International Virginia Woolf Society Bibliography of Woolf Studies Published in 2006 (Includes Addenda for Previous Years)
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Virginia Woolf's Carlylean Pilgrimages
Revisiting a Great Man’s House: Virginia Woolf’s Carlylean Pilgrimages MARIE LANIEL LTHOU G H MANY EARLY TWENTIETH -CENTURY WRITERS TEND TO disparage Thomas Carlyle’s moral earnestness, emphatic A hero-worship, and stern authoritarianism, most of them also feel strangely compelled to express ambivalent feelings of involuntary allegiance towards the Victorian sage. Enveloped in spiritual turmoil, Bertrand Russell found comfort by reading Carlyle’s account of his own religious crisis in Sartor Resartus (1833– 34) and felt obliged to acknowledge that he was oddly “moved by rhetoric which [he] could not accept. Carlyle’s ‘Everlasting No’ and ‘Everlasting Yea’ seemed to me very splendid, in spite of my thinking that at bottom they were nonsense” (27). Such remarks help to explain Carlyle’s curiously cloaked influence in the novels of the period, ranging from E. M. Forster’s A Room with a View (1908) to D. H. Lawrence’s Women in Love (1920). In these circumstances, it was perhaps inevitable that James Joyce should recognize the advent of Carlylean rhetoric as a momentous stage in the development of English prose writing by including a true-to-life, if slightly irreverent, impersonation of the Victorian prophet in the “Oxen of the Sun” chapter in Ulysses (1922). Of all modernist writers, Virginia Woolf (1882–1941) was perhaps the most reluctant to acknowledge any debt towards Carlyle. Throughout her life she was impervious to his egotistical rhetoric and critical of his authoritarian streak. In a letter to Margaret Llewelyn-Davies (23 January 1916), Woolf derides his oracular tone and dismisses his gloomy insights as the ravings of a misguided prophet: “I’ve been reading Carlyle’s Past and Present, and wondering whether all his rant has made a scrap CSA 24 2008 118 CARLYLE STUDIE S ANNUAL of difference practically” (Letters 2: 76). -
Sosyal Bilimler Enstitüsü Dergisi………………………………………
Celal Bayar Üniversitesi CBÜ SOSYAL BİLİMLER DERGİSİ Yıl : 2013 Cilt :11 Sayı :2 EXPERIMENTAL MODERNISM: THE SUBVERSION OF ROMANCE FORMULAS AND THE DISMANTLING OF REALIST REPRESENTATION OF THE CITY IN VIRGINIA WOOLF’S NIGHT AND DAY Araş. Gör. Dr. Çiğdem ALP Çanakkale Onsekiz Mart Üniversitesi, Fen Edebiyat Fakültesi, İngiliz Dili ve Edebiyatı Bölümü ABSTRACT Virginia Woolf’s second novel, Night and Day (1919), has generally been conceived as a typical example of the traditional English novel, which is characterized by the realistic rendering of common life and ordinary people. Some aspects of the book such as chronological order, omniscient narrator, and the traditional plot of love and marriage undoubtedly point to the realist tradition that the novel resides in. However, it is misleading to evaluate the text simply as a realist work because the narrative strategies Woolf employs throughout the book subvert the earlier literary conventions and signal the commencement of modernist literature that has changed the form and content of the English novel in the following decades. Throughout this work, Woolf questions both social and literary conventions by subverting romance formulas and describing psychologically-perceived London. While the subverted romance structure exposes the established views on gender and marriage, the portrayal of London through the consciousness of the characters prevents the novel from being a wholly realist work. The aim of this paper is to analyze how Woolf challenges traditional form and subject matter, and hence lays the ground for her later modernist works. Keywords: Virginia Woolf, Night and Day, realism, modernism, romance, city, feminism MODERNIZME GEÇİŞ: VIRGINIA WOOLF’UN NIGHT AND DAY ROMANINDA ROMANS GELENEĞİNİN VE REALİZMIN YIKIMI ÖZ Virginia Woolf’un ikinci romanı Night and Day (1919), edebiyat eleştirmenleri tarafından genellikle realist İngiliz romanın tipik bir örneği olarak kabul edilir. -
Selected Primary Bibliography (In Chronological Order of Publication)
