DOCSLIB.ORG

"References." Climate Crisis and the 21St-Century British Novel. London: Bloomsbury Academic, 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bracke, Astrid. "References." Climate Crisis and the 21st-Century British Novel. London: Bloomsbury Academic, 2018. 157–171. Bloomsbury Collections. Web. 2 Oct. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 06:40 UTC. Copyright © Astrid Bracke 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. References AAAS Climate Change Panel (2014), ‘What We Know: The Reality, Risks and Response to Climate Change’, American Association for the Advancement of Science. Available at: http://www.climateaccess.org/sites/default/files/AAAS_ What%20 We%20Know.pdf (accessed 15 August 2016). Abbott, H. Porter (2008), The Cambridge Introduction to Narrative, 2nd edn, Cambridge: Cambridge University Press. Adamson, Joni, Mei Mei Evans and Rachel Stein, eds (2002), The Environmental Justice Reader, Tucson: The University of Arizona Press. Adiseshiah, Siân and Rupert Hildyard (2013), ‘Introduction: What Happens Now’, in Siân Adiseshiah and Rupert Hildyard (eds), Twenty-First Century Fiction. What Happens Now, 1–14, Basingstoke and New York: Palgrave Macmillan. Alaimo, Stacy (2010), Bodily Natures, Bloomington: Indiana University Press. Alpers, Paul (1982), ‘What Is Pastoral?’, Critical Inquiry, 8(3): 437–460. Anthropocene Working Group (2016), ‘Media Statement’, University of Leicester, 29 August 2016. Available at: http://www2.le.ac.uk/offices/press/press-releases/2016/ august/media-note-anthropocene-working-group-awg (accessed 8 September 2016). Attridge, Derek (2004), The Singularity of Literature, London: Routledge. Barad, Karen (2003), ‘Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter’, Signs: Journal of Women in Culture and Society, 28(3): 801–831. Barkham, Patrick (2005), ‘Fear Stalks the Streets of Sydenham after Resident Is Attacked by Black Cat the Size of a Labrador’, The Guardian, 23 March 2005. Available at: https://www.theguardian.com/uk/2005/mar/23/patrickbarkham (accessed 5 September 2016). Barrell, John and John Bull, eds (1974), The Penguin Book of English Pastoral Verse, London: Allen Lane. Bate, Jonathan (2000), The Song of the Earth, London: Picador. Baucom, Ian (2015), ‘“Moving Centers”: Climate Change, Critical Method, and the Historical Novel’, Modern Language Quarterly, 76(2): 137–157. Bayer, Gerd (2015), ‘Perpetual Apocalypses: David Mitchell’s Cloud Atlas and the Absence of Time’, Critique: Studies in Contemporary Fiction, 56(4): 345–354. Beck, Ulrich (1986), Risk Society: Towards a New Modernity, London, Newbury Park, New Delhi: Sage. 158 References Beer, Gillian (1989), ‘The Death of the Sun: Victorian Solar Physics and Solar Myth’, in J. B. Bullen (ed.), The Sun Is God: Painting, Literature and Mythology in the Nineteenth Century, 159–180, Oxford: Oxford University Press. Bennett, Michael (2001), ‘From Wide Open Spaces to Metropolitan Places’, Interdisciplinary Studies in Literature and Environment, 8(1): 31–52. BirdLife International (2012), ‘Pinguinus impennis’, The IUCN Red List of Threatened Species. Available at: http://www.iucnredlist.org/details/22694856/0 (accessed 6 July 2016). Blake, William ([1794] 2013), ‘A Little Boy Lost’, in Will Jonson (ed.), Songs of Innocence and Experience, 35, Charleston: CreateSpace Independent Publishing Platform. Booth, Wayne (1961), The Rhetoric of Fiction, Chicago: Chicago University Press. Borlik, Todd (2011), Ecocriticism and Early Modern Literature: Green Pastures, New York and Abingdon: Routledge. Botkin, Daniel (1992), Discordant Harmonies: A New Ecology for the Twenty-First Century, Oxford: Oxford University Press. Boxall, Peter (2013), Twenty-First-Century Fiction, Cambridge: Cambridge University Press. Bracke, Astrid (2010), ‘Redrawing the Boundaries of Ecocritical Practice’, Interdisciplinary Studies in Literature and Environment, 17(4): 765–768. Bracke, Astrid (2013), ‘Wastelands, Shrubs and Parks: Ecocriticism and the Challenge of the Urban’, Frame, 26(2): 7–22. Bracke, Astrid (2014a), ‘Re-Approaching Urban Nature’, Alluvium, 3(1): n.p. Bracke, Astrid (2014b), ‘The Contemporary English Novel and Its Challenges to Ecocriticism’, in Greg Garrard (ed.), The Oxford Handbook of Ecocriticism, 423–439, Oxford: Oxford University Press. Brazeau, Robert and Derek Gladwin, eds (2014), Eco-Joyce: The Environmental Imagination of James Joyce, Cork: Cork University Press. British Gas (2015), ‘Keep Your Home Warm and Working This Winter with HomeCare’, [Television ad]. Available at: https://www.youtube.com/ watch?v=qw8scHY-Y7s (accessed 11 September 2016). British Gas (2016), ‘FREE Electricity on Saturdays or Sundays with FreeTime Plans from British Gas’, [Television ad]. Available at: https://www.youtube.com/ watch?v=j-RTuSQNey0 (accessed 11 September 2016). Brown, Mick (2010), ‘Ian McEwan Interview: Warming to the Topic of Climate Change’, The Telegraph, 11 March. Available at: http://www.telegraph.co.uk/ culture/books/7412584/Ian-McEwan-interview-warming-to-the-topic-of-climate- change.html (accessed 30 August 2016). References 159 Bruner, Jerome (1991), ‘The Narrative Construction of Reality’,Critical Inquiry, 18(1): 1–21. Buell, Frederick (2003), From Apocalypse to Way of Life, New York: Routledge. Buell, Lawrence (1995), The Environmental Imagination, Cambridge, MA: Harvard University Press. Buell, Lawrence (2005), The Future of Environmental Criticism, Malden, MA and Oxford: Blackwell. Burgess, Jacquelin, Carolyn M. Harrison and Melanie Limb (1988), ‘People, Parks and the Urban Green: A Study of Popular Meanings and Values for Open Spaces in the City’, Urban Studies, 25(6): 455–473. Carrington, Damian (2016), ‘The Anthropocene Epoch: Scientists Declare Dawn of Human-Influenced Age’, The Guardian, 29 August. Available at: https://www. theguardian.com/environment/2016/aug/29/declare-anthropocene-epoch-experts- urge-geological-congress-human-impact-earth (accessed 8 September 2016). Carroll, Lewis ([1876], n.d.), ‘The Hunting of the Snark’, Poetry Foundation. Available at: https://www.poetryfoundation.org/poems-and-poets/poems/detail/43909 (accessed 6 July 2016). Carruth, Allison (2009), ‘“The Chocolate Eater”: Food Traffic and Environmental Justice in Toni Morrison’s Tar Baby’, Modern Fiction Studies, 55(3): 596–619. Carter, Graydon (2006), ‘Green Is the New Black’, Vanity Fair, May. Available at: http://www.vanityfair.com/magazine/2006/05/graydon 200605 (accessed 30 January 2012). Carvalho, Anabela (2005), ‘Representing the Politics of the Greenhouse Effect’, Critical Discourse Studies, 2(1): 1–29. Chakrabarty, Dipesh (2009), ‘The Climate of History: Four Theses’, Critical Inquiry, 35(2): 197–222. Chang, Kenneth (2016), ‘One Star Over, A Planet That Might Be Another Earth’, New York Times, 24 August. Available at: http://www.nytimes.com/2016/08/25/science/ earth-planet-proxima-centauri.html?_r=0 (accessed 26 August 2016). Childs, Peter and James Green (2011), ‘The Novel in Nine Parts’, in Sarah Dillon (ed.), David Mitchell. Critical Essays, 25–47, Canterbury: Gylphi. Clark, Timothy (2011), The Cambridge Introduction to Literature and the Environment, Cambridge: Cambridge University Press. Clark, Timothy, ed. (2012), ‘Deconstruction in the Anthropocene’, Special Issue of Oxford Literary Review, 34(2). Clark, Timothy (2014), ‘Nature, Post Nature’, in Louise Westling (ed.), The Cambridge Companion to Literature and the Environment, 75–89, Cambridge: Cambridge University Press. 160 References Clark, Timothy (2015), Ecocriticism on the Edge, London and New York: Bloomsbury. Cohen, Tom (2012), ‘Toxic Assets: De Man’s Remains and the Ecocatastrophic Imaginary’, in Tom Cohen, Claire Colebrook and J. Hillis Miller (eds), Theory and the Disappearing Future, 89–129, London and New York: Routledge. Coleridge, Samuel Taylor ([1798] 2012), ‘The Rime of the Ancient Mariner’, in Stephen Greenblatt (gen. ed), The Norton Anthology of English Literature, 9th edn, vol. 2, 443–459, New York and London: W.W. Norton & Company. Convery, Ian, Cath Bailey, Maggie Mort and Josephine Baxter (2005), ‘Death in the Wrong Place? Emotional Geographies of the UK 2001 Foot and Mouth Disease Epidemic’, Journal of Rural Studies, 21(1): 99–109. Cook, Ian R. and Erik Swyngedouw (2012), ‘Cities, Social Cohesion and the Environment: Towards a Future Research Agenda’, Urban Studies, 49(9): 1959– 1979. Costello, Bonnie (2003), Shifting Ground: Reinventing Landscape in Modern American Poetry, Cambridge: Harvard University Press. Cronon, William (1991), Nature’s Metropolis. Chicago and the Great West, New York: WW Norton. Cronon, William (1995), ‘The Trouble with Wilderness; or, Getting Back to the Wrong Nature’, in William Cronon (ed.), Uncommon Ground, 69–90, New York: W.W. Norton. Crutzen, Paul (2002), ‘Geology of Mankind’, Nature, 415: 23. Crystal Cruises (2016), ‘Northwest Passage Explorer’, Crystal Cruises. Available at: http://www.crystalcruises.com/voyage/details/northwest-passage-explorer-7320 (accessed 9 September 2016). Currie, Mark (2010), About Time, Edinburgh: Edinburgh University Press. D’Arcy Wood, Gillen (2008), ‘Eco-Historicism’, The Journal for Early Modern Cultural Studies, 8(2): 1–7. Daniels, Stephen and Georgina H. Enfield (2009), ‘Narratives of Climate Change: Introduction’, Journal of Historical Geography, 35(2): 215–222. Davis, Richard (1981), ‘From Conquest to Cognition: 20th Century Exploration Narratives’, Arctic, 34(1): 85–89. DiCaprio, Leonardo (2016), ‘Acceptance Speech’,
Load more

Recommended publications
  • Writing the Wild in Crisis
    ECOSEISMOLOGY: Writing the Wild in Crisis Submitted by Miriam Darlington to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Creative Writing) In January 2014 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 2 Contents: ABSTRACT .............................................................................................................................................. 5 INTRODUCTION .................................................................................................................................... 6 ECOSEISMOLOGY – A RATIONALE AND DEFINITION ......................................................................................... 6 ECOSEISMOLOGY IN ACTION: OTTER COUNTRY AND THE NEW NATURE WRITING ................................ 20 THE THREE STAGES OF ECOSEISMOLOGY: ............................................................................... 22 (I) ENCOUNTER ................................................................................................................................................... 22 (II) THE ECOSEISMIC MOMENT ........................................................................................................................
