MEDIA PACK [email protected]

Total Page:16

File Type:pdf, Size:1020Kb

MEDIA PACK Advertising@Dancing-Times.Co.Uk MEDIA PACK www.dancing-times.co.uk [email protected] Dance Matters News English National Ballet’s Dance Matters in brief Letters Talking Point ASHTON IN SARASOTA Calendar ★ Emerging Dancers All the most important dance news Xander Parish, the fi rst Post to e Editor, Dancing Times, 45-47 Clerenwell Green, London, EC1 0EB, See Frederick Ashton’s ballets. Get a tan. Combining those two pastimes is rarely Dates for your diary Junor Souza as Ali in Le Corsaire. British dancer to join Bill Harpe considers dance and slavery possible in London, but, writes Leigh Witchel, you can do it in Sarasota, Florida the Maryinsky Ballet, or email [email protected] makes his debut as Prince May 19. The six dancers will These listings are made as comprehensive as possible but Inclusion of dates is dependent upon information received. Vintage Fonteyn and Symphonic Siegfried in Swan Lake perform in front of a panel not just watching, Natalia On May 1 this year, after inclusion does not necessarily mean recommendation. In addition, we have details of some advance programmes Star Letter from overseas/UK companies and UK tours. For more details on March 1, with further of judges. The winner will Osipova’s comet soaring 40 enjoyable years dancing iverpool’s the chain gang as a point of African Americans who professional dancing and Copy deadline for possible entries is always the 1st of the (subject to availability) email as above or call 020 7250 3006. performances this season. be announced at the end of Dear Editor –– I do so agree with Gerald Dowler’s article through the ballet sky, casting Cotswold and Yorkshire International Slavery origin... The abomination of were descendants of slaves training is undertaken in he Sarasota Ballet will be preceding month. Please send to [email protected] Variations footage rediscovered The Maryinsky danced the evening, along with the on audience behaviour. What does one do if the off ending a life-affi rming light. So we Longsword dances, LMuseum is currently slavery is not a key reference and former slaves. Through North America and Britain. presenting an Ashton Festival or post to the usual address. Entry subject to space available. All programmes, casts and information subject to change the company premiere winner of the People’s Choice person is a “personality”? I’ve experienced a very famous all need to sit up at the back locally, nationally and hosting British Dance: point for British dancers who these dances, which swept There remains, of course, from April 30 to May 3 Margot Fonteyn and Michael for the fi rst time in 60 years. of Wayne McGregor’s Award, which is voted for A PAGE actor texting throughout a ballet, and a TV presenter of class and pay attention. internationally, the current Black Routes, open until came from African countries through North America and a legacy of pain as well as Tfeaturing 11 of the master’s works. Somes in the “Awakening Scene” Ballet Theatre UK SUNDERLAND, Empire Theatre In Darcey’s Ballerina Infra on February 24. by members of the public. repeatedly talking to his companion. Another bugbear is Just like Jimi Hendrix’s members (including some March 23. This exhibition that were until the 1950’s Britain from the 1920s, the achievement. Elroy Josephz The monumental undertaking came of the BBC’s 1959 production UNITED KINGDOM www.BalletTheatre-UK.com Tel: 0844 871 3022 Heroines, on BBC Two on This year’s fi nal will be TURNING the women who can’t seem to stop playing with their hair. arrival on the guitar scene of the original dancers) draws upon the findings and 1960’s British colonies.” framework of social dancing describes the dancing we about through the dedication and Tour of The Little Mermaid (ch: Moore) 7-8: Elite Syncopations (ch: MacMillan), of e Sleeping Beauty. Slaughter on Tenth Avenue (ch: Balanchine), March 1, Bussell explores ★ Fabulous Beast Dance ENGLISH