Republican Sicily at the Start of the 21St Century : the Rise of the Optimists ?1
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Re/Defining the Imaginary Museum of National Music
Re/Defining the Imaginary Museum of National Music The Case of Croatia Zdravko Blažekovic´ The historian is a product of history himself, and of his situation. However hard we may try, he cannot escape the molding of his mind by his experience and his surroundings.1 Music historiography in Croatia was throughout the twentieth century marked by the path established in the late nineteenth century by Franjo Ksaver Kuhač (1834-1911), who defined the criteria for inclusion of musicians into the national canon on the basis of their Croatian ethnic origin rather than presenting cultural circles in which they were active. In the twentieth century, the central influence on the definition of the canon of Croatian music history came from Josip Andreis (1909-1982) in his historical survey published in three Croatian editions (Razvoj muzičke umjetnosti u Hrvatskoj [The development of musical arts in Croatia], 1962; Povijest hrvatske glazbe [History of Croatian music], 1974, 1989) and two English editions (Music in Croatia 1974, 1982). Synthesizing the existing views about Croatian music, he constructed in his narrative a museum of Croatian and foreign com- posers active in Croatia, as well as composers born in Croatia but living abroad. Besides nationalistic traits inherited from Kuhač, a reason for emphasizing activities of composers working abroad were the political and cultural circumstances surrounding Andreis during the time of communist Yugoslavia, when Croatian connections with the Central European musical space were particularly appreciated, especially when the quality of composers living abroad surpassed the musical production within the country. Being a part of multina- tional Yugoslavia situated between the Eastern and Western cultural and religious spheres, Croatians at the time wanted to distance themselves from the cultures in Eastern Europe and felt the need to be reassured about their belonging to Slavia Latina. -
Performance and Rhetoric in Cicero's Philippics * in Recent Years, the Idea Of
Performance and Rhetoric in Cicero's Philippics * In recent years, the idea of 'performance' has become a more and more important concept for the analysis of literary texts, even if the notion of 'performance' in literary criticism still does not denote a single agreed theory, but is a collective term referring to a number of different aspects and methods. The performance approach seems obvious for some literary genres, like drama and also oratory, for which performance is an essential char acteristic. In the case of orations, in antiquity already a detailed doctrine of the perfect performance was established, both in theory and practice. Building on this knowledge and trying to recover the quintessential context of a speech, people have successfully attempted to explore a Roman orator's potential and to contexrualize Roman orations by reconstructing the delivery of sample speeches.' However, there are further levels of performance to be looked at in a Roman speech if the term 'performance' is understood in a more specific way: there is not only the actio that determines the performance of a complete speech; the texts of transmitted speeches also exhibit passages where the wording shows that the orator bases his argument on the performance situation, particularly by making use of the active participation of the audience. Reactions from the audience are deliberately elicited by the orator, for instance by taking on certain roles; these techniques stem from his rhetorical training (for example, ethopoiia); however, considering and commenting on these reactions subsequently yield a performative dialogue with the audience, mirrored in the text. That opens up the opportunity to reconstruct a performance situation which goes beyond identifying how rhetorical techniques have been realized by the orator. -
Working Papers
Temi di discussione (Working Papers) The catalytic role of IMF programs by Claudia Maurini and Alessandro Schiavone April 2021 April Number 1331 Temi di discussione (Working Papers) The catalytic role of IMF programs by Claudia Maurini and Alessandro Schiavone Number 1331 - April 2021 The papers published in the Temi di discussione series describe preliminary results and are made available to the public to encourage discussion and elicit comments. The views expressed in the articles are those of the authors and do not involve the responsibility of the Bank. Editorial Board: Federico Cingano, Marianna Riggi, Monica Andini, Audinga Baltrunaite, Marco Bottone, Davide Delle Monache, Sara Formai, Francesco Franceschi, Adriana Grasso, Salvatore Lo Bello, Juho Taneli Makinen, Luca Metelli, Marco Savegnago. Editorial Assistants: Alessandra Giammarco, Roberto Marano. ISSN 1594-7939 (print) ISSN 2281-3950 (online) Printed by the Printing and Publishing Division of the Bank of Italy THE CATALYTIC ROLE OF IMF PROGRAMS by Claudia Maurini* and Alessandro Schiavone* Abstract This paper investigates the impact of IMF programs on private capital flows in the assisted countries. We look at the impact on inflows and outflows of both traditional and precautionary programs, also taking into account the characteristics of the programs. Using the entropy balancing method to address the selection bias, we find that traditional IMF programs have an anticatalytic effect on private capital inflows; this effect is mainly driven by programs that went off-track and by exceptional access programs. By contrast, precautionary programs are found to have a catalytic effect, working mainly through outflows. JEL Classification: F33, F34, G11, G15. Keywords: International Monetary Fund, catalysis, capital flows. -
