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For Nearly Fifty Years George W. Gardner Has Been Traversing

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For Nearly Fifty Years George W. Gardner Has Been Traversing For nearly fifty years George W. In the forward to the book Douglas Jim Hughes, in his introduction to Gardner has been traversing Kenyon has written: America Illustrated, wrote of his first meeting with George W. Gardner: America—by motorcyle, by car, America Illustrated is a collection and in his private plane—to make of photo graphs about us, the people of Soon, he opened his sample case to reveal America.... hundreds of glowing black­and­white a portrait of a country he knows prints. Images of America exploded like to the depth of his soul. His With surroundings all too familiar to us, so many coiled springs into my already book of photographs, America [George W. Gardner] shows us an America cluttered office, finally covering every Illustrated, was published in we have never seen. His pictures reveal available surface, including the floor.... an un common ability to isolate, contem­ 1982. plate, and often celebrate those moments. I was seeing, clearly and possibly for With in the confines of the photographs, the first time, middle America, which is the pictures are complete; but often they all America: the America of Saturday imply a much larger, more complex afternoon high school football, concrete situation. This added quality of ambiguity highways to towns named Fate, and un­ takes the photographs far beyond the declared wars featured on the six o’clock simple recording of a given moment. news. This was not Apple Pie America, nor Glamor America, nor Ugly America, With that very personal Gardner wit and nor Bloody America. This was America affection, George shows us our emotions, as it must be, and I was seeing it because our rituals, our triumphs, our absur d­ a citizen named George Gardner was ities—the world we have created. taking me there. He forces us to reflect upon ourselves and our American Dream for better or “America is my place,” Gardner explains. for worse. “I have no choice, and I have always felt that. Anyplace else, I’m just a tourist, Among the many reasons for which I don’t connect. In America, I feel as if I I will always be grateful to Hugh Edwards, have some deep notion of what’s going on. the renowned former curator of photo g­ I am trying to get at what I think about raphy at the Art Institute of Chicago, America. I can feel this country. is the fact the he first showed me the photographs of George Gardner. Edwards “But the connection between me and it who once said, “Anything can be art, is tenuous enough so that I really do have but very little is,” would greatly applaud to pay attention. Otherwise, I will lose it. this book. So I don’t relax.” Staten Island Ferry, 1967 GEORGE W. GARDNER AMERICA ILLUSTRATED Untitled, 1968 CHRONOLOGY Published by Deborah Bell Photographs and 1940 Born in Albany, New York Paul M. Hertzmann, Inc. in conjunction with the 1964 Received B.A. degree in Anthropology, exhibition “George W. Gardner: America Illustrated” University of Missouri at Deborah Bell Photographs, New York, NY, April 9–June 30, 2010. SOLO EXHIBITIONS 1983 Berkshire Museum, Pittsfield, MA 1982 Douglas Kenyon Gallery, Chicago, IL DeboRAH BELL PHOTOGRAPHS 1980 Catskill Center for Photography, Woodstock, NY 511 West 25th Street, Room 703 1979 Midtown Y Gallery, New York, NY New York, NY 10001 1978 Sunprint Gallery, Madison, WI 212-691-3883 1967 Purdue University, Lafayette, IN [email protected] www.deborahbellphotographs.com GROUP EXHIBITIONS 1979 The Art Institute of Chicago, Chicago, IL, Paul M. HERTZMANN, INC. “Discovering America: A Tribute to Hugh P.O. Box 40447 Edwards” San Francisco, CA 94140 1977 Neikrug Gallery, New York, NY, “Rated X” 415-626-2677 1969 The Museum of Modern Art, New York, NY, [email protected] “Contemporary Photography II” www.hertzmann.net PUBLICATIONS Design: Beverly Joel, pulp, ink. 1985 Gun People, Dolphin Book, Doubleday & Co., Inc., Garden City, NY Printing: Meridian Printing, East Greenwich, RI 1983 George W. Gardner, 1960–1980, The Berkshire Museum, Pittsfield, MA Brochure copyright © 2010 Deborah Bell 1983 Documentary Photography, Time-Life Inc., Photographs and Paul M. Hertzmann, Inc. New York, NY, rev. ed. 1982 America Illustrated: Photographs by All photographs copyright © George W. Gardner. George W. Gardner, 1960–1980, No images may be reproduced without the written Tackfield Ltd., London & Chicago, IL permission of the photographer. These and 1977 Popular Photography “How-To Guide” other photographs by George W. Gardner are 1972 Creative Camera, February, 1972 offered for sale. COLLECTIONS Our special thanks to Charles Gatewood for bringing the photographs of George W. Gardner to The Art Institute of Chicago, Chicago, IL our attention. DePaul University Art Museum, Chicago, IL Metropolitan Museum of Art, New York, NY Front cover: Museum of Contemporary Photography, Columbia College, Chicago, IL Photographer’s Storefront, Northern The Museum of Modern Art, New York New Mexico, 1967. Smithsonian American Art Museum, Washington, DC AWARDS 1980–81 New York State Creative Artists Public Service (CAPS) Fellowship Austin, Texas, 1967 Cairo, Illinois, 1970 Airport, Joliet, Illinois, 1970 Ozark Mountains, Southern Missouri, 1967.
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