Abcdefghijklmnopqrstuvwxyz Thoughts Geometry, Art and Letters
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NEWSLETTER 43 Antikvariat Morris · Badhusgatan 16 · 151 73 Södertälje · Sweden [email protected] |
NEWSLETTER 43 antikvariat morris · badhusgatan 16 · 151 73 södertälje · sweden [email protected] | http://www.antikvariatmorris.se/ [dwiggins & goudy] browning, robert: In a Balcony The Blue Sky Press, Chicago. 1902. 72 pages. 8vo. Cloth spine with paper label, title lettered gilt on front board, top edge trimmed others uncut. spine and boards worn. Some upper case letters on title page plus first initial hand coloured. Introduction by Laura Mc Adoo Triggs. Book designs by F. W. Goudy & W. A. Dwiggins. Printed in red & black by by A.G. Langworthy on Van Gelder paper in a limited edition. This is Nr. 166 of 400 copies. Initialazed by Langworthy. One of Dwiggins first book designs together with his teacher Goudy. “Will contributed endpapers and other decorations to In a Balcony , but the title page spread is pure Goudy.” Bruce Kennett p. 20 & 28–29. (Not in Agner, Ransom 19). SEK500 / €49 / £43 / $57 [dwiggins] wells, h. g.: The Time Machine. An invention Random House, New York. 1931. x, 86 pages. 8vo. Illustrated paper boards, black cloth spine stamped in gold. Corners with light wear, book plate inside front cover (Tage la Cour). Text printed in red and black. Set in Monotype Fournier and printed on Hamilton An - dorra paper. Stencil style colour illustrations. Typography, illustra - tions and binding by William Addison Dwiggins. (Agner 31.07, Bruce Kennett pp. 229–31). SEK500 / €49 / £43 / $57 [bodoni] guarini, giovan battista: Pastor Fido Impresso co’ Tipi Bodoniani, Crisopoli [Parma], 1793. (4, first 2 blank), (1)–345, (3 blank) pages. Tall 4to (31 x 22 cm). -
Studio International Magazine: Tales from Peter Townsend’S Editorial Papers 1965-1975
Studio International magazine: Tales from Peter Townsend’s editorial papers 1965-1975 Joanna Melvin 49015858 2013 Declaration of authorship I, Joanna Melvin certify that the worK presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. i Tales from Studio International Magazine: Peter Townsend’s editorial papers, 1965-1975 When Peter Townsend was appointed editor of Studio International in November 1965 it was the longest running British art magazine, founded 1893 as The Studio by Charles Holme with editor Gleeson White. Townsend’s predecessor, GS Whittet adopted the additional International in 1964, devised to stimulate advertising. The change facilitated Townsend’s reinvention of the radical policies of its founder as a magazine for artists with an international outlooK. His decision to appoint an International Advisory Committee as well as a London based Advisory Board show this commitment. Townsend’s editorial in January 1966 declares the magazine’s aim, ‘not to ape’ its ancestor, but ‘rediscover its liveliness.’ He emphasised magazine’s geographical position, poised between Europe and the US, susceptible to the influences of both and wholly committed to neither, it would be alert to what the artists themselves wanted. Townsend’s policy pioneered the magazine’s presentation of new experimental practices and art-for-the-page as well as the magazine as an alternative exhibition site and specially designed artist’s covers. The thesis gives centre stage to a British perspective on international and transatlantic dialogues from 1965-1975, presenting case studies to show the importance of the magazine’s influence achieved through Townsend’s policy of devolving responsibility to artists and Key assistant editors, Charles Harrison, John McEwen, and contributing editor Barbara Reise. -
PDF SVA Handbook 2020–21
2020/2021 SVA Handbook SVA • 2020 / 2021 20 /21 SVA Handbook CONTENTS President’s Letter 2 The College 3 Academic Information 9 Student Information 23 Faculty Information 44 General Information 55 Standards, Procedures, Policies and Regulations 69 SVA Essentials 93 2020–2021 Academic Calendar 113 Index 119 SVA.EDU 1 THE SVA HANDBOOK provides faculty, students and administrative staff with information about the College, its administration, services and processes. In addition, the Handbook contains policies mandated by federal and state regulations, which all faculty, students and administrative staff need be aware of. In this regard, I would especially like to call your attention to the sections on attendance (pages 12 and 46), the Family Educational Rights and Privacy Act (FERPA) (page 85), Student Disruptive and Concerning Behavior (page 74), Title IX procedures (page 84) and the SVA policy on alcohol and drugs (page 70). We look forward to the 2020–2021 academic year. Our students, this year from 45 states, one U.S. territory and 49 countries, will once again pursue their studies with the focused guidance of our renowned professional faculty. DAVID RHODES President August 2020 2 SVA HANDBOOK THE COLLEGE Board of Directors 4 Accreditation 4 SVA Mission Statement 4 SVA Core Values 4 History of SVA 5 Academic Freedom 6 First Amendment Rights 6 SVA Student Profile 7 SVA.EDU 3 BOARD OF DIRECTORS The Interior Design program leading to the Brian Palmer Bachelor of Fine Arts in Interior Design is ac- Joseph F. Patterson credited by the Council for Interior Design Anthony P. Rhodes Accreditation (accredit-id.org), 206 Grand- David Rhodes ville Avenue, Suite 350, Grand Rapids, MI Lawrence Rodman 49503-4014. -
