Landscape Design Series 8 Japanese Garden Design Authored by Larry A
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Water Gardening27.Pdf
Visit us on the Web: www.gardeninghelp.org Water Gardening A water garden in the landscape brings an immediate sense of tranquility and intrigue. Like no other feature in the garden, a small pond of water lilies, cattails and Japanese Koi can transform and ordinary outdoor living space into an oasis. Ancient Egyptians and Far Eastern cultures were of the first to develop water gardens in the landscape. It was common to find lotus plants, papyrus, water lilies and other aquatic plants used to accent and focus on man’s relationship with nature. Since that time, Europeans have traditionally incorporated water gardens into the landscape and used Roman and Greek statuary to create formal pools and spectacular fountains such as those found at Tivoli Gardens in Rome and Versailles in France. Still a common practice in European countries, water gardens are finding a place in American gardens today. Fast becoming a favorite hobby for experienced and beginning gardeners, a water garden can be quite sophisticated with a series of waterfalls and pond levels, as interesting as a single 3 to 4 foot pool in the corner of the yard, or as simple as a half wooden barrel filled with floating plants and small water lilies. Installation of a Water Garden The most popular type of water garden installed today uses a synthetic liner to form the sides and bottom. There is very little time involved in installing this type water garden because these materials are lightweight, portable and adaptable to a variety of shapes and sizes. However, for one which will give years of enjoyment you will need to begin by making some careful plans. -
Rain Garden Plant Guide Table of Contents
RAIN GARDEN PLANT GUIDE TABLE OF CONTENTS INTRODUCTION 3 Blue Lobelia ................................................................................ 16 Blue Vervain ............................................................................... 16 Boneset ........................................................................................ 17 GRASSES/SEDGES/RUSHES 4 Butterfly Milkweed ................................................................... 17 Big Bluestem .............................................................................. 4 Cardinal Flower ......................................................................... 17 Bottlebrush Grass .................................................................... 4 Celandine Poppy ...................................................................... 18 Fox Sedge ................................................................................... 4 Columbine ................................................................................... 18 Frank’s Sedge ............................................................................ 5 Common Milkweed .................................................................. 18 Indian Grass ................................................................................ 5 Compass Plant .......................................................................... 19 Little Bluestem .......................................................................... 5 Culver’s Root ............................................................................ -
How to Install a Rain Garden at Home
How to Install a Rain Garden at Your Home Name of Location Date What is a Rain Garden? • Shallow landscaped depression that collects and treats stormwater runoff. • Designed to merge two important goals: aesthetics and water quality. • Can be blended into the landscape and made to look natural. • Water is directed into them by pipes, swales, or curb openings. Benefits • Designed to intercept, treat, and infiltrate stormwater at the source before it becomes runoff. • Provides very high pollutant removal efficiencies. • Can be incorporated into the landscapes of many locations, including your home. The Parts of a Rain Garden Your Home The Science Behind Rain Gardens • Absorption to soil particles − Removes dissolved metals and soluble phosphorus • Plant uptake − Removes small amounts of nutrients • Microbial processes NOTE: 90% of all storm events − Removes organics and pathogens produce less than 1 inch of rain. Therefore, the key to reducing • Exposure to sunlight and dryness pollutant loads is to treat the runoff associated with the first 1 − Removes pathogens inch of rain (Clayton & Schueler, • Sedimentation and filtration 1996). − Removes total suspended solids, floating debris, trash, soil-bound phosphorus, some soil-bound pathogens • Infiltration of runoff − Provides flood control, groundwater recharge, and nutrient removal Infiltration of Runoff How much water does a typical rain garden treat in a year? • 90% of rainfall events are less than 1.00” • New Jersey has approx. 44” of rain per year • The rain garden will treat and recharge: 0.9 x 44” = 40”/year = 3.3 ft/year • The rain garden receives runoff from 1,000 sq.ft. • Total volume treated and recharged by the rain garden is 1,000 sq. -
