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Wanted: Dead Or Alive”
CREATED BY I. Marlene King BASED ON THE BOOKS BY Sara Shepard EPISODE 7.06 “Wanted: Dead or Alive” Hanna struggles with whether to tell the police the truth about Rollins. Emily challenges Jenna, who reveals part of her plot. WRITTEN BY: Lijah Barasz DIRECTED BY: Bethany Rooney ORIGINAL BROADCAST: August 2, 2016 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. EPISODE CAST Troian Bellisario ... Spencer Hastings Ashley Benson ... Hanna Marin Tyler Blackburn ... Caleb Rivers Lucy Hale ... Aria Montgomery Ian Harding ... Ezra Fitz Shay Mitchell ... Emily Fields Andrea Parker ... Mary Drake Janel Parrish ... Mona Vanderwaal (credit only) Sasha Pieterse ... Alison Rollins Vanessa Ray ... CeCe Drake / Charlotte DiLaurentis Huw Collins ... Dr. Elliott Rollins / Archer Dunhill Dre Davis ... Sara Harvey Nicholas Gonzalez ... Detective Marco Furey Tammin Sursok ... Jenna Marshall Dawn Brodey ... Maid P a g e | 1 1 00:00:07,925 --> 00:00:10,051 Aria, I called you last night 2 00:00:10,093 --> 00:00:12,220 after you went to Ezra's. 3 00:00:12,262 --> 00:00:15,015 Yeah. I'm sorry I didn't get back to you. 4 00:00:15,056 --> 00:00:16,183 Well, is everything okay? 5 00:00:16,224 --> 00:00:18,059 Did he find out about the Nicole call? 6 00:00:18,101 --> 00:00:19,979 No, he didn't. -
Pretty Little Liars
Pretty Little Liars Pilot Written By I. Marlene King Directed By Lesli Glatter White – November 12, 2009 Full Blue – November 18, 2009 Pink Revisions – November 20, 2009 Full Yellow – November 25, 2009 All rights reserved. © 2008 Warner Horizon Television Inc. This script is the property of Horizon Scripted Television Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. PRETTY LITTLE LIARS “Pilot Episode” FADE IN: * 1 OMITTED 1 * 1A INT. HASTING’S BARN - NIGHT 1A * A strong WIND blows outside the barn and THUNDER RUMBLES in * the distance. What once was a working barn is now a storage * area with an old sofa, boxes, bikes and some old appliances * scattered throughout. ARIA MONTGOMERY, EMILY FIELDS, SPENCER * HASTINGS and HANNA MARIN (all 15-years-old) listen to music * and pass around a glass of something that makes them giggle * and get slightly giddy. * A SHARP CRACK OF LIGHTENING RIPS through the barn. The * lights flicker then go dark. The girls, frightened, cry out * as the music abruptly dies. The girls fumble in the dark. * Someone lights a candle. Someone turns on a flashlight. A * disturbing KNOCK on the wall outside the barn. The girls * freeze. * ARIA * Something’s out there. * EMILY * Some thing or some one? * The KNOCKING gets louder and moves closer to the barn door. * Then abruptly - * The KNOCKING stops. The girls exchange looks. The handle on * the barn door turns. Hanna sees it - * HANNA * Guys? - * They all follow her gaze to the barn door. -
Pretty Little Liars | Dialogue Transcript | S1:E10
CREATED BY I. Marlene King BASED ON THE BOOKS BY Sara Shepard EPISODE 1.10 “Keep Your Friends Close” The girls go "glamping" as threats from "A" escalate and the FBI arrives in Rosewood -- but the evening takes a dangerous turn. WRITTEN BY: I. Marlene King DIRECTED BY: Ron Lagomarsino ORIGINAL BROADCAST: August 10, 2010 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. EPISODE CAST Troian Bellisario ... Spencer Hastings Ashley Benson ... Hanna Marin Holly Marie Combs ... Ella Montgomery Lucy Hale ... Aria Montgomery Ian Harding ... Ezra Fitz Bianca Lawson ... Maya St. Germain Laura Leighton ... Ashley Marin Chad Lowe ... Byron Montgomery Shay Mitchell ... Emily Fields Sasha Pieterse ... Alison DiLaurentis Janel Parrish ... Mona Vanderwaal Torrey DeVitto ... Melissa Hastings (as Torrey Devitto) Keegan Allen ... Toby Cavanaugh Brant Daugherty ... Noel Kahn Eric Steinberg ... Colonel Wayne Fields P a g e | 1 1 00:00:02,085 --> 00:00:03,587 HANNA, WE HAVE TO MAKE SOME ADJUSTMENTS. 2 00:00:03,587 --> 00:00:05,673 THIS IS A ONE-PAYCHECK FAMILY, 3 00:00:05,673 --> 00:00:08,175 AND WE CAN NO LONGER LIVE A TWO-PAYCHECK LIFE. 4 00:00:08,175 --> 00:00:10,177 I LOVE THIS SONG. B-26. 5 00:00:10,177 --> 00:00:12,137 ( thunder crashes ) 6 00:00:12,137 --> 00:00:14,139 IT WAS ONE KISS! LISTEN TO ME, ALISON. -
Dickason Thesis
“YOU KNOW YOU LOVE ME”: SURVEILLANCE AND SPECTATORSHIP IN CONTEMPORARY TEEN GIRL TV A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in English By Cara Dickason, B.A. Washington, DC April 24, 2015 Copyright 2015 by Cara Dickason All Rights Reserved ii “YOU KNOW YOU LOVE ME”: SURVEILLANCE AND SPECTATORSHIP IN CONTEMPORARY TEEN GIRL TV Cara Dickason, B.A. Thesis Advisor: Caetlin Benson-Allott, Ph.D. ABSTRACT Contemporary teen girl television shows about surveillance allow for an exploration of how girls constantly negotiate between their own positions as spectators and their objectification through surveillance and in media representation. From celebrity photo leaks to magazine covers on sexting, public discourse on girls, surveillance, and technology is riddled with anxiety about privacy, visibility, and sexuality. Mainstream media obsess over the many dangers besetting girls today, their vulnerability to exploitation by surveillance, and their corresponding need for protection and policing. Simultaneously, however, that same media insists both on girls’ constant visual and sexual objectification and their position as empowered, independent consumer- spectators. This thesis traces such themes of surveillance and spectatorship through Gossip Girl (2007-2012), Pretty Little Liars (2010-present), and Veronica Mars (2004-2007), three popular prime time teen dramas that centralize girls’ relationship to surveillance and visibility. I will explore how surveillance functions to objectify, value, and control teenage girls, and how female viewers’ relationship to the shows complicates and recapitulates those functions. These teen girl TV shows ultimately allow for the consideration of the complex ways that surveillance both exerts control over and affords agency within girls’ relationships to their own visibility. -
Happy Thanksgiving
VOL. 121 - NO. 47 BOSTON, MASSACHUSETTS, NOVEMBER 24, 2017 $.35 A COPY Happy Draws Hundreds to Columbus Park on Boston’s Waterfront by Matt Conti In its largest event ever, the Thanksgiving Friends of Christopher Colum- bus Park joined with the Boston Parks and Recreation Depart- ment to host several hundreds at the 15th annual lighting of the park’s signature trellis on Monday, November 20th. Boston’s historic waterfront was transformed into a holiday wonderland when the park’s 260 feet of trellis were set aglow with 50,000 blue lights along with 14 decorated trees throughout the park. Entertainment was high- lighted by students and instruc- Frosty, Santa, and FOCCP President Joanne Hayes Rines are tors from the North End Music joined by kids to fl ip the switch at the trellis lighting. May you and your family and Performing Arts Center, Berklee College’s own Sam be blessed on Thanksgiving Robbins, and singer Sharon Zeffi ro performing a selection and throughout the rest of holiday classics. Special of the year ... guests Santa Claus, Rudolph, and Frosty kept the children entertained. Refreshments, holiday treats, and giveaways were provided by the Marriot Long Wharf Hotel, HP Hood News Briefs LLC, Joe’s American Bar & Grill by Sal Giarratani Waterfront, New England Dairy & Food Council, and Magic 106.7. GOP Can’t Blame Obama Anymore The Republican Party is pretty much useless. Back (Photos by Matt Conti, during the Obama years, the GOP said once they con- Blue lights on the Columbus Park trellis with Custom House NorthEndWaterfront.com) trolled the government in Washington, they would get tower. -
Pretty Little Liars | Dialogue Transcript | S5:E12
CREATED BY I. Marlene King BASED ON THE BOOKS BY Sara Shepard EPISODE 5.12 “Taking This One to the Grave” When "A" forbids them from going to the police, the PLLs reluctantly put their faith in Mona. Meanwhile, Alison assembles a team of her own. WRITTEN BY: I. Marlene King DIRECTED BY: Ron Lagomarsino ORIGINAL BROADCAST: August 26, 2014 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. EPISODE CAST Troian Bellisario ... Spencer Hastings Ashley Benson ... Hanna Marin Tyler Blackburn ... Caleb Rivers Lucy Hale ... Aria Montgomery Ian Harding ... Ezra Fitz Laura Leighton ... Ashley Marin (credit only) Shay Mitchell ... Emily Fields Janel Parrish ... Mona Vanderwaal Sasha Pieterse ... Alison DiLaurentis Lindsey Shaw ... Paige McCullers Keegan Allen ... Toby Cavanaugh Brendan Robinson ... Lucas Gottesman Jim Titus ... Officer Barry Maple Sydney Penny ... Leona Vanderwaal Sean Faris ... Gabriel Holbrook Ayman Samman ... Examiner P a g e | 1 1 00:00:04,505 --> 00:00:06,173 [POLICE RADIO CHATTER] 2 00:00:21,605 --> 00:00:25,484 I'll take your statements now. One at a time. Hanna, let's head over to the porch. 3 00:00:25,651 --> 00:00:28,070 -You can walk me through this. -No. 4 00:00:28,237 --> 00:00:31,156 No, I can't go back up there. -
PRETTY LITTLE LIARS by I. Marlene King "Pilot Episode" Sept 22, 2009
PRETTY LITTLE LIARS by I. Marlene King "Pilot Episode" Sept 22, 2009 PRETTY LITTLE LIARS “Pilot Episode” FADE IN: EXT. ROSEWOOD, PENNSYLVANIA - DAY Rosewood is a picture-perfect portrait of suburban America. Boutiques, restaurants, thriving businesses, and seemingly happy CITIZENS flourish in the charming town. As the sights and SOUNDS of the town overlap WE HEAR a radio report coming from a parked car. DISC JOCKEY (V.O.) Labor Day weekend marks the unofficial end of summer but it also marks the unsettling anniversary of the tragedy that still haunts everyone of us in Rosewood. EXT. ROSEWOOD NEIGHBORHOOD - DAY The tree lined street is flanked by traditional, two story houses. The picket fences are white, the lawns are green and flowers are abundant. A NEWSPAPER BOY delivers the local paper to a home and we catch a glimpse of the HEADLINE - STILL MISSING. INT. MONTGOMERY HOUSE - ARIA’S BEDROOM - DAY ARIA MONTGOMERY (16) stands in the middle of the unfurnished room. The door of her empty closet is ajar. She sees her reflection in the long mirror which hangs on the back of the door. With a ballet-dancer frame, straight black hair, and pouty lips, Aria knows that she is pretty. Just then her mother, ELLA (42), knocks then enters. Ella is an attractive, well read and liberal mother. ARIA It’s like starting all over again. Ella sits on the built-in window seat. ELLA You still have friends here. Aria sits next to her mom. They relate to each other more as friends than mother and daughter. -
Pretty Little Liars
