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August 2013 Issue of Concordia News
Concordia News – Large Print August 2013 A newsletter for members, families, Volume 8 and friends of Number 8 Concordia Lutheran Church and Concordia Cemetery Association ISSN 2152-3339 Contents Page Words from Pastor Bruce ………………. 2 Announcements …………………………….. 7 Obituary: Gordon Swanson ……………. 9 With Our Thanks …….……………………… 11 Recipe of the Month ………………………. 13 Bits and Pieces ………………………………. 14 Dates to Remember …..………….………. 18 Acknowledgements ……………………….. 19 From Pastor Bruce Dear Members and Friends of Concordia Lutheran: Here is the final portion of the excellent summary about Pentecost from the online encyclopedia Wikipedia. It is evident that the phrase “out of sight is out of mind” applies to the longest season of the church year, but then Martin Luther did refer that the Holy Spirit, which is the centerpiece of the season of Pentecost, is the “bashful member of the Trinity”, nonetheless, as the Holy Spirit is the ongoing presence of God in the world, it is important that we do not forget about the Spirit. We are not in this life alone; God is with us: The Lutheran church of the Baroque observed three days of Pentecost. Some composers wrote sacred cantatas to be performed in the church services of these days. Johann Sebastian Bach composed several cantatas for days of Pentecost, including Erschallet, ihr Lieder, erklinget, ihr Saiten ! BWV 172 in 1714 and Also hat Gott die Welt geliebt , BWV 68 in 1725. Gottfried Heinrich Stölzel 2 From Pastor Bruce wrote cantatas such as Werdet voll Geistes (Get full of spirit) in 1737. Mozart composed an antiphon Veni Sancte Spiritus in 1768. Olivier Messiaen composed an organ mass Messe de la Pentecôte in 1949/50. -
Rhodes Bleachworks Brass Band
Rhodes Bleachworks Brass Band Gavin Holman – June 2019 This band was probably formed in the mid-1890s. The first known mention is its appearance at a contest at Middleton in April 1897. It was strongly linked to the Bleach and Dye Works at Rhodes, near Middleton. The band’s conductor for most of its life was John H. White. It was disbanded on 9th December 1909. The Bleach Works was Obadiah Ashworth and Co. (bleachers, dyers, finishers, embossers, &c.), Rhodes Bleach and Dye Works, Middleton. It was one of several similar industries in Rhodes and Middleton, part of the larger fabric, weaving, finishing, and garment manufacturing industrial belt in northern Manchester and across to Yorkshire. Obadiah Ashworth founded the company and went into partnership with James W. Jones. Upon the death of Ashworth in 1874, James Jones continued the business as sole owner, but retained the Ashworth name. He was later instrumental in establishing and supporting the Bleachworks Band. In addition to these brief notes, the band’s Treasurer’s Notebook, covering the years 1898 to 1909, is transcribed below. This is followed by a brief sketch of the conductor John White. No known photographs of the band survive, although at least four “formal” photos were taken, as recorded in the Treasurer’s notebook. A typical concert of the band, at St Michael's Flags park, in August 1903, with conductor J.H. White, consisted of: Hymn; March: Silver Trumpets (Viviani); Overture: Poet & Peasant (Suppé); Fantasia: Joan of Arc (Round); Trombone solo: Ora Pro Nobilis (Piccolomini); Selection: Idomeneo (Mozart); Air Varie: Eventide (Rimmer); Chorus: The Heavens are Telling (Haydn). -
Dukinfield) OLD CHAPEL and the UN1 TA R I a N STORY
OLD CHAPEL AND THE UNITARIAN- - STORY (Dukinfield) OLD CHAPEL AND THE UN1 TA R I A N STORY DAVID C. DOEL UNITARIAN PUBLICATION Lindsey Press 1 Essex Street Strand London WC2R 3HY ISBN 0 853 19 049 6 Printed by Jervis Printers 78 Stockport Road Ashton-Under-Lyne Tameside CONTENTS PREFACE CHAPTER ONE: AN OLD CHAPEL HERITAGE TRAIL CHAPTER TWO: BIDDLE AND THE SOCINIANS CHAPTER THREE: THE CIVIL WAR CHAPTER FOUR: MILTON AND LOCKE CHAPTER FIVE: SAMUEL ANGIER AND HIS CONTEMPORARIES CHAPTER SIX: JOSEPH PRIESTLEY CHAPTER SEVEN: WILLIAM ELLERY CHANNING CHAPTER EIGHT: FIRST HALF OF THE NINETEENTH CENTURY CHAPTER NINE: HOPPS, MARTINEAU AND WICKSTEED CHAPTER TEN: FIRST HALF OF THE TWENTIETH CENTURY CHAPTER ELEVEN: SECOND HALF OF THE TWENTIETH CENTURY APPENDIX Ai WHERE THE STORY BEGINS APPENDIX B: THE TRINITY APPENDIX C: THE ALLEGORICAL METHOD APPENDIX D: BIBLIOGRAPHY APPENDIX E: GLOSSARY SIX ILLUSTRATIONS: a) Old Chapel exterior b) Old Chapel interior c) The original Chapel d) The Old School e) The New School f) The Original Schoc! OLD CHAPEL, DUKlNFlELD PREFACE Old Testament prophets, or was he a unique expression, once and once only, of God on earth in human form? OLD CHAPEL AND THE UNITARIAN STORY is an account of the life and history of Old Chapel, Dukinfield, set within the As I point out in the Appendix on The Trinity, there emerged larger context of the story of the growth and devlopment of from all this conflict not one doctrine of the Trinity, but many. Unitarianism, which we, the present congregation, inherit from the trials and tribulations, the courage, vision and the joy The Trinity is a theological model for expressing the Nature of of our ancestors. -
