Highlights of Available Works
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Announcement
Announcement 56 articles, 2016-05-25 18:01 1 venice architecture biennale: antarctic pavilion the pavilion will showcase visuals that underline possibilities of new (0.01/1) forms of architecture, planning, thinking for the vast tundra. 2016-05-25 10:40 1KB www.designboom.com 2 Lee Kit: Hold your breath, dance slowly “Hold your breath, dance slowly,” invites artist Lee Kit. As you walk into the dimly lit galleries, wandering from space to space, or nook to (0.01/1) nook, you find yourself doing just that: holding your... 2016-05-25 12:13 836Bytes blogs.walkerart.org 3 alain silberstein adds a bit of pop to MB&F's LM1 with his signature use of bold shapes + colors highlighting the french creative's meticulously practical approach to artistic design, the 'LM1 silberstein' is serious watchmaking. seriously playful. 2016-05-25 16:01 8KB www.designboom.com 4 Building Bridges: Symposium at the Fondazione Sandretto Re Rebaudengo This past weekend, Fondazione Sandretto Re Rebaudengo in Turin hosted Building Bridges, a symposium reflecting upon curatorial practice and how curators move from educational to institutional context... 2016-05-25 13:00 972Bytes blogs.walkerart.org 5 On the Gaze in the Era of Visual Salamis Our attention is not focused on a singular image, but is distributed along the image’s path. 2016-05-25 17:13 12KB rhizome.org 6 Devendra Banhart + Band* Rodrigo Amarante Hecuba Harold Budd + Brad Ellis + Veda Hille To spark discussion, the Walker invites Twin Cities artists and critics to write overnight reviews of our performances. -
© 2020 Kaitlyn Wentz All Rights Reserved
© 2020 KAITLYN WENTZ ALL RIGHTS RESERVED ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION A Thesis PresenteD to The GraDuate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts KAITLYN WENTZ May, 2020 ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION Kaitlyn Wentz Thesis ApproveD: AccepteD: ______________________________ ___________________________ Advisor School Director James Slowiak Dr. Marc ReeD ______________________________ ___________________________ Committee Member Interim Dean of the College ArnolD Tunstall Dr. LinDa Subich ______________________________ ___________________________ Committee Member Acting Dean of the GraDuate Courtney Cable School Dr. Marnie SaunDers ___________________________ Date ii ABSTRACT In a time of constant threat to funDing, elimination of the National EnDowment, anD competition over resources, philanthropy in the arts anD culture sector is inDispensable to the vibrancy anD economic Development of a city’s core. The arts anD culture sector is consiDereD to take away from an economy’s financial resources. However, it is the exact opposite. It is a thriving sector that contributes to the economy by creating jobs, spenDing money at local businesses, anD bringing in cultural tourists. FreD BiDwell anD Rick Rogers have a long history of philanthropy in this sector, anD their DemonstrateD support has leD to efforts of revitalization, vibrancy, anD Dollars spent in the cities of Akron anD ClevelanD. This thesis explores the history, issues, and successes of the two cultural proDucers’ philanthropy efforts in the sector anD the impact that their support has brought to the Northeast Ohio region. iii TABLE OF CONTENTS CHAPTER I. -
Studio International Magazine: Tales from Peter Townsend’S Editorial Papers 1965-1975
Studio International magazine: Tales from Peter Townsend’s editorial papers 1965-1975 Joanna Melvin 49015858 2013 Declaration of authorship I, Joanna Melvin certify that the worK presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. i Tales from Studio International Magazine: Peter Townsend’s editorial papers, 1965-1975 When Peter Townsend was appointed editor of Studio International in November 1965 it was the longest running British art magazine, founded 1893 as The Studio by Charles Holme with editor Gleeson White. Townsend’s predecessor, GS Whittet adopted the additional International in 1964, devised to stimulate advertising. The change facilitated Townsend’s reinvention of the radical policies of its founder as a magazine for artists with an international outlooK. His decision to appoint an International Advisory Committee as well as a London based Advisory Board show this commitment. Townsend’s editorial in January 1966 declares the magazine’s aim, ‘not to ape’ its ancestor, but ‘rediscover its liveliness.’ He emphasised magazine’s geographical position, poised between Europe and the US, susceptible to the influences of both and wholly committed to neither, it would be alert to what the artists themselves wanted. Townsend’s policy pioneered the magazine’s presentation of new experimental practices and art-for-the-page as well as the magazine as an alternative exhibition site and specially designed artist’s covers. The thesis gives centre stage to a British perspective on international and transatlantic dialogues from 1965-1975, presenting case studies to show the importance of the magazine’s influence achieved through Townsend’s policy of devolving responsibility to artists and Key assistant editors, Charles Harrison, John McEwen, and contributing editor Barbara Reise. -
PDF SVA Handbook 2020–21
2020/2021 SVA Handbook SVA • 2020 / 2021 20 /21 SVA Handbook CONTENTS President’s Letter 2 The College 3 Academic Information 9 Student Information 23 Faculty Information 44 General Information 55 Standards, Procedures, Policies and Regulations 69 SVA Essentials 93 2020–2021 Academic Calendar 113 Index 119 SVA.EDU 1 THE SVA HANDBOOK provides faculty, students and administrative staff with information about the College, its administration, services and processes. In addition, the Handbook contains policies mandated by federal and state regulations, which all faculty, students and administrative staff need be aware of. In this regard, I would especially like to call your attention to the sections on attendance (pages 12 and 46), the Family Educational Rights and Privacy Act (FERPA) (page 85), Student Disruptive and Concerning Behavior (page 74), Title IX procedures (page 84) and the SVA policy on alcohol and drugs (page 70). We look forward to the 2020–2021 academic year. Our students, this year from 45 states, one U.S. territory and 49 countries, will once again pursue their studies with the focused guidance of our renowned professional faculty. DAVID RHODES President August 2020 2 SVA HANDBOOK THE COLLEGE Board of Directors 4 Accreditation 4 SVA Mission Statement 4 SVA Core Values 4 History of SVA 5 Academic Freedom 6 First Amendment Rights 6 SVA Student Profile 7 SVA.EDU 3 BOARD OF DIRECTORS The Interior Design program leading to the Brian Palmer Bachelor of Fine Arts in Interior Design is ac- Joseph F. Patterson credited by the Council for Interior Design Anthony P. Rhodes Accreditation (accredit-id.org), 206 Grand- David Rhodes ville Avenue, Suite 350, Grand Rapids, MI Lawrence Rodman 49503-4014. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Jack Hanley Gallery
JACK HANLEY GALLERY Margaret Lee (b. 1980) lives and works in New York, NY Solo and Two Person Exhibitions 2018 Shouting in a Bucket Blues, The Green Gallery, Milwaukee, WI ...banana in your tailpipe, Marlborough Contemporary, London, UK 2017 ...banana in my tailpipe, Misako & Rosen Gallery, Tokyo, Japan 2016 It’s not that I’m not taking (this) seriously, Jack Hanley Gallery, New York, NY Having It Both Ways, The Window at Barneys, New York, NY Duddell’s x DMA: Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell’s, Hong Kong, China de, da, do...da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA 2015 You Can Teach an Old Zebra New Tricks, Margaret Lee and Emily Sundblad, Hannah Hoff- man Gallery, Los Angeles, CA 2014 Reading into Things, Team Bungalow, Venice, CA Sometimes Maybe, The Green Gallery, Oak Park, Chicago, IL Closer to wrong than right/ closer to right than wrong, Jack Hanley Gallery, New York, NY 2013 Für die Kinder Düsseldorfs, with Emily Sundblad, Off Vendome, Dusseldorf, Germany 2012 MHML: Margaret Lee and Matthew Higgs, The Green Gallery East, Milwaukee, WI MLMH: Margaret Lee and Matthew Higgs, Murray Guy, New York, NY Waiting for ####, Jack Hanley Gallery, New York, NY Group Exhibitions 2020 For a Dreamer of Houses, Dallas Museum of Art, Dallas, TX 2017 Oomingmak, Capital Gallery, San Francisco, CA 30th Anniversary Exhibition Attics of My Life, Jack Hanley Gallery, New York, NY Sea Sick in Paradise, DEPART Foundation, Los Angeles, CA 2016 Her Crowd: New Art by Women from Our Neighbors’ -
Painting in the 21St Century PR
Site:Brooklyn Gallery Hanae Kawai - Memory Recorder Painting in the 21st Century Juried by Stephen Henry Madoff Opening Reception: Friday, September 21st, 6–9PM September 21st – October 21st, 2018 165 7th Street, Brooklyn, New York Site:Brooklyn Gallery is pleased to present Painting in the 21st Century, an international open call for submission juried by Steven Henry Madoff. Did painting, as some have argued, reach a dead end with the culmination of abstraction in the late 20th century? If anything, the opposite seems to be true. Representation and abstraction, historically, were not, and are not, total opposites. Abstraction almost inevitably has representational qualities (as Jackson Pollock’s work demonstrates). To look at the issue from a different direction, abstracted guration was the hallmark of move- ments like Post-Impressionism. As much of this exhibition demonstrates, abstraction and representation are often vitally intertwined. This show seeks to illuminate some of these interactions and dilemmas, by showing a selection of contemporary painting, in all of its variety and in- ventiveness. While the work is from all across the world, with a number of styles and social commitments, nevertheless, the exhibition, has a feeling of cohesion and direction. What stands out most is the interplay between the effects of new media (especially social networks such as Instagram), the verities of brush and canvas, and the ever-present tensions between guration and abstraction. Speci cally, many of the works engage by giv- ing the viewer a feeling of abstraction anthropomorphized, touching on themes of trans-humanism and the future of the body as a unitary, stable, whole. -
EXTENSIONS of REMARKS September 18, 1997 EXTENSIONS of REMARKS
19548 EXTENSIONS OF REMARKS September 18, 1997 EXTENSIONS OF REMARKS 1996 NATIONAL PRAYER General SHALIKASHVILI. Today as we gather We welcome you all here today and you BREAKFAST here in Washington, we are joined by count should be aware of the fact that in addition less and countless Americans all across our to the President and his wife and the Vice nation in prayer and in fellowship. And on President and his wife, there are in attend HON. BILL BARRETI every base, on every post and on every ship, ance members of the Senate and the House, OF NEBRASKA we are joined as well by our men and women members of the President's Cabinet. Of IN THE HOUSE OF REPRESENTATIVES in uniform who have answered our nation's course General Shalikashvili and other call to serve. Wednesday, September 17, 1997 members of the Joint Chiefs and the military Just across the Potomac on Ft. Myer, command. We have prime ministers and Mr. BARRETT of Nebraska. Mr. Speaker, across the Pacific at Misawa Air Base, heads of state, leaders of giant corporations earlier this year the transcript of the 1997 Na aboard the USS America, in Haiti and Ku and organizations from all over the world tional Prayer Breakfast, held here in Wash wait, in South Korea and Bosnia, in all of and we welcome all of you. these places and hundreds more, America's Allow me to quickly introduce to you the ington, DC, was printed in the CONGRESSIONAL sons and daughters are taking to their knees RECORD. It has come to my attention that the people who are sitting at the head table, and solemnly asking God for strength. -
Methods for Modernism: American Art, 1876-1925
METHODS FOR MODERNISM American Art, 1876-1925 METHODS FOR MODERNISM American Art, 1876-1925 Diana K. Tuite Linda J. Docherty Bowdoin College Museum of Art Brunswick, Maine This catalogue accompanies two exhibitions, Methods for Modernism: Form and Color in American Art, 1900-192$ (April 8 - July 11, 2010) and Learning to Paint: American Artists and European Art, 1876-189} (January 26 - July 11, 20io) at the Bowdoin College Museum of Art, Brunswick, Maine. This project is generously supported by the Yale University Art Gallery Collection- Sharing Initiative, funded by the Andrew W. Mellon Foundation; a grant from the American Art Program of the Henry Luce Foundation; an endowed fund given by the Andrew W. Mellon Foundation; and Bowdoin College. Design: Katie Lee, New York, New York Printer: Penmor Lithographers, Lewiston, Maine ISBN: 978-0-916606-41-1 Cover Detail: Patrick Henry Bruce, American, 1881-1936, Composition 11, ca. 1916. Gift of Collection Societe Anonyme, Yale University Art Gallery, New Haven, Connecticut. Illustrated on page 53. Pages 8-9 Detail: John Singer Sargent, American, 1856-1925, Portrait of Elizabeth Nelson Fairchild, 1887. Museum Purchase, George Otis Hamlin Fund and Friends of the College Fund, Bowdoin College Museum of Art. Illustrated on page 18. Pages 30-31 Detail: Manierre Dawson, American, 1887-1969, Untitled, 1913. Gift of Dr. Lewis Obi, Mr. Lefferts Mabie, and Mr. Frank J. McKeown, Jr., Yale University Art Gallery, New Haven, Connecticut. Illustrated on page 32. Copyright © 2010 Bowdoin College Table of Contents FOREWORD AND ACKNOWLEDGMENTS Kevin Salatino LEARNING TO PAINT: 10 AMERICAN ARTISTS AND EUROPEAN ART 1876-1893 Linda J. -
GRAFTON J. NUNES IS CIA's 10Th PRESIDENT