THE Buddhist Thinker and Reformer Nichiren (1222–1282) Is Consid
J/Orient/03 03.10.10 10:55 AM ページ 94 A History of Women in Japanese Buddhism: Nichiren’s Perspectives on the Enlightenment of Women Toshie Kurihara OVERVIEW HE Buddhist thinker and reformer Nichiren (1222–1282) is consid- Tered among the most progressive of the founders of Kamakura Bud- dhism, in that he consistently championed the capacity of women to achieve salvation throughout his ecclesiastic writings.1 This paper will examine Nichiren’s perspectives on women, shaped through his inter- pretation of the 28-chapter Lotus Sutra of Gautama Shakyamuni in India, a version of the scripture translated by Buddhist scholar Kumara- jiva from Sanskrit to Chinese in 406. The paper’s focus is twofold: First, to review doctrinal issues concerning the spiritual potential of women to attain enlightenment and Nichiren’s treatises on these issues, which he posited contrary to the prevailing social and religious norms of medieval Japan. And second, to survey the practical solutions that Nichiren, given the social context of his time, offered to the personal challenges that his women followers confronted in everyday life. THE ATTAINMENT OF BUDDHAHOOD BY WOMEN Historical Relationship of Women and Japanese Buddhism During the Middle Ages, Buddhism in Japan underwent a significant transformation. The new Buddhism movement, predicated on simpler, less esoteric religious practices (igyo-do), gained widespread acceptance among the general populace. It also redefined the roles that women occupied in Buddhism. The relationship between established Buddhist schools and women was among the first to change. It is generally acknowledged that the first three individuals in Japan to renounce the world and devote their lives to Buddhist practice were women. -
Fact Sheet a Look Inside the Portland Japanese Garden
Fact Sheet A look inside the Portland Japanese Garden Address: Hours: Key Personnel: 611 SW Kingston Ave Summer Public Hours (March 13 - Sept. 30): Stephen Bloom, Chief Executive Officer Portland, Oregon 97208 ● Monday: Noon - 7 p.m. Sadafumi Uchiyama, Garden Curator ● Tuesday - Sunday: 10 a.m. - 7 p.m. Diane Durston, Arlene Schnitzer Curator of Culture, Art & Education Website: japanesegarden.org Cynthia Johnson Haruyama, Deputy Director Phone: 503.223.1321 Winter Public Hours (Oct. 1 - March 12) Cathy Rudd, Board of Trustees President Email: [email protected] ● Monday: Noon - 4 p.m. Dorie Vollum, Board of Trustees President-Elect and Cultural ● Tuesday - Sunday: 10 a.m. - 4 p.m. Crossing Campaign Co-Chair Quick Facts: Pricing: ● Year Established: 1963 Adults: $14.95 ● Total Annual Attendance: 356,000 in 2016 (up 20% from 2015) Seniors (65+): $12.95 ● Total Acreage: 8 public gardens spread over 12 acres College Students (with ID): $11.95 ● Total Volunteer Hours: 7,226 in 2016 Youth (6 - 17): $10.45 ● Total Members: 11,000 Children 5 and under: free ● Total Staff: 83 regular employees, including eight full-time gardeners ● Total Operating Budget: $9.5 million Photos, Videos & Logos: ● Click here for Photos of the Garden in every season ● Click here for Photos of Cultural Programming & Art Exhibitions ● Click here for Videos & B-roll ● Click here for Logos Media Inquiries: Erica Heartquist | [email protected] | 503.542.9339 Page 1 of 3 About the Portland Japanese Garden For more than 50 years, the Portland Japanese Garden has been a haven of serenity and tranquility, nestled in the scenic West Hills of Portland, OR. -
Construction and Verification of the Scale Detection Method for Traditional Japanese Music – a Method Based on Pitch Sequence of Musical Scales –
International Journal of Affective Engineering Vol.12 No.2 pp.309-315 (2013) Special Issue on KEER 2012 ORIGINAL ARTICLE Construction and Verification of the Scale Detection Method for Traditional Japanese Music – A Method Based on Pitch Sequence of Musical Scales – Akihiro KAWASE Department of Corpus Studies, National Institute for Japanese Language and Linguistics, 10-2 Midori-cho, Tachikawa City, Tokyo 190-8561, Japan Abstract: In this study, we propose a method for automatically detecting musical scales from Japanese musical pieces. A scale is a series of musical notes in ascending or descending order, which is an important element for describing the tonal system (Tonesystem) and capturing the characteristics of the music. The study of scale theory has a long history. Many scale theories for Japanese music have been designed up until this point. Out of these, we chose to formulate a scale detection method based on Seiichi Tokawa’s scale theories for traditional Japanese music, because Tokawa’s scale theories provide a versatile system that covers various conventional scale theories. Since Tokawa did not describe any of his scale detection procedures in detail, we started by analyzing his theories and understanding their characteristics. Based on the findings, we constructed the scale detection method and implemented it in the Java Runtime Environment. Specifically, we sampled 1,794 works from the Nihon Min-yo Taikan (Anthology of Japanese Folk Songs, 1944-1993), and performed the method. We compared the detection results with traditional research results in order to verify the detection method. If the various scales of Japanese music can be automatically detected, it will facilitate the work of specifying scales, which promotes the humanities analysis of Japanese music. -