This Month, May, Sunday 10Am Worship at St James Point Lonsdale (June at St George’S Queenscliff)
THIS MONTH, MAY, SUNDAY 10AM WORSHIP AT ST JAMES POINT LONSDALE (JUNE AT ST GEORGE’S QUEENSCLIFF) Dear people of St George's and St James', A book that I keep coming back to around this “Pentecost” time of year is “The Go-Between God”, first published in 1973 by Bishop John V. Taylor. Some of his words: “...the primary effect of the Pentecost experience was to fuse the individuals of the company into a fellowship which in the same moment was caught up into the life of the risen Lord. In a new awareness of Him and of one another they burst into praise, and the world came running for an explanation. In other words, the gift of the Holy Spirit in the fellowship of the church first enables Christians to “be”. And only as a consequence of that sends them to do and to speak”. I suppose that these days we don't often see people “”running to us for an explanation”” about who we are and what we believe ! But we do need to be alert to welcome and support those (often shy) “searchers” who might , from time to time, ask us tricky questions... or even drift into our church services. • Let us be confident and know that as the Holy Spirit dwells in us we will be given the right words and the right actions appropriate to the occasion. Please feel free to contact me by phone or email if there is anything I can do for you whilst Peter is on leave. Tim Gibson – ph. -
Rothwell's Grand Day
www.britishbandsman.com Issue no. 5561 – 16 May 2009 Price £1.25 Rothwell’s grand day out Yorkshire Champion returns to ‘Open’ line-up at first attempt BB 1.indd 1 12-05-2009 18:43:43 WHIT FRIDAY BAND CONTESTS - TAMESIDE AREA FRIDAY 5th JUNE 2009 CONTEST VENUE MAP START LAST ADJUDICATOR MAIN TOTAL REF TIME BOOKING PRIZE PRIZES AUDENSHAW ALDWINIANS RUGBY UNION FC, DROYLSDEN ROAD, B1 4.00pm 10.30pm MR M WHITE £700 £2,525 AUDENSHAW M34 5SN BROADOAK BROADOAK HOTEL, BROADOAK ROAD, ASHTON-U- A1 5.00pm 10.30pm MR D R HOWARD £500 £1,600 LYNE OL6 8QD CARRBROOK CARR RISE, CARRBROOK, STALYBRIDGE SK15 3NY B3 4.30pm 10.00pm MR JOHN DAVIES £600 £1,515 DENTON DENTON CRICKET CLUB, EGERTON STREET, D1 4.30pm 10.45pm MR M LYONS £250 £1,115 DENTON M34 3PB DROYLSDEN THE BUSH INN, MOORSIDE STREET, DROYLSDEN A1 4.30pm 11.00pm MR R BREEN £500 £2,250 M43 7HL DUKINFIELD TAME VALLEY HOTEL, PARK ROAD, DUKINFIELD C2 4.30pm 11.00pm MR D CHAPMAN £400 £1,500 SK16 5LX HEYROD JOHN STREET, WAKEFIELD ROAD, HEYROD, A3 4.30pm 10.30pm MR S McLAUGHLIN £600 £1,685 STALYBRIDGE SK15 3BW HURST VILLAGE ASHTON UNITED FC, SURREY ST., HURST CROSS, A2 4.30pm 11.00pm MR G PRITCHARD £300 £1,375 ASHTON-U-LYNE OL6 9EQ STALYBRIDGE STALYBRIDGE LABOUR CLUB, ACRES LANE, C2 4.30pm 10.30pm MR D BROADBENT £550 £1,655 STALYBRIDGE SK15 2JR STALYBRIDGE CELTIC STALYBRIDGE CELTIC FOOTBALL CLUB, BOWER C3 4.30pm 10.45pm T.B.A £350 £855 FOLD, MOTTRAM ROAD, STALYBRIDGE SK15 2RT UPPER MOSSLEY MOUNTAIN STREET, MOSSLEY OL5 0EY A3 4.30pm 10.00pm MR M TWEEDLE £500 £1,410 INDIVIDUAL CONTESTS – TOTAL PRIZE MONEY -
Dear Old Dirty Stalybridge’, C.1830-1875
Leisure and Masculinity in ‘Dear Old Dirty Stalybridge’, c.1830-1875. A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2014 Nathan Booth School of Arts, Languages and Cultures 2 Table of Contents List of Illustrations .................................................................................................................................................. 3 Abbreviations ............................................................................................................................................................ 5 Abstract ....................................................................................................................................................................... 6 Declaration ................................................................................................................................................................. 7 Copyright Statement ............................................................................................................................................................. 8 Acknowledgements ............................................................................................................................................... 9 Introduction ............................................................................................................................................................. 10 The Provinces in Urban History ...................................................................................................................... -