    [Show full text]
  • Explored Through the Revision of Place in Jackie Kay's Fiere, Kathleen Jamie's the Tree House A
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Repetition as Revision: Explored through the Revision of Place in Jackie Kay’s Fiere, Kathleen Jamie’s The Tree House, and Crane, a Creative Composition by Lynn Davidson A thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English at Massey University, Palmerston North, New Zealand Lynn Davidson 2015 Abstract This thesis examines anaphora, parallelism, and repetends, and asks if and how these techniques of repetition allow for negotiation among meanings, contexts and possibilities in contemporary poetry. The thesis is comprised of two sections, creative and critical, with a seventy percent creative and thirty percent critical split. The critical study is based on a close analysis of anaphora and parallelism in Jackie Kay’s Fiere (2010) and repetends in Kathleen Jamie’s The Tree House (2004), while repetition is explored creatively through Crane, an original collection of poetry shaped and informed by the critical research. Crane uses techniques of formal repetition to enquire into cultural and emotional links to place, and the impact of return journeys to significant places on a reimagining of place and self. There are five sections in Crane, each of which uses repetition slightly differently to engage with questions of movement between places. The collection uses repetition to explore how ‘going back’ can be a powerful part of the process of revising identity and integrating change.
    [Show full text]
  • Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected]
    Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Spring 2014 The niU versal Roar: Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the American Studies Commons Recommended Citation Balserait, Jason, "The nivU ersal Roar: Walt Whitman, John Muir, and the Song of the Cosmos" (2014). Master of Liberal Studies Theses. 54. http://scholarship.rollins.edu/mls/54 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Universal Roar: Walt Whitman, John Muir, and the Song of the Cosmos A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Jason A. Balserait May, 2014 Mentor: Dr. Steve Phelan Reader: Dr. Joseph V. Siry Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida Acknowledgements There are a number of people who I would like to thank for making this dream possible. Steve Phelan, thank you for setting me on this path of self-discovery. Your infectious love for wild things and Whitman has changed my life. Joe Siry, thank you for support and invaluable guidance throughout this entire process. Melissa, my wife, thank you for your endless love and understanding. I cannot forget my two furry children, Willis and Aida Mae.
    [Show full text]
  • Climate Change Scepticism: a Transnational Ecocritical Analysis
    Garrard, Greg. "Climate Scepticism in the UK." Climate Change Scepticism: A Transnational Ecocritical Analysis. By Greg GarrardAxel GoodbodyGeorge HandleyStephanie Posthumus. London,: Bloomsbury Academic, 2019. 41–90. Bloomsbury Collections. Web. 26 Sep. 2021. <http://dx.doi.org/10.5040/9781350057050.ch-002>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 26 September 2021, 23:43 UTC. Copyright © Greg Garrard, George Handley, Axel Goodbody and Stephanie Posthumus 2019. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 2 Climate Scepticism in the UK Greg Garrard Before embarking on a detailed analysis of sceptical British texts, I will provide some historical and scholarly context. There have been many studies of anti- environmentalism in the United States (Helvarg; Brick; Ehrlich and Ehrlich; Switzer) and one on the global ‘backlash’ (Rowell), but none focuses exclusively on the UK. The sole treatment of anti-environmentalism within ecocriticism comes from the United States (Buell), just like the various exposés of climate scepticism discussed in the Introduction. As this chapter will show, British climate scepticism is possessed of a prehistory and some distinctive local features that reward closer inspection. Nevertheless, the Anglo-American axis of organized anti-environmentalism is obvious: British climate sceptics such as Christopher Monckton, James Delingpole and Nigel Lawson are darlings of the American conservative think tanks (CTTs) that promulgate sceptical perspectives, while Martin Durkin’s The Great Global Warming Swindle (2007), a British documentary shown on Channel 4, includes interviews with Richard Lindzen, Patrick Michaels and Fred Singer, all prominent American sceptics.