I TEAM JAPAN: THEMES of 'JAPANESENESS' in MASS MEDIA
i TEAM JAPAN: THEMES OF ‘JAPANESENESS’ IN MASS MEDIA SPORTS NARRATIVES A Dissertation submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Michael Plugh July 2015 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Media and Communication Doctoral Program Nancy Morris, Media and Communication Doctoral Program John Campbell, Media and Communication Doctoral Program Lance Strate, External Member, Fordham University ii © Copyright 2015 by MichaelPlugh All Rights Reserved iii Abstract This dissertation concerns the reproduction and negotiation of Japanese national identity at the intersection between sports, media, and globalization. The research includes the analysis of newspaper coverage of the most significant sporting events in recent Japanese history, including the 2014 Koshien National High School Baseball Championships, the awarding of the People’s Honor Award, the 2011 FIFA Women’s World Cup, wrestler Hakuho’s record breaking victories in the sumo ring, and the bidding process for the 2020 Olympic Games. 2054 Japanese language articles were examined by thematic analysis in order to identify the extent to which established themes of “Japaneseness” were reproduced or renegotiated in the coverage. The research contributes to a broader understanding of national identity negotiation by illustrating the manner in which established symbolic boundaries are reproduced in service of the nation, particularly via mass media. Furthermore, the manner in which change is negotiated through processes of assimilation and rejection was considered through the lens of hybridity theory. iv To my wife, Ari, and my children, Hiroto and Mia. Your love sustained me throughout this process. -
WG-BIFOLD-2018.Pdf
WATER GARDEN WG Easy to maintain Water Gardens bring the world of colorful fish and beautiful aquatic plants to your landscape. WHAT IS A WATER GARDEN? Water Gardens are biologically active gardens that contain water and living creatures. Plants thrive on the humidity and feed on the WG nutrients from the fish, birds and insects drawn to the pond, in turn providing them shelter and food. When in balance, bacteria, plants and fish thrive, water stays clear and clean and maintenance is minimal, so achieving balance is critical. Atlantic’s Skimmers, FilterFalls and Treatments complement fish and plant life to provide the tools needed to create a naturally balanced ecosystem. BENEFITS OF WATER GARDENS Water Gardens are living water features, offering not just the sight and sound of water in the landscape, but the enticing charm of the many plants and animals that inhabit them. • Water Gardens offer an attractive and accessible stage for pondowners to observe and enjoy the fish, insects, plants and animals that live and visit there. • The allure of the pond attracts live-in guests like frogs and turtles; dragonflies come to mate; birds to cool off and bathe, while fox, deer, rabbits and many other species come to drink. • Water Gardens provide plants and plant lovers the ideal habitat for favorite blooming aquatics, like fragrant waterlilies, exotic lotus and showy canna lilies. • Splash and evaporation raise humidity and moderate temperature around the pond in summer, while the water warms the surroundings in winter, creating a more temperate environment. THE ATLANTIC WATER GARDEN SYSTEM Atlantic’s Water Garden System offers a complete solution for every pond builder, from full-featured Skimmers that allow for every plumbing and pre-filter preference, to versatile FilterFalls that can be upgraded as ponds mature and organic loads increase. -
7.5 Heian Notes
Name: Date: Topic: Japan’s Heian Period Period: Main Ideas/ Questions Notes Row Leaders get Textbooks + Setup Cornell Notes + Put graded work away A New Capital • In 794, the Emperor Kammu built a new capital city for Japan, called Heian-Kyo. • Today, it is called Kyoto. • The Heian Period is called Japan’s “Golden Age” Essential Question: What does “Golden Age” mean? Inside the city • Wealthy families lived in mansions surrounded by gardens. A Powerful Family • The Fujiwara family controlled Japan for over 300 years. • They had more power than the emperor and made important decisions for Japan. Beauty and Fashion • Beauty was important in Heian society. • Men and women blackened their teeth. • Women plucked their eyebrows and painted them higher on their foreheads. Beauty and Fashion • Heian women wore as many as 12 silk robes at a time. • Long hair was also considered beautiful. Entertainment • The aristocracy had time for diversions such as go (a board game), kemari (keep the ball in play) and bugaku theater. Art • Yamato-e was a style of Japanese art that reflected nature from the Japanese religion of Shinto. Writing and Literature • The Tale of Genji was written by Murasaki Shikibu, a woman, and is considered the world’s first novel. Japanese Origami Book Blah blah blah blah. Blah blah blah blah. Blah blah blah blah. Blah blah blah blah. Blah blah blah blah. Blah blah blah blah. . -