DNDO Statement of Intent for New National Lab Work, 22 Nov 05
70RDND18R00000001 ER BAA FY18 Exploratory Research in Preventing Nuclear and Radiological Terrorism Broad Agency Announcement No. 70RDND18R00000001 for Domestic Nuclear Detection Office (DNDO) Transformational and Applied Research Directorate (TAR) 1 70RDND18R00000001 ER BAA FY18 Table of Contents 1 Introduction ..............................................................................................................................4 1.1 Background ......................................................................................................................5 1.2 Grand Challenges & Technology Portfolios ....................................................................6 1.3 Strategic Approach...........................................................................................................8 1.4 Scope and Funding ...........................................................................................................8 2 Exploratory Research Topics ...................................................................................................9 2.1 RTA-01: Mobile Active Interrogation Using Neutrons (MAIN) ....................................9 2.2 RTA-02: Radiation Isotope Identification Device (RIID) Based on Thallium Bromide......................................................................................................................................11 2.3 RTA-03: Nuclear Detection through Centralized Data Analytics .................................14 3 Management Approach ..........................................................................................................16 -
Typeset MMIX Programs with TEX Udo Wermuth Abstract a TEX Macro
TUGboat, Volume 35 (2014), No. 3 297 Typeset MMIX programs with TEX Example: In section 9 the lines \See also sec- tion 10." and \This code is used in section 24." are given. Udo Wermuth No such line appears in section 10 as it only ex- tends the replacement code of section 9. (Note that Abstract section 10 has in its headline the number 9.) In section 24 the reference to section 9 stands for all of ATEX macro package is presented as a literate pro- the eight code lines stated in sections 9 and 10. gram. It can be included in programs written in the If a section is not used in any other section then languages MMIX or MMIXAL without affecting the it is a root and during the extraction of the code a assembler. Such an instrumented file can be pro- file is created that has the name of the root. This file cessed by TEX to get nicely formatted output. Only collects all the code in the sequence of the referenced a new first line and a new last line must be entered. sections from the code part. The collection process And for each end-of-line comment a flag is set to for all root sections is called tangle. A second pro- indicate that the comment is written in TEX. cess is called weave. It outputs the documentation and the code parts as a TEX document. How to read the following program Example: The following program has only one The text that starts in the next chapter is a literate root that is defined in section 4 with the headline program [2, 1] written in a style similar to noweb [7]. -
Accessibility Checklists
Accessibility Checklists www.aub.edu.lb/it May 2020 Contact Person Maha Zouwayhed Office of Information Technology American University of Beirut [email protected] | +961-1-350-000 ext. 2082 Beirut PO Box 11-0236, Riad El Solh 1107 2020, Beirut, Lebanon | Tel: +961-1-350-000 | New York 3 Dag Hammarskjold Plaza, 8th Floor | New York, NY 10017–2303, USA | Tel: +1-212-583-7600 | Fax: +1-212-583-7651 1 ACCESSIBILITY CHECKLISTS Role Name & Role Date Compilation Farah Eid – IT Business Development Assistant 13-May-2020 Review Maha Zouwayhed -IT Business Development Manager 14-May-2020 Review Yousif Asfour - CIO (Chief Information Officer) 19-May-2020 Review Walid El-Khazen – Assistant CIO 21-May-2020 Review Ali Zaiter – Senior Software Engineer and Analyst 21-May-2020 Review Fadi Khoury- Manager, Software Development 21-May-2020 Review Rami Farran – Director, It Academic Service 19-May-2020 Review Rana Al Ghazzi – Instructional Designer 19-May-2020 2 ACCESSIBILITY CHECKLISTS Table of Contents Purpose...................................................................................................................................................................... 4 Introduction ............................................................................................................................................................... 5 Developers Checklist ............................................................................................................................................... 6 Designers Checklist ................................................................................................................................................ -
