Thomas Moore - Poems
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Irish Authors Collections Guide 18 August 2020 English Literature Is One of the Two Greatest Strengths of the Rosenbach's Libr
Irish Authors Collections Guide 18 August 2020 English Literature is one of the two greatest strengths of the Rosenbach’s library collections (the other being American history). What we usually call English Literature is more precisely the English-language literature of Great Britain, Ireland, and surrounding islands. Some of the greatest writers in the English language have been Irish. Dr. Rosenbach certainly recognized this, and although we don't know that he had a special interest in Irish writers as such, it means that he did collect a number of them. His interest was chiefly in pre-20th-century literature, so apart from James Joyce there are few recent writers represented. Although they are not segregated by country of origin on the Rosenbach shelves, this guide highlights Irish authors as a particular sub-set of English-language authors. The guide is arranged in alphabetical order by author’s last name, and in the instances of James Joyce, Bram Stoker, and Oscar Wilde, the list is further broken down by collections category. Throughout this guide, all objects owned by Dr. Rosenbach are marked with an asterisk (*). Those marked with double (**) are part of Philip Rosenbach’s gift to the Foundation on January 12, 1953, consisting partly of objects from Dr. Rosenbach’s estate. This guide will be updated periodically to reflect new acquisitions and further cataloging of the Rosenbach collections. Objects acquired since 2014 are marked with a “+”. For further information on any item listed on this collections guide, please contact us at https://rosenbach.org/research/make-an-inquiry/. For information about on-site research, or to request an appointment to see specific materials, visit http://rosenbach.org/research/make-an- appointment/. -
Thomas Moore, Whose Patri- Manuscript Facsimiles and Musical Files, Otic-Imbued Writings Earned Him the with Commentary,” He Said
cc Page 24 Echo Lifestyle Ireland’s Minstrel Boy gets his encore By Michael P. Quinlin [email protected] William Blake. Phase one of the Moore project is slat- BOSTON — Ireland’s first mega star ed to go live this November, when the wrote poetry, history tomes and political Hypermedia Archive will be launched polemics that made him the talk of the at a conference in Galway, according to town in his native Dublin as well as in Ryder. London, Boston and New York. “By next year, we should have all the We’re not talking about Bono here, ‘Irish Melodies’ available online as texts, but rather Thomas Moore, whose patri- manuscript facsimiles and musical files, otic-imbued writings earned him the with commentary,” he said. The interest in Moore is enhanced by www.irishecho.com / Irish Echo May 21-27, 2008 titles Bard of Erin and Ireland’s National Poet. two new biographies, including one It was Moore’s lyrics to ancient Irish published last month by Ronan Kelly airs that brought him fame and notoriety entitled, “The Bard of Erin: the Life of during his lifetime and beyond. His Thomas Moore,” which Ryder says is famous collection, “Moore’s Melodies,” superb. was admired by the likes of Beethoven Like Ryder, Professor Flannery in and Lord Byron, and translated into six Atlanta never lost faith in Moore’s languages. importance in Irish history as a song- “Moore’s Melodies” was a ten-vol- writer, a literary influence and a nation- ume set of 124 songs published between alist figure. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
This Work Has Been Submitted to Chesterrep – the University of Chester’S Online Research Repository