CICERO the Governor of Sicily Tours His Province
Eduqas GCSE Latin Component 2: Latin Literature and Sources (Themes) Travel by Land and Sea CICERO The governor of Sicily tours his province Teachers should not feel that they need to pass on to their students all the information from these notes; they should choose whatever they think is appropriate. The examination requires knowledge outside the text only when it is needed in order to understand the text. The Teacher’s Notes contain the following: An Introduction to the author and the text – though students will only be asked questions on the content of the source itself. Notes on the text to assist the teacher. Suggested Questions for Comprehension, Content and Style to be used with students. Discussion suggestions and questions for students, and overarching Themes which appear across more than one source. Further Information and Reading for teachers who wish to explore the topic and texts further. © University of Cambridge School Classics Project 2020 PUBLISHED BY THE CAMBRIDGE SCHOOL CLASSICS PROJECT Faculty of Education, University of Cambridge, 184 Hills Road, Cambridge, CB2 8PQ, UK http://www.CambridgeSCP.com © University of Cambridge School Classics Project, 2020 Copyright In the case of this publication, the CSCP is waiving normal copyright provisions in that copies of this material may be made free of charge and without specific permission so long as they are for educational or personal use within the school or institution which downloads the publication. All other forms of copying (for example, for inclusion in another publication) are subject to specific permission from the Project. First published 2020 version date: 25/02/2020 This document refers to the official examination images and texts for the Eduqas Latin GCSE (2021 - 2023). -
{Replace with the Title of Your Dissertation}
Haec Templa: Religion in Cicero’s Orations A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY NICHOLAS ROBERT WAGNER IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Spencer Cole April 2019 © NICHOLAS WAGNER 2019 Acknowledgements I would first like to thank my advisor, Spencer Cole, who provided helpful feedback and recommendations throughout the entire process of this dissertation and deserves singular acknowledgement. The project originated with a 2013 course on Roman religion. That, along with numerous meetings and emails, has been fundamental to my approach to the subject. I would also like to thank my other committee members, Christopher Nappa, Andrew Gallia, and Richard Graff, all of whom provided immensely useful feedback at various stages, both in the scope of the project and future directions to train my attention. Next, thanks are due to the faculty and the graduate students in the Department of Classical and Near Eastern Studies at the University of Minnesota. Their support over the years has been invaluable, both academically and socially. Special thanks are due to current student Joshua Reno and former student Rachael Cullick. Lunches with them, where they patiently heard my ideas in its earliest stages, will be ever-cherished. Finally, I would like to thank my parents and siblings for their endless support over the years. Sometimes a nice meal or a break at the movies is exactly what was needed. i Dedication This dissertation is dedicated to my parents and their parents. ii Table of Contents Introduction ....................................................................................................................... 1 Cicero and Lived Religion ........................................................................................................ -
2016 Marks the 25Th Anniversary of the Work of the International Trust for Croatian Monuments
THE INTERNATIONAL TRUST FOR CROATIAN MONUMENTS Charity Registration No. 1040187 34 Cadogan Square, London SW1X 0JL Tel/Fax: (020) 7589 1134 & (01677) 422811 www.croatianmonuments.org Email: [email protected] Trustees: Jadranka Lady Beresford-Peirse Sherban Cantacuzino CBE The Viscount Norwich Peter Stormonth Darling Sir Henry Njers Beresford-Peirse John Beresford-Peirse YEAR 2016 MARKS THE 25TH ANNIVERSARY OF THE WORK OF THE INTERNATIONAL TRUST FOR CROATIAN MONUMENTS WITH MANY THANKS TO ALL OUR SUPPORTERS PROGRESS REPORT 2016 Visits to Croatia in September/October 2015 and May 2016 Last autumn, I was a happy and grateful recipient of a Special Mention, an out of ordinary category of the VICKO ANDRIĆ awards, given annually by the Ministry of Culture to individuals and institutions for their efforts in the preservation of Croatian cultural heritage. The awards, started in 2004, are given for Life and Annual Achievement and for Contribution to the Life of Local Communities in the field of conservation.This is in memory of Vicko Andrić, 1793 – 1866, an architect and surveyor and the first Croatian conservator, responsible for preservation of many monuments in Croatia. The public at large, professionals and institutions, can nominate people who they think deserve such honours and I would like to express my thanks to those who proposed my name and to those who supported their proposition. Last autumn, I visited for the first time the Town Museum in SISAK, Roman SISCIA, a treasure trove of archaeological finds, from all periods, including Roman, who were settled there from the 1st to the 4th century AD. The Museum had recently employed a conservator and wanted to establish a conservation workshop, to be able to do at least some work at home, instead of sending to other workshops. -
