try (2011) Andrew Norman (b.1979) 18 min. 14 min. I. Angels Winner of the 2016 Grawemeyer Award, Andrew Norman is a Los Angeles- II. Aurochs based composer whose work draws on an eclectic mix of sounds and -BALETT- notational practices from both the avant-garde and classical traditions. He is III. Militiamen increasingly interested in story-telling in music, specifically in the ways non- linear, narrative-scrambling techniques from other time-based media like movies IV. H.A.L.’s Death and video games might intersect with traditional symphonic forms. -BATTLE- V. Playing Funerals Recovering (2011/12) Christopher Cerrone (b.1984) -TABLET- 8 min. “When the men asked him what he wanted to be, the child did not name any of Brooklyn-based composer Christopher Cerrone is internationally acclaimed for their own occupations, as they had all hoped he would, but replied: ‘I am going music which ranges from opera to orchestral, from chamber music to electronic.
    [Show full text]
  • 3770001904221.Pdf
    This is America! Meredith Monk (b. 1942) 1 Ellis Island 3’02 Leonard Bernstein (1918-1990) Symphonic Dances from West Side Story (transcription: John Musto) 2 Prologue 4’18 3 Somewhere 4’29 4 Mambo 2’19 5 Cha-Cha 1’02 6 Meeting Scene 0'41 7 Cool 0’38 8 Fugue 3’02 9 Rumble 2’01 10 Finale 2’27 Philip Glass (b. 1937) Four Movements for Two Pianos 11 Movement 1 6’21 12 Movement 2 4’49 13 Movement 3 6’19 14 Movement 4 5’30 John Adams (b. 1947) Hallelujah Junction 15 Movement 1 6’43 16 Movement 2 2’52 17 Movement 3 5’58 TT: 62’34 3 THIS IS AMERICA! | VANESSA WAGNER & WILHEM LATCHOUMIA Entretien avec Vanessa Wagner et Wilhem Latchoumia Apparu au milieu des années 60 aux États-Unis, le courant minimaliste a longtemps tutoyé l’avant-garde avant de gagner, au fil des ans, une audience beaucoup plus large et de s’imposer comme une étape majeure de la musique contemporaine. Terry Riley, La Monte Young, Steve Reich et Philip Glass, tous américains, sont considérés comme les pionniers de ce courant. Si beaucoup de ces compositeurs contestent l’étiquette minimaliste, réductrice à leurs yeux, leur approche se rejoint dans la recherche de nouvelles structures musicales, comme l’emploi de motifs répétitifs, une certaine forme de dépouillement et l’emploi de certains procédés spécifiques (la technique de « phasing » de Reich, utilisant simultanément des enregistrements avec un léger décalage). Les minimalistes ont intégré de nombreuses influences pour nourrir leur travail, le jazz et l’improvisation pour Terry Riley, la mouvance expérimentale pour La Monte Young, la musique indienne pour Philip Glass, les cultures africaines pour Steve Reich.
    [Show full text]
  • LMM Commissions Press Release Updated
    London Music Masters presents world premieres of Gavin Higgins’ Tänze on 23 October and Edmund Finnis’ Shades Lengthen on 10 December as part of LMM’s 2015 commission series Friday 23 October 2015 Thursday 10 December 2015 6pm St. John’s, Hackney Royal Festival Hall Tänze Shades Lengthen (world premiere) (world premiere) Gavin Higgins composer Edmund Finnis composer LMM Learning students Benjamin Beilman violin (LMM London Philharmonic Award Holder) Orchestra London Contemporary Orchestra London Music Masters hosts world premieres of two new works by leading British composers Gavin Higgins on 23 October, and Edmund Finnis on 10 December as part of LMM’s 2015 series of commissions. Higgins’ dance suite Tänze will be performed by 70 of London Music Masters Learning students aged 9-11 and the London Philharmonic Orchestra at the Royal Festival Hall. This free event precedes pianist and LMM Ambassador Benjamin Grosvenor’s concert with the London Philharmonic Orchestra, performing Ravel’s Piano Concerto in G major, marking his first time performing with them in London. Higgins’ large scale, innovative new work will explore the history of dance music from the Baroque period to the present day. Higgins explains: “Tänze is a new work inspired by the Baroque dance suite. As such the piece is made up of the four dances most commonly utilised; Allemande, Courante, Sarabande and a lively Gigue. Dance music has always been very important to me and I’ve been wanting to write a ‘dance suite’ for some time now. When I was approached by LMM to write this piece I felt this was the opportunity to do just that.
    [Show full text]
  • Expanding Horizons: the International Avant-Garde, 1962-75
    452 ROBYNN STILWELL Joplin, Janis. 'Me and Bobby McGee' (Columbia, 1971) i_ /Mercedes Benz' (Columbia, 1971) 17- Llttle Richard. 'Lucille' (Specialty, 1957) 'Tutti Frutti' (Specialty, 1955) Lynn, Loretta. 'The Pili' (MCA, 1975) Expanding horizons: the International 'You Ain't Woman Enough to Take My Man' (MCA, 1966) avant-garde, 1962-75 'Your Squaw Is On the Warpath' (Decca, 1969) The Marvelettes. 'Picase Mr. Postman' (Motown, 1961) RICHARD TOOP Matchbox Twenty. 'Damn' (Atlantic, 1996) Nelson, Ricky. 'Helio, Mary Lou' (Imperial, 1958) 'Traveling Man' (Imperial, 1959) Phair, Liz. 'Happy'(live, 1996) Darmstadt after Steinecke Pickett, Wilson. 'In the Midnight Hour' (Atlantic, 1965) Presley, Elvis. 'Hound Dog' (RCA, 1956) When Wolfgang Steinecke - the originator of the Darmstadt Ferienkurse - The Ravens. 'Rock All Night Long' (Mercury, 1948) died at the end of 1961, much of the increasingly fragüe spirit of collegial- Redding, Otis. 'Dock of the Bay' (Stax, 1968) ity within the Cologne/Darmstadt-centred avant-garde died with him. Boulez 'Mr. Pitiful' (Stax, 1964) and Stockhausen in particular were already fiercely competitive, and when in 'Respect'(Stax, 1965) 1960 Steinecke had assigned direction of the Darmstadt composition course Simón and Garfunkel. 'A Simple Desultory Philippic' (Columbia, 1967) to Boulez, Stockhausen had pointedly stayed away.1 Cage's work and sig- Sinatra, Frank. In the Wee SmallHoun (Capítol, 1954) Songsfor Swinging Lovers (Capítol, 1955) nificance was a constant source of acrimonious debate, and Nono's bitter Surfaris. 'Wipe Out' (Decca, 1963) opposition to himz was one reason for the Italian composer being marginal- The Temptations. 'Papa Was a Rolling Stone' (Motown, 1972) ized by the Cologne inner circle as a structuralist reactionary.
    [Show full text]
  • BRUCE CALE, SERIALISM and the LYDIAN CONCEPT by Eric Myers* ______
    BRUCE CALE, SERIALISM AND THE LYDIAN CONCEPT by Eric Myers* ____________________________________________________ [This article appeared in the October, 1985 edition of APRA, the magazine of the Australasian Performing Right Association.] hen the Australia** Music Centre's film on Australian composers Notes On A Landscape came out in 1980, it was apparent that most of the ten W composers included, picked themselves: Don Banks, Anne Boyd, Colin Brumby, Barry Conyngham, Keith Humble, Elena Kats, Graeme Koehne, Richard Meale, Peter Sculthorpe. In addition to them, there was one composer who, on the face of it, might not have been regarded as such an automatic choice: Bruce Cale. Bruce Cale on the verandah of his house in the Blue Mountains, with his dog Muffin… PHOTO CREDIT MARGARET SULLIVAN __________________________________________________________________ *When this was written in October, 1985, Eric Myers was editor of the Australian Jazz Magazine, and writing jazz reviews for The Australian. **Australia Music Centre was at the time the correct spelling. Sometime later ‘Australia’ was changed to ‘Australian’. 1 After all, he was principally known as a jazz composer and performer, and when the film was planned, had been back in Australia only two years, following 13 years in Britain and the United States. On the other hand, there were some eyebrows raised in the Australian jazz world that Cale was "the only jazz composer" included in the film. But those who were aware of Cale's work knew that he had been included because of his orchestral writing as well as his jazz composition; his work had certainly emerged from jazz but, in a highly individual way, he was seeking to merge jazz and classical traditions.
    [Show full text]
  • Bankks Butterley Mealee Werder
    BANKS BUTTERLEY MEALE WERDER Like so many string quartets, the maestoso’, but the music is hard and changes texture in a more flexible manner. pieces recorded here engage with the concrete. These blocks of sound vary The moments when the quartet comes relationship of the ensemble’s four in length – the rhythmic notation is together in rhythmically regular music are players. Some of the works continue flexible – and the performers decide the striking and climactic. the tradition of cohesive playing, and length of each block in the moment of The second seating configuration, ‘far others question that aspect of the genre’s performance. The effect is that both the away’, begins with, is sustained by, and history. start and end of notes are highly charged. ends with clouds of harmonics. If the first In live performances of Meale’s String In some cases Meale further heightens section retains some hint of progression Quartet No. 1 his direct challenge to this idea, and the fourth chord, marked in its procession of variations, this section the performers is plain to see, for the dolce, ends with a left-hand pizzicato as is totally still. Through the harmonics piece is in two sections: in the first the the bow leaves the string. The abruptness Meale traces lines of pitches that lead us performers sit in the usual configuration, of the gesture is not at all what one might across the stage, but nowhere else. These and for the second section the performers think of as dolce, but this is a piece that three sequences are labelled ‘Tropes’.
