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2010-2011 Newsletter
Newsletter WILLIAMS G RADUATE PROGRAM IN THE HISTORY OF A RT OFFERED IN COLLABORATION WITH THE CLARK ACADEMIC YEAR 2010–11 Newsletter ••••• 1 1 CLASS OF 1955 MEMORIAL PROFESSOR OF ART MARC GOTLIEB Letter from the Director Greetings from Williamstown! Our New features of the program this past year include an alumni now number well over 400 internship for a Williams graduate student at the High Mu- going back nearly 40 years, and we seum of Art. Many thanks to Michael Shapiro, Philip Verre, hope this newsletter both brings and all the High staff for partnering with us in what promises back memories and informs you to serve as a key plank in our effort to expand opportuni- of our recent efforts to keep the ties for our graduate students in the years to come. We had a thrilling study-trip to Greece last January with the kind program academically healthy and participation of Elizabeth McGowan; coming up we will be indeed second to none. To our substantial community of alumni heading to Paris, Rome, and Naples. An ambitious trajectory we must add the astonishingly rich constellation of art histori- to be sure, and in Rome and Naples in particular we will be ans, conservators, and professionals in related fields that, for a exploring 16th- and 17th-century art—and perhaps some brief period, a summer, or on a permanent basis, make William- sense of Rome from a 19th-century point of view, if I am al- stown and its vicinity their home. The atmosphere we cultivate is lowed to have my way. -
Art Hand-Book, Sculpture, Architecture, Painting
:. •'t-o^ * ^^' v^^ ^ ^^^^\ ^^.m <. .*^ .. X 0° 0^ \D^ *'ir.s^ A < V ^^; .HO^ 4 o *^,'^:^'*.^*'^ "<v*-^-%o-' 'V^^''\/^ V*^^'%^ V\^ o '^^ o'/vT^^^ll^"" vy:. -rb^ ^oVv^'' '^J^M^^r^^ ^^jl.^0'rSi' ^oK °<<. ^""^^ • Sculpture » Architecture * Painting Official H^NDBOOKo/ARCHITECTVRE and SCULPTURE and ART CATALOGUE TO THE Pan-American Exposition With Maps and Illustrations by -permission of C. D. Arnold, Official Photographer BUFFALO, NEW YORK, U. S. A., MAT FIRST TO NOVEMBER FIRST, M. CM. & I. Published by DAVID GRAY, Buffalo, N. Y. Entered according to Act of Congress in the year 1901, by David Gray, in the Office of the Librarian of Congress, at Washington, D. C. • • • • • e • • •• V. • » » « » . f>t • •_••» »'t»» » » » * • • . CONGRESS, Two Copiea Received JUN. 17 1901 Copyright entry EXPOSITION, 1901. CLASS ^XXc N». PAN-AMERICAN Buffalo, N. Y. , U. S. A COPY 3, Office of Director-General. March 30, 1901. To whom it may concern: — Mr. David Gray of this City has "been granted hy the Exposition a concession to publish the Art Catalogue of the Exposition^ which will he a hook in reality a memorial of the ideals of the Exposition in Archi- tecture, Sculpture and Pine Arts. WILLIAM I. BUCHANAN, Director-General The articles, pictures and catalogue descriptions in the Pan-American Art Hand Book are copyrighted, and publication thereof without permission is forbidden. \ r..k^ ^'««- -^ -"^^ ^^ This Art Hand Book was made by the publishing and printing house of ISAAC H,. BLANCHARD CO,, in the city of New Torky at 268 and 270 Canal Street, * 200 feet, iij9 inches east of Broadway. -
The Art of the Metropolitan Museum of New York