The Karin Ikebana Exhibition
Sairyuka - Art and ancient Asian philosophy rooted in nature KARIN-en vol.6 Sairyuka No. 35 Supplementary Karin-en News No. 6, January 2018 Ikebana / Paintings / Vessels ... The Karin Ikebana Exhibition Kanazawa / Tokyo “ Ikebana / Paintings / Vessels - The Karin Ikebana Exhibitions” were held in Kanazawa and Tokyo, co- inciding with the Hina festival and Boy’s Day celebration (Sairyuka No. 35). This page and the next show designs from the Tokyo exhibition. Sairyuka - Ikebana of the Wind Camellia (single-variant); by Karin Painting (hanging scroll) - “Sea bream”; by Karin Mounting by Akira Nagashima Vessel: Boat-form ceramic vase and square/circular stand (thick board) Design by Karin Production by Yatomi Maeda (ceramics), Kazuhiko Tada (stand) Koryu Association, Komagome, Tokyo 23 November Held together with the Koryu Ikebana Exhi- bition (continued on p2) Jiyuka (versatile arrangement); by Risei Morikawa Pine, camellia, eucalyptus, lily, soaproot, kori willow, other Vessel: Reika - beech, other; by Box-form ceramic vase Design by Karin Hosei Sakamoto Painting Production by Yatomi Maeda (hanging scroll) - “frog”; by Positioned at the venue entrance Karin Mounting by Akira Na- gashima Vessel: Ceramic “ kagamigata ” (parabolic) vase Design by Karin Production by Yatomi Maeda 1 The Karin Ikebana Exhibition 23 November23 Continued from page page 1 from Continued KoryuAssociation, Komagome, Sairyuka - Five Ikebana: Camellia (single tone) (From left: Wind Ikebana, Water Ikebana, Sword Ikebana, Earth Ikebana, Fire Ikebana): by Karin, Kyuuka Yamaki, Kyuuka Higashimori Paintings (hanging scroll) - From left: Enso-Wind, Enso-Water, Enso-Sword, Enso-Earth, Enso-Fire: Karin Mounting by Akira Nagashima Vessel: Square-circular ceramic vase Design by Karin Tokyo Production by Yatomi Maeda The Tokyo “Karin Ikebana Exhibition” was held on 23 【Right】 November at the Koryu Reika - (Japanese yew), other: by Association in Komagome, Ribin Okamoto alongside the established Painting (hanging scroll) - “sword”; Koryu Shoseikai Ikebana by Karin exhibition. -
Mizumoto Japanese Stroll Garden October, Open Daily 10 A.M.- 6 P.M
Hours Welcome to the April-September, open daily 10 a.m.- 7 p.m. IZUMOTO Mizumoto Japanese Stroll Garden October, open daily 10 a.m.- 6 p.m. M AN Admission Fees JAP ESE Adults: $3 Free admission, with member ID, ROLL GARDEN Children under 12: Free to members of Friends of the ST Garden or American Horticultural eene/Close Nathanael Gr Memorial Pa Koi fish food available: $1 Society reciprocal gardens. in ic Ave., Springfi eld, Miss rk 2400 S. Scen ouri 65807 Rentals & Tours The Mizumoto Japanese Stroll Garden and the * Stepping stones make it essential to look down and see adjacent Japanese Garden Pavilion are available for The Zig-Zag Bridge slows you down to where you are placing your feet. This act of slowing down rentals and weddings. Call 417-891-1515 or visit help create a meditative state. allows for a greater opportunity for contemplation. ParkBoard.org/Botanical/Rentals. Guided group tours and field trips may be scheduled through the Botanical Center or call 417-891-1515. Park Rules • Pets are permitted on a leash. • No swimming, wading, boating or fishing. • No harvesting of flowers, fruit, or plants. The Moon Bridge is curved to reflect the roundness of • No hammocks or attaching anything to trees. the rising moon. Japan is known as the Land of the Rising The Gazebo’s open-air design makes it • Weddings, special events and any activity including Sun. The moon is an important part of Japanese culture, ideal for meditation, tea ceremonies or 30 or more people requires a rental. -
From Garden to Landscape: Jean-Marie Morel and the Transformation of Garden Design Author(S): Joseph Disponzio Source: AA Files, No
From Garden to Landscape: Jean-Marie Morel and the Transformation of Garden Design Author(s): Joseph Disponzio Source: AA Files, No. 44 (Autumn 2001), pp. 6-20 Published by: Architectural Association School of Architecture Stable URL: http://www.jstor.org/stable/29544230 Accessed: 25-08-2014 19:53 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Architectural Association School of Architecture is collaborating with JSTOR to digitize, preserve and extend access to AA Files. http://www.jstor.org This content downloaded from 128.103.149.52 on Mon, 25 Aug 2014 19:53:16 UTC All use subject to JSTOR Terms and Conditions From to Garden Landscape Jean-Marie Morel and the Transformation of Garden Design JosephDisponzio When the French landscape designer Jean-Marie Morel died on claim to the new style. Franc, ois de Paule Latapie, a protege of 7 October, 1810, the Journal de Lyon et du Departement du Rhone Montesquieu, was first to raise the issue in his translation of gave his obituary pride of place on the front page of its Thomas Whately's Observations onModern Gardening (1770), the ii October issue. It began simply: 'Jean-Marie Morel, architecte first theoretical text on picturesque gardening.