NATIONAL Saruhashi, Junor Souza and directed by English National A young ballet-goer told me that she would never return forced all others before him will dance at the Lord of the British Dance and It is not a viewpoint that changed. A low centre of inherited from African hard work of the company’s artistic MARCH CAREER Companies 13: COVENTRY, Albany Theatre ‘Still Life’ at the Penguin Café (ch: Bintley) tells the story of the Sadler’s the history of the ballerina, Theatre will tour the UK BALLET HAS announced Joan Sebastian Zamora. Ballet’s associate artist to the Royal Opera House as, on her visit, she was terrifi ed to shove down the bench Collingwood again from the African Diaspora is shared by Elroy Josephz, gravity was embraced, slaves as originally “either director Iain Webb. Wiry and puckish, Tel: 024 7699 8964 PLYMOUTH, Theatre Royal Aakash Odedra Company 14: MONMOUTH, Blake Theatre Tel: 01752 267 222 Wells Ballet in wartime, from Marie Sallé to the from April 1 to May 3 the fi nalists for this Throughout the year, George Williamson. The that the camera phones constantly fl ashing before the a little to make space for 8pm. Everyone is welcome. Research Project, during who, having travelled from the whole body was in a release or a cry for help”. what shines through in conversation Tel: 01600 719 401 19-22: The Prince of the Pagodas (ch: Bintley) www.aakashodedra.com 15: MANSFIELD, Palace Theatre LONDON COLISEUM including rare archive present. Good Swan, Bad with a Stravinsky double year’s Emerging Dancer English National Ballet’s competition is generously performance might trigger an epileptic attack. I would have him at the top, so is this Then, on Sunday, May 4, which memories of black Jamaica, made his home in motion, and improvisation Peter Blackman, founder is that he’s mad about ballet, its Tour of Rising, featuring new works by Akram Tel: 01623 633 133 Tel: 020 7845 9300 As Ashley Page creates his Khan, Sidi Larbi Cherkaoui and Russell Maliphant footage and interviews with Swan: Dancing Swan Lake, on bill. This is the fi rst Competition. Now in its artistic, music and supported by restructuring thought that this was a serious health and safety concern, happening in ballet. We must they will also be dancing at British dancers involved in the UK, becoming in 1979 was expected. Lindy Hop of British-based dance history – and Sir Frederick Ashton. 16M: TUNBRIDGE WELLS, Assembly Hall 26-29: The Prince of the Pagodas MARCH Tel: 01892 530 613 Gillian Lynne, Beryl Grey BBC Four on March 9, shows time Michael Keegan- fi fth year, the competition administrative staff , along experts Talbot Hughes latest full-length ballet in but the staff didn’t seem bothered. –– Yours sincerely, enjoy the fact that ballet is places around the Bar Walls the artform from the 1970s the first lecturer in African- maestro Frankie Manning and music group Steel An’ “There are things as a director you 6: LONDON, Artsdepot 22M&E: WARWICK, Bridge House Theatre and Henry Danton. During Tamara Rojo preparing to Dolan’s productions of is an annual opportunity with its principal dancers, McKillop. The winner Robert Iles being redefi ned before our on their annual “Walls Tour” onwards were explored. Caribbean dance at what led the way, “dancing Skin, describes a legacy of want to do and things you have to Tel: 020 8369 5454 Breakin’ Convention Vienna, the choreographer Tel: 01926 776 438 www.breakinconvention.com his interview, Danton dance Odette-Odile in Swan The Rite of Spring and for the company to have been voting for their receives £2,500, the People’s talks to Paul Arrowsmith Salisbury very eyes, its magic is being starting at 11am at Walmgate The research project is now Liverpool’s John at a sharp angle to the slavery as “inappropriate do – this is something I needed to Anton Du Beke – Ballroom 23M&E: HAYES, Beck Theatre The international festival of hip hop dance remembered that an amateur Lake, including rehearsals, Petrushka have toured recognise the talent of