selected primary bibliography (in chronological order of publication) major works The Voyage Out. London: Duckworth, 1915; New York: Doran, 1920. Night and Day. London: Duckworth, 1919; New York: Doran, 1920. Jacob’s Room. London: Hogarth, 1922; New York: Harcourt, 1923. Mrs Dalloway. London: Hogarth, 1925; New York: Harcourt, 1925. To the Lighthouse. London: Hogarth, 1927; New York: Harcourt, 1927. Orlando: A Biography. London: Hogarth, 1928; New York: Harcourt, 1928. A Room of One’s Own. London: Hogarth, 1929; New York: Harcourt, 1929. The Waves. London: Hogarth, 1931; New York: Harcourt, 1931. Flush: A Biography. London: Hogarth, 1933; New York: Harcourt, 1933. The Years. London: Hogarth, 1937; New York: Harcourt, 1937. Three Guineas. London: Hogarth, 1938; New York: Harcourt, 1938. Roger Fry: A Biography. London: Hogarth, 1940; New York: Harcourt, 1941. Between the Acts. London: Hogarth, 1941; New York: Harcourt, 1941. essays and shorter fiction The Mark on the Wall. London: Hogarth, 1917. Kew Gardens. London: Hogarth, 1919. Monday or Tuesday. London: Hogarth, 1921; New York: Harcourt, 1921. Mr Bennett and Mrs Brown. London: Hogarth, 1924. The Common Reader. London: Hogarth, 1925; New York; Harcourt, 1925. The Common Reader, Second Series. London: Hogarth, 1932; The Second Common Reader. New York: Harcourt, 1932. The Death of the Moth and Other Essays. Ed. Leonard Woolf. London: Hogarth, 1942; New York: Harcourt, 1942. A Haunted House and other Short Stories. London: Hogarth, 1944; New York: Harcourt, 1944. The Moment and Other Essays. Ed. Leonard Woolf. London: Hogarth, 1947; New York, Harcourt, 1948. 253 254 palgrave advances in virginia woolf studies The Captain’s Death Bed and Other Essays. -
The Posthumanistic Theater of the Bloomsbury Group
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky. -
“A Grievous Necessity”: the Subject of Marriage in Transatlantic Modern Women’S Novels: Woolf, Rhys, Fauset, Larsen, and Hurston
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ “A GRIEVOUS NECESSITY”: THE SUBJECT OF MARRIAGE IN TRANSATLANTIC MODERN WOMEN’S NOVELS: WOOLF, RHYS, FAUSET, LARSEN, AND HURSTON A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY (Ph.D.) in the Department of English and Comparative Literature of the College of Arts and Sciences 2004 by Kristin Kommers Czarnecki B.A., University of Notre Dame 1991 M.A., Northwestern University 1997 Committee Chair: Arlene Elder ABSTRACT “A GRIEVOUS NECESSITY”: THE SUBJECT OF MARRIAGE IN TRANSATLANTIC MODERN WOMEN’S NOVELS: WOOLF, RHYS, FAUSET, LARSEN, AND HURSTON My dissertation analyzes modern women’s novels that interrogate the role of marriage in the construction of female identity. Mapping the character of Clarissa in The Voyage Out (1915), “Mrs. Dalloway’s Party” (1923), and primarily Mrs. Dalloway (1925), I highlight Woolf’s conviction that negotiating modernity requires an exploratory yet protected consciousness for married women. Rhys’s early novels, Quartet (1929), After Leaving Mr. Mackenzie (1931), Voyage in the Dark (1934), and Good Morning, Midnight (1939), portray women excluded from the rite of marriage in British society. Unable to counter oppressive Victorian mores, her heroines invert the modernist impulse to “make it new” and face immutability instead, contrasting with the enforced multiplicity of identity endured by women of color in Fauset’s Plum Bun (1929) and Larsen’s Quicksand (1928) and Passing (1929). -
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A Bloomsbury Chronology 1866 Roger Fry born 1877 Desmond Maccarthy born 1879 E.M. Forster born Vanessa Stephen born 1880 Lytton Strachey born Thoby Stephen born Saxon Sydney-Turner born Leonard Woolf born 1881 Clive Bell born 1882 Virginia Stephen born Mary Warre-Cornish born 1883 J.M. Keynes born Adrian Stephen born 1885 Duncan Grant born Roger Fry enters King's College, Cambridge 1888 Roger Fry obtains a First Class honours in natural sciences and decides to study painting xx A Bloomsbury Chronology 1892 Roger Fry studies painting in Paris David Garnett born 1893 Dora Carrington born 1894 Roger Fry gives university extension lectures at Cambridge mainly on Italian art Desmond Maccarthy enters Trinity College, Cambridge 1895 Death of Mrs Leslie Stephen Virginia Stephen's first breakdown 1896 Roger Fry and Helen Coombe married 1897 E.M. Forster enters King's College, Cambridge Desmond MacCarthy leaves Trinity College Virginia Stephen attends Greek and history classes at King's College, London 1899 Roger Fry: Giovanni Bellini Clive