tCbe Hrt of tbe flftetiopoUtan fIDuseum 3Bg tbe Same Butbor 2L XTbe art of tbe IRetberlanb (Balleriea Being a History of the Dutch School of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the many Galleries With 48 Illustrations. Price, $2.00 net £ L. C. PAGE & COMPANY New England Building, Boston, Mass. GIBBS - C HANNING PORTRAIT OF GEORGE WASHINGTON. By Gilbert Stuart. (See page 287) fje gtrt of iWetcopolitany 3*1 it scnut of 3Ul” Motfe & Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time. ^ By David C. Preyer, M. A. Author of “ The Art of the Netherland Galleries,” etc. Illustrated Boston L. C. Page & Company MDCCCC1 X Copyright, 1909 By L. C. Page & Company (incorporated) All rights reservea First Impression, November, 1909 Electrotyped and Printed at THE COLONIAL PRESS C.H . Simonas Sr Co., Boston U.S.A. , preface A visit to a museum with a guide book is not inspiring. Works of art when viewed should con- vey their own message, and leave their own im- pression. And yet, the deeper this impression, the more inspiring this message, the more anxious we will be for some further information than that conveyed by the attached tablet, or the catalogue reference. The aim of this book is to gratify this desire, to enable us to have a better understanding of the works of art exhibited in the Metropolitan Museum, to point out their corelation, and thus increase our appreciation of the treasures we have seen and admired. -
Robert Vonnoh. French Impressionist in Americadocx.Docx
Robert Vonnoh, French Impressionist in America Recognized as one of the leading American impressionist painters, Robert Vonnoh (1858- 1933) was a pioneer in adapting the techniques and vision of the French Impressionists, first in France and later in the United States. He ventured to Grez-sur-Loing, just south of the forest of Fontainebleau and not far from Paris, in 1887; this art colony was popular with aspiring as well as practicing artists of various nationalities – particularly British, Scandinavian and American. The prominent Americans there at one time or another included John Singer Sargent, Willard Metcalf, Walter Launt Palmer in addition to Vonnoh. In Grez he painted landscapes notable for their high-keyed palette which established his reputation. In 1892 he returned to take up a teaching post in Philadelphia, and when he married the up-and-coming young sculptor Bessie Potter (1872-1955) in 1899 they settled in New York. She is renowned in particular for her small-scale bronzes of women and children in modern dress. Robert and Bessie frequently exhibited together, and his 1913 portrait of her in the guise of Elisabeth Vigee-Lebrun (as she famously portrayed herself), done for a joint exhibition, is an homage to her professional status at a time when she was creating some of her most admired sculptures. This remarkable representation of Bessie Potter Vonnoh is a profound image of the two artists’ shared esthetic and ambition. Collisart is pleased to be showing this painting along with two Robert Vonnoh landscape scenes and a beguiling small Bessie Potter Vonnoh bronze, The Intruder, also of 1913. -
Congressional Record-House House Of
1932 CONGRESSIONAL RECORD-HOUSE 3849 1870. Also, petition of the Alice Adams Bible Class, Fort legal examiner to the Committee on Pensions from March 4, ' 1931, Ky., to March 4, 1932, second session of Seventy-first Congress and first Thomas, protesting against modification, resubmission, session of Seventy-second Congress. or repeal of the eighteenth amendment; to the Committee on the Judiciary. Mr. WARREN. Mr. Speaker, this resolution and the one 1871. By MrL SUTPHIN Cby request): Petition of Catholic which I intend to offer immediately following are the regular Daughters of America of Ca1·teret, N. J.; protesting against resolutions passed in reference to the special examiners as the passage of Bouse bills 4739 and 4757; to the Committee signed to the Committees on Pensions and Invalid Pensions. on Education. I am instructed by the Committee on Accounts to inform 1872. By Mr. TABER: Petition of Jennie D. Draper and the House that it will not be the future policy of the com others, urging the support of the maintenance of the pro mittee to approve these two resolutions. hibition law and its enforcement; to the Committee on the Mr. STAFFORD. Will the gentleman yield? Judiciary. Mr. WARREN. I yield. 