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Announcement
Announcement 56 articles, 2016-05-25 18:01 1 venice architecture biennale: antarctic pavilion the pavilion will showcase visuals that underline possibilities of new (0.01/1) forms of architecture, planning, thinking for the vast tundra. 2016-05-25 10:40 1KB www.designboom.com 2 Lee Kit: Hold your breath, dance slowly “Hold your breath, dance slowly,” invites artist Lee Kit. As you walk into the dimly lit galleries, wandering from space to space, or nook to (0.01/1) nook, you find yourself doing just that: holding your... 2016-05-25 12:13 836Bytes blogs.walkerart.org 3 alain silberstein adds a bit of pop to MB&F's LM1 with his signature use of bold shapes + colors highlighting the french creative's meticulously practical approach to artistic design, the 'LM1 silberstein' is serious watchmaking. seriously playful. 2016-05-25 16:01 8KB www.designboom.com 4 Building Bridges: Symposium at the Fondazione Sandretto Re Rebaudengo This past weekend, Fondazione Sandretto Re Rebaudengo in Turin hosted Building Bridges, a symposium reflecting upon curatorial practice and how curators move from educational to institutional context... 2016-05-25 13:00 972Bytes blogs.walkerart.org 5 On the Gaze in the Era of Visual Salamis Our attention is not focused on a singular image, but is distributed along the image’s path. 2016-05-25 17:13 12KB rhizome.org 6 Devendra Banhart + Band* Rodrigo Amarante Hecuba Harold Budd + Brad Ellis + Veda Hille To spark discussion, the Walker invites Twin Cities artists and critics to write overnight reviews of our performances. -
NINA CHANEL ABNEY BIOGRAPHY Born In
NINA CHANEL ABNEY BIOGRAPHY Born in Chicago, Illinois, 1982. Education: Augustana College, Rock Island, Illinois, B.F.A., 2004. Parsons School of Design, NYC, NY, M.F.A., 2007. Lives and works in New York City. Selected Solo Shows: 2019 Neuberger Museum of Art, Purchase, New York. “Nina Chanel Abney: Royal Flush”. 2018 Institute of Contemporary Art, Los Angeles, California, and California African American Museum, Los Angeles, California. “Nina Chanel Abney: Royal Flush”. Chicago Cultural Center, Chicago, Illinois. “Nina Chanel Abney: Royal Flush”. 2017 Mary Boone Gallery, NYC, NY. “Safe House”. Jack Shainman Gallery, NYC, NY. “Seized the Imagination”. Nasher Museum of Art, Duke University, Durham, North Carolina. “Nina Chanel Abney: Royal Flush”. 2016 The Gateway Project, Newark, New Jersey. “If You Say So…”. 2015 Kravets/Wehby Gallery, NYC, NY. “Always a Winner”. Monique Meloche Gallery, Chicago, Illinois. “Run Run”. Galeria Rabieh, São Paulo, Brazil. “If You Say So…”. 2012 Anna Kustera Gallery, NYC, NY, and Kravets/Wehby Gallery, NYC, NY. “I Dread To Think”. 2010 Fred Gallery, London, England. “Go Berserker!”. 2009 Kravets/Wehby Gallery, NYC, NY. “Emma’s Basement”. 2008 Kravets/Wehby Gallery, NYC, NY. “Dirty Wash”. NINA CHANEL ABNEY BIOGRAPHY (continued) : Selected Group Shows: 2017 The Brant Foundation Art Study Center, Greenwich, Connecticut. “Animal Farm”. 2016 Vancouver Art Gallery, Vancouver, Canada. “Juxtapoz x Superflat”. Dio Horia Gallery, Mykonos, Greece. “Greek Gotham”. Nicole Ripka Gallery, Watermill, New York. “AfterModernism Hamptons”. Jack Shainman Gallery, NYC, NY. “For Freedom”. Whitney Museum of American Art, NYC, NY. “Flatlands”. Brand New Gallery, Milan, Italy. “Imagine”. 2015 Rubell Family Collection, Miami, Florida. “NO MAN’S LAND: Women Artists from the Rubell Family Collection”. -
Arlene Shechet Skirts
FOR IMMEDIATE RELEASE Arlene Shechet Skirts February 28 – April 25, 2020 540 West 25th Street New York Opening Reception: Thursday, Feb 27 6–8 PM Image: Arlene Shechet, In my view, 2020, glazed ceramic, wood, paint, 58” × 26” × 20” © Arlene Shechet, Photography by Jeremy Liebman New York — Pace Gallery is pleased to present Skirts, its first solo exhibition of works by Arlene Shechet, from February 28 through April 25. Running concurrently with the Whitney Museum’s exhibition Making Knowing, which also features works by Shechet, Skirts brings together more than a dozen of the artist’s most recent sculptures, including large-scale works and a monumental outdoor piece, to be displayed on the second-floor galleries and terrace of Pace’s new flagship building at 540 West 25th street. Rich in idiosyncrasies, Shechet’s