Bell, Thoby Stephen, Lytton Strachey, Saxon Sydney-Turner, Leonard Woolf all enter Trinity College, Cambridge The Midnight Society - a 'reading society' - founded at Trinity by Bell, Sydney-Turner, Stephen, and Woolf 1900 Roger Fry gives university extension lectures on art at Cambridge 1go1 Roger Fry becomes art critic for the Athenaeum Vanessa Stephen enters the Royal Academy Schools E.M. Forster leaves Cambridge, travels in Italy and Greece, begins A Room with a View 1902 Duncan Grant attends the Westminster Art School Leonard Woolf, Saxon Sydney-Turner, and Lytton Strachey elected to 'The A Bloomsbury Chronology XXI Apostles' (older members include Roger Fry, Desmond MacCarthy, E.M. -
Orlando a Biography
Orlando A Biography Virginia Woolf ALMA CLASSICS AlmA ClAssiCs ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com Orlando first published in 1928 This edition first published by Alma Books Ltd in 2014 Cover image © Sadie Porter Notes and Exta Material © Alma Classics Ltd Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY isbn: 978-1-84749-370-5 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Orlando: A Biography 1 Preface 5 Chapter 1 7 Chapter 2 42 Chapter 3 79 Chapter 4 102 Chapter 5 151 Chapter 6 176 Note on the Text 221 Notes 221 Index 227 Extra Material 231 Virginia Woolf’s Life 233 Virginia Woolf’s Works 245 Select Bibliography 258 Orlando A Biography to V. SackVille-West* Preface Many friends have helped me in writing this book. -
Old Owenians Newsletter Sept 2014 Draft.Pdf
Old Owenians Newsletter Third Quarter—30th September 2014 Edition 15 A message from our Head… “Dear Old Owenians Firstly, welcome to new members if you’ve signed up to Old Owenians In Touch over the summer and thanks to those of you who’ve updated your details. Our new database has recorded lots of activity and we hope it’ll be an easier way of helping you to find your past peers and enable you to register more detailed information. We’re delighted seven businesses have joined our Old Owenians Business Directory and we’re happy to include more! We also hope to see many of you at our annual Old Owenians Harold Moore Old Owenians Harold Moore Reunion Luncheon in London in October to support our new organiser, Annual Reunion Luncheon Sandyann Cannon (Class of 1985) and MC Perry Offer (Class of 1977). Monday 27th October 2014 Imperial Hotel, August brought an excellent set of examination results in spite of the Russell Square, London, national drop in results for our Years 10, 11, 12 and 13 . Their hard work, and from 11.30am till 4pm the support of dedicated staff and parents, has ensured a truly outstanding, More details on page 2! well-deserved outcome. Key highlights below (further details on our website): 22% of all A-Level entries were awarded the A* grade 86% of all A-Level entries were graded A*, A or B 21 students have confirmed places at Oxford or Cambridge 99.5% of students in Year 11 secured 5 A*-C grades (a new school record), with 96.5% securing 5 A*-C grades when English and Mathematics are included—over 66% of all entries were graded A or A* Also, we’d like to congratulate Old Owenian, Jodie Williams, Class of 2012, who secured silver medals in the Commonwealth Games in July and the European Championships in August in the 200m and a record breaking gold medal in the 4 x 100 relay. -
Thesis Final Jan 2014
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Virginia Woolf’s Rooms and the Spaces of Modernity Zink, Gabriella Suzana Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 This electronic theses or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: Virginia Woolf’s Rooms and the Spaces of Modernity Author: Gabriella Suzana Zink The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. -
Virginia Woolf Miscellany, Issue 87, Spring/Summer 2015