CREATED BY I. Marlene King BASED ON THE BOOKS BY Sara Shepard EPISODE 7.04 “Hit and Run, Run, Run!” The girls must face the repercussions of their actions, but keeping a secret puts a strain on their romantic relationships. WRITTEN BY: Maya Goldsmith DIRECTED BY: Michael Goi ORIGINAL BROADCAST: July 12, 2016 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. EPISODE CAST Troian Bellisario ... Spencer Hastings Ashley Benson ... Hanna Marin Tyler Blackburn ... Caleb Rivers Lucy Hale ... Aria Montgomery Ian Harding ... Ezra Fitz (credit only) Shay Mitchell ... Emily Fields Andrea Parker ... Mary Drake Janel Parrish ... Mona Vanderwaal Sasha Pieterse ... Alison Rollins Keegan Allen ... Officer Toby Cavanaugh Vanessa Ray ... CeCe Drake / Charlotte DiLaurentis Nicholas Gonzalez ... Detective Marco Furey Tammin Sursok ... Jenna Marshall David Bianchi ... Bartender P a g e | 1 1 00:00:04,171 --> 00:00:07,048 I don't know if I can live with this. 2 00:00:07,090 --> 00:00:08,509 I mean, how can we bury.. 3 00:00:10,093 --> 00:00:11,178 There has to be another way. 4 00:00:11,219 --> 00:00:13,764 There is no other way, Emily! 5 00:00:13,806 --> 00:00:16,016 It was a well thought-out plan and when it ends up like this 6 00:00:16,057 --> 00:00:17,977 it's called first-degree murder. -
PLL 102 Script Page
“The Jenna Thing” Episode #102 Written By Marlene King Directed By Liz Friedlander Production Draft – 1st Revision (Blue) April 12, 2010 All rights reserved. © 2010 Warner Horizon Television Inc. This script is the property of Horizon Scripted Television Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. Pretty Little Liars “The Jenna Thing” Episode #102 Aria Montgomery Emily Fields Hanna Marin Spencer Hastings Alison DiLaurentis Ashley Marin Byron Montgomery Ella Montgomery Ezra Fitz Maya St. Germain Ben Detective Wilden Jenna Marshall Melissa Hastings Mona Vanderwall Pam Fields Peter Hastings Sean Ackard Wren Mike Montgomery Jock Jock #2 Reporter (O.S.) Waiter Pretty Little Liars “The Jenna Thing” Episode #102 Set List INTERIORS EXTERIORS Aria’s House Street Outside Rosewood Grill Dining Room Entryway Street Outside Music Shop Living Room Street Outside Boutique (omitted) * Hanna’s House Kitchen Residential Rosewood Street Emily’s House Spencer’s House Bedroom Backyard Patio Spencer’s House Emily’s House Bedroom Front Porch Hallway Rosewood High Rosewood Grill Practice Field Parking Lot Rosewood High Hallway Cavanaugh’s House Cafeteria Backyard Principal Henchman’s Office Mr. Fitz’s Classroom Rosewood Movie Theater Ben’s Car Street Outside Coffee Shop Rosewood Movie Theater Ezra’s Car Rosewood Mall (new) * Parking Garage Pretty Little Liars “The Jenna Thing” Episode #102 Script Days Night One: Scenes 1-4 Day Two: Scenes 5-14, 17-18 Night Two: Scenes 19-23 Day Three: Scenes 24-28 Night Three: Scenes 29-33 Day Four: Scenes 34-43, 45-49 Flashbacks Scenes 15-16, 44 PRETTY LITTLE LIARS Ep. -
Grade 8 Supply List Our Lady of the Angels
Grade 8 Supply List Our Lady of the Angels Flashdrive Blue or black, and red pens Pencils Ruler Markers or colored pencils Single subject notebooks for Literature, English, Religion, Math, and Social Studies Composition notebook for Spanish Folders for English, Literature, Math, and Spanish Accordion folder for Science and loose-leaf paper One box of tissues Scissors Glue Stick Highlighter Index cards (leave at home) It is recommended to have a working printer at home. A number of assignments need to be typed and students are expected to print their work at home. Students are only allowed to print at school in exceptional circumstances (e.g., ran out of ink) and with a note from parent asking the teacher for permission to print the assignment. Summer Reading list attached below. 7th & 8th Grades Summer Reading Challenge Our Lady of the Angels Mr. Barrett In addition to enjoying the great outdoors this summer, I also hope you always have a good book you are reading. People have shared stories since the dawn of humankind. Stories bring people together. They provoke laughter, tears, awe, understanding and empathy. Our minds are stretched; our hearts are enlarged. We are transformed! You are required to read at least four books this summer. You may read any age-appropriate book. The attached lists of book titles are recommendations from your peers. These are books that boys and girls your age have enjoyed, so I encourage you to read through the list to find books that may interest you. However, you do not need to read books from these lists only. -
Fan Identification and Fashion on Pretty Little Liars Anna Donatelle University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2014 Marketing Post-Feminism Through Social Media: Fan Identification and Fashion on Pretty Little Liars Anna Donatelle University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Mass Communication Commons Recommended Citation Donatelle, Anna, "Marketing Post-Feminism Through Social Media: Fan Identification and Fashion on Pretty Little Liars" (2014). Theses and Dissertations. 524. https://dc.uwm.edu/etd/524 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. MARKETING POST-FEMINISM THROUGH SOCIAL MEDIA: FAN IDENTIFICATION AND FASHION ON PRETTY LITTLE LIARS by Anna Donatelle A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin-Milwaukee August 2014 ABSTRACT MARKETING POST-FEMINISM THROUGH SOCIAL MEDIA: FAN IDENTIFICATION AND FASHION ON PRETTY LITTLE LIARS by Anna Donatelle The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Elana Levine Television shows targeted to a young, female audience often depict post-feminist themes such as self-sexualization, self-branding, consumerism, female empowerment through the body, and the “good” girl. This thesis focuses on the ABC Family hit series Pretty Little Liars as an example of the ways in which television shows promote these post-feminist ideologies. I argue that as the network has branded itself as the place for millennial programming; it has used digital platforms to make Pretty Little Liars a one-stop-shop for young women to learn about beauty and femininity. -
Um Olhar Foucaultiano Para O Caso De Charlotte Dilaurentis, Do Seriado
1 A produção social da loucura: um olhar Foucaultiano para o caso de Charlotte DiLaurentis, do seriado Pretty Little Liars The social production of insanity: a Foucauldian view about Pretty Little Liars TV series' character, Charlotte DiLaurentis Anna de Cássia Pessôa de Lima1 Luza Mirela de Moura2 Resumo: Este artigo tem como objetivo entender criticamente como se dá a produção social da loucura, à luz de um referencial teórico Foucaultiano e através da análise da história de vida da personagem fictícia Charlotte Dilaurentis (Vanessa Ray) do premiado seriado da TV americana Pretty Little Liars, da produtora ABC Family. O trabalho resgata as obras clássicas de Michel Foucault “A História da Loucura” e “Os Anormais” para melhor compreensão de como se constrói “o louco” dentro da sociedade. Traz também uma reflexão a respeito da luta antimanicomial no mundo e como as obras de Foucault impactaram e influíram nas ideias desta. Por fim relaciona a “história da loucura de Charlotte” como resultante por sobrepujar uma norma não aceita socialmente e os impactos que lhe foram causados como consequência do seu internamento manicomial e afastamento do convívio social. Palavras-chave: Foucault, loucura, luta antimanicomial, estudo de caso Abstract: This article has the objective of critically understand how occurs the social production of insanity, under the Foucauldian theoretical reference and by analyzing the life story of the fictional character Charlotte Dilaurentis (Vanessa Ray) from the american TV series' Pretty Little Liars, of ABC Family producer. This essay rescues Michel Foucault's classics books "History of Madness" and "Abnormal" for better understanding how "the freak" is built in the society.