'Every Irishman is an Arab': James Clarence Mangan's Eastern 'Translations' Item Type Article Authors Fegan, Melissa Citation Translation and Literature, Summer 2013, 22(2), pp. 195-214 DOI 10.3366/tal.2013.0113 Publisher Edinburgh University Press Journal Translation and Literature Download date 28/09/2021 04:50:05 Link to Item http://hdl.handle.net/10034/336545 This work has been submitted to ChesterRep – the University of Chester’s online research repository http://chesterrep.openrepository.com Author(s): Melissa Fegan Title: 'Every Irishman is an Arab': James Clarence Mangan's Eastern 'Translations' Date: Summer 2013 Originally published in: Translation and Literature Example citation: Fegan, M. (2013). 'Every Irishman is an Arab': James Clarence Mangan's Eastern 'Translations', Translation and Literature, 22(2), 195-214. http://dx.doi.org/10.3366/tal.2013.0113 Version of item: Accepted manuscript Available at: http://hdl.handle.net/10034/336545 ‘Every Irishman is an Arab’: James Clarence Mangan’s Eastern ‘Translations’ If the vagrant Imagination is at home anywhere, it is the East, proclaimed James Clarence Mangan (1803-1849) – even if its conception of the East is somewhat illusory, and dominated by ‘images of Genii-land’ rather than a realistic Orient.1 Mangan – unkindly described by Valentine Cunningham as the ‘archetypical drunken- Irish poet’2 – is chiefly remembered for stirring nationalist anthems like ‘Dark Rosaleen’, or his depictions of the horrors of the Great Famine. The young James Joyce described him as ‘the national poet’,3 but Mangan’s leanings were international, and his delight in the East emerged in a series of six articles on Oriental poetry, titled ‘Literæ Orientales’, published in the Dublin University Magazine between September 1837 and January 1846. -
Jonathan Swift Address by Dr Don Thornhill, St Patrick's Cathedral
Jonathan Swift Address by Dr Don Thornhill, St Patrick’s Cathedral, Dublin, 17 October, 2010 I would like to thank my friend and neighbour from Co Waterford, the Very Reverend Dr Robert McCarthy for giving me the honour and pleasure of speaking here this afternoon. But some caveats and acknowledgements are in order. As regards the caveats I hope that in inviting me here, as the Dean himself wrote, to speak, and I quote, “on any aspect of Swift”, the Dean was not, like his predecessor, being ironic. I am not a historian or a literary scholar. My interests are some distance away in economic policy, taxation and competitiveness, public sector reform and education policy. In the arenas where these topics are discussed I and other have preached from time to time – but never before from a pulpit! But I was helped by the patience, support and critical contributions (critical in both senses of the word!) of my family, particularly Maura, and of my friends during the past few months. I would like to thank Dr Ronan Kelly, author of Bard of Erin, a much acclaimed biography of Thomas Moore, who gave me essential advice and guidance. In our current economic circumstances it would, of course be tempting in response to the Dean’s invitation by quoting liberally from Swift’s commentaries on human foolishness and injustices. His saeva indignatio/ savage indignation, some of which he directed at bankers, undoubtedly has a contemporary resonance 1. A “What would Swift say if he were alive today ” exercise could be entertaining and maybe cause some bitter amusement but others are better equipped to do it. -
Afrin Zeenat. “Writing Irish Nationhood: Jonathan Swift's Coming to Terms
Nebula 6.2 , June 2009 Writing Irish Nationhood: Jonathan Swift’s Coming to Terms with his Birthplace. By Afrin Zeenat “Swift can…combine contraries of the most compelling kind.” 1 Seamus Deane. “… the Janus-faced ambivalence of language… in the construction of the Janus-faced discourse of the nation.” 2 Homi K. Bhabha Echoing Bhabha’s statement, Jonathan Swift’s “Janus-faced ambivalence” toward his birthplace Ireland has puzzled many readers making it difficult for them to identify him as an Irish patriot. 3 Despite Swift’s works on Ireland in which he rallies for Ireland and the native Irish, many critics continue to stress Swift’s anathema and contempt for people of his native land. 4 Such an essentialist reading of Swift would fail to understand the innate ambivalence that is a salient feature of his works. Swift’s Irish tracts point to a change in his attitude towards his native land, which asserts itself forcefully as his love for England and things English ebb, and can be attributed to personal, political and historical reasons. Swift’s life and works presage the ambivalence that is later pronounced in the works of post-colonial writers, who often vacillate between the country of their colonial overlords and their native countries. Based on Frantz Fanon’s ideas on the formation of a national consciousness,5 this chapter will trace a similar formation of Swift’s national consciousness for his native country, which finds a voice in his works on Ireland. 1 Seamus Deane, “Classic Swift,” The Cambridge Companion to Jonathan Swift, (Cambridge: Cambridge University Press, 2003), 245. -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
Keenan Allen, Mike Williams and Austin Ekeler, and Will Also Have Newly-Signed 6 Sun ., Oct
GAME RELEASE PRESEASON WEEK 2 vs. SAN FRANCISCO 49ERS SUN. AUG. 22, 2021 | 4:30 PM PT bolts build under brandon staley 20212020 chargers schedule The Los Angeles Chargers take on the San Francisco 49ers for the 49th time ever PRESEASON (1-0) in the preseason, kicking off at 4:30 p m. PT from SoFi Stadium . Spero Dedes, Dan Wk Date Opponent TV Time*/Res. Fouts and LaDainian Tomlinson have the call on KCBS while Matt “Money” Smith, 1 Sat ., Aug . 14 at L .A . Rams KCBS W, 13-6 Daniel Jeremiah and Shannon Farren will broadcast on the Chargers Radio Network 2 Sun ., Aug . 22 SAN FRANCISCO KCBS 4:30 p .m . airwaves on ALT FM-98 7. Adrian Garcia-Marquez and Francisco Pinto will present the game in Spanish simulcast on Estrella TV and Que Buena FM 105 .5/94 .3 . 3 Sat ., Aug . 28 at Seattle KCBS 7:00 p .m . REGULAR SEASON (0-0) The Bolts unveiled a new logo and uniforms in early 2020, and now will be unveiling a revamped team under new head coach, Brandon Staley . Staley, who served as the Wk Date Opponent TV Time*/Res. defensive coordinator for the Rams in 2020, will begin his first year as a head coach 1 Sun ., Sept . 12 at Washington CBS 10:00 a .m . by playing against his former team in the first game of the preseason . 2 Sun ., Sept . 19 DALLAS CBS 1:25 p .m . 3 Sun ., Sept . 26 at Kansas City CBS 10:00 a .m . Reigning Offensive Rookie of the YearJustin Herbert looks to build off his 2020 season, 4 Mon ., Oct . -
Our School Preschool Songbook
September Songs WELCOME THE TALL TREES Sung to: “Twinkle, Twinkle, Little Star” Sung to: “Frère Jacques” Welcome, welcome, everyone, Tall trees standing, tall trees standing, Now you’re here, we’ll have some fun. On the hill, on the hill, First we’ll clap our hands just so, See them all together, see them all together, Then we’ll bend and touch our toe. So very still. So very still. Welcome, welcome, everyone, Wind is blowing, wind is blowing, Now you’re here, we’ll have some fun. On the trees, on the trees, See them swaying gently, see them swaying OLD GLORY gently, Sung to: “Oh, My Darling Clementine” In the breeze. In the breeze. On a flag pole, in our city, Waves a flag, a sight to see. Sun is shining, sun is shining, Colored red and white and blue, On the leaves, on the trees, It flies for me and you. Now they all are warmer, and they all are smiling, In the breeze. In the breeze. Old Glory! Old Glory! We will keep it waving free. PRESCHOOL HERE WE ARE It’s a symbol of our nation. Sung to: “Oh, My Darling” And it flies for you and me. Oh, we're ready, Oh, we're ready, to start Preschool. SEVEN DAYS A WEEK We'll learn many things Sung to: “For He’s A Jolly Good Fellow” and have lots of fun too. Oh, there’s 7 days in a week, 7 days in a week, So we're ready, so we're ready, Seven days in a week, and I can say them all. -
Amhrán:!The$Impact$Of$The$Post.Famine$Decline$In$Spoken$Irish$
! ! ! ! ! ! ! ! ! ! ! An!Bás!a!Muintire!sa!Amhrán:!the$Impact$of$the$Post.Famine$Decline$in$Spoken$Irish$ on$Sean$Nós$Song$ $ $ $ $ An!honors!thesis!for!the!Center!for!Interdisciplinary!Studies.! Anna!Lyons! ! ! ! ! ! ! ! ! Tufts!University!2015! Introduction* “If"Ireland"loses"her"music"she"loses"what"is,"after"her"Gaelic"language"and"literature," her"most"valuable"and"most"characteristic"possession.""And"she"is"rapidly"losing"it”"–" Douglas"Hyde"(1860F1949)" " It"was"this"desperate"aim"to"preserve"the"Irish"language"and"Irish"art"forms" that"motivated"the"Gaelic"Revival"of"the"late"nineteenth"century.""Hyde"himself"was"a" key"player"in"the"Revival"F"tirelessly"promoting"the"Irish"language,"transcribing"and" translating"Irish"music"and"folKlore"as"well"as"producing"original"material"to" jumpstart"Irish’s"resurgence"as"a"modern"language.""Hyde"tooK"a"particular"interest" in"preserving"sean%nós%singing"in"his"home"region"of"Connacht.""He"recognized"that" the"Great"Famine"threatened"to"extinguish"the"tradition"and"saw"his"revival"work"as" a"direct"response"to"that"threat.""Hyde’s"goal"was"to"publish"and"circulate"preF