Sicilian Landscape As Contested Space in the First Century BC: Three Case Studies
Sicilian Landscape as Contested Space in the First Century BC: Three Case Studies Dustin Leigh McKenzie BA (Hons), Dip. Lang. A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2018 School of Historical and Philosophical Inquiry ii Abstract Sicily was made the first overseas Roman province between 241 and 212 BC, and became known as the ‘bread-basket’ of the Republic due to the island’s famously fertile farmlands. The island, with its history of pre-Roman conflict, second century slave revolts, and use as a military stronghold in the civil wars of the first century, never dissociated itself from conflict. As such, its construction as a ‘contested space’ was popular in the literature of first-century Rome, employed as a symptomatic topos of the state of Rome – the closer Roman Sicily resembled its pre- annexation state, the greater the perceived threat to the Republic, and vice-versa. This construction of Sicily and its landscape was employed by authors such as Cicero, Diodorus Siculus, and Virgil to great effect, as they engaged with, reinforced, or challenged the major contemporary discourses of imperialism, the impact of civil war, and food security. Cicero’s In Verrem presents its audience with a Sicily that has been purposely constructed to deliver the most damning image of Verres, the infamously corrupt governor of Sicily from 73-71, the most sympathetic and familiar image of the Sicilians, presented as virtuous and stoic farmers, and a Sicily that has been reduced to a war-torn desert under Verres’ rule. Through his construction of Sicily as contested space, Cicero secured his win against Verres in court and demonstrated to his audiences the danger Verres’ actions presented Rome, threatening the stability of the relationship between Sicily and Rome. -
Cooperation and Conflict Between Governor and Poleis in the Verrines
Cooperation and Conflict between Governor and poleis in the Verrines Pfuntner, L. (2015). Cooperation and Conflict between Governor and poleis in the Verrines. Phoenix, 69(3/4), 355-375. https://doi.org/10.7834/phoenix.69.3-4.0355 Published in: Phoenix Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © The Classical Association of Canada General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:02. Oct. 2021 COOPERATION AND CONFLICT BETWEEN GOVERNOR AND POLEIS IN THE VERRINES Laura Pfuntner i. reading the VERRINES from a sicilian perspective In august 70 b.c., in his first appearance as a prosecutor, Cicero presented his case against Gaius Verres, governor of Sicily from 73 to 71, in the quaestio de repetundis in Rome.1 Cicero did not have the chance to complete his prosecution, however, since Verres abandoned his defense after the first hearing of the case and went into exile in Massilia. -
Prosopopoeia in Ciceronian Oratory
Prosopopoeia in Ciceronian Oratory Tyler Broome A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Classics University of Otago March 2021 Abstract This thesis examines the form and function of prosopopoeia in Cicero’s speeches. Prosopopoeia – the rhetorical device in which an orator fabricates and delivers a discourse as another character – offers an alternative to the orator’s own speech for the communication of information and emotion. The most recent study on the device, D.S. Mayfield’s Variants of Rhetorical Ventriloquism, suggests that “it is always significant rhetorically in whose mouth words are being put – at what time, in which context and whose presence, by which means, and (above all) in the interest of what or whom” (Mayfield 2019, 147-148). This study seeks to evaluate Mayfield’s claim in the practice of Ciceronian oratory by examining when Cicero used the device, whom he portrayed, and how the device contributed to his persuasive aims. A preliminary examination of extant rhetorical theory up to and including Quintilian provides context for Cicero’s practice, identifying a range of potential effects the device could enact. Ancient theory also raises several questions about taxonomical distinctions between types of prosopopoeia, which are briefly discussed to further contextualise Cicero’s practice. Following this, eight of Cicero’s speeches are discussed in chronological order: Pro Quinctio; Pro Roscio Amerino; In Verrem 2.5; the First Catilinarian; Pro Caelio; In Pisonem; Pro Plancio; and Pro Milone. Notable prosopopoeiae in these speeches are identified and evaluated in relation to their persuasive effect on the audience, identifying a diverse range of uses for the device such as generating indignation or pity, and the delineation of characters. -