    [Show full text]
  • UNESCO Kalinga Prize Winner – 1981 Sir David Attenborough
    Glossary on Kalinga Prize Laureates UNESCO Kalinga Prize Winner – 1981 Sir David Attenborough A British Legend of Science Serials, Britain’s Best Known Natural History Film Maker & Arguably the World’s Foremost Television Naturalist [Born: May 8, 1926 in London, England …………] Mankind has Probably done more damage to the earth in the 20th Century than in all of Previous human history. ... David Attenborough “If we [humans] disappeared over right, the world would Probably be better off.” The Daily Telegraph, London, 12, November, 2005 … David Atenborough “It seems to me that natural world is the greatest source of excitement, the greatest source of visual beauty; the greatest source of intellectual interest . It is the greatest source of so much in life that makes life worth living.” … David Attenborough. 1 Glossary on Kalinga Prize Laureates David Attenborough : A Biographical Profile World’s Best Known Broadcasters, Humanists and Naturalists Born : May 8, 1926 London, England Residence : Richmond, London Nationality : British Field : Naturalist Alma mater : Clare College, Cambridge (Natural Sciences) Notable Prizes : Order of Merit, Order of the Companions of Honour, Royal Victorian Order, Order of the British Empire, Fellow of the Royal Society Sir David Frederick Attenborough, OM, CH, CVO, series is in production. He is also a former senior CBE, FRS (born on May 8, 1926 in London, England) manager at the BBC, having served as controller of is one of the world’s best known broadcasters and BBC2 and director of programming for BBC naturalists. Widely considered one of the pioneers Television in the 1960s and 1970s. of the nature documentary, his career as the He is the younger brother of director and actor respected face and voice of British natural history Richard Attenborough.
    [Show full text]
  • The Butter Bump, a Magpie, John Clare
    Romanticism on the Net #72-73 (Spring-Fall 2019) The Butter Bump, a Magpie, John Clare Karen Swann Williams College Abstract The strategies of natural history are distancing ones, and, since Michel Foucault’s The Order of Things, the genre has been the subject of powerful modes of distanced reading. A corollary, perhaps, is that any instance of natural history writing, and especially, any single entry in a natural history compilation, can seem closed to “close” reading: in the field guide as in the taxonomic systems that inform its organization, the highly codified general descriptor, structurally equivalent to every other general descriptor in the set, swallows up the situated, the particular, the near. Within this arena, John Clare’s natural history writing is, in Sara Guyer’s phrase, “hyperbolically local.” Readers have variously praised Clare’s writing on natural subjects for its decentering of an anthropomorphizing perspective, for its mimetic fidelity to an experienced local environment, for what has been described as its proto-environmental or –ecological awareness. This essay pursues the forms of local attentiveness displayed in Clare’s natural history writing in a different direction, to explore how his work engages in close, critical readings of the operations of natural history. My essay tracks Clare’s pursuit of two odd birds, “the” butter bump and “a” magpie, each of which makes a “strange noise” that reverberates through its world, traversing borders, confounding equivalencies, and sounding both the power and the limits of an already-arrived natural order of things. Biographical Note Karen Swann is Morris Professor of Rhetoric Emerita at William College.
    [Show full text]
  • New Nature Writing’, Collective Politics and the Environmental Crisis
    This is a repository copy of Engaging the imagination: ‘new nature writing’, collective politics and the environmental crisis. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/121524/ Version: Updated Version Article: Oakley, K orcid.org/0000-0002-5225-0410, Ward, J orcid.org/0000-0003-3726-9217 and Christie, I (2018) Engaging the imagination: ‘new nature writing’, collective politics and the environmental crisis. Environmental Values, 27 (6). pp. 687-705. ISSN 0963-2719 https://doi.org/10.3197/096327118X15343388356383 © 2017 The White Horse Press. This is a pre-copy-editing, author-produced PDF of an article accepted following peer review for publication in Environmental Values. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Forthcoming in Environmental Values ©The White Horse Press http://www.whpress.co.uk Engaging the imagination: ‘new nature writing’, collective politics and the environmental crisis Kate Oakley1 Jonathan Ward2 Ian Christie3 This work was supported by the ESRC under grant number ES/M010163/1.