The Poetry of Brass Bands
The poetry of brass bands Gavin Holman 28 September 2017 (National Poetry Day) - updated May 2020 Over the years several brass bands have been immortalised in poetry. From those lauding their heroes to the ones which are critical or even insulting. From the earliest days poets have found something in the music of the bands and the people who play in them to inspire their muse. I think it is fair to say that most of the writers would not have made a career out of their works - some are certainly more William McGonagall than William Wordsworth – but nonetheless they are priceless views of the bands and bandsmen. 99 examples of odes to the bands of the past are provided here for your enjoyment. A brass band on contest platform, early 1900s 1 Contents RISHWORTH AND RYBURN VALLEY BRASS BAND ........................................... 4 CAMELON BRASS BAND .................................................................................. 4 SLAIDBURN BAND ........................................................................................... 5 FRECKLETON BAND ......................................................................................... 5 ROTHWELL TEMPERANCE BAND ..................................................................... 5 THOSE CORNETS! (Barrow upon Humber Band)............................................. 6 HARROGATE BAND SONG ............................................................................... 6 WHAT A DAY (Ecclesfield Silver Band) ............................................................ 7 CARNWATH BRASS -
The Traditional Anglican Parishes of St
EMERALD ECHO Parish Newsletter St. Bride of Kildare, Pitt Meadows St. Columba of Iona, Halfmoon Bay The Traditional Anglican Church of Canada Vol. 3 No. 4: Whitsuntide 2012 This from ‘Wikipedia’: ‘Whitsuntide, the different tunes in competition); the banners and week following Whitsunday, was one of three flags flying and people along the sidewalks (mainly vacation weeks for the medieval villein; on mothers & some dads of the youngsters in the most manors he was free from service on the procession, I suppose), a welcome break from the lord's demesne this week, which marked a ration book days in which we were living: but, I pause in the agricultural year. Whit Monday, am sure, a far greater ‘break’ for those mediaeval the day after Whitsun, remained a holiday in ‘villeins’, the indentured labourers on the lord’s the UK until 1967 when the movable holiday lands and estates. was replaced with the fixed Spring Bank How did we get to the name Whitsunday, rather Holiday in late May. Whit was the occasion than Pentecost as used elsewhere for the feast? for varied forms of celebration. In the north Again, from Wikipedia: ‘Old English homilies west of England, church and chapel parades have the words: "The Holy-Ghost, which thou did called Whit Walks still take place at this time send on Whit-Sunday", but I rather like this other (sometimes on Whit Friday, the Friday after definition from Augustinian canon, John Mirk Whitsun). Typically, the parades include brass (c1382 - 1414), of Lilleshall Abbey, Shropshire: bands and choirs; girls attending are dressed ‘Good men and wimmen, this day (Dies in white. -
Consequences of Bringing North-West Morris to the South-East of 215 England: the Chanctonbury Ring Effect
THE HISTORIES OF THE MORRIS IN BRITAIN Papers from a conference held at Cecil Sharp House, London, 25 - 26 March 2017, organized in partnership by Historical Dance Society with English Folk Dance and Song Society and The Morris Ring, The Morris Federation and Open Morris. Edited by Michael Heaney Consequences of Bringing North-west Morris to South-east England: The Chanctonbury Ring Effect Sean Goddard and Ed Bassford pp. 215-249 English Folk Dance and Song Society & Historical Dance Society London 2018 ii English Folk Dance and Song Society Cecil Sharp House 2 Regent's Park Road London NW1 7AY Historical Dance Society 3 & 5 King Street Brighouse West Yorkshire HD6 1NX Copyright © 2018 the contributors and the publishers ISBN 978-0-85418-218-3 (EFDSS) ISBN 978-0-9540988-3-4 (HDS) Website for this book: www.vwml.org/hom Cover picture: Smith, W.A., ca. 1908. The Ilmington morris dancers [photograph]. Photograph collection, acc. 465. London: Vaughan Wil- liams Memorial Library. iii Contents Introduction 1 The History of History John Forrest How to Read The History of Morris Dancing 7 Morris at Court Anne Daye Morris and Masque at the Jacobean Court 19 Jennifer Thorp Rank Outsider or Outsider of Rank: Mr Isaac’s Dance ‘The Morris’ 33 The Morris Dark Ages Jameson Wooders ‘Time to Ring some Changes’: Bell Ringing and the Decline of 47 Morris Dancing in the Earlier Eighteenth Century Michael Heaney Morris Dancers in the Political and Civic Process 73 Peter Bearon Coconut Dances in Lancashire, Mallorca, Provence and on the 87 Nineteenth-century -