its favourite emerging dancer. Choice award-winner humanised and infused with Bar and then to Monk Bar, was led by Christy Adair, Moores University. As the ground like a track runner, behaviour” today, deriving do. This festival is about Sir Fred, his Tel: 020 8561 8371 theatre returns. This year’s line-up includes ILL- Each month the author of our Star Letter will win a year’s to Broadway 28: BURNLEY, Mechanics Abilities, Ukweli Roach and Wanted Posse cameraman had fi lmed a performance, interviews the UK. See Calendar. up-and-coming dancers. Tickets are now on sale for receives £1,000 and all subscription or an extension to a current subscription real soul, at last. I’m not sure Bootham Bar and onwards! professor of Dance Studies museum catalogue makes instead of the upright, stiff from inherited habits ballets and the man behind them.” www.raymondgubbay.co.uk Tel: 01282 664 400 MAY Anton Du Beke partners Summer Strallen, with 29M&E: STAMFORD, Corn Exchange 3-5: LONDON, Sadler’s Wells rehearsals for Symphonic and specially fi lmed The fi nalists for 2014 are the fi nal of the competition, nominees receive £500. we’ll see her like again so The group would like to at York St John University, clear, “central to his work ballroom position”. That and attitudes that were A former dancer with both the ensemble dancers including Faye Huddleston and Tel: 01780 766 455 ★ Tel: 0844 412 4300 Variations. Archivists at the workshops. Programme Errol White Company Madison Keesler, Senri Kou, which will be held at Call 0844 871 3000 or see we should enjoy this new, reunite with any former and Ramsey Burt, professor was his understanding of dancing attitude, which was acquired to survive 400 Sadler’s Wells and Covent Garden music from the Raymond Gubbay Big Band and 30M&E: LOUGHBOROUGH, Town Hall 10: DONCASTER, Cast British Film Institute have schedules may change – has launched Evolve, Alison McWhinney, Ken London’s Lyceum Theatre on ballet.org.uk for tickets.
Recommended publications
  • Ravenna Tucker Wagnon Professor of Dance
    Ravenna Tucker Wagnon Professor of Dance Body Arts and Science International (BASI Pilates) Certification; Masters of Creative Industries (Dance Teaching), Queensland University of Technology; Post-Graduate Diploma in Dance Instruction, Queensland University of Technology; Associate of the Royal Academy of Dance (ARAD); Diploma The Royal Ballet School Teachers’ Course for Professional Dancers (TCPD); The Royal Ballet Upper School (dance graduate). Books/Academic Articles: DANCING ACROSS BORDERS: Perspectives on Dance, Young People and Change, First Edition, Eds. Charlotte Svendler Nielsen and Stephanie Burridge, January 2020 Creative Activity/ Performances Film documentary biography of Belhaven University guest artist Henry Danton, interviewer and partial supervisor; Fleeting Figures choreography for Cecchetti Council of America Summer Intensive, Holland Michigan, 2019; The Least Of These, choreography and solo performance, Community Dance Concert, Belhaven University, September 2018. Professional Leadership Rehearsal director for various student works (including Frescoes, Les Sylphide, Don Quixote Act II restaged by Henry Danton; Swan Lake Act II and excerpts; Waltz of the Snowflakes, La Bayadere Act II, The Sleeping Beauty and other excerpts, Galanteries by Sir David Bintley, excerpt of Elite Syncopations by Sir Kenneth MacMillan, excerpt of Serenade by George Balanchine, Strings of Grace by Catherine Batcheller) for Belhaven University Dance Ensemble Fall and Spring concerts; guest teaching at various festivals and events (including Mississippi Dance Festival, Alabama Dance Festival, American College Dance Association, Dance Works studio summer intensive, Cecchetti Council of America Summer Intensive, City Dance Audition, Brookhaven School for the Arts in Mississippi). Talks / Presentations/ Conferences Guest talk on the A History of Classical Ballet at Jackson State University. Make up tutorial for the Mississippi Ballet.
    [Show full text]
  • Pag 01Ok.Qxd 20/06/2014 20:38 Pægina 1 EL CULTURAL1 Euro
    pag 01ok.qxd 20/06/2014 20:38 PÆgina 1 EL CULTURAL1 Euro. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 27 de junio - 3 de julio de 2014 www.elcultural.es Richard Hamilton El último autorretrato La distopía conquista la literatura Mérida absuelve a Salomé Paco Azorín abre el festival con una impactante revisión de la ópera de Strauss Pag 03.qxd 20/06/2014 21:13 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Felipe VI y la cultura elipe II, Felipe III y Fe- Graciano García, con saga- Se divirtió hablando con Pedro centenares de representantes lipe IV vivieron el Siglo de cidad impagable, situó a Don Almodóvar, el gran genio del de la cultura española, iberoa- FOro de la cultura españo- Felipe en la plataforma del Pre- cine español, con Maya Pli- mericana y mundial. la. Conocieron personalmente mio Príncipe de Asturias, lo sétskaya y Tamara Rojo, con Felipe VI no gobierna. o tuvieron noticia cercana de que ha permitido al actual Rey Paco de Lucía y Michael Ha- Pero reina. Y estoy seguro de los más grandes: Cervantes y comprender la significación neke. que alentará al Gobierno a que San Juan de la Cruz, Lope de profunda de la cultura en las le- Y el mundo de la Comuni- dedique sus mejores esfuerzos Vega y Santa Teresa, Veláz- tras, las artes plásticas, la mú- cación. Recuerdo a Indro Mon- al mundo de la cultura en el quez y Calderón, Fray Luis de sica, el cine, la ciencia… tanelli, mi inolvidado, mi gran que España ocupa lugar de re- León y Gracián, Góngora y He tenido la suerte de sen- amigo, departiendo con Don lieve internacional.
    [Show full text]
  • TAMARA ROJO, Bailarina Royal Ballet Royal ‘NUNCA IMAGINÉ CUANDO
    78escritura 60-62 19/10/12 12:18 Página 2 • esfera cultural• TAMARA ROJO, bailarina Royal Ballet Royal ‘NUNCA IMAGINÉ CUANDO Foto cortesia del del Foto cortesia LLEGUÉ A INGLATERRA QUE UN DÍA FUERA A DIRIGIR UNA DE SUS GRANDES COMPAÑÍAS DE DANZA’ JUAN ANTONIO LLORENTE terra que un día fuera a dirigir una de sus grandes compañías de danza. –¿Dónde será la prueba de fuego? –Aunque la compañía de la que se va a responsabilizar se –Mi primera actuación al frente del English National Ballet será proclama como “clásica”, sus intereses como bailarina son en el Teatro Milton Keynes de Buckinghamshire County, el 17 de más amplios. ¿En qué márgenes cronológicos se mueve? octubre, con La Bella Durmiente que coreografió Kenneth Macmi- –En realidad eso es algo que no me planteo, aunque es verdad llan. Para mí es uno de los montajes más bonitos que existen de que esas distinciones se dan mucho en España, donde se estable- ese título, que en diciembre llevaremos al Coliseum de Londres, cen límites entre la danza clásica y la contemporánea. Pero eso no nuestra sede oficial, además de Cascanueces. sucede fuera. En este momento, en las grandes compañías, como el Royal Ballet, los bailarines se muestran en una gran variedad de re- –La del ballet es una sociedad de mitos y mitómanos. ¿Tiene pertorio. Desde, digamos, el clásico puro de Petipa y el Lago de los los suyos? Cisnes, a cosas más modernas como Balanchine, Kenneth Macmi- –(Sonríe). Sí, por supuesto. Hay gente que me ha influenciado, llan o Zoe Aston. Así, hasta llegar a propuestas que tengan más que pero sobre todo que me ha inspirado.