latest pieces combine disparate mediums, from ceramics to wood and metalwork, with playfully ambiguous titles that prompt endless associations. Utilizing a title that is both a noun and a verb, Skirts is a testament to the artist’s fluid and unformulaic process. Though her works appear effortless and forgiving of imperfections, they are the belabored products of an intuitive and technically fastidious approach, involving casting, painting, firing, carving, stacking, undoing and redoing with no predetermined endpoint. Her expansive approach to sculpture and materials is reminiscent of artists Shechet admires, such as Sophie Taeuber- Arp and Sonia Delaunay, whose work transcends the divisions of painting and sculpture and encompassed innovative multimedia practices, distinguishing their work from that of their male peers. Shechet’s title, Skirts, also reclaims misogynist slang. -
© 2020 Kaitlyn Wentz All Rights Reserved
© 2020 KAITLYN WENTZ ALL RIGHTS RESERVED ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION A Thesis PresenteD to The GraDuate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts KAITLYN WENTZ May, 2020 ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION Kaitlyn Wentz Thesis ApproveD: AccepteD: ______________________________ ___________________________ Advisor School Director James Slowiak Dr. Marc ReeD ______________________________ ___________________________ Committee Member Interim Dean of the College ArnolD Tunstall Dr. LinDa Subich ______________________________ ___________________________ Committee Member Acting Dean of the GraDuate Courtney Cable School Dr. Marnie SaunDers ___________________________ Date ii ABSTRACT In a time of constant threat to funDing, elimination of the National EnDowment, anD competition over resources, philanthropy in the arts anD culture sector is inDispensable to the vibrancy anD economic Development of a city’s core. The arts anD culture sector is consiDereD to take away from an economy’s financial resources. However, it is the exact opposite. It is a thriving sector that contributes to the economy by creating jobs, spenDing money at local businesses, anD bringing in cultural tourists. FreD BiDwell anD Rick Rogers have a long history of philanthropy in this sector, anD their DemonstrateD support has leD to efforts of revitalization, vibrancy, anD Dollars spent in the cities of Akron anD ClevelanD. This thesis explores the history, issues, and successes of the two cultural proDucers’ philanthropy efforts in the sector anD the impact that their support has brought to the Northeast Ohio region. iii TABLE OF CONTENTS CHAPTER I. -
Mary Boone's Business Partner Is Suing the Jailed Dealer Over $15
AiA News-Service Art and Law Mary Boone’s Business Partner Is Suing the Jailed Dealer Over $15 Million in Art That She Allegedly Took From the Gallery for Herself The lawsuit alleges that Boone sold gallery-owned artworks and pocketed the money. Sarah Cascone, February 26, 2020 Mary Boone in 2013. Photo by Neil Rasmus, courtesy of BFA. The legal woes continue for imprisoned art dealer Mary Boone. A gallery partner and former employee, James Oliver, has filed a lawsuit against Boone seeking $44,325 in unpaid wages and to protect his 10 percent equity share in the gallery, accusing the dealer of transferring millions in gallery funds to her personal bank account. In 2019, Boone pleaded guilty to filing false tax returns. She was subsequently sentenced to 30 months in jail, despite appeals for leniency from many prominent members of the art world. As a result, Boone closed the gallery she had run since 1977. Oliver, who first began working for Boone in 1995, was among those who spoke up in Boone’s defense. He praised his boss, noting that Boone had “successfully trained dozens of aspiring gallerists who have gone on to very successful careers as gallery owners themselves or directors of other major galleries. Along the way she has given endless hours of her time instilling the positive attitude and the exacting work ethic that her employees have needed to succeed in a very difficult business.” But their relationship has soured since Oliver resigned in March 2019. “Mr. Oliver attempted on numerous occasions to amicably resolve this dispute before filing a complaint,” wrote his attorney, Brett Gallaway, in an email to Artnet News. -