Memories of Dobcross Brass: 行ってらっしゃい
Supporting local clubs, societies, services and facilities - Produced and distributed FREE of charge by volunteers Memories of Dobcross Brass: 行ってらっしゃい Past , Present… 2009 The Whit Friday Band contest this year will be remembered as one of the wettest ever. Although the morning was beautiful & sunny for a glorious parade to Uppermill, the rain began shortly before Diggle band started the contest off in great style. The persistent & torrential downpour didn’t stop thousands of people having a great time, though. There were 2009: Generally wet, but in Dobcross we keep smiling. plenty of smiles, whether you were Chief Superintendent Caroline Ball (bottom right) or if you had travelled 9,700 miles from Tokyo especially to play in Dobcross, like Kazuhiro Tsikimura & Koji Horita. They joined Asako Mochizuki (top left, in the middle) who now plays with Fulham Brass Band. 1983 Twenty-six years ago, Dobcross village & the Silver Band were featured in ‘THE BEAT OF BRASS’ - a documentary series presented by Roy Castle. Many readers will remember the filming & original broadcast. Now, thanks to the wonders of the internet, we can see the programme again. If you have the internet, put ‘Dobcross Roy Castle’ into and take a look. John Whitmore, who used to live in The Square (and now lives in Delph), used his technical wizardry to transfer the programme … and future onto YouTube from a mangled old video tape. Whether you are a Brass Band enthusiast or just interested in Dobcross, it makes fascinating viewing. HOG ROAST!!! BRASS ON THE GRASS Free Concert! Sunday 5th July 2009, 2pm 1983: Generally drier, but with slightly more dodgy hairdos. -
Draft Copy Jack Southern
Article ‘Lancashire accents, Lancashire goods and Lancashire girls’: Localism and the image of the cotton industry in the interwar period Southern, Jack Available at http://clok.uclan.ac.uk/17981/ Southern, Jack ORCID: 0000-0001-6066-2936 (2017) ‘Lancashire accents, Lancashire goods and Lancashire girls’: Localism and the image of the cotton industry in the interwar period. International Journal of Regional and Local History, 12 (2). pp. 77-91. ISSN 2051-4530 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1080/20514530.2017.1400716 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk Draft Copy Jack Southern University of Central Lancashire, Preston, UK [email protected] ‘Lancashire accents, Lancashire goods and Lancashire girls’: Localism and the image of the cotton industry in the interwar period Introduction During the interwar years, the realisation that the British cotton industry had lost its global primacy began to challenge the socio-economic system upon which much of Lancashire had been built. -
Jan., Vol. 4 No. 4
TheAmerScunMorrfs Newsletter EDITOR r Steve Parker 434 N.E. 4th Street Minneapolis, MN 55413 U.S.A. a pubticution devoted sotety to English Morris U Sword Dancing The American Morris Newsletter is published four times per year (~pril,July, October, and January). Subscriptions are available to anyone at $2.00 per year. Team subscriptions are available for $1.50 - per person per year (six or more copies to one address). Overseas subscriptions please add $2.00 for air mail delivery or 50@ for surface mail. Please make all checks or money orders in U.S. funds payable to American Morris Newsletter. Mail tor Steve Parker, 434 N.E. 4th St., Minneapolis, Minnesota 55413. Copy deadline is the 15th of the month prior to the month of publication. I would like to subscribe to the American Morris Newsletter. I enclose a check or money order for $2.00 in U.S. funds for one year of morris and sword news. My check is payable to American Morris Newsletter. Mail to: Steve Parker, 434 N.E. 4th St.,Minneapolis, MN 55413 NAME ADDRESS ZIP CODE American \-/pEz1 Morris Newsletter ,"\ 1 ANNOUNCEMENTS The Newsletter regrets to announce that production and mailing costs are forcinq us after four years to raise the rates for individual subscrip- tions to $5 per year vithin North America and $2 per copy for teaK subscrip- tions of at least six copies mailed to the same address. Overseas readers should add $3 for air mail service. The new rates will begin with the next issue (Vol. V No. 1) but renewals at current rates will be accepted provided they are postmarked before ~pril1, 1981.