1873. Also, petition of Gertrude L. Sanders and others, Mr. STAFFORD. I notice we are virtually g1vmg back urging the support of the maintenance of the prohibition pay to the gentleman, because the resolution provides for law and its enforcement; to the Committee on the Judiciary. payment from March 1, 1931, to March 1, 1932. What is.the 1874. Also, petition of Ladies' Aid and Universalist Church reason for the belated introduction of this back-pay resoiu of Auburn, N. -
Catalogue Winter Exhibition
NATIONAL ACADEMY B OF DESIGN j : M. Knoedler & Co. invite attention to their carefully selected collection of PAINTINGS and Water Colors of various schools Old English Mezzotints and Colored. Sporting Prints 355 Fifth Avenue Cor. 34th St., N. Y. London : Paris 15 Old Bond Street 23 Place Vendome Paintings by American Artists CHOICE EXAMPLES ALWAYS ON VIEW FREQUENT SPECIAL EXHIBITIONS ALSO A FINE SELECTION OF VOL KM AR POTTERY W1LLIAH HACBETH 450 Fifth Avenue New York THE GETTY CENTER UGRASY Schaus’ Art Galleries 415 FIFTH AVENUE BETWEEN 37th AND 38th STREETS NEW YORK I HIGH GLASS OIL PAINTINGS DUTCH WATER COLORS FINE ENGRAVINGS AND ETCHINGS ARTISTIC FRAMING — N IMPORTERS OF Rare China A rtistic Faiences Plates, Oriental Porcelains , and Bric-a-Brac. Fifth Avenue and joth Street , New York. THE FIRST “BANK OF DEPOSIT” THAT PROVIDED SEPARATE BANKING FACILITIES FOR WOMEN, A.D. 1869 James Stillman, President John L. Riker, Vice-President J. S. Case, Cashier Wm. A. Simonson, 2d Vice-President Wm. Pabst, Asst. Cashier The Second National Bank OF THE CITY OF NEW YORK Fifth Avenue, corner 23d Street (under Fifth Avenue Hot) —AND Fifth Avenue Safe Deposit Company Capital, Surplus and Undivided Profits, $1,760,000 Fifth Avenue, cor. 23d Street (Fifth Avenue Hotel) IV Digitized by the Internet Archive in 2016 https://archive.org/details/cataloguewintere1906nati BY A. BREWSTER SEWELL, A.N.A. IRational Hcabemp of Design WINTER EXHIBITION 1906 HELD AT 215 WEST FIFTY-SEVENTH STREET NEW YORK OPEN DECEMBER 22D I906 TO JANUARY 19TH 1907 IO A.M. TO 6 P.M. AND 8 P.M. -
List of Exhibitions Held at the Corcoran Gallery of Art from 1897 to 2014
National Gallery of Art, Washington February 14, 2018 Corcoran Gallery of Art Exhibition List 1897 – 2014 The National Gallery of Art assumed stewardship of a world-renowned collection of paintings, sculpture, decorative arts, prints, drawings, and photographs with the closing of the Corcoran Gallery of Art in late 2014. Many works from the Corcoran’s collection featured prominently in exhibitions held at that museum over its long history. To facilitate research on those and other objects included in Corcoran exhibitions, following is a list of all special exhibitions held at the Corcoran from 1897 until its closing in 2014. Exhibitions for which a catalog was produced are noted. Many catalogs may be found in the National Gallery of Art Library (nga.gov/research/library.html), the libraries at the George Washington University (library.gwu.edu/), or in the Corcoran Archives, now housed at the George Washington University (library.gwu.edu/scrc/corcoran-archives). Other materials documenting many of these exhibitions are also housed in the Corcoran Archives. Exhibition of Tapestries Belonging to Mr. Charles M. Ffoulke, of Washington, DC December 14, 1897 A catalog of the