Arlene Shechet Arlene Newcomb Art Department Tulane University 6823 St
Arlene Shechet Arlene Newcomb Art Department Tulane University 6823 St. Charles Ave. New Orleans, LA 70118 504.865-5327 http://tulane.edu/liberal-arts/art 2016 Sandra Garrard Memorial Lecture Series Sandra Garrard Memorial Lecture Memorial Garrard Sandra Thursday, November 17, 2016, 7 pm Working Over Time an artist’s talk by Arlene Shechet Arlene Shechet artist 2016 Sandra Garrard Memorial Lecture Series Arlene Shechet is a sculptor living and working in New York City and the Hudson Valley. All at Once, a major, critically-acclaimed 20-year survey of Shechet’s work, was on view at the Institute of Contemporary Art, Boston in 2015. Sebastian Smee of The Boston Globe wrote: “It’s in the harmonies and tensions between these colors and textures, between suggestions of both order and anarchy, decay and blooming freshness, that these works cough, sputter, and sing. If they really are the great analogs to interior life that I feel them to be, it’s because Shechet knows that this life, expertly attended to, has its own folds and wrinkles, its own hollows and protuberances; that it is at once fugitive and monumental … and ultimately unknowable.” All at Once was also hailed by The New York Times as “some of the most imaginative American sculpture of the past 20 years, and Arlene Shechet some of the most radically personal.” In recent years, Shechet’s work has included historical museum installations. Porcelain, No Simple Matter: Arlene Shechet and the Arnhold Collection, on view at The Frick Collection from May Working Over Time : an artist’s talk 2016 to April 2017, is described in The New Yorker as “a balancing act of respectful and radical” with “whimsical beauty and deep smarts.” From Here on Now, Shechet’s solo museum exhibition at the Phillips Collection in Washington, D.C., opens October 2016. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Jack Hanley Gallery
JACK HANLEY GALLERY Margaret Lee (b. 1980) lives and works in New York, NY Solo and Two Person Exhibitions 2018 Shouting in a Bucket Blues, The Green Gallery, Milwaukee, WI ...banana in your tailpipe, Marlborough Contemporary, London, UK 2017 ...banana in my tailpipe, Misako & Rosen Gallery, Tokyo, Japan 2016 It’s not that I’m not taking (this) seriously, Jack Hanley Gallery, New York, NY Having It Both Ways, The Window at Barneys, New York, NY Duddell’s x DMA: Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell’s, Hong Kong, China de, da, do...da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA 2015 You Can Teach an Old Zebra New Tricks, Margaret Lee and Emily Sundblad, Hannah Hoff- man Gallery, Los Angeles, CA 2014 Reading into Things, Team Bungalow, Venice, CA Sometimes Maybe, The Green Gallery, Oak Park, Chicago, IL Closer to wrong than right/ closer to right than wrong, Jack Hanley Gallery, New York, NY 2013 Für die Kinder Düsseldorfs, with Emily Sundblad, Off Vendome, Dusseldorf, Germany 2012 MHML: Margaret Lee and Matthew Higgs, The Green Gallery East, Milwaukee, WI MLMH: Margaret Lee and Matthew Higgs, Murray Guy, New York, NY Waiting for ####, Jack Hanley Gallery, New York, NY Group Exhibitions 2020 For a Dreamer of Houses, Dallas Museum of Art, Dallas, TX 2017 Oomingmak, Capital Gallery, San Francisco, CA 30th Anniversary Exhibition Attics of My Life, Jack Hanley Gallery, New York, NY Sea Sick in Paradise, DEPART Foundation, Los Angeles, CA 2016 Her Crowd: New Art by Women from Our Neighbors’ -
Robert Rauschenberg Bibliography
Robert Rauschenberg Bibliography Books and Catalogues. 2007 Sachs, Tom. Tom Sachs: The Island: Guide. New York: Allied Cultural Prosthetics. Sachs, Tom. Tom Sachs: Islandia. Paris: Galerie Thaddaeus Ropac. Sachs, Tom. Logjam. Montréal, Canada: Transcontinental. 2006 Celant, Germano & Malcome Gladwell. Tom Sachs. Milan: Fondazione Prada. ----------. This is America! Contemporary Art and American Photorealism. Utrecht, Netherlands: Centraal Museum. ----------. Tom Sachs: Survey, America—Modernism—Fashion. Oslo, Norway: Astrup Fearnley Museet for Moderne Kunst. 2005 ----------. Die Dritte Dimension. Berlin: Galerie Haas & Fuchs; Galerie Michael Haas. 2004 Healy, Tom. Sculptural Sphere, Munich, Germany: Sammlung Goetz. Villasenor, Maria-Christina. Tom Sachs: Nutsy’s. New York: Solomon R. Guggenheim Foudation. 