Julian Anderson
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London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8Pm, Hall
London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8pm, Hall Giacinto Scelsi Uaxuctum: The Legend of the Maya City, destroyed by the Maya people themselves for religious reasons UK premiere interval 20 minutes John Luther Adams Become Ocean London Contemporary Orchestra and Choir Robert Ames conductor Universal Assembly Unit art direction Artrendex artificial intelligence London Contemporary Orchestra and Universal Assembly Unit are grateful to Arts Council England for their support for the visual elements of this concert Part of Barbican Presents 2018–19 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. Please remember that to use our induction loop you should switch your hearing aid to T setting on entering the hall. If your hearing aid is not correctly set to T it may cause high-pitched feedback which can spoil the enjoyment of your fellow audience members. We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. The City of London If anything limits your enjoyment please let us know Corporation is the founder and during your visit. Additional feedback can be given principal funder of online, as well as via feedback forms or the pods the Barbican Centre located around the foyers. -
Paul Weller with the BBC Symphony Orchestra and Jules Buckley
For immediate release Paul Weller with the BBC Symphony Orchestra and Jules Buckley concert date added to ‘Live from the Barbican’ line-up in spring 2021 Barbican Hall, Saturday 6 February 2021, 8pm The Barbican and Barbican Associate Orchestra, the BBC Symphony Orchestra are excited to announce that the orchestra and its Creative Artist in Association Jules Buckley, will be joined by legendary singer songwriter Paul Weller on Saturday 6 February for a concert reimagining Weller’s work in stunning orchestral settings as part of Live from the Barbican in 2021. In Weller’s first live performance for two years, songs spanning the broad spectrum of his career from The Jam to as yet unheard new material will delight fans and newcomers alike. Classic songs including ‘You Do Something to Me’, ‘English Rose’ and ‘Wild Wood’ along with tracks from Weller’s latest number 1 album ‘On Sunset’ will be heard as never before in brand new orchestral arrangements by Buckley. Weller, who takes cultural authenticity to the top of the charts, reunites with Steve Cradock for this one-off performance. Part of the acclaimed Live from the Barbican series which returns to the Centre in the spring, the concert will have a reduced, socially distanced live audience in the Barbican Hall, and it will also be available to watch globally via a livestream on the Barbican website. Whilst the concert will reflect on some of Weller’s back catalogue, as is typical of his constantly evolving career, it will look to the future with performances of songs from an album not released until May 2021, as well as welcoming guest artists to illustrate his work and the music that influenced him. -
Britten Connections a Guide for Performers and Programmers
Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman. -
Summer Festival Set to Offer Treat to Shanghai Music Fans
20 Monday, June 10, 2019 LIFE CHINA DAILY HONG KONG EDITION s a kid growing up in Yin chuan, Northwest China’s Ningxia Hui autonomous A documentary on singer Su Yang’s musical inspiration region, Su Yang recalls local people singing “infectious” folk A will be in Chinese cinemas soon, Chen Nan reports. songs as they worked on farms there. It wasn’t until adulthood, however, after Su founded his own band, influ enced by rock, that he discovered his interest in Ningxia’s folk and tradi tional music. Since 2003, the 50yearold singer songwriter, who picked up music at the age of 16, has been traveling around Northwest China collecting folk material from local artists. In 2006, he released his debut album, Able and Virtuous, which soon gained him a fan base with its combi nation of folk music and rock. Four years later, he released his second album, Like A Grass, which, like his debut album, features ele ments of Chinese folk. One of the songs Su performs is a traditional hua’er, a type of folk singing from the country’s northwest. Titled The Night Journey, the song tells the sto ry of a man’s secret date with the woman of his dreams. In 2016, Su and a team of filmmak ers visited four folk artists in differ Folk rocks ent locations, who have influenced his music, and shot the documentary, The River in Me, which is set to be released in Chinese cinemas on June 18. The film was screened during this Ke Yongquan, 30, who was born year’s Cannes Film Festival on May and raised in Wuchuan, Guangdong 18. -
Annual Subscription UK/Eire £19.50
TE/HPO A Quarterly Review of Modern Music Editor: Calum MacDonald Price £4.00 (plus postage) - Annual Subscription UK/Eire £19.50 (individuals), £29.00 (institutions) Overseas £21.50 (individuals), £31.50 (institutions) Web Site www.temporeview.com Editorial and U.K. Subscription Office 295 Regent Street, London W1B 2JH. Tel: 020-7580 2060 E-mail: [email protected] Advertising Arthur Boyars, 4 Hollywood Mews, London SW10 9HU. Tel: 020-7352 6400 Overseas Subscription (South Africa) Accent Music C.C., PO Box 30634, Braamfontein Contributors Jonathan Cross is Reader in Musicology at the University of Julian Anderson has been appointed Artistic Director of Music Bristol. He has edited the Cambridge Companion to Stravinsky Today, the Philharmonia Orchestra's contemporary music which will appear later in 2002. series, in succession to James MacMillan. Julian Haylock is currently editor of International Piano Raymond Yiu is a composer, jazz pianist and music researcher magazine and a former editor of CD Revieiv (UK). He is the who also works as a systems analyst. His works have been author of biographical studies on Rachmaninoff and Mahler, performed both in the UK and in the USA, including and has contributed numerous articles to a wide range of Distance of the Moon for 11 solo strings, which was premiered publications. in 2001 by the Adantic Chamber Orchestra Players with Lukas Foss conducting. John Kersey is Director of the London Society for Musicological Research, Vice-Delegate for England and John York is well known as a pianist and accompanist. He is President of the English National Office of the World a professor at the Guildhall School of Music and Drama and University, Arizona, USA. -
Radio 3 Listings for 20 – 26 May 2017 Page 1 of 12
Radio 3 Listings for 20 – 26 May 2017 Page 1 of 12 SATURDAY 20 MAY 2017 (conductor) DELIUS: String Quartet (1916) [plus two movements from original version, reassembled by Daniel Grimley] SAT 01:00 Through the Night (b08q2ss1) 5:25 AM ELGAR: String Quartet in E minor Op. 83 Edward Gardner conducts the BBC Symphony Orchestra Förster, Kaspar Jr (1616-1673) Villiers Quartet Edward Gardner conducts the BBC Symphony Orchestra in a Dialogus a 5 ©Quid faciam misera?© NAXOS 8573586 (CD) world premiere by Raymond Yiu, plus music by Britten, Nielsen Olga Pasiecznik & Marta Boberska (sopranos), Dirk Snellings and Janácek. Catriona Young presents. (bass), Il Tempo Baroque Ensemble - Wim Maseele (theorbo), La Symphonie des Oiseaux Anna Sliwa (viola), Lilianna Stawarz (chamber organ), Marcin CASALS: El Cant dels Ocells (Song of the birds) 1:01 AM Zalewski (bass viol), Agata Sapiecha (violin & director) DVORAK: Waldesruhe (Silent woods) for cello and orchestra Britten, Benjamin (1913-1976) Op. 68 No. 5 Sinfonia da requiem, Op.20 5:32 AM GRANADOS: Goyescas: Quejas o La Maja y el Ruisenor BBC Symphony Orchestra, Edward Gardner (conductor) Rameau, Jean-Philippe (1683-1764) GRIEG: Lyric Pieces Op. 43: No. 4 - Little bird Suite in G major - from Nouvelles suites de pièces de clavecin - LISZT: Legende S.175 No. 1, St Francis of Assisi preaching to 1:20 AM arr. for wind quintet the birds Yiu, Raymond (b.1973) Yur-Eum Woodwind Quintet MESSIAEN: Louange a L©Immortalite de Jesus (from Quatuor Symphony, for countertenor and orchestra pour la fin du temps) Andrew Watts (countertenor), BBC Symphony Orchestra, 5:47 AM MOZART: Der Vogelfanger bin ich, ja (from Die Zauberflote) Edward Gardner (conductor) Chopin, Frédéric (1810-1849) PERLMAN: A Birdling sings Andante spianato and Grande polonaise brillante, Op.22 RAMEAU: La poule 1:49 AM Janina Fialkowska (piano), Kitchener-Waterloo Symphony SAINT-SAENS: Le carnaval des animaux: Le Cygne Nielsen, Carl (1865-1931) Orchestra, Raffi Armenian (conductor) SCHUMANN: Vogel als Prophet (No. -
Mark Bowden Biography
Mark Bowden Mark Bowden is a British composer of chamber, orchestral and vocal music. His work has been described as ‘an exceptional and absorbing pleasure’ [The Guardian], ‘conjuring up magic and mystery’[Opera], ‘invigorating’ [The Times] and ‘powerfully dramatic’ [BBC Radio 3]. Mark first came to public attention in 2006 when he was awarded the Royal Philharmonic Society Composition Prize for his first orchestral commission, Sudden Light (BBC Symphony Orchestra). Further orchestral commissions followed — The Dawn Halts (BBC National Orchestra of Wales) and Tirlun (Ulster Orchestra) — before being appointed Resident Composer with the BBC National Orchestra of Wales, a post he held from 2011 to 2015. Mark’s four-year tenure with the orchestra resulted in a series of major new works, including a cello concerto, Lyra (for Oliver Coates), a dual function percussion concerto & ballet score, Heartland (for National Dance Company Wales) and A Violence of Gifts, a 40-minute cantata for soprano, baritone, chorus and orchestra that premiered in 2015 to widespread critical acclaim with soloists Elizabeth Atherton and Roderick Williams conducted by Martyn Brabbins. Mark’s growing catalogue of chamber music includes The Breaking Wheel for clarinet and piano (Little Missenden Festival), Five Memos for violin and piano (London Music Masters, for Hyeyoon Park & Huw Watkins), Parable for solo saxophone (London Sinfonietta), Lines Written a Few Miles Below for violin and electronics, (Rambert Dance Company, for Thomas Gould), Airs No Oceans Keep (Fidelio Trio), Black Yew, White Cloud (Arditti Quartet) as well as a number of other works for groups with whom he has developed close partnerships, including Chroma, Kokoro, Ostrava Banda, Phiharmonia Orchestra, Spitalfields Festival, London Handel Festival and many others. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Thursday 18 May 2017 7.30pm Barbican Hall Vaughan Williams Five Variants of Dives and Lazarus Brahms Double Concerto INTERVAL Holst The Planets – Suite Sir Mark Elder conductor Roman Simovic violin Tim Hugh cello Ladies of the London Symphony Chorus London’s Symphony Orchestra Simon Halsey chorus director Concert finishes approx 9.45pm Supported by Baker McKenzie 2 Welcome 18 May 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2017 This evening we are joined by Sir Mark Elder for the second of two concerts this season, as he conducts The London Symphony Orchestra, in partnership with a programme of Vaughan Williams, Brahms and Holst. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar It is always a great pleasure to see the musicians Square this Sunday 21 May, the sixth concert in of the LSO appear as soloists with the Orchestra. the Orchestra’s annual BMW LSO Open Air Classics Tonight, after Vaughan Williams’ Five Variants of series, free and open to all. Dives and Lazarus, the LSO’s Leader Roman Simovic and Principal Cello Tim Hugh take centre stage for lso.co.uk/openair Brahms’ Double Concerto. We conclude the concert with Holst’s much-loved LSO WIND ENSEMBLE ON LSO LIVE The Planets, for which we welcome the London Symphony Chorus and Choral Director Simon Halsey. The new recording of Mozart’s Serenade No 10 The LSO premiered the complete suite of The Planets for Wind Instruments (‘Gran Partita’) by the LSO Wind in 1920, and we are thrilled that the 2002 recording Ensemble is now available on LSO Live. -
A Choral Christmas
Sunday 2 December 7–9pm Barbican Hall LSO SING A CHORAL CHRISTMAS Lucy Griffiths presenter & conductor, LSO Discovery Junior Choir David Lawrence conductor, LSO Community Choir & Discovery Senior Choir A CHORAL T Jae Cole conductor, Powerhouse Gospel Choir Simon Halsey conductor LSO Community Choir LSO Discovery Choirs Powerhouse Gospel Choir CHRISTMAS LSO Brass Ensemble The LSO Discovery and Community Choirs are generously supported by the Garfield Weston Foundation, John S Cohen Foundation, Slaughter and May Charitable Trust, D’Oyly Carte Charitable Trust and John Thaw Foundation Welcome Latest News Keep in Touch conductor of the Discovery Junior Choir, who BRITISH COMPOSER NOMINATIONS SUBSCRIBE will also be presenting tonight’s concert. Receive monthly updates from the The British Academy of Songwriters, LSO, LSO Live and LSO St Luke’s. Thank you to those who have supported the Composers and Authors has announced lso.co.uk/elist singers on-stage tonight, and to all those its nominations for the 2018 British who support the LSO’s singing activities, Composer Awards. Nominees include 2012 LISTEN including the Garfield Weston Foundation, LSO Soundhub Member Richard Bullen, Stream, download or buy music John S Cohen Foundation, Slaughter and Soundhub Associates Matt London and from our record label LSO Live. May Charitable Trust, D’Oyly Carte Charitable Liam Taylor-West, and Panufnik composers lsolive.co.uk Trust and John Thaw Foundation. Raymond Yiu (2008), Cevanne Horrocks- Hopayian (2010) and Cassie Kinoshi LSO PLAY warm welcome to the LSO’s annual I hope that you enjoy the performance, (current). The winners are to be announced See the Orchestra from a different Choral Christmas concert, as we and I wish you a very happy festive season. -
Development Manager
PRINCIPAL TRUMPET – ROLE DESCRIPTION Instrument The London Sinfonietta seeks an outstanding musician to join the ensemble as Principal Trumpet. At this time, we actively encourage people from diverse backgrounds to join our organisation and we encourage applications from people that are currently underrepresented in the orchestral sector. About the organisation The London Sinfonietta is one of the world’s leading contemporary music ensembles. Formed in 1968, our commitment to making new music has seen us commission 400 works and premiere hundreds more. Our ethos is to commission and perform music from the best composers living today, performed by world-class musicians. We are a bold and innovative organisation that seeks to engage and inspire a world-wide audience by curating ambitious and risk-taking concert formats and projects. From musical messages to the government, to operas about climate change – we’re not afraid to make a statement. We regularly collaborate with other musicians, artists and contemporary art forms which helps us reach a wider audience. The organisation is committed to involving the public in its work – it is renowned for its education & community programme, which has evolved over the past 35 years. Resident at Southbank Centre and Artistic Associate at Kings Place, with a busy touring schedule across the UK and abroad, our core eighteen Principal Players represent some of the best musicians in the world. Across our history, we have worked with many of the greatest living creators and interpreters of new music. The ensemble has just completed its 50th anniversary season, and celebrated its past relationship with composers of the post-war period including Stockhausen, Ligeti, Henze, Berio, Xenakis and Gorecki. -
English National Ballet Solstice Southbank Centre's Royal Festival Hall, London 16 - 26 June 2021
English National Ballet Solstice Southbank Centre's Royal Festival Hall, London 16 - 26 June 2021 www.ballet.org.uk/solstice This summer (16 - 26 June) English National Ballet presents Solstice, a programme of diverse repertoire highlights, at the Southbank Centre’s Royal Festival Hall. Solstice features highlights from classics like Swan Lake, The Sleeping Beauty, and Le Corsaire as well as a passionate duet from Broken Wings, Annabelle Lopez Ochoa’s ballet inspired by the life of Frida Kahlo, Stina Quagebeur’s Hollow and joyous steps from Coppélia. There are moments of reflection and tenderness in extracts from Akram Khan’s Dust and Ben Stevenson’s Three Preludes, set to Rachmaninov’s music and the programme concludes with William Forsythe’s Playlist (Track 1, 2), a high-energy work set to neo-soul and house music. Tamara Rojo CBE, English National Ballet’s Artistic Director said: “I'm so pleased we will be performing at the Royal Festival Hall this summer. After so long without performing in theatres it's wonderful to have the opportunity to have so many of the Company back on stage showcasing highlights from English National Ballet's much loved and diverse repertoire.” Accompanied by live music performed by musicians of English National Ballet Philharmonic, Solstice follows English National Ballet’s return to the stage at Sadler’s Wells earlier this month. All rehearsals and performances are in strict compliance with the UK Government’s COVID- 19 guidance Photos are available to download here using the login details below: Login: press Password: ENBPress2021 Watch the trailer for Solstice here All rehearsals and performances are in strict compliance with the UK Government’s COVID- 19 guidance. -
Download Booklet
D I F F E R E N T W O R L D Diana Galvydyte Produced and Engineered by Raphaël Mouterde Edited and Mastered by Raphaël Mouterde Recorded on December 19th - 20th Dec 2011 and January 5th - 6th 2012 at The Music Room, Champs Hill, West Sussex, UK Christopher Guild Photographs of Diana and Chris by Benjamin Harte Executive Producer for Champs Hill Records: Alexander Van Ingen VYTAUTAS BARKAUSKAS (b.1931) A DIFFERENT WORLD PARTITA FOR SOLO VIOLIN OP.12 (1967) 1 i Praeludium 0’57 2 ii Scherzo 1’35 The cult of the instrumental virtuoso dates from the early 19th century, when the 3 iii Grave 2’28 burgeoning Romantic movement started to see preternaturally gifted 4 iv Toccata 1’29 instrumentalists as a species of magician, able to conjure music out of the air as if 5 v Postludium 1’40 by magic, and move audiences to extremes of emotion and excitement by the deep EDUARDAS BALSYS (1919-1984) expressivenesss and amazing technical bravura of their playing. The archetypal 6 RAUDA (LAMENT) FOR VIOLIN AND PIANO 3’46 figure who bestowed this image on players of the violin was of course Niccolò 7 DREBULYTÈ IŠDYKÉLÈ (MISCHIEVOUS DREBULYTÈ) FOR VIOLIN AND PIANO 1’55 Paganini, but the tradition of the virtuoso violin showpiece has persisted From the ballet ‘Eglè, Queen of the Serpents (1960) throughout the 20th century and into the 21st. The present recital is devoted JOE SCHITTINO (b.1977) largely to bravura violin works from the mid-20th century onwards, and mostly to 8 POEM ‘EGLÈ’ FOR VIOLIN AND PIANO (2011) Premiere recording 10’26 those produced by composers from the Baltic region, alternating and contrasting ESA-PEKKA SALONEN (b.1958) works for unaccompanied violin with those for violin and piano.