NUMBER 87 SPRING/SUMMER 2015 To the Readers: This is not to say that particular scholars have not 1930s Woolf – TABLE of CONTENTS – attempted to reorient discussions of the 1930s and Valentine Cunningham, in his iconic British See page 16 its literature. Most notably, Jed Esty, in his 2004 Writers of the Thirties (1988), argues against International Virginia Woolf A Shrinking Island, examines the 1930s literary the traditional characterization of the decade’s Society Column production of modernist writers, specifically T. S. literature as exclusively shaped and reflected by See page 56 Eliot, E. M. Forster, and Virginia Woolf. However, the Auden Generation. This characterization, IVWS Officers and Members-at-Large instead of integrating these canonical modernist deeply engrained in the scholarly discourse See page 55 writers into a broader examination of the 1930s by Cunningham’s 1988 publication date—and –EVENTS, INFO and CFPs– literary scene in order to investigate the reciprocal due in large part to Auden and Company’s self- MLA 2016 in Austin relationships between 1930s literary trends and mythologizing proclivities—places poetry above See page 3 modernism, Esty focuses on the development and prose, realism above modernism, and political 2016 Annual Conference on role of modernism through the 1930s. Esty argues commitment above aesthetic innovation. And, Virginia Woolf: that rather than relinquishing its position as the not surprisingly, men above women. Despite the Virginia Woolf and Heritage dominant cultural force in the decade—as many reality that Cunningham’s comprehensive text Leeds Trinity University, UK See page 4 narratives of 1930s literature seem to imply— inadvertently contributes to this traditional and modernism reorients itself. -
London As a Principle of Structure in "Mrs
LONDON AS A PRINCIPLE OF STRUCTURE IN "MRS. DALLOWAY" Author(s): Miroslav Beker Source: Modern Fiction Studies, Vol. 18, No. 3, VIRGINIA WOOLF NUMBER (Autumn 1972), pp. 375-385 Published by: The Johns Hopkins University Press Stable URL: https://www.jstor.org/stable/26279214 Accessed: 28-10-2019 13:26 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to Modern Fiction Studies This content downloaded from 143.107.3.152 on Mon, 28 Oct 2019 13:26:54 UTC All use subject to https://about.jstor.org/terms LONDON AS A PRINCIPLE OF STRUCTURE IN MRS. DALLO WAY rrfr Miroslav Beker It has been noted by several critics that the city or locale in general is often of outstanding importance in modern fiction. In Wellek and Warren's Theory of Literature we read that "the great city (Paris, London, New York) is the most real of the characters in many a modern novel."1 And writing about Madame Bovary Percy Lubbock says that "the town [Yonville] with its life is not behind the heroine, subdued in tone to make a background: it is with her, no less fully to the front; its value in the picture is as strong as her own."2 Referring to the locale in modern fiction, Hans Meyerhoff in his study on time in literature stresses that "the identity of the city has the same face as the identity of persons in the city. -
UNIVERSITY of CALIFORNIA RIVERSIDE Sentimentality and Gender in Virginia Woolf and Laurence Sterne a Dissertation Submitted in P
UNIVERSITY OF CALIFORNIA RIVERSIDE Sentimentality and Gender in Virginia Woolf and Laurence Sterne A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Keri Diane Barber June 2010 Dissertation Committee: Dr. Kimberly J. Devlin, Chairperson Dr. George E. Haggerty Dr. John M. Ganim Copyright by Keri Diane Barber 2010 The Dissertation of Keri Diane Barber is approved: _______________________________________ _______________________________________ _______________________________________ University of California, Riverside ACKNOWLEDGEMENTS As with every project, there are a lot of people to thank. I would like to thank Professor Kimberly Devlin, Professor George Haggerty, and Professor John Ganim, for all their assistance. They encouraged me and helped me formulate ideas. They also guided me through the process and gave feedback on drafts. All of them have made my experience at UCR a memorable and productive one. I would also like to thank them for being on my Exam Committee as well as Professor Steven Axelrod and Professor Marguerite Waller. I would like to thank both David Armenta and Max Armenta. In many ways, this project is dedicated to David Armenta and the family he left behind. He is one of many lost soldiers, and his zest for life inspired the project and my work on war and soldiers. I would also like to thank Kim Palmore and Mikage Kuroki who befriended me year one of the Ph.D. program and have been valuable colleagues. Prior to my adventures at UCR, I would like to thank some Professors who paved the way for me to begin advanced studies: Madelyn Detloff, Ruben Quintero, Marilyn Elkins, and Anne B.