Famine"sean%nós"songs"among"revivalists"and"rebuild"the"musicFculture"of"the"native" style"through"the"production"of"his"own"sean%nós%songs." Sean%nós"is"a"native"form"Irish"singing."""It"is"generally"performed"by"one" unaccompanied"vocalist,"singing"in"the"Irish"language.""The"tradition"emphasizes"a" song’s"lyrics"and"the"story"it"tells"over"the"singer’s"voice"quality"or"musicality.""It"also" places"a"high"value"on"a"singer’s"vocal"ornamentation"which"accents"the"typical" -
5/1 Chapter 5 the SOUTH-WEST Counties East, South and North-West CORK -- KERRY -- West LIMERICK East CORK Cobh -- Spike Island T
Chapter 5 THE SOUTH-WEST counties East, south and north-west CORK -- KERRY -- west LIMERICK East CORK Cobh -- Spike Island Throughout the eighteenth and nineteenth century, visitors to Ireland from Britain and the Continent were appalled at the poverty of its people, and wondered at this because so much of the land was fertile. There were many reasons for the destitution, so many that Frank O'Connor neatly sidesteps them -- but he is in little doubt of the main reason: ignorance of the true condition of Ireland, on the part of its distant government, because of the difficulties involved in visiting it [1] : Books about a country usually begin with its history. Books about Ireland which do this tend to remain unread. The misunderstandings are too many... Ultimately, perhaps, all the misunderstandings can be traced to sixty miles of salt water which stretches between Britain and Ireland. O'Connor was writing in the 1940s. Mr & Mrs Hall begin their vast, chatty, obsequious (to the English reader) but well-intentioned three-volume Ireland , a hundred years earlier (1841), with a long description of the purgatory of a pre-steam crossing to Cork. They agree with O'Connor [2] : It was not alone the miserable paucity of accommodation and utter indifference to the comfort of the passengers, that made the voyage an intolerable evil. Though it usually occupied but three or four days, frequently as many weeks were expended in making it. It was once our lot to pass a month between the ports of Bristol and Cork; putting back, every now and then, to the wretched village of Pill, and not daring to leave it even for an hour, lest the wind should change and the packet weigh anchor.. -
Approved Game Themes
Approved Game Themes Manufacturer Theme THEME ID Approval Date ACS Bust The Bank ACS121712_001 Dec-12 ACS Double Angels ACS121712_002 Dec-12 ACS Dr. Watts Up ACS121712_003 Dec-12 ACS Eagle's Pride ACS121712_004 Dec-12 ACS Fish Party ACS060812_001 Jun-12 ACS Golden Koi ACS121712_005 Dec-12 ACS Inca Cash ACS060812_003 Jun-12 ACS Karate Pig ACS121712_006 Dec-12 ACS Kings of Cash ACS121712_007 Dec-12 ACS Magic Rainbow ACS121712_008 Dec-12 ACS Silver Fang ACS121712_009 Dec-12 ACS Stallions ACS121712_010 Dec-12 ACS The Freak Show ACS060812_002 Jun-12 ACS Wicked Witch ACS121712_011 Dec-12 AGS Bonanza Blast AGS121718_001 Dec-18 AGS Chinatown Luck AGS121718_002 Dec-18 AGS Colossal Stars AGS021119_001 Feb-19 AGS Dragon Fa AGS021119_002 Feb-19 AGS Eastern Dragon AGS031819_001 Mar-19 AGS Emerald Princess AGS031819_002 Mar-19 AGS Enchanted Pearl AGS031819_003 Mar-19 AGS Fire Bull Xtreme Jackpots AGS021119_003 Feb-19 AGS Fire Wolf AGS031819_004 Mar-19 AGS Fire Wolf II AGS021119_004 Feb-19 AGS Forest Dragons AGS031819_005 Mar-19 AGS Fu Nan Fu Nu AGS121718_003 Dec-18 AGS Fu Nan Fu Nu Lucky Dragons AGS021119_005 Feb-19 AGS Fu Pig AGS021119_006 Feb-19 AGS Golden Dragon Red Dragon AGS021119_008 Feb-19 AGS Golden Dragon Red Dragon Xtreme Jackpots AGS021119_007 Feb-19 AGS Golden Skulls AGS021119_009 Feb-19 AGS Golden Wins AGS021119_010 Feb-19 AGS Imperial Luck AGS091119_001 Sep-19 AGS Jade Wins AGS021119_011 Feb-19 AGS Lion Wins AGS071019_001 Jul-19 AGS Longhorn Jackpots AGS031819_006 Mar-19 AGS Longhorn Jackpots Xtreme Jackpots AGS021119_012 Feb-19 AGS Luck