Founded in 1882, The Cleveland Institute of Art is an independent college of art and design committed to leadership and vision in all forms of visual arts education. The Institute makes enduring contributions to art and education and connects to the community through gallery exhibitions, lectures, a continuing education pro- Link gram and The Cleveland Institute of Art Cinematheque. FALL 2010 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART GRAFTON J. NUNES IS CIA’S 10th PRESIDENT In 1979, the film scholar and producer to research bar band rock ‘n’ roll for he is delighted to be surrounded now by He has already witnessed “the extraor- Grafton Nunes came to Cleveland to the script of Light of Day, which starred University Circle’s cultural institutions. dinary relationships” between CIA faculty work on the script of director Paul Michael J. Fox and Joan Jett and was shot “In this circle you have world class muse- and students that help cultivate inspired Schrader’s film, Light of Day. The city at the Euclid Tavern in University Circle. ums, a botanical garden, some of the best art and design. “There’s a very strong made a good impression. Nunes later co-produced The Loveless, the hospitals in the country, along with arts one-on-one mentorship, a personal invest- “I remember going to lunchtime con- first feature film by academy award win- institutions, music institutions, a natural ment in the students and their work, and certs in the Flats and there, at the bar, ning director Kathryn Bigelow. history museum. -
Mira Lehr Is an Eco-Feminist Artist from Miami Whose Career Spans Four Decades
MIRA LEHR Mira Lehr is an eco-feminist artist from Miami whose career spans four decades. Her nature-based imagery encompasses painting, design, sculpture and video installations. Lehr’s processes include non-traditional media such as resin, gunpowder, fire, Japanese paper, dyes and welded steel. Lehr has affected a new generation of young artists by serving as a mentor and collaborator. She has taught master classes with the National Young Arts Foundation and has been artist in residence at the Bascom Summer Programs. Her solo and group exhibitions number over 300. A monograph about Lehr, Arc of Nature, was published by Hard Press Editions and Hudson Hills Press in the Spring of 2015. In 2016 a major show was installed at Fairchild Gardens reflecting her love of nature and her interest in protecting the environment. She went on to receive the Centennial Commission for a multimedia work at the Vizcaya Museum and Gardens. In 2018 Lehr was invited to mount a one-person exhibition of her work at the MOCA Museum in Miami. It once again reflected her interest in the environment, and her commitment to bringing awareness to viewers. Selected Solo Exhibitions 2020 Lights and Shadows: The Rose Colored Works of Mira Lehr, Jewish Community Center; Miami Beach, Florida Mira Lehr: High Water Mark, Mennello Museum of Art; Orlando, Florida 2019 Mira Lehr: A Walk in the Garden, Jewish Museum of Florida; Miami Beach, Florida 2018 Tracing the Red Thread, Wendy Fritz Gallery; West Palm Beach, Florida Tracing the Red Thread, Museum of Contemporary Art; North -
BIBLIOGRAPHY.Pdf
CAREY LOVELACE 1 CAREY LOVELACE BOOKS "The Stormy Waters, the Long Way Home." The Best Monologues from the Best American Short Plays, Volume 1, ed. William W. Demastes (Applause Theatre & Cinema Books, 2014), 177-182. "A Desire for Intimacy Among Common Objects." Sarah Sze: Triple Point. Catalogue Essay. 2013. Carey Lovelace, "Doin' It Together," in Feminist Art Workers: A History, ed. Cheri Gaulke & Laurel Klick (Otis College of Art and Design, 2012), 7. "The Stormy Waters, the Long Way Home." The Best American Short Plays, 2008-2009, ed. Barbara Parisi (Applause Theatre & Cinema Books, 2010), 41-48. "Iannis Xenakis: Composer, Architect, Visionary." Curatorial Essay. The Drawing Center. January 2010. "How Do You Draw a Sound." Catalogue Essay. The Drawing Center. January 2010. "Describing Space: The Graceful Art of Arthur Carter." Catalogue Essay. Grey Art Gallery. May 2008. "Lowell Reiland: Realizing Form." Catalogue Essay. October 1988. OTHER ARTICLES "'It's a Dream Come True': Christo's 600-Ton 'London Mastaba' Is Unveiled in London." ARTNEWS June 28, 2018. "Optimism and Rage: The Women's Movement in Art in New York, 1969-1975." Woman's Art Journal. Spring/Summer 2016, 4-11. "Linda Nochlin: The Intersection of Herself and History." The Brooklyn Rail, July 2015. “Eyecatching Avant-Garde Music.” Gone but Not, Not Forgotten. Layton, Steve Sequenza 21, January 2010. “A.I.R. Gallery: The History Show.” Catalogue essay. A.I.R Gallery. September 2008. “Together, Again: Women’s Collaborative Art and Community.” Catalogue essay. Bronx Museum of the Arts. March 2008. URL: http://www.careylovelace.com/curator/bxmuseum/ MAKING-IT- TOGETHER-ESSAY.pdf CAREY LOVELACE 2 “Arlene Raven and the Foresight of the Advocate Critic.” Critical Matrix: The Princeton Journal of Women, Gender, and Culture.