    [Show full text]
  • Aug. 8 & 15, 2016 Price $8.99 Aug. 8 & 15, 2016 Price $8.99
    PRICE $8.99 AUG. 8 & 15, 2016 AUGUST 8 & 15, 2016 4 GOINGS ON ABOUT TOWN 19 THE TA L K OF THE TOWN Steve Coll on Russia’s election games; Gloria Allred; Morgan Freeman; pub rock; James Surowiecki on executive action. ANNALS OF POLITICS Jill Lepore 24 The War and the Roses The lessons of the party Conventions. SHOUTS & MURMURS Ian Frazier 33 Outdone THE SPORTING SCENE Sam Knight 34 Prance Master The star rider who is transforming dressage. A REPORTER AT LARGE Jon Lee Anderson 40 The Distant Shore What made an isolated Peruvian tribe kill? PERSONAL HISTORY Lauren Collins 52 Love in Translation Marriage to a Frenchman. SKETCHBOOK Barry Blitt 59 “Behind the Scenes at the D.N.C.” FICTION Te s s a Ha d l ey 62 “Dido’s Lament” THE CRITICS POP MUSIC Kelefa Sanneh 68 Gucci Mane’s “Everybody Looking.” BOOKS Adelle Waldman 72 Jay McInerney’s “Bright, Precious Days.” Dan Chiasson 75 Jana Prikryl’s “The After Party.” 77 Briefly Noted ON TELEVISION Emily Nussbaum 78 “BoJack Horseman.” THE CURRENT CINEMA Anthony Lane 80 “Jason Bourne,” “Little Men.” POEMS Nicole Sealey 31 “A Violence” James Richardson 47 “How I Became a Saint” COVER Mark Ulriksen “Something in the Air” DRAWINGS Paul Noth, Edward Steed, Jason Adam Katzenstein, Avi Steinberg, Sam Marlow, Roz Chast, Amy Hwang, Will McPhail, Darrin Bell, Liam Francis Walsh SPOTS Ben Wiseman THE NEW YO R K E R , AUGUST 8 & 15, 2016 1 CONTRIBUTORS Jill Lepore (“The War and the Roses,” Jon Lee Anderson (“The Distant Shore,” p.
    [Show full text]
  • The Sarasota News Leader. ARTICLE INCORRECTLY ATTRIBUTED
    THE SARASOTA Vol. 2, No. 25 — March 7, 2014 COVER News Leader LET IT BE RAISING MORE CONCERNS A STRONG RESPONSE Inside Old school journalism. 21st century delivery. GET TO HELP KNOW US A.K.A. HELP MASTHEAD Rachel Brown Hackney Cleve Posey Editor and Publisher Production Manager / Graphic Designer [email protected] [email protected] Cooper Levey-Baker Robert S. Hackney Associate Editor Opinion Editor / General Manager [email protected] [email protected] Stan Zimmerman Advertising Sales City Editor [email protected] [email protected] Subscription Services Roger Drouin [email protected] County Editor Press Releases & News Tips [email protected] [email protected] Norman Schimmel Staff Photographer [email protected] Fran Palmeri Contributing Writer [email protected] Harriet Cuthbert Contributing Writer [email protected] Elinor Rogosin A&E Writer [email protected] John Riley Editorial Cartoonist [email protected] Vicki Chatley Copy Editor [email protected] Letters To the Editor [email protected] “The Sarasota News Leader” is a registered trademark of New Sheriff Publishing, Inc., which publishes The Sarasota News Leader. Copyright © 2014 Sarasota News Leader. All rights reserved. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Member - National Digital Press Association • P.O. Box 5099 • Sarasota, FL 34277 • (941) 227-1080 WELCOME Last week, as I was reflecting on potential content for this issue, it appeared the City Commission meeting would be the only sig- nificant source. Oh, how wrong was I proven to be.