The Changing Face of Venice by Palma Il Giovane Depicting the History of the Restoration of the Theatre Malibran
ACCESS SCORZÉ NOALE MARCO POLO AIRPORT - Tessera SALZANO S. MARIA DECUMANO QUARTO PORTEGRANDI DI SALA D'ALTINO SPINEA MIRANO MESTREMESTRE Aeroporto SANTA LUCIA RAILWAY STATION - Venice Marco Polo MARGHERA TORCELLO BURANO autostrada Padova-Venezia S.GIULIANO DOLO MIRA MURANO MALCONTENTA STRÀ ORIAGO WATER-BUS STATION FIESSO TREPORTI CAVALLINO D'ARTICO FUSINA PUNTA SABBIONI VTP. - M. 103 for Venice RIVIERA DEL BRENTA VENEZIA LIDO MALAMOCCO WATER-BUS STATION ALBERONI VTP - San Basilio S. PIETRO IN VOLTA WATER-BUS STATION PORTOSECCO Riva 7 Martiri - Venice PELLESTRINA P PIAZZALE ROMA CAR PARK - Venice P TRONCHETTO CAR PARK - Venice P INDUSTRIAL AREA CAR PARK - Marghera P RAILWAY-STATION CAR PARK - Mestre P FUSINA CAR PARK - Mestre + P SAN GIULIANO CAR PARK - Mestre Venezia P PUNTA SABBIONI CAR PARK - Cavallino The changing face of Venice The architect Frank O. Gehry has been • The Fusina terminal has been designed entrusted with developing what has been by A. Cecchetto.This terminal will be of SAVE, the company that has been run- • defined as a project for the new airport strategic importance as the port of entry ning Venice airport since 1987 is exten- marina. It comprises a series of facilities from the mainland to the lagoon and ding facilities to easily cope with the con- that are vital for the future development historical Venice. stant increase in traffic at Venice airport. of the airport, such as a hotel and an The new airport is able to process 6 mil- The new water-bus station has been desi- administration centre with meeting and • lion passengers a year. gned by U. -
Tindari Harbor.Pdf
ANNALS OF GEOPHYSICS, 55, 2, 2012; doi: 10.4401/ag-4656 RESEARCH ARTICLES Buried archeological remains connected to the Greek-Roman harbor at Tindari (north-east Sicily): results from geomorphological and geophysical investigations Carla Bottari1,*, Stefano Urbini1, Marcello Bianca3, Maria D'Amico2, Marco Marchetti1, Francesco Pizzolo2 1 Istituto Nazionale di Geofisica e Vulcanologia, Sezione Roma 2, Rome, Italy 2 Università di Messina, Osservatorio Sismologico, DIC, Messina, Italy 3 Università della Basilicata, Dipartimento di Strutture, Geotecnica, Geologia applicata all'Ingegneria, Potenza, Italy Article history Received March 12, 2010; accepted December 16, 2011. Subject classification: Buried harbor structures, Geophysical investigation, Horizontal-to-vertical spectra ratio method, Stratigraphy, Digital terrain model. ABSTRACT Promontory and the Oliveri coastal plain was based on In recent years, detailed geoarcheological investigations have been Holocene uplifted and submerged notches that indicate past carried out to search for traces of the ancient Tindari harbor (north-east sea levels (Figure 2). Along the western Tindari Cape Sicily, Italy). A digital terrain model supported the hypothesis that 2,000 coastline, two marine notches were found higher than the yr ago the Oliveri Basin was a suitable landing place that was protected present day sea level. The most prominent of these notches from prevailing winds. This model was generated from uplift data, sea lies between 5 m and 6 m above sea level, and was formed in level changes, historical cartographic data and three-dimensional the metamorphic rock outcropping in the area. A submerged reconstruction of the sedimentary succession of the cover. The present notch lies 3 m below sea level. A recent digital terrain model position of some historical buildings represent an archeological marker (DTM) [Bottari et al. -
Cicero's Debt to Demosthenes in the Verrines Reconsidered
Meidias and the Mute Witness: Cicero’s Debt to Demosthenes in the Verrines Reconsidered Kathryn Tempest EMOSTHENES’ SPEECHES exerted a profound influence on the development of rhetorical education. Not only D did they earn him a place on the so-called ‘canon’ of ten Attic orators—a recommended reading list which reached its final form around the second century A.D.;1 his works were mined for aspects of style, biographical details, and techniques of persuasion. Within this broader context, his speech Against Meidias (Dem. 21) appears to have featured as set reading for more than a generation of later schoolboys.2 Thus Quintilian, writing his Institutio Oratoria towards the end of the first century A.D., could assume such familiarity with the speech that he needed only refer to the circumstances of the trial to prove a larger point, namely, that the manner in which a man was struck added to the heinousness of the crime, whereupon he added: “as 1 For discussion and further references see I. Worthington, “The Canon of the Ten Attic Orators,” in Persuasion: Greek Rhetoric in Action (London/New York 1994) 244–263. 2 Evidence includes a rhetorical prologue and commentary (P.Lond. I 131; Pack2 307), which dates to the late first or early second century A.D., but which may well trace back to an original of the mid-first century B.C.; see M. J. Lossau, Untersuchungen zur antiken Demosthenesexegese (Bad Homburg 1964) 112– 113 and 119–122. Likewise, P.Rain.inv. 7 (Pack2 308) contains part of a special lexicon to Dem.