2021-2023 Strategic Plan
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Dear Friends, the Newport Flower Show Is Pleased to Celebrate Its
Dear Friends, The Newport Flower Show is pleased to celebrate its 18th year as America’s premier summer flower show, held on the historic grounds of Rosecliff. This year’s theme, Jade-Eastern Obsessions, will take visitors on an exotic tour of Far Eastern traditions and beauty. Jade, the imperial gemstone (valued as highly as gold and available in a rainbow of colors), is the perfect symbol for the 2013 Newport Flower Show. Exhibits will immerse you into cultures as varied and beautiful as the liquid forms of carved jade. It’s easy to understand why so many elements from these storied lands became Eastern Obsessions ! Joining us will be the inspirational floral designer Hitomi Gilliam who will share her masterful skills of the latest techniques and designs. As always, our Horticultural Division aspires to engage gardeners at all levels with opportunities to share their obsessions. East will meet west when notable American Landscape Architect, Harriet Henderson, shares her expertise and experiences throughout the Far East and explains how Western gardens have been influenced. Our Photography Division will provoke visitors with mysterious and haunting images from amateur photographers around the world. The Children’s Division will transport the youngest gardeners and designers to the exotic East where they too, can revel in Eastern Obsessions. The expansive front lawn of Rosecliff will lure visitors through an iconic Moon Gate into gardens filled with “Zen-full” inspirations. As always, shopping at the Oceanside Boutiques and the Gardener’s Marketplace are a much anticipated Newport tradition. The Opening Night Party will launch the summer season in Newport with a cocktail buffet, live music, a seaside supper and other surprises. -
A Dimensional Comparison Between Classical Chinese Gardens And
Yiwen Xu, Jon Bryan Burley, WSEAS TRANSACTIONS on ENVIRONMENT and DEVELOPMENT Patricia Machemer, April Allen A Dimensional Comparison between Classical Chinese Gardens and Modern Chinese Gardens YIWEN XU, JON BRYAN BURLEY, PATRICIA MACHEMER, AND APRIL ALLEN School of Planning, Design and Construction Michigan State University 552 West Circle Drive, 302 B Human Ecology Building, East Lansing, MI 48824, USA [email protected] http:/www.msu.edu/%7Eburleyj/ Abstract: Garden designers and scholars are interested in metrics that define the differences and similarities between traditional design and modern designs. This investigation examines the similarities and differences of classical Chinese gardens and modern Chinese gardens. The comparison is accomplished by ordinating the design elements and basic normative planning and design principles for each garden. Three classical Chinese gardens in Suzhou, Jiangsu, China and five modern gardens in Xiamen, Fujian, China were selected for study. A mathematical method called Principal Component Analysis (PCS) was applied in this research. The objective of this method is to define the dimensions that characterize the gardens and plot these gardens along the dimensions/gradients. Seventy-five variables were selected from a literature review, site visits, and site photos. According to the results of the PCA, there are potentially seven meaningful dimensions suitable for analysis, which explain 100% of the variance. This research focused on studying the first three principal components, explaining 81.54% of the variance. The first two principal components reveal a clear pattern between the two sets of environments. The results indicate that the first principal component can be a way to identify the difference between classical Chinese gardens and modern Chinese gardens. -
NAUMKEAG Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 NAUMKEAG Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Naumkeag Other Name/Site Number: N/A 2. LOCATION Street & Number: 5 Prospect Hill Road Not for publication: City/Town: Stockbridge Vicinity: State: MA County: Berkshire Code: 003 Zip Code: 01262 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): ___ Public-Local: District: _X_ Public-State: ___ Site: ___ Public-Federal: ___ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 10 buildings 11 sites 2 structures objects 23 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 NAUMKEAG Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ____ meets ____ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ____ meets ____ does not meet the National Register criteria. -
Arbor, Trellis, Or Pergola—What's in Your Garden?