    [Show full text]
  • SEA EAGLE Works by Gerald Barry • Peter Maxwell Davies • Robin Holloway Colin Matthews • David Matthews • Mark-Anthony Turnage • Huw Watkins RICHARD WATKINS Horn
    Richard Watkins horn with Mark Padmore tenor • Huw Watkins piano Paul Watkins cello • The Nash Ensemble SEA EAGLE works by Gerald Barry • Peter Maxwell Davies • Robin Holloway Colin Matthews • David Matthews • Mark-Anthony Turnage • Huw Watkins RICHARD WATKINS horn Peter Maxwell Davies: Sea Eagle 9’08 The Nash Ensemble 1 Adagio 4’05 Marianne Thorsen violin 2 Lento 3’33 3 Presto molto 1’30 Laura Samuel violin Lawrence Power viola Gerald Barry: Jabberwocky 5’44 4 Adrian Brendel cello with Mark Padmore tenor • Huw Watkins piano Saunders photo: Keith Colin Matthews: Three of a Kind 9’34 5 Vivo 1’47 6 Largamente 1’13 7 Calmo 6’34 with Paul Watkins cello • Huw Watkins piano 8 Huw Watkins: Trio 12’48 with Laura Samuel violin • Huw Watkins piano David Matthews: Quintet for Horn and Strings (live recording) 13’13 9 Andante 7’57 10 Molto vivace 5’16 The Nash Ensemble 11 Mark-Anthony Turnage: Prayer for a great man 3’57 with Paul Watkins cello Robin Holloway: Trio for Horn, Cello and Piano 20’08 12 I Liberamente 11’33 13 II Poco allegro 8’35 with Paul Watkins cello • Huw Watkins piano Total timing 75’29 2 SEA EAGLE Introduction by Richard Watkins Matthews and Holloway, it’s certainly years have played in several of his a winning one. chamber works, most notably with the Nash, so when I discovered that his I met Peter Maxwell Davies when I Horn Concerto, and after prolonged David Matthews’ first piece for solo Cello Concerto, written for the joined the Fires of London, my first negotiations, it finally came to fruition horn was his Capriccio for Two Horns brilliant Paul Watkins, had a short professional experience in 1981.
    [Show full text]
  • The Heraclitian Form of Thomas Adès's Tevot As a Critical Lens
    The Art of Transformation: The Heraclitian Form of Thomas Adès’sTevot as a Critical Lens for the Symphonic Tradition and an original composition, Glimmer, Glisten, Glow for sinfonietta A Dissertation Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Music Composition and Theory David Rakowski and Yu-Hui Chang, Advisors In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Joseph Sowa May 2019 The signed version of this form is on file in the Graduate School of Arts and Sciences. This dissertation, directed and approved by Joseph Sowa’s Committee, has been accepted and approved by the Faculty of Brandeis University in partial fulfillment of the requirements for the degree of: DOCTOR OF PHILOSOPHY Eric Chasalow, Dean Graduate School of Arts and Sciences Dissertation Committee: David Rakowski, Brandeis University Department of Music Yu-Hui Chang, Brandeis University Department of Music Erin Gee, Brandeis University Department of Music Martin Brody, Wellesley College, Department of Music iii Copyright by Joseph Sowa 2019 Acknowledgements The story of my time at Brandeis begins in 2012, a few months after being rejected from every doctoral program to which I applied. Still living in Provo, Utah, I picked up David Ra- kowski from the airport for a visit to BYU. We had met a few years earlier through the Barlow Endowment for Music Composition, when Davy was on the board of advisors and I was an intern. On that drive several years later, I asked him if he had any suggestions for my doc- toral application portfolio, to which he immediately responded, “You were actually a finalist.” Because of his encouragement, I applied to Brandeis a second time, and the rest is history.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene ROBINSON, ALICE,MERIEL How to cite: ROBINSON, ALICE,MERIEL (2021) English Folk under the Red Flag: The Impact of Alan Bush's `Workers' Music' on 20th Century Britain's Left-Wing Music Scene , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13924/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 English Folk under the Red Flag: The Impact of Alan Bush’s ‘Workers’ Music’ on 20 th Century Britain’s Left-Wing Music Scene Alice Robinson Abstract Workers’ music: songs to fight injustice, inequality and establish the rights of the working classes. This was a new, radical genre of music which communist composer, Alan Bush, envisioned in 1930s Britain.
    [Show full text]