    [Show full text]
  • NEWSLETTER > 2019
    www.telmondis.fr NEWSLETTER > 2019 Opera Dance Concert Documentary Circus Cabaret & magic OPERA OPÉRA NATIONAL DE PARIS > Boris Godunov 4 > Don Pasquale 4 > Les Huguenots 6 SUMMARY > Simon Boccanegra 6 OPÉRA DE LYON DANCE > Don Giovanni 7 OPÉRA NATIONAL DE PARIS TEATRO LA FENICE, VENICE > Thierrée / Shechter / Pérez / Pite 12 > Tribute to Jerome Robbins 12 > Tannhäuser 8 > Cinderella 14 > Orlando Furioso 8 > Norma 9 MALANDAIN BALLET CONCERT > Semiramide 9 > Noah 15 OPÉRA NATIONAL DE PARIS DUTCH NATIONAL OPERA MARIINSKY THEATRE, ST. PETERSBURG > Tchaikovsky Cycle (March 27th and May 15th) 18 > Le Nozze de Figaro 10 > Petipa Gala – 200th Birth Anniversary 16 > The 350th Anniversary Inaugural Gala 18 > Der Ring des Nibelungen 11 > Raymonda 16 BASILIQUE CATHÉDRALE DE SAINT-DENIS > Processions 19 MÜNCHNER PHILHARMONIKER > Concerts at Münchner Philharmoniker 19 ZARYADYE CONCERT HALL, MOSCOW > Grand Opening Gala 20 ST. PETERSBURG PHILHARMONIC > 100th Anniversary of Gara Garayev 20 > Gala Concert - 80th Anniversary of Yuri Temirkanov 21 ALHAMBRA DE GRANADA > Les Siècles, conducted by Pablo Heras-Casado 22 > Les Siècles, conducted by François-Xavier Roth 22 > Pierre-Laurent Aimard’s Recital 23 OPÉRA ROYAL DE VERSAILLES > La Damnation de Faust 23 DOCUMENTARY > Clara Haskil, her mystery as a performer 24 > Kreativ, a study in creativity by A. Ekman 24 > Hide and Seek. Elīna Garanča 25 > Alvis Hermanis, the last romantic of Europe 25 > Carmen, Violetta et Mimi, romantiques et fatales 25 CIRCUS > 42nd international circus festival of Monte-Carlo 26
    [Show full text]
  • Tracing Ballet's Pedagogical Lineage in the Work of Maggie Black
    Dance Chronicle ISSN: 0147-2526 (Print) 1532-4257 (Online) Journal homepage: https://www.tandfonline.com/loi/ldnc20 Teaching through Time: Tracing Ballet's Pedagogical Lineage in the Work of Maggie Black Jessica Zeller To cite this article: Jessica Zeller (2009) Teaching through Time: Tracing Ballet's Pedagogical Lineage in the Work of Maggie Black, Dance Chronicle, 32:1, 57-88, DOI: 10.1080/01472520802690283 To link to this article: https://doi.org/10.1080/01472520802690283 Published online: 19 Feb 2009. Submit your article to this journal Article views: 1259 Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=ldnc20 Dance Chronicle, 32:57–88, 2009 Copyright C 2009 Taylor & Francis Group, LLC ISSN: 0147-2526 print / 1532-4257 online DOI: 10.1080/01472520802690283 TEACHING THROUGH TIME: TRACING BALLET’S PEDAGOGICAL LINEAGE IN THE WORK OF MAGGIE BLACK JESSICA ZELLER Maggie Black, internationally renowned for her anatomically based approach to ballet instruction, helped to shape ballet training and coaching in the late twentieth century. In keeping with the widely recognized concept of ballet as an art form that is traditionally passed down by oral means, the focus of this research is on aspects of Black’s pedagogy that are derived from her teachers, Audrey de Vos and Antony Tudor. This essay explores the pedagogical work of de Vos and Tudor, examines how their respective influences affected Black’s methodology, and indicates characteristics of her work that she developed independently. In the world of ballet, lineage matters.
    [Show full text]
  • George Balanchine August Bournonville Sasha Janes Jerome Robbins
    George Balanchine August Bournonville Sasha Janes THTHEAEATETERR 1716/1/187 Jerome Robbins FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m.
    [Show full text]
  • World Ballet Day 2014
    GLOBAL FIRST: FIVE WORLD-CLASS BALLET COMPANIES, ONE DAY OF LIVE STREAMING ON WEDNESDAY 1 OCTOBER www.roh.org.uk/worldballetday The A u str a lia n B a llet | B o lsho i B a llet | The R o y a l B a llet | The N a tio n a l B a llet o f C a n a d a | S a n F r a n c isc o B a llet T h e first ev er W o r ld B a llet D a y w ill see an u n p rec ed en ted c ollab oration b etw een fiv e of th e w orld ‘s lead in g b allet c om p an ies. T h is on lin e ev en t w ill tak e p lac e on W ed n esd ay 1 O c tob er w h en eac h of th e c om p an ies w ill stream liv e b eh in d th e sc en es ac tion from th eir reh earsal stu d ios. S tartin g at th e b egin n in g of th e d an c ers‘ d ay , eac h of th e fiv e b allet c om p an ies œ The A u str a lia n B a llet, B o lsho i B a llet, The R o y a l B a llet, The N a tio n a l B a llet o f C a n a d a an d S a n F r a n c isc o B a llet œ w ill tak e th e lead for a fou r h ou r p eriod stream in g liv e from th eir h ead q u arters startin g w ith th e A u stralian B allet in M elb ou rn e.
    [Show full text]
  • Liceo Germana Erba 2019-2020 Masterclass Con I Grandi Maestri E Con Alcuni Prestigiosi Ex Allievi
    LICEO GERMANA ERBA 2019-2020 MASTERCLASS CON I GRANDI MAESTRI E CON ALCUNI PRESTIGIOSI EX ALLIEVI 25-26 GENNAIO 15 -16 FEBBRAIO 29 FEBBRAIO LORENZO MORANDINI ALEN BOTTAINI UMBERTO SCIDA 7-8 MARZO 14-15 MARZO 24 MARZO ROBERT NORTH FEDERICO BONELLI FEDERICO TOLARDO Per informazioni rivolgersi alla Segreteria del Liceo Germana Erba. Telefono: 0116500262 - Mail: [email protected] Liceo Paritario Germana Erba Coreutico Teatrale D.M. 29-06-2010 - D.M. 08-11-2010 - Certificazione di Qualità ISO 9001:2015 Corso M. D’Azeglio 17 – 10126 Torino - tel. 011-65.00.262 – fax 011- 65.00.218 [email protected] - www.liceogermanaerba.it 25-26 GENNAIO LORENZO MORANDINI Teatro Nuovo, Torino e tour nazionali Solidao - Coreografia di Antonio Della Monica; solista Opera Rock - Coreografia di Antonio Della Monica; solista, performer e cantante Juke Box - Coreografia di Antonio Della Monica; solista e performer Canta Napoli - Coreografia di Antonio Della Monica; solista e performer Firulà - Coreografia di Antonio Della Monica; solista La vedova allegra - Coreografia di Ekaterina Savina; corpo di ballo M’illumino di meno - Coreografia di Antonio Della Monica; solista Produzioni originali, suite e balletti del repertorio classico, repertorio operistico e musical. Coreografi: Antonio Della Monica, Ekaterina Savina, Niurka De Saa, Daniela Chianini e Franca Dorato. Fatti misfatti e incanti per animali parlanti - Diretto da Gian Mesturino; attore e cantante Green green dress - Diretto da Paolo Zaltron; cantante Concorso Mad4Dance (2013) Premio: Borsa di studio per il DAF di Roma Terra Madre - Coreografo e performer Buskers - Coreografo e performer Speed Rock (4 edizioni): diga di malga Bissina, Daone Speed Rock dance - Coreografie di Elisabetta Ghetti; performer Programmi TV School Rock - Finalista nelle sfide di danza, canto e recitazione.
    [Show full text]
  • Comunicato Stampa
    STAGIONE LIRICA E DI BALLETTO 2018 LO SCHIACCIANOCI musica Pëtr Il’ič Čajkovskij GLI INTERPRETI Amedeo Amodio - Coreografia e regia Allievo della scuola di ballo del Teatro alla Scala di Milano e poi danzatore del balletto scaligero, i suoi interessi non si limitano alla danza, ma a ogni forma d’arte, stimolato anche dalle esperienze vissute in un teatro che, in quel periodo, si avvaleva di collaborazioni di artisti di grande spessore, registi, direttori d’orchestra, cantanti, scenografi, coreografi, ballerini, attori. La curiosità di ampliare le sue esperienze lo portano, a 22 anni, a lasciare il Teatro alla Scala per iniziare la carriera di coreografo e ballerino da libero professionista e, più tardi, ad assumere la direzione artistica dell’allora nascente Aterballetto, la prima compagnia stabile di danza costituitasi al di fuori di un ente lirico, qualcosa di unico nel panorama della danza italiana. Per circa vent’anni, ad Amedeo Amodio sono affidate le sorti dell’ensemble formato da ballerini solidi dal punto di vista tecnico, ricchi di espressività e capaci di essere interpreti raffinati di un repertorio vasto che porta la firma di grandi coreografi del ‘900 quali: George Balanchine, Roland Petit, Antony Tudor, Léonide Massine, August Bournonville, Kenneth McMillan, Alvin Ailey, Glen Tetley, William Forsythe, Hans van Manen, Maurice Béjart, Micha van Hoecke, Jiří Kylian, Roland Petit, José Limón. Per Aterballetto Amedeo Amodio firma molte creazioni, alcune delle quali hanno visto la partecipazione di grandi interpreti come: Elisabetta Terabust, Alessandra Ferri, Vladimir Derevjanko, Julio Bocca, Roberto Bolle, George Iancu, Alessandro Molin, Massimo Murru, Viviana Durante, Igor Yebra. La sua esperienza prestigiosa lo porta nel 1997 alla direzione del Corpo di Ballo dell’Opera di Roma - dove, come danzatore, in passato aveva vissuto un periodo fecondo di stimoli grazie all’incontro con Aurel Milloss - e, nel 2003, del Teatro Massimo di Palermo.
    [Show full text]
  • Moscow, December 2014 New Year Grand Ball Moscow Viennese Ball
    Moscow, December 2014 New Year Grand Ball Moscow Viennese Ball Moscow and Metropol Hotel Moscow present New Year’s Grand Ball at Metropol! On 31 December 2014, the exquisite Metropol Hotel Moscow will host a New Year’s Grand Ball for 250 people in its elegant halls. You will have the opportunity to attend a real magical ball organized by the distinguished Metropol Hotel Moscow and the Vienna Ball Moscow company, famous for its projects in Moscow, Rome, London, Vienna and Biarritz. Moscow hasn’t witnessed anything like this before. The program for the night will include: ∙ The Russian Philharmonic symphony orchestra; ∙ Semen Milstein’s Dance-land jazz orchestra; ∙ Dance program with Stanislav Popov and the famous midnight quadrille; ∙ A gala concert with leading world opera and ballet stars; ∙ An exquisite gala dinner including culinary masterpieces prepared by Metropol’s own chef; ∙ New Year’s lottery; ∙ A special children’s program in the Red Hall; ∙ New Year’s presents and surprises. Guest arrival – 21:00 Official opening – 22:00 End of the Ball – 03:00 STARS OF THE NEW YEAR’S GRAND BALL: SEMEN MILSTEIN’S DANCE-LAND JAZZ ORCHESTRA An Honored Artist of The Russian Federation and one of the most dominant musicians in our country, Semen Milstein has been performing and playing trumpet for over a quarter of a century. He was given an unofficial title of the Golden Trumpet of Russia. Milstein makes frequent appearances with his jazz orchestra at international ballroom dancing competitions. MOSCOW-BASED RUSSIAN PHILHARMONIC SYMPHONY ORCHESTRA – this is the first and only symphonic orchestra in the capital.
    [Show full text]