ENH1171 Arbor, Trellis, or Pergola—What’s in Your Garden? A Mini-Dictionary of Garden Structures and Plant Forms1 Gail Hansen2 ANY OF THE garden features and planting Victorian era (mid-nineteenth century) included herbaceous forms in use today come from the long and rich borders, carpet bedding, greenswards, and strombrellas. M horticultural histories of countries around the world. The use of garden structures and intentional plant Although many early garden structures and plant forms forms originated in the gardens of ancient Mesopotamia, have changed little over time and are still popular today, Egypt, Persia, and China (ca. 2000–500 BC). The earliest they are not always easy to identify. Structures have been gardens were a utilitarian mix of flowering and fruiting misidentified and names have varied over time and by trees and shrubs with some herbaceous medicinal plants. region. Read below to find out more about what might be in Arbors and pergolas were used for vining plants, and your garden. Persian gardens often included reflecting pools and water features. Ancient Romans (ca. 100) were perhaps the first to Garden Structures for People plant primarily for ornamentation, with courtyard gardens that included trompe l’oeil, topiary, and small reflecting Arbor: A recessed or somewhat enclosed area shaded by pools. trees or shrubs that serves as a resting place in a wooded area. In a more formal garden, an arbor is a small structure The early medieval gardens of twelfth-century Europe with vines trained over latticework on a frame, providing returned to a more utilitarian role, with culinary and a shady place. -
Indoor Outdoor Relationships at the Residential Scale
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 5-2009 Indoor Outdoor Relationships at the Residential Scale Benjamin H. George Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the Landscape Architecture Commons Recommended Citation George, Benjamin H., "Indoor Outdoor Relationships at the Residential Scale" (2009). All Graduate Plan B and other Reports. 1505. https://digitalcommons.usu.edu/gradreports/1505 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. INDOOR OUTDOOR RELATIONSHIPS AT THE RESIDENTIAL SCALE by Benjamin H. George A thesis submitted in partial fulfillment of the requirements for the degree of of Master of Landscape Architecture in Landscape Architecture and Environmental Planning Approved : Michael L. Timmons Malgorzata Rycewicz-Borecki Major Professor Committee Member Steven R. Mansfield Committee Member UTAH STATE UNIVERSITY Logan, Utah 2009 Copyright© Benjamin H. George 2009 All Rights Reserved ABSTRACT INDOOR OUTDOOR RELATIONSHIPS AT THE RESIDENTIAL SCALE by Benjamin H. George, Master of Landscape Architecture Utah State University, 2009 Major Professor: Michael L. Timmons Department: Landscape Architecture and Environmental Planning The indoor-outdoor relationship has been important to mankind since the dawn of recorded history. Over the ages, and despite continual changes in culture, style and technology, the relationship has continued to endure and play an important role in the design and construction of both interior and exterior spaces. -
A Cluster Analysis Comparison of Classical Chinese Gardens with Modern Chinese Gardens
ABSTRACT A CLUSTER ANALYSIS COMPARISON OF CLASSICAL CHINESE GARDENS WITH MODERN CHINESE GARDENS By Yiwen Xu Garden designers and scholars are interested in the differences and similarities between traditional design and modern designs. This investigation examines the similarities and differences of classical Chinese gardens and modern Chinese gardens. The comparison is accomplished by ordinating the design elements and basic principles for each garden. Three classical Chinese gardens in Suzhou, China and five modern gardens in Xiamen, China were selected to study. A mathematical method called Cluster Analysis was applied in this research. Seventy-five variables were selected from literature review and site photos. According to the result of Principal Component Analysis, the eigenvalues represent seven meaningful dimensions can be used for analysis. This research focused on studying the first two principal components for the garden comparison. The results indicate that the first principal component can be a way to identify the difference between classical Chinese gardens and modern Chinese gardens. The second principal component indicates the modern gardens can be grouped into two different categories. Keywords: Landscape Architecture, Environmental Design, Historic Gardens, Contemporary Gardens, Horticulture, Historic Preservation. ACKNOWLEDGEMENTS First, I would like to thank my major advisor Dr. Jon Burley, FASLA, Professor, Michigan State University School of Planning, Design and Construction, for his patient guidance and invaluable assistance through all stages of my work. I am grateful to my other two committee members, Dr. Patricia Machemer and Dr. April Allen, professors in Michigan State University School of Planning, Design and Construction, for all the advices, support and encouragement. I would also like to thank Dr. -
Wire Topiary Ball Forms Mate
Wire Topiary Ball Forms Quigly cubed his jalousie thumps quiescently or creepingly after Duffy murk and paw exigently, exergonic and glacially.alphanumerical. Tarrant mongrelizing brazenly while gneissic Vite incarnadining fro or missends primevally. Garvy royalising Really use to make them less striking focal piece of the disney tips to make to try? Fabrication is limited to topiary forms are doing a coffee pot obelisk with extra tall as the client. Kitten topiary are interested in your network administrator to the use to the best performing substrate due to go. It comes with wire form of chicken wire frames and delivered in a moss and install in a store. This contemporary trellis to your topiary can start seeds inside the graceful frame? Practiced since then powder coated wire topiary wire frames can enjoy the eyes and use. Caesar and keep a wire topiary forms today and clipping woody shrubs to be used in a hanging wire animal topiary is dry to life? Different for six years to higher or have the full time. Front door or simple black topiary in many fun that a bronze candleholder, something special and children. Attention to view our wire forms are available for any part of this contemporary trellis to eastern or garden sculpture artists can be substituted to what? Porch topiary bay laurel and finding new idea remains the forms. Fur or an our ball forms that reflects their own a network of the practice of our topiary form is the gardener. Contact us to a wire forms can enjoy the touch is empty. -
Circulation Master Plan & Development Opportunities
University of Minnesota Landscape Arboretum Circulation Master Plan & Development Opportunities Damon Farber Associates | 2011 Table of Contents University of Minnesota Landscape Arboretum Introduction Table of Contents..............................................................................................2 Woodland Performance Garden.........................................................20 Mission................................................................................................................3 Tree Top CanopyWalk.........................................................................22 Chinese Garden....................................................................................24 Master Plan Childrens’s Adventure Garden...........................................................26 ExistinConditions.............................................................................................3 Red Barn...............................................................................................28 Issues & Opportunities......................................................................................5 Research Station and Education Facilities......................................30 Parking & Entrance Road .................................................................................6 Sculpture Garden.................................................................................32 East District........................................................................................................8 West -
Lotus Leaves Fall 2018 Volume 21 Number 1
SOCIETY FOR ASIAN ART Lotus LeavesVolume 21 Number 1 Chinese Gardens in the United States: Past, Present, and Future by Patricia J. Yu 3 The Sogdian Belt and Road Fall 2018 by Albert E. Dien 17 Around the Asian: Ashurbanipal by Bob Oaks 27 About the Society Board of Advisors Directors 2018–2019 The Society for Asian Art is a 501(c)(3) 2018–2019 Mitra Ara, PhD nonprofit organization that was incorporated President Terese Bartholomew, MA in 1958 by a group of enlightened citizens Trista Berkovitz dedicated to winning Avery Brundage’s Patricia Berger, PhD Past President magnificent art collection for San Francisco. Anne Adams Kahn M.L. Pattaratorn Since that time, we have been an Chirapravati, PhD Vice President independent support organization for the Margaret Edwards Kim Codella, PhD Asian Art Museum-Chong-Moon Lee Center Vice President Robert J. Del Bonta, PhD for Asian Art and Culture. Ehler Spliedt Renee Dreyfus, PhD For more than sixty years, we have offered Secretary Penny Edwards, PhD a wide range of innovative, high-quality Greg Potts Munis D. Faruqui, PhD educational and cultural programs, along Treasurer Karen Fraser, PhD Ed Baer with social (and culinary) events where Nalini Ghuman, PhD participants share their knowledge and Margaret Booker Robert Goldman, PhD enthusiasm. SAA’s popular, Arts of Asia Agnes Brenneman Sally Sutherland Lecture Series, open to all, is the core of the Deborah Clearwaters* Goldman, PhD museum’s docent-training curriculum. We Sheila Dowell Munir Jiwa, PhD sponsor foreign and domestic travel, visits to Phyllis Kempner private art dealers and collections, in-depth Sanjyot Mehendale, PhD Etsuko Kobata Adelman study groups, special lectures by leading Mary-Ann Milford- scholars, literature courses and symposia. -