exhibition was produced. AIA Loan Exhibition April 11–28, 1898 A catalog of the exhibition was produced. Annual Exhibition of the Work by the Students of the Corcoran School of Art May 31–June 5, 1899 Exhibition of Paintings by the Artists of Washington, Held under the Auspices of a Committee of Ladies, of Which Mrs. John B. Henderson Was Chairman May 4–21, 1900 Annual Exhibition of the Work by the Students of the CorCoran SChool of Art May 30–June 4, 1900 Fifth Annual Exhibition of the Washington Water Color Club November 12–December 6, 1900 A catalog of the exhibition was produced. -
On Women, Gender, and Feminism
WOMEN’S STUDIES LIBRARIAN NEW BOOKS ON WOMEN, GENDER, AND FEMINISM Number 53 Fall 2008 University of Wisconsin System NEW BOOKS ON WOMEN, GENDER, & FEMINISM No. 53, Fall 2008 CONTENTS Scope Statement .................. 1 Reference/ Bibliography . 61 Anthropology...................... 1 Religion/ Spirituality . 63 Art/ Architecture/ Photography . 2 Science/ Mathematics/ Technology . 67 Biography ........................ 5 Sexuality ........................ 68 Economics/ Business/ Work . 11 Sociology/ Social Issues . 69 Education ....................... 14 Sports & Recreation . 76 Film/ Theater..................... 15 Women’s Movement/ General Women's Studies . 77 Health/ Medicine/ Biology . 17 Periodicals ...................... 79 History.......................... 21 Indexes Humor.......................... 28 Authors, Editors, & Translators . 80 Language/ Linguistics . 29 Subjects....................... 99 Law ............................ 29 Citation Abbreviations . 127 Lesbian Studies .................. 31 Lesbian, Gay, Bisexual, Transgender, Intersex, & Queer Studies . 32 New Books on Women, Gender, & Feminism is published by Literature Phyllis Holman Weisbard, Women's Studies Librarian for the University of Wisconsin System, 430 Memorial Library, 728 Drama ........................ 35 State Street, Madison, WI 53706. Phone: (608) 263-5754. Fiction ........................ 37 Email: wiswsl @library.wisc.edu. Editor: Linda Fain. Compilers: Elzbieta Beck, Amy Dachenbach, JoAnne Lehman, Heather History & Criticism . 38 Shimon, Phyllis Holman -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
This page intentionally left blank This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 by Dorothy W. Phillips Curator of Collections The Corcoran Gallery of Art, Washington D.G. 1973 Library of Congress Catalogue Card Number N 850. A 617 Designed by Graham Johnson/Lund Humphries Printed in Great Britain by Lund Humphries Contents Foreword by Roy Slade, Director vi Introduction by Hermann Warner Williams, Jr., Director Emeritus vii Acknowledgments ix Notes on the Catalogue x Catalogue i Index of titles and artists 199 This page intentionally left blank Foreword As Director of the Corcoran Gallery of Art, I am pleased that Volume II of the Catalogue of the American Paintings in the Corcoran Gallery of Art, which has been in preparation for some five years, has come to fruition in my tenure. The second volume deals with the paintings of artists born between 1850 and 1910. The documented catalogue of the Corcoran's American paintings carries forward the project, initiated by former Director Hermann Warner Williams, Jr., of providing a series of defini• tive publications of the Gallery's considerable collection of American art. The Gallery intends to continue with other volumes devoted to contemporary American painting, sculpture, drawings, watercolors and prints. In recent years the growing interest in and concern for American paint• ing has become apparent. -
National Museum of Women in the Arts