    [Show full text]
  • The Language of Ecotourism Doctor of Philosophy
    The Language of Ecotourism Doctor of Philosophy Jayne Fenton Keane Bachelor of Education, Bachelor of Arts (Honours), Doctor of Philosophy 2015 i ABSTRACT This research examines the construction of language in the field of ecotourism through a number of disciplines and discourses. Following Graham Dann’s (1996) lead in investigating tourism texts through a socio-linguistic study of language, I focus on the niche of ecotourism to look specifically at the way nature is represented within its texts. An increasing body of interdisciplinary research is developing with a bias towards describing environmental discourses through political, managerial, sociological and business lenses (see Cohen, 1978; Haenn, 1994; Hall & Kinnaird, 1994; Hollinshead, 2000a; Jones, 1987). This bias creates a gap in the literature on ecocritical, discourse analysis and sociolinguistic reviews of ecotourism language (Dann, 2012). This research is important because it demonstrates how the methods used by discourse and its operations, such as marketing and promotion, are deployed to transform ecological space into a commodity. Political and cultural discourses position nature as a theme within them to perform a host of utilitarian functions. Creative writing, travel writing, copywriting and poetics all contribute to the methods through which ecotourism is promoted, constructed, understood, consumed and desired. Fundamental to understanding the importance of language in creating the experience and identity of ecotourism is the role of the Internet: its keywords, search engine techniques, consumer feedback capacities and websites. Websites allow destination managers to create a direct relationship with an international audience of potential guests. By reviewing literature from different disciplines and producing a new set of comprehensive data, I contribute to the literature on ecotourism by demonstrating how it produces and is produced by culture in ways that influence the design and promotion of marketing material by the tourism industry.
    [Show full text]
  • Title Author Car Care: How Is Works, How To
    Title Author Car Care: How is Works, How to Look After It Automobile Association Production of wood charcoal in Great Britain Aaron, J R A Sustainable Community in the Egyptian Desert Abouleish, Ibrahim Plants, Seeds, Books & Sundries Agroforestry Research Trust Local environment journal Agyeman, Julian Ed Moving forward; program for a participatory economy Albert, Michael Encyclopedia of social inventions Albery, N. Eds. Soil Fertility & Human and Animal Health . The Albrecht Papers. Volume 8 Albrecht, William, A. Ph.D. A pattern language; towns - buildings - construction Alexander, C et al The Organic Allotment Algar, Anne Home Farm: Complete Food Self Sufficiency Allaby, Michael Growing and Preserving Fruit Allderdyce, Carthew Fresh from the Kitchen Allen, Debbi Off The Grid: Managing Independent Renewable Electricity Systems Allen, Paul Winnie-the-Pooh on management; in which a very important bear and his Allen, Roger E friends are introduced to a very important subject Agroecology: The Scientific Basis for Alternative Agriculture Altieri, Miguel Ecologies of the Heart. Emotion, Belief and the Environment Anderson, E.N Goal Directed Project Management Anderson, Erling.S, Grude, Kristoffer, V, and Haug Tor Growing and Preserving Fruit Allerdyce, Carthew Beekeeping for Beginners Richards, Andrew Creating a Wild Flower Garden Andrews, Jonathan Bike Easy: Top tips and expert advice for the new cyclist Andrews, Peter The Allotment Handbook - A guide to promoting and protecting your site. Andrews, Sophie Edible Cities: Urban Permaculture for Gardens, Yards, Balconies, Rooftops Anger, J, Fiebrig, I and Schynder, M. and Beyond Permaculture Design: A step-by-step guide Aranya The private life of plants Attenborough, David Ecosystem Geography.
    [Show full text]
  • Das Lied Von Der Erde: Mahler's Musical Ontology
    Das Lied von der Erde: Mahler’s Musical Ontology Ioanida Costache Submitted to the Department of Music of Amherst College in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors. Faculty Advisor: Professor Jenny Kallick April 16, 2012 To Philipp, who understood, and listened to Mahler in his final hours. Contents Acknowledgments ............................................................................................................ vi Introduction ....................................................................................................................... 1 Chapter 1 Background Setting the Stage ................................................................................................................. 4 Philosophical Underpinnings .............................................................................................. 7 Chapter 2 Das Lied Part I On the Dramatic Trajectory .............................................................................................. 14 Das Trinklied vom Jammer der Erde (The drinking song of the misery of the earth) ..... 19 Der Einsame im Herbst (The lonely one in autumn) ........................................................ 35 Von der Jugend (Of youth) ............................................................................................... 45 Von der Schönheit (Of beauty) ......................................................................................... 53 Der Trunkene im Frühling (The drunkard in spring) .......................................................
    [Show full text]
  • Rachel Carson and the Perils of Simplicity: Reading Silent Spring from the Global South1 Hedley Twidle
    ariel: a review of international english literature Vol. 44 No. 4 Pages 49–88 Copyright © 2014 The Johns Hopkins University Press and the University of Calgary Rachel Carson and the Perils of Simplicity: Reading Silent Spring from the Global South1 Hedley Twidle Abstract: Carson’s work is often praised (and sometimes con- demned) for its simplicity and lyricism, its “sensitive literary style.” My engagement with Silent Spring explores this idea of literariness, tracing the formal qualities and rhetorical strategies of her oeuvre: the ecology of allusion and quotation that it gen- erates, the metaphors and genres that it draws on. In doing so, it argues that the celebrated accessibility of her writing is in fact a carefully worked-for effect. The simplicity of Silent Spring, in other words, is more complex than it first appears: a quality that lent the book much of its power yet also rendered it vulnerable in other ways. At the same time, I hope to read Carson’s public sci- ence writing alongside the anti-globalisation protest of Arundhati Roy, probing the relation between the simple and the complex in contemporary environmentalism. Both turned their attention to explicitly instrumental writing after winning fame for more “liter- ary” texts, both questioned the credibility of the male expert, and both deployed the intimate address of the essay form for polemi- cal effect. Roy’s work also allows us to see how Carson’s version of environmentalism looks from the developing world: how the ideas of ecology, toxicity, and “slow violence” that Silent Spring did much to introduce into public culture might play out in a postcolony like South Africa.
    [Show full text]
  • A Poetic Exploration of the Hyperlocal in Burlington, Vermont
    University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2020 Field Guides for Leaving: A poetic exploration of the hyperlocal in Burlington, Vermont Rachel A. Foster University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Foster, Rachel A., "Field Guides for Leaving: A poetic exploration of the hyperlocal in Burlington, Vermont" (2020). UVM Honors College Senior Theses. 344. https://scholarworks.uvm.edu/hcoltheses/344 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. FIELD GUIDES FOR LEAVING: A POETIC EXPLORATION OF THE HYPERLOCAL IN BURLINGTON, VERMONT A Thesis Presented by Rachel Foster to The Faculty of the Honors College of The University of Vermont Graduation Date: May 17, 2020 Defense Date: April 27, 2020 Thesis Examination Committee: Major Jackson, MFA, Advisor Sarah Turner, Ph.D, Advisor Adrian Ivakhiv Ph.D., Chair Foster 1 Acknowledgments Thank you to the English Department for being my intellectual home at the University of Vermont; Major Jackson, for serving as my advisor and challenging my poetry; Sarah Turner, for advising me not just on this project but consistently over the last four years; Adrian Ivakhiv for serving as the Chair of my Defense Committee; my friends Tali
    [Show full text]