Spring 2019 Catalog Formated for Event Table.Indd
Botanical Gardens Classes and Events February - June 2019 gardens.uncc.edu Our Mission To inspire a love for plants and nature through programming, classes, and botanical displays About the Gardens Admission to the Gardens is FREE! Hours: The Outdoor Gardens - Daylight hours daily The McMillan Greenhouse Monday - Saturday 9 am - 4 pm Sunday 1 - 4 pm Closed University Holidays Group Tours: Any group of 7 or more MUST make a reservation for a group tour 30 people maximum Guided: $10 adults; $7 children 12 and under; $7 seniors Self-Guided: free with a reservation ($3 suggested donation) Reservations Required 2 UNC Charlotte Botanical Gardens | Classes and Events Schedule Table of Contents Events ..........................................................................................................4-6 Seasonal/Weekly Garden Walks ............................................................7 Workshop: Hardscaping ...........................................................................8 Field Trips .......................................................................................................9 At Home in the Gardens Classes .......................................................10-12 Kids: Stories in the Woods .........................................................................13 Kids Camps ............................................................................................ 13-14 Kids Crafternoons........................................................................................15 Certificate of Native Plant -
To Introduce Students to the Chinese Garden As an Art Form. to Help
Gardens TO THE TEACHER OBJECTIVES OF THIS UNIT: : To introduce students to the Chinese garden as an art form. To help students understand the literati elite not just in terms of their connections to government service and Confucian learning, but also in relation to notions of elegance. TEACHING STRATEGIES: This material is suitable to a comparative approach. Students can compare not only western gardens to Chinese gardens, but western luxury residences (palaces, country houses, mansions) to the gardens and homes built by Chinese with means and taste. Another good approach to this unit is to link gardens to other key elements of Chinese civilization, such as aesthetic principles also found in landscape painting, ideas associated with Daoism concerning paradises and immortals, and the social life of the literati elite. WHEN TO TEACH: In a chronologically-organized course, Gardens should not be taught before the Ming dynasty, when these sorts of gardens became an important part of the life of the elite, at least in the Jiangnan area. If both Homes and Gardens are used in the class, it would be better to do Homes first as it introduces concepts elaborated on in Gardens. This unit could also be used in a course on Chinese art. Xie Huan, Elegant Gathering in the Apricot Garden (detail) http://depts.washington.edu/chinaciv/home/tgarintr.htm (1 of 3) [11/26/2001 11:04:12 AM] Gardens SOURCE: Zhongguo meishu quanji, Huihua 6: Mingdai huihua, shang (Beijing: Wenwu chubanshe, 1988), pl. 42, p. 49. Collection of the National Palace Museum, Taipei. Xie Huan (Ming, active 1368-1437 AD), An Elegant Gathering in the Apricot Garden. -
TRANSLATING the CULTURAL LANDSCAPE: a Chinese Garden in East Tennessee
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2013 TRANSLATING THE CULTURAL LANDSCAPE: A Chinese Garden In East Tennessee Xue Yue [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Landscape Architecture Commons Recommended Citation Yue, Xue, "TRANSLATING THE CULTURAL LANDSCAPE: A Chinese Garden In East Tennessee. " Master's Thesis, University of Tennessee, 2013. https://trace.tennessee.edu/utk_gradthes/2482 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Xue Yue entitled "TRANSLATING THE CULTURAL LANDSCAPE: A Chinese Garden In East Tennessee." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Landscape Architecture, with a major in Landscape Architecture. Garry Menendez, Major Professor We have read this thesis and recommend its acceptance: Avigail Sachs, Brad Collett Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) TRANSLATING THE CULTURAL LANDSCAPE: A Chinese Garden In East Tennessee A Thesis Presented for the Master of Landscape Architecture Degree The University of Tennessee, Knoxville Xue Yue August 2013 Copyright © 2013 by Xue Yue All Rights Reserved.