TUGBOAT Volume 32, Number 1 / 2011
TUGBOAT Volume 32, Number 1 / 2011 General Delivery 3 From the president / Karl Berry 4 Editorial comments / Barbara Beeton Opus 100; BBVA award for Don Knuth; Short takes; Mimi 6 Mimi Burbank / Jackie Damrau 7 Missing Mimi / Christina Thiele 9 16 years of ConTEXt / Hans Hagen 17 TUGboat’s 100 issues — Basic statistics and random gleanings / David Walden and Karl Berry 23 TUGboat online / Karl Berry and David Walden 27 TEX consulting for fun and profit / Boris Veytsman Resources 30 Which way to the forum? / Jim Hefferon Electronic Documents 32 LATEX at Distributed Proofreaders and the electronic preservation of mathematical literature at Project Gutenberg / Andrew Hwang Fonts 39 Introducing the PT Sans and PT Serif typefaces / Pavel Far´aˇr 43 Handling math: A retrospective / Hans Hagen Typography 47 The rules for long s / Andrew West Software & Tools 56 Installing TEX Live 2010 on Ubuntu / Enrico Gregorio 62 tlcontrib.metatex.org: A complement to TEX Live / Taco Hoekwater 68 LuaTEX: What it takes to make a paragraph / Paul Isambert 77 Luna — my side of the moon / Paweł Jackowski A L TEX 83 Reflections on the history of the LATEX Project Public License (LPPL)— A software license for LATEX and more / Frank Mittelbach 95 siunitx: A comprehensive (SI) units package / Joseph Wright 99 Glisterings: Framing, new frames / Peter Wilson 104 Some misunderstood or unknown LATEX2ε tricks III / Luca Merciadri A L TEX 3 108 LATEX3 news, issue 5 / LATEX Project Team Book Reviews 109 Book review: Typesetting tables with LATEX / Boris Veytsman Hints & Tricks -
EXTENSIONS of REMARKS September 18, 1997 EXTENSIONS of REMARKS
19548 EXTENSIONS OF REMARKS September 18, 1997 EXTENSIONS OF REMARKS 1996 NATIONAL PRAYER General SHALIKASHVILI. Today as we gather We welcome you all here today and you BREAKFAST here in Washington, we are joined by count should be aware of the fact that in addition less and countless Americans all across our to the President and his wife and the Vice nation in prayer and in fellowship. And on President and his wife, there are in attend HON. BILL BARRETI every base, on every post and on every ship, ance members of the Senate and the House, OF NEBRASKA we are joined as well by our men and women members of the President's Cabinet. Of IN THE HOUSE OF REPRESENTATIVES in uniform who have answered our nation's course General Shalikashvili and other call to serve. Wednesday, September 17, 1997 members of the Joint Chiefs and the military Just across the Potomac on Ft. Myer, command. We have prime ministers and Mr. BARRETT of Nebraska. Mr. Speaker, across the Pacific at Misawa Air Base, heads of state, leaders of giant corporations earlier this year the transcript of the 1997 Na aboard the USS America, in Haiti and Ku and organizations from all over the world tional Prayer Breakfast, held here in Wash wait, in South Korea and Bosnia, in all of and we welcome all of you. these places and hundreds more, America's Allow me to quickly introduce to you the ington, DC, was printed in the CONGRESSIONAL sons and daughters are taking to their knees RECORD. It has come to my attention that the people who are sitting at the head table, and solemnly asking God for strength. -
ABBYY® Finereader 10 Home Edition User’S Guide
ABBYY® FineReader 10 Home Edition User’s Guide © 2010 ABBYY. All rights reserved. ABBYY FineReader 10 Home Edition User’s Guide Information in this document is subject to change without notice and does not bear any commitment on the part of ABBYY. The software described in this document is supplied under a license agreement. The software may only be used or copied in strict accordance with the terms of the agreement. It is a breach of the "On legal protection of software and databases" law of the Russian Federation and of international law to copy the software onto any medium unless specifically allowed in the license agreement or nondisclosure agreements. No part of this document may be reproduced or transmitted in any from or by any means, electronic or other, for any purpose, without the express written permission of ABBYY. © 2010 ABBYY. All rights reserved. ABBYY, the ABBYY logo, ABBYY FineReader, ADRT are either registered trademarks or trademarks of ABBYY Software Ltd. Fonts Newton, Pragmatica, Courier © 2001 ParaType, Inc. Font OCR-v-GOST © 2003 ParaType, Inc. © 2007 Microsoft Corporation. All rights reserved. Microsoft, Outlook, Excel, PowerPoint, Visio, Windows Vista, Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. © 1991-2008 Unicode, Inc. All rights reserved. OpenOffice.org is property of Sun Microsystems, Inc. JasPer License Version 2.0: © 2001-2006 Michael David Adams © 1999-2000 Image Power, Inc. © 1999-2000 The University of British Columbia All other trademarks are the property of their respective owners. 2 ABBYY FineReader 10 Home Edition User’s Guide Contents Overview ........................................................................................................................ -
ABBYY® Finereader 14
ABBYY® FineReader 14 User’s Guide © 2017 ABBYY Production LLC. All rights reserved. ABBYY® FineReader 14 User’s Guide Information in this document is subject to change w ithout notice and does not bear any commitment on the part of ABBYY. The softw are described in this document is supplied under a license agreement. The softw are may only be used or copied in strict accordance w ith the terms of the agreement. It is a breach of the "On legal protection of softw are and databases" law of the Russian Federation and of international law to copy the softw are onto any medium unless specifically allow ed in the license agreement or nondisclosure agreements. No part of this document may be reproduced or transmitted in any from or by any means, electronic or other, for any purpose, w ithout the express w ritten permission of ABBYY. Copyrights 262 2 ABBYY® FineReader 14 User’s Guide Contents Introducing ABBYY FineReader ..................................................................................... 8 About ABBYY FineReader ........................................................................................... 9 What's New in ABBYY FineReader .............................................................................. 11 The New Task window ................................................................................................ 13 Viewing and editing PDFs ........................................................................................... 15 Quick conversion .................................................................................................... -
Bbf19-Web2.Pdf
WITH EDITOR’S COPY OF SOURCE MATERIAL supralibros of Napoleon stamped on both covers, set against a field of gilt-tooled stars. Pale blue watered -silk 1. [ALLEN PRESS]. Stewart, George (ed.). The Di- endpapers and paste-downs. Minimal foxing throughout, ary of Patrick Breen: Recounting the Ordeal of the Donner corners slightly rubbed. Overall, a lovely example of a Party Snowbound in the Sierra, 1846-47. Together with: binding from Napoleon’s library. (See illustration on front George Stewart’s copy of the first published edition of the cover). $4,500 Diary. San Francisco, 1946. Quarto. 38pp., (16)ff. One of 300 copies, printed by Lewis and Dorothy Allen for the ONLY EDITION ISSUED Book Club of California. With title and decorations by Mallette Dean. Contains a 30-page facsimile of the diary. 5. (Buckland Wright, John). [GOLDEN COCK- Very fine in green, brown, and white patterned boards. EREL PRESS]. The Vigil of Venus: Pervigilium Veneris. Together with: Diary of Patrick Breen. One of the Donner London, (1939). Small quarto. 28pp. One of 100 cop- Party. Berkeley, 1910. Volume 1, number 6 of the Pub- ies, printed on handmade paper and bound in full blind- lications of the Academy of Pacific Coast History. pp. stamped mustard morocco. The eighteen copper engrav- (269)-284. Two copies of the first published edition of ings by John Buckland Wright took two years to create Breen’s diary, both of which bear Stewart’s ownership in- and were inspired by the Roman sarcophagi in the Lou- scriptions and extensive pencil notations throughout, in- vre. -
Cleartype Sub-Pixel Text Rendering: Preference
DISPLA 1408 No. of Pages 14, Model 5+ ARTICLE IN PRESS 5 November 2007 Disk Used Available online at www.sciencedirect.com 1 Displays xxx (2007) xxx–xxx www.elsevier.com/locate/displa 2 ClearType sub-pixel text rendering: Preference, 3 legibility and reading performance a, a b c c 4 Jim Sheedy *, Yu-Chi Tai , Manoj Subbaram , Sowjanya Gowrisankaran , John Hayes 5 a College of Optometry, Pacific University, Forest Grove, OR 97116, USA 6 b University of Rochester, Rochester, NY 14627, USA 7 c College of Optometry, Ohio State University, Columbus, OH 43210, USA 8 9 Abstract 10 ClearType is an onscreen text rendering technology in which the red, green, and bluePROOF sub-pixels are separately addressed to increase 11 text legibility. However, it results in colored borders on characters that can be bothersome. This paper describes five experiments mea- 12 suring subject preference, text legibility, reading performance, and discomfort symptoms for five implementation levels of ClearType ren- 13 dered text. The results show that, while ClearType rendering does not improve text legibility, reading speed or comfort compared to 14 perceptually-tuned grayscale rendering, subjects prefer text with moderate ClearType rendering to text with grayscale or higher-level 15 ClearType contrast. Reasons for subject preference and for lack of performance improvement are discussed. 16 Ó 2007 Elsevier B.V. All rights reserved. 17 Keywords: Sub-pixel rendering; Font; Legibility; Readability; Reading; Resolution; ClearType 18 19 1. Introduction a typical laser printer offers resolution of 300–1200 dpi 36 (dots per inch). The limited pixel matrix on computer 37 20 Computers and digital devices dominate the office, displays poses serious challenges in designing screen fonts.