NATIONAL MUSEUM OF WOMEN IN THE ARTS i: L'Ur-'"- • i.-u-i • sa CONTENTS SPONSOR'S STATEMENT | 6 by Hamish Maxwell, Chairman and Chief Executive Officer. Philip Morris Companies Inc. PREFACE AND ACKNOWLEDGMENTS | 7 by Anne-lmclda Marino Radice, Director, National Museum of Women in the Arts INTRODUCTION: WHYANATIONALMUSEUMOF WOMENINTHE ARTS? | 8 by Alessandra Comini, University Distinguished Professor of Art History, Southern Methodist University FOUNDERS' STATEMENT 14 by Wallace and Wilhelmina Holladay SELECTIONS FROM THE PERMANENT COLLECTION 15 Seventeenth Century ITALIAN: Lavinia Fontana, 16; Elisabetta Siraiii, 19 FLEMISH: Clara Peeters, 20 GERMAN: Anna Maria Van Schurman, 23; Maria Sibylla Merian, 25 Eighteenth Century ' ^ DUTCH: Rachel Ruysch, 27 FRENCH: Marie Anne Loir, 28; Marie-Genevieve Navarre, 31; Adelaide Labille-Guiard, 33; Marie Louise Elizabeth Vigee-Lebrun, 34; Marguerite Gerard, 37; Antoinette Cecile Hortense Haudebourt-Lescot, 39 SWISS: Angelica Kauffman, 40 Nineteenth Century AMERICAN: Anna Claypoole Peale, 42; Lilly Martin Spencer, 45; Elizabeth Gardner Bouguereau, 46; Mary Cassatt, 48; Lilla Cabot Perry, 51; Jennie Augusta Brownscombe, 52; Ellen Day Hale, 54; Cecilia Beaux, 57; Evelyn Beatrice Longman, 58; Bessie Potter Vonnoh, 59; / Anna Vaughn Hyatt Huntington, 60; Malvina Hoffman, 60 FRENCH: Rosa Bonheur, 63; Berthe Morisot, 64; Camille Claudel, 67; Suzanne Valadon, 68; Marie Laurencin, 70 . ., Twentieth Century AMERICAN: Gertrude Kasebier, 73; Louise Dahl-Wolfe, 74; Berenice Abbott, 77; Marguerite Thompson Zorach, -
A Finding Aid to the Bessie Potter Vonnoh Papers, Circa 1860-1991 (Bulk 1890-1955), in the Archives of American Art
A Finding Aid to the Bessie Potter Vonnoh Papers, circa 1860-1991 (bulk 1890-1955), in the Archives of American Art Erin Corley Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. January 08, 2007 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Biographical Material, 1922-1955............................................................. 4 Series 2: Correspondence, circa 1863-1985............................................................ 5 Series 3: Photographs, -
Annual American Exhibition [Of] Paintings And
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com f ^HE ART INSTITUTE OF CHICAGO^ CATALOGUE OF THE ELEVENTH ANNUAL EXHIBITION OF OIL PAINTINGS AND SCULPTURE BY AMERICAN ARTISTS NOVEMBER 15 TO DECEMBER 18 (TUCART INSTITVTP 1898 Or- CHICAGO PRINTED FOR THE ART INSTITUTE CHICAGO. 1898 (SECOND EDITION) THE NEW YORK PUBLIC LIBRARY. ASTOfl, LENOX AND TILOEH FOUNDATIONS. ^HE ART INSTITUTE OF CHICAGO CATALOGUE OF THE ELEVENTH ANNUAL EXHIBITION OF OIL PAINTINGS AND SCULPTURE BY AMERICAN ARTISTS NOVEMBER 15 TO DECEMBER 18 1898 TnF/lRT-lNSTITVTnt Of- CHICAGO \ PRINTED FOR THE • ART INSTITUTE CHICAGO, 1898 u a TRUSTEES OF THE ART INSTITUTE OF CHICAGO 1898-99 WILLIAM T. BAKER marshall field ADOLPHUS C. BARTLETT henry h. getty JAMES H. DOLE charles d. hamill NATHANIEL K. FAIRBANK edward e. ayer SAMUEL M. NICKERSON john c. black MARTIN A. RYERSON john j. glessner ALBERT A. SPRAGUE charles e. hutchinson ALLISON V. ARMOUR bryan lathrop SAMUEL E. BARRETT r. hall MCcormick CHAUNCEY J. BLAIR charles w. fullerton ROBERT A. WALLER. charles a. coolidge Comptroller (Ex-Officio) carter h. harrison Mayor (Ex-Officio) OFFICERS CHARLES L. HUTCHINSON, JAMES H. DOLE. President Vice-President LYMAN J. GAGE, N. H. CARPENTER, Treasurer Secretary WILLIAM M. R. FRENCH, Director EXECUTIVE COMMITTEE CHARLES L. HUTCHINSON CHARLES D. HAMILL JAMES H. DOLE JOHN C. BLACK ALBERT A. SPRAGUE MARTIN A. RYERSON WILLIAM T. BAKER ART COMMITTEE CHARLES L. HUTCHINSON JAMES H. DOLE MARTIN A.