2001 Russ, Lawrence. Art at the Edge of the Law.Ridgefield, CT: Aldrich Museum of Contemporary Art. 1999 Sachs, Tom. SONY Outsider. Santa Fe, NM: SITE Santa Fe. ----------. Thinking Aloud. Cambridge, England: Camden Arts Center. Selected Articles and Reviews: 2009 Schneier, Matthew. “Sachs Appeal.” GQ online, March 5. 2008 ----------. “Tom Sachs Interview.” Wallpaper online, May 17. ----------.”The Cat’s Meow.” WWD online, May 9. McMullan, Patrick. “Tom Sachs: Grand Theft Auto ‘The Most Important Artwork of Our Time.’” New York Magazine, May 9. Sheets, Hilarie. “This is his life: A Blue Whale and Hello Kitty.” The New York Times online, May 4. Collins, Lauren. Review: Tom Sachs at Lever House. The New Yorker, April. Jay, Rick. “The Wizard makes the Artist Tom Sachs: Talk like a Philosopher.” Interview, May, pp. 102-107. Collins, Lauren. “Sachs & Co.” The New Yorker, April 14. 2007 Dambrot, Shana Nys. Review: Tom Sachs at the Gagosian Gallery. Modern Painter, Nov., p. 95. -
American Academy of Arts and Letters NEWS RELEASE
American Academy of Arts and Letters NEWS RELEASE 633 WEST 155 STREET, NEW YORK, NY 10032 Contact: Souhad Rafey (212) 368-5900 [email protected] www.artsandletters.org EXHIBITION THE AMERICAN ACADEMY OF ARTS AND LETTERS ANNOUNCES ARTISTS 2011 INVITATIONAL EXHIBITION OF VISUAL ARTS Rosaire Appel MARCH 10 – APRIL 10 Amy Bennett Willard Boepple February 17, 2011 – Over 110 paintings, photographs, sculptures, and works on paper by 35 con- temporary artists will be exhibited at the galleries of the American Academy of Arts and Letters John Bradford on historic Audubon Terrace (Broadway between 155 and 156 Streets) from Thursday, March 10 Katherine Bradford through Sunday, April 10, 2011. Exhibiting artists were chosen from a pool of nearly 200 nominees Troy Brauntuch submitted by the 250 members of the Academy, America’s most prestigious honorary society of Nathan Carter architects, artists, writers, and composers. Robert Chambers Willie Cole ART AWARDS AND PURCHASE PROGRAM The Academy’s art awards and purchase programs serve to acknowledge artists at various stages of Adam Cvijanovic their careers, from helping to establish younger artists to rewarding older artists for their accumu- Donna Dennis lated body of work. Paintings and works on paper are eligible for purchase and placement in mu- Bryan Drury seum collections nationwide through the Hassam, Speicher, Betts and Symons Funds. Works by Jim John Duff Nutt (The Morgan Library & Museum, New York, NY), Chris Martin (Museum of Contemporary Angela Dufresne Art, Chicago, IL), Judy Linn (Dallas Museum of Art, Dallas, TX), and Charles Gaines (Minneapo- lis Institute of Arts, Minneapolis, MN) are among the twelve works purchased last year. -
Ross Bleckner
ROSS BLECKNER Ross Bleckner is an American painter. Bleckner was born May 12, 1949 in New York City and is an influential contemporary artist. Perhaps best known for his paintings dealing with loss and memory, Bleckner notably tackled the emotional toll brought by the AIDS crisis in the 1980s. “Life is short. Life goes fast,” he has said. “And what I really want to do in my life is to bring something new, something beautiful and something filled with light into the world.” His poetic works often employ recurring symbolic imagery, such as candelabras, doves, and flowers, rendered with a blurred, glowing sense of light. Bleckner began exhibiting with Mary Boone gallery in 1979, and was the subject of a retrospective at the Guggenheim Museum in New York in 1995. His work can be found in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Carnegie Museum of Art in Pittsburgh, and the Walker Art Center in Minneapolis, among others. Bleckner lives and works in New York, NY. Not only has Mr. Bleckner had a profound impact of shaping the New York art world, his philanthropic efforts have enabled many community organizations to perform their vital work. For ten years, Mr. Bleckner served as president of AIDS Community Research Initiative of America (ACRIA), a non-profit community-based AIDS research and treatment education center. More recently, he has been working with the United Nations Office on Drugs and Crime in Northern Uganda to help rehabilitate and raise money for ex-child soldiers. -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek